11,046 results
1970ref. 148340Los Angeles: Twentieth Century-Fox 1970. Vintage studio still photograph of Edy Williams and David Gurian from the 1970 film. Based on an original story by Roger Ebert who also helped write the screenplay. Three girls come to Hollywood to make it big with their rock band "The Kelly Affair" stopping first to visit Kelly MacNamara's 1966 Playboy Playmate Dolly Read estranged aunt. Kelly's aunt introduces the band comprised of Kelly Read Casey Anderson 1968 Playboy Playmate Cynthia Myers and Petronella Danforth Marcia McBroom to a flamboyant producer named Ronnie "Z-Man" Barzell John LaZar who changes their name to "The Carrie Nations" and has them perform at one of his orgiastic parties after a set by Strawberry Alarm Clock. Throughout the success of the new band the girls use drugs and alcohol attempt to maintain romantic relationships even a lesbian tryst with Erica Gavin director Meyer's "Vixen" and find "Z-Man" to be a murderous transsexual. The film proved to be sexploitation and exploitation to its psychedelic limits at the time was Meyer's biggest box-office draw to date and gave the director a new audience: mainstream filmgoers in mainstream cinemas. Originally intended as a sequel to "Valley of the Dolls" 1967 with an original screenplay by Jacqueline Susann Twentieth Century-Fox found the script unsatisfactory and sought new material. The film was released as part of a settlement with Susann with the disclaimer "This is not a sequel to VALLEY OF THE DOLLS." One of few X-rated films released by Twentieth Century-Fox another being "Myra Breckenridge" 1970. Pam Grier got her start in this film as an uncredited party attendant. Meyer regulars like Charles Napier Lavelle Roby and Haji all make appearances. Set in Los Angeles. 8 x 10 inches. CONDITION. Criterion Collection 836. Meyer US. Twentieth Century-Fox unknown
1970ref. 155647N.p.: N.p. 1970. Vintage reference photograph from the 1970 film showing actors Cynthia Myers and Erica Gavin. Dealer label affixed to the verso. After nearly a decade as one of America's most successful independent filmmakers sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity however and the girls eventually succumb to a nonstop train of decadence drugs and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock supporting performances by Meyer regulars Charles Napier and Haji and a bit part from future Blaxploitation icon Pam Grier the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 10 x 8 inches. Near Fine. Criterion Collection 836. N.p. unknown
1970ref. 155647N.p.: N.p. 1970. Vintage reference photograph from the 1970 film showing actors Cynthia Myers and Erica Gavin. Dealer label affixed to the verso. After nearly a decade as one of America's most successful independent filmmakers sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity however and the girls eventually succumb to a nonstop train of decadence drugs and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock supporting performances by Meyer regulars Charles Napier and Haji and a bit part from future Blaxploitation icon Pam Grier the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 10 x 8 inches. Near Fine. Criterion Collection 836. N.p. unknown books
1970ref. 148340Los Angeles: Twentieth Century-Fox 1970. Vintage studio still photograph of Edy Williams and David Gurian from the 1970 film. Based on an original story by Roger Ebert who also helped write the screenplay. Three girls come to Hollywood to make it big with their rock band "The Kelly Affair" stopping first to visit Kelly MacNamara's 1966 Playboy Playmate Dolly Read estranged aunt. Kelly's aunt introduces the band comprised of Kelly Read Casey Anderson 1968 Playboy Playmate Cynthia Myers and Petronella Danforth Marcia McBroom to a flamboyant producer named Ronnie "Z-Man" Barzell John LaZar who changes their name to "The Carrie Nations" and has them perform at one of his orgiastic parties after a set by Strawberry Alarm Clock. Throughout the success of the new band the girls use drugs and alcohol attempt to maintain romantic relationships even a lesbian tryst with Erica Gavin director Meyer's "Vixen" and find "Z-Man" to be a murderous transsexual. The film proved to be sexploitation and exploitation to its psychedelic limits at the time was Meyer's biggest box-office draw to date and gave the director a new audience: mainstream filmgoers in mainstream cinemas. Originally intended as a sequel to "Valley of the Dolls" 1967 with an original screenplay by Jacqueline Susann Twentieth Century-Fox found the script unsatisfactory and sought new material. The film was released as part of a settlement with Susann with the disclaimer "This is not a sequel to VALLEY OF THE DOLLS." One of few X-rated films released by Twentieth Century-Fox another being "Myra Breckenridge" 1970. Pam Grier got her start in this film as an uncredited party attendant. Meyer regulars like Charles Napier Lavelle Roby and Haji all make appearances. Set in Los Angeles. 8 x 10 inches. CONDITION. Criterion Collection 836. Meyer US. Twentieth Century-Fox unknown books
1985ref. 161325N.p.: N.p. 1985. Vintage color reference photograph from the 1985 film showing a sex scene with actors Jennifer Jason Leigh and Rutger Hauer. In sixteenth-century Italy an army of mercenary peasants kidnaps a nobleman's fiancée as revenge for unpaid debts. Although disgusted by the brutality of the peasants the woman soon falls in love with the group's leader. Although the film's cynicism and violence made it unsuccessful at the box office upon release it has since become a cult favorite. Shot on location in Spain in Belmonte Cáceres and Ãvila. 10 x 8 inches. Near Fine. N.p. unknown
1985ref. 161325N.p.: N.p. 1985. Vintage color reference photograph from the 1985 film showing a sex scene with actors Jennifer Jason Leigh and Rutger Hauer. In sixteenth-century Italy an army of mercenary peasants kidnaps a nobleman's fiancée as revenge for unpaid debts. Although disgusted by the brutality of the peasants the woman soon falls in love with the group's leader. Although the film's cynicism and violence made it unsuccessful at the box office upon release it has since become a cult favorite. Shot on location in Spain in Belmonte Cáceres and Ãvila. 10 x 8 inches. Near Fine. N.p. unknown books
1965ref. 170448N.p.: N.p. 1965. Vintage reference photograph from the 1965 film showing Charlton Heston talking with Sam Peckinpah during filming on location. Dell Publishing stamp and provenance label on the verso. During the Civil War an obsessed glory seeking Union cavalry officer leads a disparate crew of soldiers Confederate POWs and Native American scouts into Mexico to attack a group of Apaches that have been raiding towns in the US. Shot on location in Mexico. 8 x 10 inches. Very Good plus. N.p. unknown
1965ref. 170448N.p.: N.p. 1965. Vintage reference photograph from the 1965 film showing Charlton Heston talking with Sam Peckinpah during filming on location. Dell Publishing stamp and provenance label on the verso. During the Civil War an obsessed glory seeking Union cavalry officer leads a disparate crew of soldiers Confederate POWs and Native American scouts into Mexico to attack a group of Apaches that have been raiding towns in the US. Shot on location in Mexico. 8 x 10 inches. Very Good plus. N.p. unknown books
1969ref. 168503Universal City CA: Universal Pictures 1969. Vintage transparency from the 1969 film showing Sidney Poitier on the set. Loosely based on F.L. Green's 1945 novel "Odd Man Out." A Black militant intends to rob a factory payroll in order to aid his imprisoned revolutionaries but through an unexpected turn of events he is forced to rely on a young social worker to help pull off the heist. 5 x 4 inches. Fine. Universal Pictures unknown
1969ref. 168503Universal City CA: Universal Pictures 1969. Vintage transparency from the 1969 film showing Sidney Poitier on the set. Loosely based on F.L. Green's 1945 novel "Odd Man Out." A Black militant intends to rob a factory payroll in order to aid his imprisoned revolutionaries but through an unexpected turn of events he is forced to rely on a young social worker to help pull off the heist. 5 x 4 inches. Fine. Universal Pictures unknown books
1959ref. 152565Beverly Hills CA: United Artists 1959. Vintage reference photograph of actor Gregory Peck between takes during location filming on the set of the 1959 film. Provenance stamps to the verso. Based on Nevil Shute's 1957 post-apocalyptic novel. In the wake of WWIII what remains of the human race is rapidly annihilated by radiation poisoning. The only habitable part of the planet is southern Australia which will soon become toxic as air currents bring the poisonous fumes south. Survivors grapple with their impending mortality hopeful that somehow they might be spared. Nominated for two Academy Awards. Set and shot on location in Australia and California. 8 x 10 inches. Near Fine with a faint crease to the bottom edge. United Artists unknown
1959ref. 152565Beverly Hills CA: United Artists 1959. Vintage reference photograph of actor Gregory Peck between takes during location filming on the set of the 1959 film. Provenance stamps to the verso. Based on Nevil Shute's 1957 post-apocalyptic novel. In the wake of WWIII what remains of the human race is rapidly annihilated by radiation poisoning. The only habitable part of the planet is southern Australia which will soon become toxic as air currents bring the poisonous fumes south. Survivors grapple with their impending mortality hopeful that somehow they might be spared. Nominated for two Academy Awards. Set and shot on location in Australia and California. 8 x 10 inches. Near Fine with a faint crease to the bottom edge. United Artists unknown books
1968ref. 161637N.p.: Distribpix / A.F.P.I. 1968. Four vintage studio still photographs from the 1968 film. Three photographs with provenance stamps on the versos. Rare. The exploits of "college girls" who'll do anything for a good grade. 8 x 10 inches.Very Good plus one with a bruise to the center of the photograph. Distribpix / A.F.P.I. unknown
1968ref. 161637N.p.: Distribpix / A.F.P.I. 1968. Four vintage studio still photographs from the 1968 film. Three photographs with provenance stamps on the versos. Rare. The exploits of "college girls" who'll do anything for a good grade. 8 x 10 inches.Very Good plus one with a bruise to the center of the photograph. Distribpix / A.F.P.I. unknown books
1985ref. 153201N.p.: N.p. 1985. Vintage borderless reference photograph from the set of the 1985 film showing director Susan Seidelman reviewing the script on location. A bored New Jersey housewife gets involved in the life of a free spirited New Yorker through a series of events involving farcical elements such as amnesia and mistaken identity. Madonna's first major screen role and a breakthrough turn for Rosanna Arquette. 9.5 x 7 inches. Near Fine. Carlson and Connolly Destroy All Movies. N.p. unknown
1985ref. 153201N.p.: N.p. 1985. Vintage borderless reference photograph from the set of the 1985 film showing director Susan Seidelman reviewing the script on location. A bored New Jersey housewife gets involved in the life of a free spirited New Yorker through a series of events involving farcical elements such as amnesia and mistaken identity. Madonna's first major screen role and a breakthrough turn for Rosanna Arquette. 9.5 x 7 inches. Near Fine. Carlson and Connolly Destroy All Movies. N.p. unknown books
1960ref. 158228N.p.: N.p. 1960. Original borderless oversize reference photograph from the 1960 film showing actress Susan Strasberg with two Nazi officers in the background. A Jewish women is sent to a concentration camp during World War II but decides to lead an escape attempt even as the turmoil of war threatens to defeat her will. An engaging war film with feminist undercurrents by director Gillo Pontecorvo largely overshadowed by what would become his best-known film "The Battle of Algiers" 1966. Nominated for an Academy Award for Best Foreign Language Film. Shot on location in Yugoslavia. 14.5 x 9.5 inches. Very Good plus with light wear at the corners. N.p. unknown
1960ref. 158228N.p.: N.p. 1960. Original borderless oversize reference photograph from the 1960 film showing actress Susan Strasberg with two Nazi officers in the background. A Jewish women is sent to a concentration camp during World War II but decides to lead an escape attempt even as the turmoil of war threatens to defeat her will. An engaging war film with feminist undercurrents by director Gillo Pontecorvo largely overshadowed by what would become his best-known film "The Battle of Algiers" 1966. Nominated for an Academy Award for Best Foreign Language Film. Shot on location in Yugoslavia. 14.5 x 9.5 inches. Very Good plus with light wear at the corners. N.p. unknown books
1932ref. 159945London: National Film Archive 1932. Vintage reference photograph from the 1932 film showing director Tay Garnett and a camera crew capturing a scene with Lew Ayres. National Film Archive stamp and annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. A dramatization of the rise to fame of a gossip columnist based closely on real-life columnist Walter Winchell. 10 x 8 inches. Near Fine. National Film Archive unknown
1932ref. 159945London: National Film Archive 1932. Vintage reference photograph from the 1932 film showing director Tay Garnett and a camera crew capturing a scene with Lew Ayres. National Film Archive stamp and annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. A dramatization of the rise to fame of a gossip columnist based closely on real-life columnist Walter Winchell. 10 x 8 inches. Near Fine. National Film Archive unknown books
1985ref. 140818Universal City CA: Embassy Pictures / Universal Pictures 1985. Vintage borderless photograph from the 1985 film showing director Gilliam and crew during a quiet moment between takes. With manuscript ink annotations on the verso. Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. 8 x 10 inches. Near Fine. Criterion Collection 51. Embassy Pictures / Universal Pictures unknown
1985ref. 140818Universal City CA: Embassy Pictures / Universal Pictures 1985. Vintage borderless photograph from the 1985 film showing director Gilliam and crew during a quiet moment between takes. With manuscript ink annotations on the verso. Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. 8 x 10 inches. Near Fine. Criterion Collection 51. Embassy Pictures / Universal Pictures unknown books
1967ref. 157320N.p.: N.p. 1967. Vintage reference photograph from the 1967 British film showing director John Schlesinger talking with actress Julie Christie between takes. Mimeo snipe on the verso. From the archive of film historian and author Joel Finler. Based on Thomas Hardy's 1874 novel about a young flirtatious heiress who is relentlessly pursued by three young men. Nominated for an Academy Award. Shot on location throughout Dorset and Wiltshire England. 8 x 10 inches. Near Fine with light creasing at the corners. N.p. unknown
1967ref. 157320N.p.: N.p. 1967. Vintage reference photograph from the 1967 British film showing director John Schlesinger talking with actress Julie Christie between takes. Mimeo snipe on the verso. From the archive of film historian and author Joel Finler. Based on Thomas Hardy's 1874 novel about a young flirtatious heiress who is relentlessly pursued by three young men. Nominated for an Academy Award. Shot on location throughout Dorset and Wiltshire England. 8 x 10 inches. Near Fine with light creasing at the corners. N.p. unknown books
1970ref. 141077N.p.: N.p. 1970. Treatment script for an unproduced film. Based on Joseph Dispenza's Pulitzer Prize-winning 1927 novel. A bridge woven by the Incas collapses in Peru killing five people. A monk witnesses the event and afterwards becomes obsessed with finding information about the five victims in order to prove that the collapse was part of God's plan. Set in Peru. Yellow titled wrappers. Title page present with credits for author Thorton Wilder and screenwriter Joseph Dispenza. 42 leaves with last leaf of text numbered 40. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
