Abraham Eban (screenwriter)Biblio.com
11,058 results
1987ref. 153170N.p.: N.p. 1987. First Draft script for an unproduced film. The white heir to a substantial fortune wakes up one day to discover that his skin has rapidly darkened leading his family to mistake him for an African American and subsequently disown him. Red titled wrappers with credits for screenwriter Abraham Eban. Title page present dated August 1987 noted as First Draft with credits for screenwriter Abraham Eban. 123 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine black tape binding. N.p. unknown
1987ref. 153170N.p.: N.p. 1987. First Draft script for an unproduced film. The white heir to a substantial fortune wakes up one day to discover that his skin has rapidly darkened leading his family to mistake him for an African American and subsequently disown him. Red titled wrappers with credits for screenwriter Abraham Eban. Title page present dated August 1987 noted as First Draft with credits for screenwriter Abraham Eban. 123 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine black tape binding. N.p. unknown books
ref. 130699N.p.: N.p. Treatment script for an unproduced film. Four interrelated vignettes about life in the American West featuring Will Bill Hickok praised Indian killer coming a wild town without law enforcement and him acting as sheriff until he humiliated by a woman followed by a story in which he is found in a different town drinking himself to death. A different woman helps him get back on his feet which ultimately leads to him enforcing justice again only to be gunned down. The final two stories involve vengeance on the part of Hickok's friends seeking retribution for their gunned-down friend. Mint green titled wrappers. Title page present with credit for screenwriter MacKenzie. 59 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown
ref. 130699N.p.: N.p. Treatment script for an unproduced film. Four interrelated vignettes about life in the American West featuring Will Bill Hickok praised Indian killer coming a wild town without law enforcement and him acting as sheriff until he humiliated by a woman followed by a story in which he is found in a different town drinking himself to death. A different woman helps him get back on his feet which ultimately leads to him enforcing justice again only to be gunned down. The final two stories involve vengeance on the part of Hickok's friends seeking retribution for their gunned-down friend. Mint green titled wrappers. Title page present with credit for screenwriter MacKenzie. 59 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1965ref. 149476Chicago: Esquire 1965. Vintage studio still photograph from the 1965 film. With the stamp of R.I.C. Productions in Brussels on the verso. A so-called modeling agency in New York City secretly operates as an undercover prostitution ring. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly creased and edgeworn. Esquire unknown
1965ref. 149476Chicago: Esquire 1965. Vintage studio still photograph from the 1965 film. With the stamp of R.I.C. Productions in Brussels on the verso. A so-called modeling agency in New York City secretly operates as an undercover prostitution ring. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly creased and edgeworn. Esquire unknown books
1970ref. 135622Spain: Adel Productions 1970. Vintage black-and-white reference still photograph from the Spanish release circa 1970 of the 1969 French-Italian film. Notations in manuscript ink and pencil in Spanish on the recto and verso. Presumably a press photograph with a cropping note on the recto translated: "contrast a little background". Jeff Rouquier is the mastermind who has planned a successful robbery but fails to show up for share-out. His girlfriend Eva Darc is tortured by accomplices until she squeals and begins search for Jeff with the help of his confidant Laurent Delon. Director Herman and Alain Delon also collaborated on the 1968 crime adventure "Farewell Friend" also starring Charles Bronson. 7 x 9.5 inches. Very Good plus with light creasing and foxing. Hardy The Gangster Film US. Adel Productions unknown
1970ref. 135622Spain: Adel Productions 1970. Vintage black-and-white reference still photograph from the Spanish release circa 1970 of the 1969 French-Italian film. Notations in manuscript ink and pencil in Spanish on the recto and verso. Presumably a press photograph with a cropping note on the recto translated: "contrast a little background". Jeff Rouquier is the mastermind who has planned a successful robbery but fails to show up for share-out. His girlfriend Eva Darc is tortured by accomplices until she squeals and begins search for Jeff with the help of his confidant Laurent Delon. Director Herman and Alain Delon also collaborated on the 1968 crime adventure "Farewell Friend" also starring Charles Bronson. 7 x 9.5 inches. Very Good plus with light creasing and foxing. Hardy The Gangster Film US. Adel Productions unknown books
1970ref. 141218N.p.: N.p. 1970. Treatment script for an unproduced television series. An American private investigator lives on the French Riviera where he is tasked with bringing perpetrators of white-collar crime to justice. Set in France and Italy. Orange titled wrappers with credit for screenwriter Albert J. Cohen. Title page present with credit for screenwriter Albert J. Cohen. 14 leaves with last leaf of text numbered twelve. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1970ref. 141218N.p.: N.p. 1970. Treatment script for an unproduced television series. An American private investigator lives on the French Riviera where he is tasked with bringing perpetrators of white-collar crime to justice. Set in France and Italy. Orange titled wrappers with credit for screenwriter Albert J. Cohen. Title page present with credit for screenwriter Albert J. Cohen. 14 leaves with last leaf of text numbered twelve. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1985ref. 142124N.p.: N.p. 1985. Treatment script for an unproduced film. Single annotation in manuscript ink on page 1. An allegory about an unusually powerful man who becomes a danger to his city with the inhabitants unwilling and eventually unable to stop his reign of terror. Green untitled wrappers with credits for screenwriter and director Alex Tudor. Title page present dated April 21 1985 with credit for screenwriter Alex Tudor. 16 leaves with last leaf of text numbered 11. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with four staples. Pagination available upon request. N.p. unknown
1985ref. 141888Munich Munchen: Alex Tudor 1985. Treatment script for an unproduced film. An older man holds a party at his castle and attracts the attention of a young woman though no one present understands what one sees in the other. Dr. Alexe Tudor is an independent German documentarian who focuses primarily on symbols and expression spotlighting the artist's case for both. Tudor's works include profiling events and exhibitions related to the work of clergyman and artist Ivo Schaible SDS 1999-2012 Der Antifter: Freemasonry 2008 surveying the work of Otmar Alt and the documentary Die Begegnung. Set in Blue untitled wrappers with a business card for director and screenwriter Alex Tudor affixed at the lower right corner of the front wrapper. Title page present dated 17.03.85 with credits for screenwriter Tudor. 20 leaves with last page of text numbered 17. Xerographic duplication. Pages Near Fine wrapper Very Good plus bound with four staples. Alex Tudor unknown
1985ref. 142124N.p.: N.p. 1985. Treatment script for an unproduced film. Single annotation in manuscript ink on page 1. An allegory about an unusually powerful man who becomes a danger to his city with the inhabitants unwilling and eventually unable to stop his reign of terror. Green untitled wrappers with credits for screenwriter and director Alex Tudor. Title page present dated April 21 1985 with credit for screenwriter Alex Tudor. 16 leaves with last leaf of text numbered 11. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with four staples. Pagination available upon request. N.p. unknown books
1985ref. 141888Munich Munchen: Alex Tudor 1985. Treatment script for an unproduced film. An older man holds a party at his castle and attracts the attention of a young woman though no one present understands what one sees in the other. Dr. Alexe Tudor is an independent German documentarian who focuses primarily on symbols and expression spotlighting the artist's case for both. Tudor's works include profiling events and exhibitions related to the work of clergyman and artist Ivo Schaible SDS 1999-2012 Der Antifter: Freemasonry 2008 surveying the work of Otmar Alt and the documentary Die Begegnung. Set in Blue untitled wrappers with a business card for director and screenwriter Alex Tudor affixed at the lower right corner of the front wrapper. Title page present dated 17.03.85 with credits for screenwriter Tudor. 20 leaves with last page of text numbered 17. Xerographic duplication. Pages Near Fine wrapper Very Good plus bound with four staples. Alex Tudor unknown books
1940ref. 148990Culver City CA: Columbia Pictures 1940. Vintage borderless reference photograph from the 1940 film showing actors Melvyn Douglas Una O'Connor and Loretta Young. With a manuscript pencil annotation to the verso noting the date 8-12-40. A communist fugitive hides from the police in the apartment of the wife of the man he intended to kill. Set in Paris. 9.5 x 7.75 inches. Very Good plus with light toning. Columbia Pictures unknown
1940ref. 148990Culver City CA: Columbia Pictures 1940. Vintage borderless reference photograph from the 1940 film showing actors Melvyn Douglas Una O'Connor and Loretta Young. With a manuscript pencil annotation to the verso noting the date 8-12-40. A communist fugitive hides from the police in the apartment of the wife of the man he intended to kill. Set in Paris. 9.5 x 7.75 inches. Very Good plus with light toning. Columbia Pictures unknown books
1989ref. 152816N.p.: N.p. 1989. Draft script for the 1990 television film here under the working title "Fast Lane." A woman discovers that the man with whom she has just had a one-night stand is a hired assassin and tries to stop him from completing his next hit. Set in New York. Self wrappers. Missing title page presumably as issued. 107 leaves with last page of text numbered 102. Xerographic duplication on blue stock rectos only with pink yellow and green revision pages throughout. Pages Near Fine bound with two gold brads. Reyes 39. N.p. unknown
1989ref. 152816N.p.: N.p. 1989. Draft script for the 1990 television film here under the working title "Fast Lane." A woman discovers that the man with whom she has just had a one-night stand is a hired assassin and tries to stop him from completing his next hit. Set in New York. Self wrappers. Missing title page presumably as issued. 107 leaves with last page of text numbered 102. Xerographic duplication on blue stock rectos only with pink yellow and green revision pages throughout. Pages Near Fine bound with two gold brads. Reyes 39. N.p. unknown books
1939ref. 144998Los Angeles: Twentieth Century-Fox 1939. Vintage photograph of director Alfred Werker and actors Preston Foster Lynn Bari George Barbier and Russell Gleason on the set of the 1939 film. Printed description on the verso. Steve Drum Preston Foster a crusading newspaper editor helps free a man framed for a crime and aids in finding the real culprit. Staff reporter Maxine Thomas Lynn Bari goes along for the ride. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1939ref. 144998Los Angeles: Twentieth Century-Fox 1939. Vintage photograph of director Alfred Werker and actors Preston Foster Lynn Bari George Barbier and Russell Gleason on the set of the 1939 film. Printed description on the verso. Steve Drum Preston Foster a crusading newspaper editor helps free a man framed for a crime and aids in finding the real culprit. Staff reporter Maxine Thomas Lynn Bari goes along for the ride. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1975ref. 162176N.p.: N.p. 1975. Vintage borderless lobby card for the German release of the 1974 Spanish film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A sadistic mentally unstable man tortures the new servant girl at his mother's sprawling countryside estate. Shot on location in Venezuela. 11.5 x 9.25 inches. Very Good plus with a diagonal crease at the bottom left corner. N.p. unknown
1975ref. 162176N.p.: N.p. 1975. Vintage borderless lobby card for the German release of the 1974 Spanish film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A sadistic mentally unstable man tortures the new servant girl at his mother's sprawling countryside estate. Shot on location in Venezuela. 11.5 x 9.25 inches. Very Good plus with a diagonal crease at the bottom left corner. N.p. unknown books
1936ref. 130393N.p.: N.p. 1936. Treatment script for an unproduced film. A newsboy meets a professional dancer and the pair become highly respected in the couples dance circuit in New York City before the newsboy's boss desires the dancer for himself and sends the newsboy to cover the dance circuit nationwide in order to get him out of the picture. Untitled manila wrappers. Title page integral with the first page of the script dated April 22 1936 with credits for screenwriter Rivkin. 12 leaves mimeograph on onionskin stock. Pages Near Fine wrapper Near Fine side stiched. N.p. unknown
1936ref. 130393N.p.: N.p. 1936. Treatment script for an unproduced film. A newsboy meets a professional dancer and the pair become highly respected in the couples dance circuit in New York City before the newsboy's boss desires the dancer for himself and sends the newsboy to cover the dance circuit nationwide in order to get him out of the picture. Untitled manila wrappers. Title page integral with the first page of the script dated April 22 1936 with credits for screenwriter Rivkin. 12 leaves mimeograph on onionskin stock. Pages Near Fine wrapper Near Fine side stiched. N.p. unknown books
1980ref. 147126Brussels: Monome 1980. Draft script for an unproduced French film written by French director-screenwriter Andre Soupart. With a manuscript ink annotation on the front wrapper noting the film's title and to the first leaf noting a change of address for Monome Films. Text in French. The lives of two women intersect in dreamlike mysterious ways. Beige titled wrappers. Title page present noted as Decoupage technique avec amorce de dialogues cutting and dialogue script with credits for screenwriters Andre SOUPART Paul PAQUAY and Jean-Marie VERVISCH. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus with a few light splashes throughout wrapper Very Good plus with perfect binding. Monome unknown
