11,046 results
1967ref. 157289N.p.: N.p. 1967. Three vintage reference photographs from the 1967 Serbian film. One photograph with a printed mimeo snipe in French affixed to the verso. A young switchboard operator begins a relationship with a serious beau but finds herself unwillingly subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. Two photographs 7 x 5 inches one photograph 10 x 8 inches. Near Fine. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 142997Belgrade: Avala Film 1967. Original program for the international release of the 1967 Yugoslav black wave film. Photo-illustrated with stills from the film and reproductions of line illustrations. Wrappers text in French with French German Russian Spanish and English text inside. Taking on the trappings of American crime and film noir about a woman who is murdered by her lover after her infidelity is discovered the plot unfolds in non-chronological order with imaginative digressions and interruptions where both a sexologist and criminologist directly address the camera creating a critique of communist society and censorship. 10 x 8.25 inches. Very Good plus in stiff wrappers. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. Avala Film unknown
1970ref. 144148N.p.: N.p. 1970. Draft script for an unproduced film. With occasional manuscript annotations in blue ink throughout. Adapted for the screen from Alan Morris' 1970 novel "The Tale Of The Lazy Dog." A ragtag group consisting of an Irish journalist a French woman married to a man in the CIA a mercenary pilot and a shameless adventurer are amuck in the war torn region of Laos Cambodia and Vietnam attempting to extort one and a half billion dollars. Set in Laos Cambodia and Vietnam. Blue titled wrappers. Title page present noted as with credits for screenwriter Dursley Berkeley and novelist Alan Williams. 112 with last page of text numbered 114. Mechanical duplication. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown books
1970ref. 144148N.p.: N.p. 1970. Draft script for an unproduced film. With occasional manuscript annotations in blue ink throughout. Adapted for the screen from Alan Morris' 1970 novel "The Tale Of The Lazy Dog." A ragtag group consisting of an Irish journalist a French woman married to a man in the CIA a mercenary pilot and a shameless adventurer are amuck in the war torn region of Laos Cambodia and Vietnam attempting to extort one and a half billion dollars. Set in Laos Cambodia and Vietnam. Blue titled wrappers. Title page present noted as with credits for screenwriter Dursley Berkeley and novelist Alan Williams. 112 with last page of text numbered 114. Mechanical duplication. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1960ref. 32999Paris Gallimard 1960 in-8° Avec des photos du Film d'Alain Resnais dont c'est le scenario et les dialogues
1989ref. 141597Beverly Hills CA: Orion 1989. Revised Draft script for the 1991 film. Copy belonging to Brad Ricker an unknown crew member with his name on the front wrapper in manuscript ink. EVE VIII is a military cyborg designed to look like her creator. When it is damaged during a bank robbery it begins accessing dark and tragic personal memories of its creator and sets about on an unstoppable mission to kill. Colonel Jim McQuade Hines is tasked with stopping the machine of death. Shot on location in San Francisco Los Angeles and New York City. White untitled wrappers. Title page present dated 10/2/89 noted as Revised with credits for screenwriters Duncan Gibbins and Yale Udoff. 118 leaves with last page of text numbered 117. Xerographic duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Orion unknown books
1991ref. 147653Beverly Hills CA: Orion Pictures 1991. Eight vintage studio still photographs from the 1991 film five of which are compilation prints of multiple stills. Dr. Eve Simmons Renee Soutendijk in her first US film creates a nuclear armed android EVE VIII also played by Soutendijk for the military which looks and sounds just like its creator and has gotten lost in a big city and Dr. Simmons and Colonel Jim McQuade Gregory Hines must stop it. Shot on location in New York Los Angeles and San Francisco. 8 x 10 inches. Near Fine. Orion Pictures unknown books
1989ref. 141597Beverly Hills CA: Orion 1989. Revised Draft script for the 1991 film. Copy belonging to Brad Ricker an unknown crew member with his name on the front wrapper in manuscript ink. EVE VIII is a military cyborg designed to look like her creator. When it is damaged during a bank robbery it begins accessing dark and tragic personal memories of its creator and sets about on an unstoppable mission to kill. Colonel Jim McQuade Hines is tasked with stopping the machine of death. Shot on location in San Francisco Los Angeles and New York City. White untitled wrappers. Title page present dated 10/2/89 noted as Revised with credits for screenwriters Duncan Gibbins and Yale Udoff. 118 leaves with last page of text numbered 117. Xerographic duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Orion unknown
1959ref. 158510N.p.: N.p. 1959. Vintage photograph of Lee Remick and Duke Ellington on the set of the 1959 film. From the archive of film historian and author Joel Finler. The first major Hollywood film to feature a score by an African American composer. The jazz score composed by Ellington and Billy Strayhorn and performed by Ellington's Orchestra won three Grammy Awards in 1959. Based on the 1958 novel by judge John D. Voelker writing under the pseudonym Robert Traver based on a real life case of a veteran accused of killing a local man whom he believed raped his wife. Nominated for seven Academy Awards. Set and shot on location in Michigan. 10 x 8 inches. Near Fine lightly faded with a hint of creasing at the corners. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. N.p. unknown books
1959ref. 159902Los Altos CA: Carlyle Productions / Columbia Pictures 1959. Two vintage reference photographs taken on the set of the 1959 film one showing Duke Ellington working on the film score and the other showing Ellington laughing with Billy Strayhorn. Carlyle Productions stamps on the versos. The first major Hollywood film to feature a score by an African American composer. Composed by Ellington and Strayhorn and performed by Ellington's Orchestra the score won three Grammy Awards in 1959. Based on the 1958 novel by judge John D. Voelker writing under the pseudonym Robert Traver based on a real life case of a veteran accused of killing a local man whom he believed raped his wife. Nominated for seven Academy Awards. Set and shot on location in Michigan. One 8 x 10 inches the other 10 x 8 inches. Near Fine. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. Carlyle Productions / Columbia Pictures unknown books
1974ref. 141659N.p.: N.p. 1974. Bound collection of research materials for an unproduced film. A collection of quotes stories accounts of life-changing accounts reviews and a discography of Edward Kennedy "Duke" Ellington who passed away the same year this archive was assembled. Blue untitled wrappers. Title page present dated August/September 1974 noted as Research File with credits for research Michael Barlow. 54 leaves with last leaf of text numbered 53. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1959ref. 159902Los Altos CA: Carlyle Productions / Columbia Pictures 1959. Two vintage reference photographs taken on the set of the 1959 film one showing Duke Ellington working on the film score and the other showing Ellington laughing with Billy Strayhorn. Carlyle Productions stamps on the versos. The first major Hollywood film to feature a score by an African American composer. Composed by Ellington and Strayhorn and performed by Ellington's Orchestra the score won three Grammy Awards in 1959. Based on the 1958 novel by judge John D. Voelker writing under the pseudonym Robert Traver based on a real life case of a veteran accused of killing a local man whom he believed raped his wife. Nominated for seven Academy Awards. Set and shot on location in Michigan. One 8 x 10 inches the other 10 x 8 inches. Near Fine. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. Carlyle Productions / Columbia Pictures unknown
1959ref. 158510N.p.: N.p. 1959. Vintage photograph of Lee Remick and Duke Ellington on the set of the 1959 film. From the archive of film historian and author Joel Finler. The first major Hollywood film to feature a score by an African American composer. The jazz score composed by Ellington and Billy Strayhorn and performed by Ellington's Orchestra won three Grammy Awards in 1959. Based on the 1958 novel by judge John D. Voelker writing under the pseudonym Robert Traver based on a real life case of a veteran accused of killing a local man whom he believed raped his wife. Nominated for seven Academy Awards. Set and shot on location in Michigan. 10 x 8 inches. Near Fine lightly faded with a hint of creasing at the corners. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. N.p. unknown
1974ref. 141659N.p.: N.p. 1974. Bound collection of research materials for an unproduced film. A collection of quotes stories accounts of life-changing accounts reviews and a discography of Edward Kennedy "Duke" Ellington who passed away the same year this archive was assembled. Blue untitled wrappers. Title page present dated August/September 1974 noted as Research File with credits for research Michael Barlow. 54 leaves with last leaf of text numbered 53. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1984ref. 141892Munich: Bayerischer Rundfunk 1984. Draft script for the 1986 film. Text in German. A lawyer survives a plane crash and uses his new found lust for life to take on a new identity and start again. Based on a novel of the same title by Johannes Mario Simmel. Clear untitled wrappers. Title page present dated October 12 1984 with credits for screenwriter Johannes Mario Simmel. 146 leaves with last page of text numbered 144. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with white velo binding. Bayerischer Rundfunk unknown books
1984ref. 141892Munich: Bayerischer Rundfunk 1984. Draft script for the 1986 film. Text in German. A lawyer survives a plane crash and uses his new found lust for life to take on a new identity and start again. Based on a novel of the same title by Johannes Mario Simmel. Clear untitled wrappers. Title page present dated October 12 1984 with credits for screenwriter Johannes Mario Simmel. 146 leaves with last page of text numbered 144. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with white velo binding. Bayerischer Rundfunk unknown
1967ref. 163332N.p.: N.p. 1967. Three vintage reference photographs from the 1967 Yugoslav film all three showing actress Eva Ras. One with a printed mimeo snipe affixed to the verso and all three with the stamps of photographer Michel Ciment. A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. 10 x 8 inches. Near Fine. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
1967ref. 164292N.p.: N.p. 1967. Four vintage reference photographs from the 1967 Yugoslavian film all showing actress Eva Ras. Two with a printed French mimeo snipes affixed to the verso and three with provenance stamps and labels on same. A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. Two photographs 9.5 x 7.25 inches two photographs 5 x 7 inches. Generally Very Good plus. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
1967ref. 163332N.p.: N.p. 1967. Three vintage reference photographs from the 1967 Yugoslav film all three showing actress Eva Ras. One with a printed mimeo snipe affixed to the verso and all three with the stamps of photographer Michel Ciment. A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. 10 x 8 inches. Near Fine. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 164292N.p.: N.p. 1967. Four vintage reference photographs from the 1967 Yugoslavian film all showing actress Eva Ras. Two with a printed French mimeo snipes affixed to the verso and three with provenance stamps and labels on same. A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. Two photographs 9.5 x 7.25 inches two photographs 5 x 7 inches. Generally Very Good plus. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1993ref. 147073Los Angeles: Orbit Entertainment 1993. Draft script for the 1993 film here under the working title "Cross Bait." After being accidentally given an invaluable coin from the age of King Herod while traveling through Jerusalem an Arabic boy and an American teenager travel across Israel to protect the treasure from a British man obsessed with procuring the coin by any means. Set and shot in Jerusalem. Pink untitled wrappers. Title page present with credits for screenwriters Dror Soref and Howard Delman. 127 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good plus wrapper Good lightly dampstained and soiled bound with three gold brads. Orbit Entertainment unknown books
1982ref. 138021N.p.: Self published 1982. Early Draft script for the 1993 film "The Seventh Coin" here under the working title "King Herod's Children" dated a full decade before the film's release. Credited on the title page to Kikuo Kawasaki for an original concept. An Arab boy Chowdhry meets a beautiful American tourist Powers in modern-day Jerusalem. By accident the two are entrusted to guard a valuable coin dating back to King Herod but they must defend themselves and the coin from a no-good villain O'Toole. Red titled wrappers. Title page present dated 1982 with credits for screenwriters Delman and Soref and concept person Kawasaki. 128 leaves with last page of text numbered 126. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Self published unknown books
1993ref. 147073Los Angeles: Orbit Entertainment 1993. Draft script for the 1993 film here under the working title "Cross Bait." After being accidentally given an invaluable coin from the age of King Herod while traveling through Jerusalem an Arabic boy and an American teenager travel across Israel to protect the treasure from a British man obsessed with procuring the coin by any means. Set and shot in Jerusalem. Pink untitled wrappers. Title page present with credits for screenwriters Dror Soref and Howard Delman. 127 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good plus wrapper Good lightly dampstained and soiled bound with three gold brads. Orbit Entertainment unknown
1982ref. 138021N.p.: Self published 1982. Early Draft script for the 1993 film "The Seventh Coin" here under the working title "King Herod's Children" dated a full decade before the film's release. Credited on the title page to Kikuo Kawasaki for an original concept. An Arab boy Chowdhry meets a beautiful American tourist Powers in modern-day Jerusalem. By accident the two are entrusted to guard a valuable coin dating back to King Herod but they must defend themselves and the coin from a no-good villain O'Toole. Red titled wrappers. Title page present dated 1982 with credits for screenwriters Delman and Soref and concept person Kawasaki. 128 leaves with last page of text numbered 126. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Self published unknown
1993ref. 162690Burbank CA: Touchstone Television 1993. Table Draft script for Season 1 Episode 10 of the 1994 television series seen here under the working title "The Bowmans." Based on a character created by stand-up comedian John Caponera the series followed John Bowman a working class middle manager and family man as he attempts to balance work and family and improve his lot in life. In this episode John's son Bob takes his first-grade class on a field trip to his father's warehouse. Originally aired on March 22 1994 on NBC. Green titled wrappers dated August 11 1993 on the front wrapper noted as TABLE DRAFT with credits for screenwriter Wendy Braff and director Gerry Cohen. Title page present dated August 11 1993 noted as TABLE DRAFT with credits for Braff and Cohen. 45 leaves with last page of text numbered 42. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Touchstone Television unknown books
