11,064 results
1980ref. 147126Brussels: Monome 1980. Draft script for an unproduced French film written by French director-screenwriter Andre Soupart. With a manuscript ink annotation on the front wrapper noting the film's title and to the first leaf noting a change of address for Monome Films. Text in French. The lives of two women intersect in dreamlike mysterious ways. Beige titled wrappers. Title page present noted as Decoupage technique avec amorce de dialogues cutting and dialogue script with credits for screenwriters Andre SOUPART Paul PAQUAY and Jean-Marie VERVISCH. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus with a few light splashes throughout wrapper Very Good plus with perfect binding. Monome unknown books
1976ref. 143866N.p.: N.p. 1976. Draft script for an unproduced film. Laid in autograph letter signed by Andrea Ireland Stapley addressed to an anonymous editor recipient dated March 4th 1976. Blue untitled wrappers. Title page present with credits for screenwriter Andrea Ireland Stapley. 191 leaves with last page of text numbered 176. Xerographically reproduced Pages Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1976ref. 143866N.p.: N.p. 1976. Draft script for an unproduced film. Laid in autograph letter signed by Andrea Ireland Stapley addressed to an anonymous editor recipient dated March 4th 1976. Blue untitled wrappers. Title page present with credits for screenwriter Andrea Ireland Stapley. 191 leaves with last page of text numbered 176. Xerographically reproduced Pages Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1958ref. 146742Universal City: Andrew L. Stone Productions 1958. Six vintage studio still photographs from the 1958 film. When electronics expert Jim Molnar James Mason sees a news broadcast about an airplane bomb threat he realizes he had been tricked into making the bombs by his ex-Army buddy Paul Hoplin Rod Steiger. As Hoplin tries to extort a half a million dollars from the airlines Hoplin kidnaps and holds Molnar his wife Joan Inger Stevens and their daughter hostage. Hoplin forces Joan to collect the money escorted by thug and predator Steve Neville Brand. An amazing cast rounded out with the help of Angie Dickinson and Jack Klugman. Set in New York shot on location in New York New Jersey and California. 8 x 10 inches. Very Good plus creasing to 3 2 with uniform fading. Selby US. Spicer US. Grant US. Andrew L. Stone Productions unknown
1958ref. 146742Universal City: Andrew L. Stone Productions 1958. Six vintage studio still photographs from the 1958 film. When electronics expert Jim Molnar James Mason sees a news broadcast about an airplane bomb threat he realizes he had been tricked into making the bombs by his ex-Army buddy Paul Hoplin Rod Steiger. As Hoplin tries to extort a half a million dollars from the airlines Hoplin kidnaps and holds Molnar his wife Joan Inger Stevens and their daughter hostage. Hoplin forces Joan to collect the money escorted by thug and predator Steve Neville Brand. An amazing cast rounded out with the help of Angie Dickinson and Jack Klugman. Set in New York shot on location in New York New Jersey and California. 8 x 10 inches. Very Good plus creasing to 3 2 with uniform fading. Selby US. Spicer US. Grant US. Andrew L. Stone Productions unknown books
1967ref. 132863Universal City CA: Universal Pictures 1967. Eight vintage full-color still photographs from the 1967 UK release of the 1967 US film. Josie Doris Day is a widowed sheep farmer in a cattle-farming town and her independence and strong ethics lead to disruption of the town's misogynist leaders when she convinces the local women to band together. An entertaining B-movie that with a strong women's liberation theme. A story set in the Southwest shot on location throughout California. 8 x 10 inches. Near Fine. Universal Pictures unknown
1967ref. 132863Universal City CA: Universal Pictures 1967. Eight vintage full-color still photographs from the 1967 UK release of the 1967 US film. Josie Doris Day is a widowed sheep farmer in a cattle-farming town and her independence and strong ethics lead to disruption of the town's misogynist leaders when she convinces the local women to band together. An entertaining B-movie that with a strong women's liberation theme. A story set in the Southwest shot on location throughout California. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1963ref. 132580London: National Screen Service / MGM 1963. Collection of 6 vintage full-color and 3 black-and-white still photographs from the 1963 UK film. A star-studded drama that takes place in a New York airport at the V. I. P. lounge. Taylor's jewelry in the film came mostly from her own collection and this is Taylor's and Burton's second collaborative film credit. Margaret Rutherford won an Academy Award for her supporting role. 8 x 10 inches some slightly smaller. Faint creases overall else Near Fine. National Screen Service / MGM unknown
1963ref. 132580London: National Screen Service / MGM 1963. Collection of 6 vintage full-color and 3 black-and-white still photographs from the 1963 UK film. A star-studded drama that takes place in a New York airport at the V. I. P. lounge. Taylor's jewelry in the film came mostly from her own collection and this is Taylor's and Burton's second collaborative film credit. Margaret Rutherford won an Academy Award for her supporting role. 8 x 10 inches some slightly smaller. Faint creases overall else Near Fine. National Screen Service / MGM unknown books
1973ref. 161894N.p.: N.p. 1973. Vintage studio still photograph from the US release of the 1972 German film. Photograph with two provenance stamps on the verso one on a label obscuring a previous provenance stamp. Nadine longs to loose her virginity but has no luck in Germany so she visits her mother in Tunisia and shares her mother's lover. 8 x 10 inches. Near Fine. N.p. unknown
1973ref. 161894N.p.: N.p. 1973. Vintage studio still photograph from the US release of the 1972 German film. Photograph with two provenance stamps on the verso one on a label obscuring a previous provenance stamp. Nadine longs to loose her virginity but has no luck in Germany so she visits her mother in Tunisia and shares her mother's lover. 8 x 10 inches. Near Fine. N.p. unknown books
1972ref. 147422N.p.: N.p. 1972. Draft script for an unproduced film. Escaping her recent divorce and the death of her child an American woman travels to India where she experiences a variety of mystical encounters and undergoes a liberating and terrifying journey of ego death and oneness. Set in Banhasa India. Green titled wrappers with credit for screenwriter Arnold Schulman. Title page present dated January 1972 with credit for screenwriter Arnold Schulman. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1972ref. 147422N.p.: N.p. 1972. Draft script for an unproduced film. Escaping her recent divorce and the death of her child an American woman travels to India where she experiences a variety of mystical encounters and undergoes a liberating and terrifying journey of ego death and oneness. Set in Banhasa India. Green titled wrappers with credit for screenwriter Arnold Schulman. Title page present dated January 1972 with credit for screenwriter Arnold Schulman. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1971ref. 149549Mexico: Cinematografica Jalisco 1971. Vintage poster for the 1971 Mexican Western film. 26 x 36.75 inches. Very Good with pinholes to the corners starting to the creases and light toning. Folded as issued. Cinematografica Jalisco unknown
1971ref. 149549Mexico: Cinematografica Jalisco 1971. Vintage poster for the 1971 Mexican Western film. 26 x 36.75 inches. Very Good with pinholes to the corners starting to the creases and light toning. Folded as issued. Cinematografica Jalisco unknown books
1998ref. 143688Los Angeles: Freyda Rothstein Productions 1998. Draft script for the 1998 television film originally aired July 19 1998 on Lifetime Television. Elaine Marshall Jean Smart catches her husband John Terry with his male lover in a hotel room. Their idyllic family life is turned upside down as they are forced to confront his long kept secret. Shot on location in Portland Oregon. Green titled self-wrappers dated 3/21/98 with credits for screen writers Aaron Mendelsohn Ken Carter and Annette Haywood-Carter. 124 leaves with last page of text numbered 102. Xerographic duplication with green blue and pink revision pages throughout dated variously between 3/16/98 and 3/21/98. Pages Near Fine wrapper Very Good plus bound with three gold brads. Freyda Rothstein Productions unknown
1998ref. 143688Los Angeles: Freyda Rothstein Productions 1998. Draft script for the 1998 television film originally aired July 19 1998 on Lifetime Television. Elaine Marshall Jean Smart catches her husband John Terry with his male lover in a hotel room. Their idyllic family life is turned upside down as they are forced to confront his long kept secret. Shot on location in Portland Oregon. Green titled self-wrappers dated 3/21/98 with credits for screen writers Aaron Mendelsohn Ken Carter and Annette Haywood-Carter. 124 leaves with last page of text numbered 102. Xerographic duplication with green blue and pink revision pages throughout dated variously between 3/16/98 and 3/21/98. Pages Near Fine wrapper Very Good plus bound with three gold brads. Freyda Rothstein Productions unknown books
1970ref. 161892N.p.: Cinetron 1970. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. A white slavery ship travels through Asian waters searching for clients and captors. Shot on location in Miami Florida. 8 x 10 inches. Light edgewear and a red wax pencil annotation to the bottom right margin else Near Fine. Cinetron unknown
1970ref. 161892N.p.: Cinetron 1970. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. A white slavery ship travels through Asian waters searching for clients and captors. Shot on location in Miami Florida. 8 x 10 inches. Light edgewear and a red wax pencil annotation to the bottom right margin else Near Fine. Cinetron unknown books
ref. 141931N.p.: N.p. Draft script for an unproduced film. After her father loses his grip on reality and murders his wife Annie is picked up and taken in by her aunt and soon falls for a pony rider in the local fair. Set in the American Southeast. Brown titled wrappers. Title page present with credits for screenwriter Barry Schneider. 119 leaves with last page of text numbered 116. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
ref. 141931N.p.: N.p. Draft script for an unproduced film. After her father loses his grip on reality and murders his wife Annie is picked up and taken in by her aunt and soon falls for a pony rider in the local fair. Set in the American Southeast. Brown titled wrappers. Title page present with credits for screenwriter Barry Schneider. 119 leaves with last page of text numbered 116. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1984ref. 149779Munich: Bavaria Atelier 1984. Draft script for the first episode Episode 1 of the four-episode television miniseries "Vater und Sohne: Eine deutsche Tragodie" Father and Son: A German Tragedy which first aired November 12 1986 on Radiotelevisione Italiana here under the working title "Joint Venture." Text in English. The story of two wealthy German families-one family Jewish bankers the other founders of a chemical corporation-before during and after World War II. Although initially filmed in English the miniseries was first broadcast in its full eight hours on Italian and German television in 1986 and 1987 before being drastically edited to four hours for its 1988 debut on American television. Set and shot on location in Germany. Tall clear untitled plastic front wrapper and purple rear wrapper i.e. generic report folder. Title page present dated March 14 1984 with credits for director Bernhard Sinkel. 158 leaves with last page of text numbered 157. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a white prong binding. Bavaria Atelier unknown
1984ref. 149779Munich: Bavaria Atelier 1984. Draft script for the first episode Episode 1 of the four-episode television miniseries "Vater und Sohne: Eine deutsche Tragodie" Father and Son: A German Tragedy which first aired November 12 1986 on Radiotelevisione Italiana here under the working title "Joint Venture." Text in English. The story of two wealthy German families-one family Jewish bankers the other founders of a chemical corporation-before during and after World War II. Although initially filmed in English the miniseries was first broadcast in its full eight hours on Italian and German television in 1986 and 1987 before being drastically edited to four hours for its 1988 debut on American television. Set and shot on location in Germany. Tall clear untitled plastic front wrapper and purple rear wrapper i.e. generic report folder. Title page present dated March 14 1984 with credits for director Bernhard Sinkel. 158 leaves with last page of text numbered 157. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a white prong binding. Bavaria Atelier unknown books
1970ref. 147135N.p.: N.p. 1970. Draft script for an unproduced film. Set in the US in the early 1910s the film follows the disparate lives of two women starting on the day of their college graduation. Blue titled wrappers. Title page present with credits for screenwriter Beth Keele. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown
1970ref. 147135N.p.: N.p. 1970. Draft script for an unproduced film. Set in the US in the early 1910s the film follows the disparate lives of two women starting on the day of their college graduation. Blue titled wrappers. Title page present with credits for screenwriter Beth Keele. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown books
