11,046 results
1990ref. 171004N.p.: N.p. 1990. Vintage reference photograph from the 1990 film showing Jean-Pierre Léaud paying director Aki Kaurismäki in a cameo role as a salesman sporting dark glasses. Annotations in manuscript ink and pencil on the verso. A depressed young man longs to commit suicide after losing his job but finds himself too afraid to go through with it-leading him to hire a killer to take him out. Shot on location throughout London. 7 x 5 inches. About Fine. N.p. unknown books
1968ref. 159812Neuilly-sur-Seine France: Presse Parc Film 1968. Vintage borderless reference photograph from the 1968 French film showing director Alain Resnais on the set. Stamp specific to the film's French release on the verso. After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind." Shot on location in Brussels Belgium. 7 x 5 inches. About Fine. Presse Parc Film unknown
1968ref. 159812Neuilly-sur-Seine France: Presse Parc Film 1968. Vintage borderless reference photograph from the 1968 French film showing director Alain Resnais on the set. Stamp specific to the film's French release on the verso. After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind." Shot on location in Brussels Belgium. 7 x 5 inches. About Fine. Presse Parc Film unknown books
1974ref. 151454Paris: Fox-Lira 1974. Vintage borderless reference photograph from the 1974 film. A young woman goes mad after the murder of her lover and is incarcerated in a sexually sadistic convent. 9.5 x 7 inches. Near Fine. Bier 764. Fox-Lira unknown
1974ref. 151454Paris: Fox-Lira 1974. Vintage borderless reference photograph from the 1974 film. A young woman goes mad after the murder of her lover and is incarcerated in a sexually sadistic convent. 9.5 x 7 inches. Near Fine. Bier 764. Fox-Lira unknown books
1993ref. 149995N.p.: N.p. 1993. Draft script for the 1994 film. A political thriller set during the transfer of sovereignty over Hong Kong from the United Kingdom to the People's Republic of China wherein a British assassin is tasked with killing several prominent Chinese government officials. Set in Hong Kong shot on location in Hong Kong and the Philippines. Self wrappers. Title page integral with front wrapper dated June 2 1993 with credits for screenwriter Randall Fontana. 112 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. Full provenance available. N.p. unknown
1993ref. 149995N.p.: N.p. 1993. Draft script for the 1994 film. A political thriller set during the transfer of sovereignty over Hong Kong from the United Kingdom to the People's Republic of China wherein a British assassin is tasked with killing several prominent Chinese government officials. Set in Hong Kong shot on location in Hong Kong and the Philippines. Self wrappers. Title page integral with front wrapper dated June 2 1993 with credits for screenwriter Randall Fontana. 112 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. Full provenance available. N.p. unknown books
1991ref. 167030Los Angeles: Twentieth Century-Fox 1991. Draft script for the 1992 film. Based on the 1988 off-Broadway play by Craig Lucas who also adapted this screenplay about a young woman who finds her spirit trapped in the body of an elderly man after he kisses her on her wedding day. Considered by many to be an allegory for couples affected by the AIDS crisis. Red titled Twentieth Century-Fox wrappers dated January 11 1991 on the front wrapper. Missing title page. 130 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox unknown
1991ref. 167030Los Angeles: Twentieth Century-Fox 1991. Draft script for the 1992 film. Based on the 1988 off-Broadway play by Craig Lucas who also adapted this screenplay about a young woman who finds her spirit trapped in the body of an elderly man after he kisses her on her wedding day. Considered by many to be an allegory for couples affected by the AIDS crisis. Red titled Twentieth Century-Fox wrappers dated January 11 1991 on the front wrapper. Missing title page. 130 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox unknown books
1972ref. 148288Universal City: Universal Pictures 1972. Collection of 12 vintage French color lobby cards from the 1972 film. Based on the 1966 novel "Goodbye Piccadilly Farewell Leicester Square" by Arthur La Bern. London is terrorized by a serial rapist who then strangles his victims with a necktie. Police suspect Richard Blaney Jon Finch whose wife was brutally killed. Alfred Hitchcock's penultimate film. Set in and shot on location in London. 11.25 x 9 inches. Near Fine. Vogel Film as a Subversive Art. Clover Men Women and Chainsaws. Grant US. Universal Pictures unknown
1964ref. 167791Universal City: Universal Pictures 1964. Vintage reference photograph from the 1964 film showing actor Sean Connery talking with director Alfred Hitchcock between takes during filming on location in San Francisco with the Bay Bridge in the background. Printed mimeo snipe affixed to the verso. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 10 x 8 inches. Faint discoloration on the top edge of the verso else about Near Fine. Godard Histoires du cinema. Grant US. Spicer US. Universal Pictures unknown
1972ref. 148288Universal City: Universal Pictures 1972. Collection of 12 vintage French color lobby cards from the 1972 film. Based on the 1966 novel "Goodbye Piccadilly Farewell Leicester Square" by Arthur La Bern. London is terrorized by a serial rapist who then strangles his victims with a necktie. Police suspect Richard Blaney Jon Finch whose wife was brutally killed. Alfred Hitchcock's penultimate film. Set in and shot on location in London. 11.25 x 9 inches. Near Fine. Vogel Film as a Subversive Art. Clover Men Women and Chainsaws. Grant US. Universal Pictures unknown books
1964ref. 167791Universal City: Universal Pictures 1964. Vintage reference photograph from the 1964 film showing actor Sean Connery talking with director Alfred Hitchcock between takes during filming on location in San Francisco with the Bay Bridge in the background. Printed mimeo snipe affixed to the verso. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 10 x 8 inches. Faint discoloration on the top edge of the verso else about Near Fine. Godard Histoires du cinema. Grant US. Spicer US. Universal Pictures unknown books
1940ref. 166071N.p.: N.p. 1940. Vintage reference photograph from the 1940 Italian film showing a 17-year-old Alida Valli. File stamp and annotations in manuscript ink and pencil on the verso. Valli appeared in bit parts in Italian comedies between 1934 and 1940 finally making her dramatic debut in 1941 in Mario Soldati's "Piccolo mondo antico." She received a special Best Actress award at the Venice Film Festival for her performance and would go on to star in a number of American French and Italian films through the ensuing decades. 7.25 x 9.5 inches. Near Fine. N.p. unknown
1940ref. 166071N.p.: N.p. 1940. Vintage reference photograph from the 1940 Italian film showing a 17-year-old Alida Valli. File stamp and annotations in manuscript ink and pencil on the verso. Valli appeared in bit parts in Italian comedies between 1934 and 1940 finally making her dramatic debut in 1941 in Mario Soldati's "Piccolo mondo antico." She received a special Best Actress award at the Venice Film Festival for her performance and would go on to star in a number of American French and Italian films through the ensuing decades. 7.25 x 9.5 inches. Near Fine. N.p. unknown books
1957ref. 164825Universal City: Universal-International 1957. Vintage publicity photograph from the 1957 film showing actors Alix Talton and Craig Stevens being menaced by the massive titular insect. Printed mimeo snipe affixed to the verso. A prehistoric praying mantis is freed from the ice and wreaks havoc on the American military stationed in the northern Arctic slowly making its way south. The film utilized a giant paper mâché mantis with an internal hydraulic system for several scenes involving the creature and special effects crew also created two smaller models for scenes where the mantis walked or flew. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Very Good plus. Universal-International unknown
1957ref. 164825Universal City: Universal-International 1957. Vintage publicity photograph from the 1957 film showing actors Alix Talton and Craig Stevens being menaced by the massive titular insect. Printed mimeo snipe affixed to the verso. A prehistoric praying mantis is freed from the ice and wreaks havoc on the American military stationed in the northern Arctic slowly making its way south. The film utilized a giant paper mâché mantis with an internal hydraulic system for several scenes involving the creature and special effects crew also created two smaller models for scenes where the mantis walked or flew. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Very Good plus. Universal-International unknown books
1985ref. 145807Los Angeles: New World Pictures 1985. Collection of 22 vintage still photographs from the 1985 film. An early mockumentary following a documentary filmmaker's attempt to find out identity of a mysterious masked wrestler. A cult classic of the wrestling film genre starring many stars of the wrestling world from its time including Magic Schwarz Stephen Cepello Dick Murdoch Wally George John Tolos Adrian Street.and let's not forget Miss Linda. Produced by Roger Corman's New World Pictures a typically low budget but entertaining and highly unusual affair. 8 x 10 inches. Just about Fine. New World Pictures unknown
1985ref. 145807Los Angeles: New World Pictures 1985. Collection of 22 vintage still photographs from the 1985 film. An early mockumentary following a documentary filmmaker's attempt to find out identity of a mysterious masked wrestler. A cult classic of the wrestling film genre starring many stars of the wrestling world from its time including Magic Schwarz Stephen Cepello Dick Murdoch Wally George John Tolos Adrian Street.and let's not forget Miss Linda. Produced by Roger Corman's New World Pictures a typically low budget but entertaining and highly unusual affair. 8 x 10 inches. Just about Fine. New World Pictures unknown books
1974ref. 158123N.p.: N.p. 1974. Two vintage oversize borderless color reference photographs from the 1974 film. Printed labels specific to the film's French release affixed to the verso. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films the other being "Frankenstein" released the same year on a double bill both USA/Italy/France co-productions and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy shot on location in Italy and Serbia. 11.5 x 8.5 inches. Very Good plus with light wear at the corners. Severin Films 721. Criterion Collection 28. N.p. unknown
1974ref. 158123N.p.: N.p. 1974. Two vintage oversize borderless color reference photographs from the 1974 film. Printed labels specific to the film's French release affixed to the verso. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films the other being "Frankenstein" released the same year on a double bill both USA/Italy/France co-productions and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy shot on location in Italy and Serbia. 11.5 x 8.5 inches. Very Good plus with light wear at the corners. Severin Films 721. Criterion Collection 28. N.p. unknown books
1953ref. 162382Burbank CA: Warner Brothers 1953. Vintage studio still photograph from the 1953 film noir showing Richard Conte and Anne Baxter flanking Nat King Cole at the piano. Provenance stamp on the verso along with annotations in manuscript pencil. Based on Vera Caspary's 1952 novella. A telephone operator wakes up with a hangover and a creeping feeling that she might have murdered her date the previous night. The first installment in director Fritz Lang's "newspaper noir" trilogy followed by "While the City Sleeps" 1956 and "Beyond a Reasonable Doubt" 1956. 10 x 8 inches. Very Good plus with light wear at the two left corners and pinholes at three edges. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown
1953ref. 162382Burbank CA: Warner Brothers 1953. Vintage studio still photograph from the 1953 film noir showing Richard Conte and Anne Baxter flanking Nat King Cole at the piano. Provenance stamp on the verso along with annotations in manuscript pencil. Based on Vera Caspary's 1952 novella. A telephone operator wakes up with a hangover and a creeping feeling that she might have murdered her date the previous night. The first installment in director Fritz Lang's "newspaper noir" trilogy followed by "While the City Sleeps" 1956 and "Beyond a Reasonable Doubt" 1956. 10 x 8 inches. Very Good plus with light wear at the two left corners and pinholes at three edges. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown books
1958ref. 152538N.p.: N.p. 1958. Archive of production material for an unproduced television presentation presumably a pilot seen here under its alternate title "Silent Enemy." Included are one partial draft script several letters and memos between screenwriter Arthur Hailey agent Maeve Southgate and Theatre Guild executives William Herman and Arthur Heinemann. Also in the archive are several memos from within the Theatre Guild office discussing revisions to the script and ultimately declining to move ahead with production. Dated variously between May 12 and September 5 1958 with a three-page manuscript summary of revisions made to the script ostensibly in Hailey's hand and two carbon typescript summaries of the same. As noted in several letters from Maeve Southgate Hailey's screenplay was previously used for the television episode "Death Minus One" which aired on BBC on the British television anthology series "Encounter" on January 28 1958. A young American girl visiting her cousin in London is trapped when postwar ruins collapse leading a police sergeant to rescue her. As he works to retrieve the girl The sergeant discovers an unexploded bomb with her among the rubble. Set in London. Draft script: Lacking wrappers and title page. Approximately 60 leaves. Mimeograph duplication rectos only. Pages Near Fine unbound. All other materials lightly creased to the edges else Near Fine overall. Pagination available upon request. N.p. unknown
1958ref. 152538N.p.: N.p. 1958. Archive of production material for an unproduced television presentation presumably a pilot seen here under its alternate title "Silent Enemy." Included are one partial draft script several letters and memos between screenwriter Arthur Hailey agent Maeve Southgate and Theatre Guild executives William Herman and Arthur Heinemann. Also in the archive are several memos from within the Theatre Guild office discussing revisions to the script and ultimately declining to move ahead with production. Dated variously between May 12 and September 5 1958 with a three-page manuscript summary of revisions made to the script ostensibly in Hailey's hand and two carbon typescript summaries of the same. As noted in several letters from Maeve Southgate Hailey's screenplay was previously used for the television episode "Death Minus One" which aired on BBC on the British television anthology series "Encounter" on January 28 1958. A young American girl visiting her cousin in London is trapped when postwar ruins collapse leading a police sergeant to rescue her. As he works to retrieve the girl The sergeant discovers an unexploded bomb with her among the rubble. Set in London. Draft script: Lacking wrappers and title page. Approximately 60 leaves. Mimeograph duplication rectos only. Pages Near Fine unbound. All other materials lightly creased to the edges else Near Fine overall. Pagination available upon request. N.p. unknown books
