7,440 results
1935ref. WRCLIT62273Los Angeles: The Author 1935. Six volumes. Quarto. Chiefly carbon typescript but also original typescript the latter with extensive manuscript revisions and notations. Each unit bradbound or stapled into typescript wrappers. Some use wrappers a bit frayed at edges and chipped at spines last wrapper separated at spine but typescripts in generally very good order consistent with use. A fine contiguous sequence of scripts tracing the development of this film from its earliest stages through the final working draft of Cole's screenplay and the intercession of another writer. The 1935 film directed by D. Ross Lederman was released under the title TOO TOUGH TO KILL and starred Victor Jory Sally O'Neill Ward Bond et al. The film as conceived by Cole is a depiction of an investigation into labor strife at a tunnel and aqueduct construction site near Morongo California. The film as finally released was co-credited to Cole and Jay Griffin based on a story by Robert Speers. However with the exception of the last item the material in this archive is credited throughout solely to Lester Cole and includes the following: a Treatment 122 leaves carbon typescript; b First Draft Screenplay 22 July 191 leaves carbon typescript with scattered revisions and annotations in pencil; c Second Draft Screenplay 30 July 110 leaves carbon typescript with scattered pencil queries comments and alterations; d Third Draft Screenplay 2 August 1104 leaves carbon typescript; e Fourth Draft Screenplay 5 August 1104 leaves carbon typescript; and f Fourth Draft Screenplay altered in manuscript to read "Final Working Copy" 5 August ca. 104 leaves plus lettered inserts and other variations largely original typescript but some carbon very heavily revised throughout in pencil in at least two hands. The first four items are designated in manuscript with the name of Ben Pivar the production supervisor of record for the film. The last bears the ownership signature of J. Griffin Jay and would obviously appear to be the copy of Cole's draft Jay utilized for the start if not the bulk of the revisions and rewrites that earned him co-credit. Cole was one of the cofounders of the Screen Writers Guild and in 1934 joined the CPA. Like his other colleagues known as the "Hollywood Ten" Cole refused to cooperate with the HUAC in 1947 was sentenced to a year in prison and a fine and was placed on the Blacklist. He continued to work sporadically under pennames and his last major film BORN FREE was so credited. Jay had his own substantial list of screenwriting credits chiefly in the genres of adventure science fiction and horror films. A fine coherent and contiguous archive the sort seldom preserved intact over the passage of more than 75 years. The Author] unknown books
1939ref. 152809Los Angeles: Twentieth Century-Fox 1939. Revised Final script for the 1939 film. Copy belonging to an unknown crew member with their name to the front wrapper in holograph pencil and a single pencil annotation to the verso of page 147. A dramatization of the early years of future US president Abraham Lincoln following his upbringing in a log cabin to his first loves to his establishment of a law practice in Springfield Illinois. Set in Springfield. Red titled Twentieth Century-Fox wrappers noted as REVISED FINAL on the front wrapper rubber-stamped copy No. 191 dated February 27 1939. Distribution page present with receipt removed. Title page present dated February 27 1939 noted as Revised Final with credits for screenwriter Lamar Trotti. 149 leaves with last page of text numbered 147. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus lightly soiled and age-toned bound internally with three gold brads. National Film Registry. Criterion Collection 320. Twentieth Century-Fox unknown books
1987ref. 152039N.p.: N.p. 1987. Shooting script for the 1988 film. Presentation copy belonging to actress Ricki Lake with her holograph annotations throughout and xerographically duplicated inscriptions to Lake as intended when the script was bound from director John Waters actors Divine Shawn Thompson Debbie Harry Pia Zadora and others bound in before the script. With several production documents bound in after the script including a 34-page shooting schedule call sheets contact information for cast and crew and maps of Baltimore and a thank-you letter to Waters from Lake. Cult independent director John Waters' most enduring film following a kindhearted "pleasantly plump" teenager who becomes an overnight sensation on a local television dance show and subsequently uses her newfound fame to speak out in support of integration. Basis for the Tony Award winning 2002 musical and subsequent 2007 film adaptation directed by Adam Shankman and starring Nikki Blonsky Michelle Pfeiffer and John Travolta. Set and shot on location in Baltimore Maryland. Black full leather binding with gilt titles and rule and Lake's name to the bottom right corner of the front wrapper. Title page present dated 1987 noted as Shooting Script with credits for director John Waters. 89 leaves with last page of text numbered 93. Xerographic duplication rectos only. Pages Very Good plus wrapper Near Fine with perfect binding. With a small label to the bottom right corner of the inside front wrapper noting custom binding by Ronnie Gousman. Rosenbaum 1000. N.p. unknown books
1958ref. 141434Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. Based on a novel by Shinju Fujiwara. Five people assemble ten years after the end of the Pacific War at a military station to uncover a stash of morphine worth a fortune now whcih was buried by the medical officer Mashimoto at the abdication of the Emperor. One of members of the group does not belong there. Orange titled perfect bound wrappers. Title page present. 131 leaves with last page of text numbered 46. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Nikkatsu unknown books
1972ref. 143600New York: Cannon Films 1972. Draft script for the 1972 film here under the working title "Zora." Something of an arthouse predecessor to what became a cavalcade of holiday slasher and horror films. The film's cult status was helped by featuring Warhol superstars Mary Woronov Candy Darling and Ondine experimental film icon Jack Smith and artist Susan Rothenberg as well as its being in the public domain which released it for frequent late night airings on local television. Set in Massachusetts shot on location on Long Island. Blue titled Studio Duplicating Service wrappers. Title page present with credit for screenwriters Theodore Gershuny Jeffrey Konvitz Ira Teller and Ami Artzi. 102 leaves with last page of text numbered 101. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. Thrower Nightmare USA. Cannon Films unknown books
1958ref. 141439Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. The first film to be credited to Suzuki by his assumed name a man released from prison needs money and goes to retrieve diamonds sought after by fellow yakuza members. White titled perfect bound wrappers. Title page present. 107 leaves with last page of text numbered 12. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown books
1958ref. 141432Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. Title based on a song popularized by the leading actor Frank Nagai. A comedy featuring a drugstore owner who begins an extramarital affair when his wife and child go on vacation. White illustrated titled perfect bound wrappers. Title page present. 95 leaves with last page of text numbered 18. Mechanical duplication. Pages Near Fine wrapper Near Fine. Nikkatsu unknown books
1973ref. 150822Culver City CA: Culver City Studios 1973. Third Revision Draft script for the 1973 film with the name "Jim Woods" in holograph ink on top right of front wrapper and page two of screenplay likely uncredited Set Painter James T. Woods with copy numbers "76" on top left of front wrapper and "13" on top right of title page in holograph marker and on back wrapper are numeric entries in holograph ink. Following script is a one page "APPENDIX A -- TV PLATE -- LUNA'S PARTY" featuring dialogue between a mother and child regarding a holiday party. Woody Allen is a health food store owner who is cryogenically frozen in 1973 only to be revived 200 years later to help lead a rebellion against an inept totalitarian government. Winner of a Hugo Award for Best Dramatic Presentation. Shot on location in Colorado and California. Beige titled wrappers. Title page present dated March 1 1973 noted as REVISION #3 with credits for screenwriters Woody Allen and Marshall Brickman. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only with yellow and blue revision pages throughout. Pages Very Good plus with silverfish damage to outer edge of last 15 pages wrapper Very Good plus with silverfish damage to outer edge of back wrapper bound with two gold brads. Culver City Studios unknown books
ref. 168810N.p.: Silverworld Films 1980. Large archive including two heavily annotated Revised Draft scripts one lined 30 pages of storyboards a large blueprint of the military compound in the film story two maps a "The Dogs of War / New York" folder of location facts and contacts a 30-page shooting schedule and over 200 pages of daily revised shooting schedules call sheets and various memos from the 1980 film. Detail as follows: A heavily annotated Revised Draft script dated November 5 1979 with manuscript pencil ink marker and orange highlighter annotations on nearly every page. A heavily annotated Lined Revised Draft script dated February 12 1980 with manuscript ink and marker annotations on nearly every page. 30 matte-finish prints of storyboards most containing eight storyboards per page. A large blueprint of the military compound with several pencil and ink annotations. Two matte-finish prints of maps one of the final battle garrison and one of the Belize airstrip with annotations in blue ink. A folder with the label "The Dogs of War / New York" on the front wrapper containing a three page Memo six pages of New York shooting schedules 14 location fact sheets and a two-page location contact List. A 30 page Shooting Schedule and over 200 pages of daily Revised Shooting Schedules call sheets and memos many with manuscript ink annotations. Based on Frederick Forsyth's 1974 novel about a ruthless mercenary who after being tortured and deported is hired to lead a group of soldiers in a coup against a small African dictatorship so a British tycoon can plunder the nation's platinum resources. Set in the fictional African country of Zangaro shot on location in Belize City London Miami and New York. November 5 1979 Revised script: Black untitled wrappers with a die-cut window in the British fashion. Title page present dated November 5 1979 noted as Revised with credits for screenwriter Gary M. Devore and author Frederick Forsythe. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. February 12 1980 Draft script: Black titled Studio Duplicating Service wrappers. Title page present dated February 12 1980 noted as Revised with credits for screenwriter Gary M. Devore and author Frederick Forsythe. 124 leaves with last page of text numbered 122. Xerographic duplication on blue leaves rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Storyboards and Maps: 8 x 10 inches. Near Fine. Blueprint: 48.5 x 25.25 inches folded. Very Good plus with light toning light edgewear pinholes tape shadows and cello tape at the extremities. "New York" Folder: Generic green folder 9 x 11.5 inches. Near Fine. Shooting Schedules Call Sheets and Memos: 8.5 x 11 inches 8 x 13 inches and 8.5 x 14 inches. Very Good plus overall with wear commiserate with production use. Silverworld Films unknown
1930ref. 166622Paris: Studio 28 1930. Vintage review-program for Luis Buñuel's 1930 surrealist masterpiece created for the film's public premiere at Studio 28 cinema in Montmartre. Program in two parts bound dos-a-dos. Text in French. The first section of the review-program is dedicated to "L'Age d'or" presenting the film's scenario alongside subtitles and dialogue accompanied by a manifesto on surrealism and a catalog of 20 works by Max Ernst Salvador Dalí Man Ray and others which were exhibited alongside the film's screenings at Studio 28. The second part of the program is an overview of film programs at Studio 28 with stills from films by Epstein Ivens Melies and others. The violence of the uproar "L'Age d'Or" created remains almost as shocking as the film itself: days into the first screenings at Studio 28 on December 3 1930 the theatre was stormed by fascist youths enraged at the film's perceived anti-patriotic and anti-Christian message. Demonstrators threw ink at the screen shouted antisemitic death threats smashed the theatre windows and completely destroyed the exhibition of surrealist books and artwork in the foyer. In response the Board of Censors re-reviewed the film and on December 10 the film was banned from further public showings in France. The film's producers subsequently withdrew "L'Age d'or" from commercial distribution and public exhibition for more than 40 years although three years later in 1933 the film was privately exhibited at the Museum of Modern Art in New York. Page edges faintly foxed else about Near Fine in perfect-bound gold wrappers with a single annotation in manuscript ink censoring a line relating to one of the film's characters and Jesus Christ. Lacking the errata slip. Studio 28 unknown
ref. 172189N.p.: Interstar 1979. Substantial archive of material belonging to actress Samantha Eggar relating to the 1980 crime-exploitation film. Included are Eggar's annotated working script with blue and pink revisions signed in round-robin fashion on the title page by actor Christopher George director James Glickenhaus producer Mark Buntzman and others. Archive also includes six pages of contact information regarding crew members and 36 black-and-white reference photographs from the film most featuring Eggar with various cast and crew members on the set. A Vietnam veteran turns to vigilante justice after his close friend is beaten and left paralyzed by a street gang and his employer is threatened by the Mafia. Shot on location in New York City and at the Indian Dunes in Valencia California. A cult classic of the highest order bridging aspects of both 1970s and 1980s exploitation. Script: Red titled Studio Duplicating Service wrappers with credit for screenwriter James Glickenhaus on the front wrapper. Title page present dated 8/9/79 noted as copy No. 64 with credit for Glickenhaus. 175 leaves with last page of text numbered 170. Xerographic duplication rectos only with blue and pink revision pages throughout dated variously between 8/24/79 and 9/5/79. Pages Near Fine wrapper Very Good or better bound with two gold brads. Photographs: 10 x 8 inches. Generally Near Fine some with light toning to the margins. Housed in a white cardboard Ilford photograph box. Arrow Films. Interstar unknown
1966ref. 141453Tokyo: Toho Company 1966. Draft script for the 1966 film. Text in Japanese. A pornographer is keeping a low profile to keep out of the way of the mob while also is trying to keep the various people in his life happy including his stepdaughter stepson mistress and wife who believes her first husband was reincarnated as a carp. White titled perfect bound wrappers. Title page present. 178 leaves with last page of text numbered 27. Mechanical duplication. Pages Near Fine wrapper Near Fine. Criterion Collection 207. Toho Company unknown books
1959ref. 148724Tokyo: Shochiku 1959. Draft script for the 1959 Japanese film. Text and titles in Japanese. With holograph pencil annotations throughout ostensibly noting the placement of a certain character's lines. Angered by their parents' refusal to buy them a television set two young brothers decide to go on a silence strike against all adults leading to a number of comic misunderstandings in their tight-knit community. Set in a suburb of Tokyo. White titled wrappers. 16 leaves with last page of text numbered 31. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good lightly foxed with some wear to the binding with perfect binding. Rosenbaum 1000. Criterion Collection 84. Vogel Film as a Subversive Art. Shochiku unknown books
1985ref. 149056New York: Greenwich Film Productions 1985. Draft script for the 1985 film. With holograph pencil annotations throughout. Text titles and annotations in Japanese. Based on Shakespeare's play "King Lear." An elderly warlord in medieval Japan divides his vast empire among his three sons. The power corrupts them and turns them on each other as well as their father. Nominated for four Academy Awards including Best Director for Kurosawa winning one. Set in medieval Japan shot on location in Kumamoto Shizuoka Himeji Oita Aichi Yamagata and Tokyo Japan. Bright blue titled wrappers. Title page present. 96 leaves with last page of text numbered 176. Xerographic duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good plus with a lightly faded spine perfectly bound. Greenwich Film Productions unknown books
1968ref. 137925Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Archive including 20 vintage linen-backed production photographs a trade advertisement a film program and a souvenir booklet from the 1968 film "2001: A Space Odyssey." From the collection of NASA scientific consultant Frederick I. Ordway III with images prominently featuring Ordway production designer Harry Lange Arthur C. Clarke Stanley Kubrick and others. One photograph has Ordway's name written on the recto in silver marker. All photographs mounted on matte board as issued. Ordway and Clarke began working together on matters of science fact in 1951 and Clarke personally invited him to be the factual advisor on the film. Kubrick's sprawling science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. Along with "Blade Runner" Kubrick's masterpiece forever altered the standard for visual and conceptual sophistication in science fiction and genre films. The pre-production for the film set standards as well as Kubrick hired one of the greatest science fiction authors of the 1960s Arthur C. Clarke to be his screenwriter and hired over 20 scientists like Ordway to consult on every detail of the film. The film's high degree of scientific accuracy coupled with bleeding-edge special effects and minimal use of dialogue make "2001" universally recognized as one of the most influential films ever made. The development of the film was kept strictly under wraps and behind-the-scenes material of any kind is rare. Winner of an Academy Award for Best Special Effects and nominated for three others including Best Director. Set in space shot on location in Scotland England Arizona and Utah. Photographs 8 x 10 inches mounted on 11 x 14 inch matte board. Trade advertisement 9 x 12 inches full color creased. Souvenir booklet 7.25 x 16 inches full color 12 leaves saddle stapled folded. Program 5.5 x 8.5 inches black and white saddle stapled single leaf. Very Good to Near Fine. Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
ref. 149056New York: Greenwich Film Productions 1985. Draft script for the 1985 film. With manuscript pencil annotations throughout. Text titles and annotations in Japanese. Based on Shakespeare's play "King Lear." An elderly warlord in medieval Japan divides his vast empire among his three sons. The power corrupts them and turns them on each other as well as their father. Nominated for four Academy Awards including Best Director for Kurosawa winning one. Set in medieval Japan shot on location in Kumamoto Shizuoka Himeji Oita Aichi Yamagata and Tokyo Japan. Bright blue titled wrappers. Title page present. 96 leaves with last page of text numbered 176. Xerographic duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good plus with a lightly faded spine perfectly bound. Greenwich Film Productions unknown
1966ref. 140604Los Angeles: Expanding Cinema 1966. Shooting final for the 1966 film. Copy belonging to actor Peter Haskell with his manuscript annotations throughout and his shooting schedule laid in. Mary Ellen Bute's final film and the first cinematic adaptation of James Joyce's masterfully complex work of fiction. Shot over a two year period Bute was tasked with transforming Joyce's impenetrable prose without losing any of the work's surreal lyrical essence. The subsequent film maintains the original novel's oneiric style. Bute and her husband Ted Nemeth were longtime collaborators and Nemeth worked as both cinematographer and producer of the film. In 1965 it was honored at the Cannes Film Festival as Best Debut and remains Bute's sole feature length film. Shot on location in New York City and Dublin. Brown untitled wrappers. Title page present dated March 4 1963 and December 3 1962 noted as Shooting Final with credits for screenwriters Mary Ellen Bute Romana Javitz and T. J. Nemeth Jr and editor A.I.M.S. Street. 148 leaves with last page of text numbered 139. Mimeograph duplication with onionskin revision pages throughout. Pages Very Good plus wrapper Very Good plus. Some pages detaching and wrapper slightly cracked. Bound internally with prong binding. Expanding Cinema unknown
1962ref. 1487061962. Draft script for the 1963 film. Text and titles in Japanese. A legendary Japanese noir based on American author Ed McBain's 1959 novel "King's Ransom." A wealthy industrialist is contacted by a gang of crooks who inform him that they have kidnapped his son and are holding him hostage in exchange for an enormous ransom. The industrialist soon realizes however that the boy they have taken is in fact the son of his chauffeur-and must decide whether he will bankrupt himself and his family in order to save a child that is not his own. A nuanced portrait of a man facing the potential destruction of his future further elevated by morally ambiguous characters and the gritty realism of its world. The fifteenth and penultimate film that leading actor Toshiro Mifune would make with director Akira Kurosawa and one of the highest grossing Japanese films of 1963 breaking Kurosawa's box office record for the third time. Shot on location in Kanagawa Japan. White perfect bound wrappers dated 1962 with a protective titled dust jacket. 189 leaves with last page of text numbered e-37. Mimeograph duplication printed on rectos and versos. Book Very Good plus with light foxing to the page edges and light offsetting to the front and rear wrapper. Jacket Very Good plus with light foxing to the extremities and two small nicks to the spine ends. Criterion Collection 24. Grant Japan. Selby Japan. Spicer Japan. unknown books
1963ref. 148710Tokyo: Kurosawa Production Co 1963. Draft script for the 1965 Japanese film preceding the release by nearly two years. Text and titles in Japanese. Based on Shugoro Yamamoto's short story collection "Akahige Shinryotan." Toshiro Mifune's final film with director Akira Kurosawa considered one of the director's masterpieces following a small-town doctor and his new intern a highly educated arrogant young man. Set in the Edo district of Koishikawa. White titled wrappers with a blue titled dust jacket. Title page present dated 1963. 65 leaves with last page of text numbered g-17. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with light foxing to the rear wrapper with perfect binding. Jacket is Very Good plus with light foxing to the fore-edges and rear panel. Kurosawa Production Co unknown books
1944ref. 147297Los Angeles: Vanguard Films 1944. Temporary Shooting script for the 1945 film here under the working title "The House of Dr. Edwards." Based on the 1927 novel "The House of Dr. Edwardes" by Hilary Saint George Saunders and John Palmer. Producer David O. Selznick wanted to make a "psychiatric" story for the screen and Alfred Hitchcock persuaded Selznick to buy the rights to the novel which Hitchcock and his wife were adapting. Nominated for six Academy Awards including Best Picture Best Director and Best Supporting Actor for Michael Chekhov winning one. Blue titled wrappers noted as TEMPORARY SHOOTING SCRIPT on the front wrapper dated June 14 1944 with a credit for screenwriter Hecht. Distribution page present rubber-stamped copy No. 1620 with receipt removed. 176 leaves with last page of text numbered 176. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. In a custom cloth covered clamshell box with black leather spine label and titles and decoration in gilt. Grant US. Hardy The BFI Companion to Crime. Selby Canon. Silver Classic Noir. Spicer US. Vanguard Films unknown books
1929ref. 121976Hollywood: Paramount Pictures 1929. Early Treatment script for the 1929 film the first Sherlock Holmes film to have been produced with sound and the first to include the Holmes utterance "Elementary my dear Watson" a phrase never used by Doyle though that statement regrettably does not appear in this draft. The first known treatment was written by Oliver P. Garrett followed by this one scripted by F. Hugh Herbert and the final writing credits went to Garrett Fort and director Basil Dean. This treatment differs substantially from the finished film and is more faithful to Doyle's source material. A rare surviving artifact from the great detective's earliest days on the screen. Tall side-stapled self wrappers noted as an "Outline Treatment" on the front wrapper rubber-stamped project No. 1491 and MASTER FILE dated May 21 1929 with a credit for screenwriter Herbert. 52 leaves mixed original and carbon typescript on yellow stock with a few holograph pencil annotations on the first leaf including "1st Rough Draft." Very Good condition with some wear to the first leaf at the bottom stitch. Paramount Pictures unknown books
1957ref. 152173London: Attica Film Company 1957. Archive of material from the 1957 British film including a Draft production script a post-production Release script and a reference photograph inscribed by director Charlie Chaplin to production manager Mickey Delamar: "To Mickey / Thanks for a wonderful job / Charlie Chaplin / July 30th." Also included are a presumably complete set of nine soundtrack LPs made for use with film projection all in their original mailing box and sealed with the label of the Master Sound System Company in the UK. Lastly included are approximately 100 vintage photographs all with the stamp of Eric Gray the film's still photographer on the verso. Photographs all have a significant horizontal curl but are all separate and otherwise supple and clean. This segment of the archive is offered as is. Chaplin's final starring role about a dethroned and penniless king from a fictional European nation living in New York where he inadvertently becomes the target of a HUAC investigation after meeting a politically minded youngster played by Chaplin's son Michael whose parents have been jailed as communist sympathizers. A pointed satire of McCarthyism American consumerism and celebrity culture the film was produced in Europe due to Chaplin's own exile from the United States as a result of his leftist political beliefs and did not receive an US release until 1973. Mickey Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Francois Truffaut's "Fahrenheit 451" 1966 and Terence Young's "Mayerling" 1968. Set in New York shot on location in London. Draft script: Tall red untitled wrappers. Title page present undated with credits for screenwriter Charles Chaplin. 163 leaves with last page of text numbered 163. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with a silver prong. Post-Production Release script: Tall self wrappers. Title page present dated 7th March 1957 noted as RELEASE SCRIPT. Approximately 135 leaves. Mimeograph duplication rectos only. Pages Very Good plus bound with two silver brads. Presentation photograph: 7.5 x 9.5 inches. Very Good plus lightly toned. Soundtrack LP set: LPs well used and scratched but not cracked untested. Outer mailing box Very Good. Reference photograph set: All photographs extensively curled and though not examined carefully apparently not stuck together in any way. Very Good. Attica Film Company unknown books
1924ref. 143516Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1924. Vintage herald or broadside for the 1924 film. A clever and excessively rare bit of advertisement designed as a "Wanted" poster pulling together the main character from Frank Norris' novel John "Doc" McTeague a photo of "McTeague" Gibson Gowland and mention of a specific screening at San Francisco's Imperial Theatre on Market Street today the Market Street Cinema. The first cut of Stroheim's "Greed" was a mammoth 9.5-hour presentation. All that survives today is a restored slightly choppy but coherent 240-minute version supplanted with still photographs that conveys to the viewer the unimaginable grandeur of the original. Very little paper advertisement has survived. The only poster that has ever surfaced is a disappointing window card showing none of the characters and this remarkable broadside the only example we have ever encountered. 13 x 6 inches. Near Fine with a couple of tiny internal tears overall extremely clean and with no paper loss. Metro-Goldwyn-Mayer [MGM] unknown books
1959ref. 139477Paris: Les Films du Carrosse 1959. Original French Grande poster for the 1959 film. Poster design by Boris Grinsson. Truffaut's auspicious debut winner of Best Director at Cannes nominated for the Palme d'Or and also nominated for a Best Original Screenplay Oscar the following year. 47 x 62 inches27 x 41. Linen backed and rolled. Bright and Fine. Capitaine 207. Warren Vol. 1 p. 159. Les Films du Carrosse unknown books
1991ref. 139828Manhattan Beach CA: Lightstorm Entertainment 1991. Revised Draft script for the 1991 film dated February 19 1991. Script pages watermarked "T20029" and bearing the ownership watermarks of director Cameron's production company Lightstorm Entertainment as called for. With an alternate ending to the film which was shot but ultimately cut before release. Included is a set of pencil sketches featuring concept art as well as shooting schedules props lists and other production documents. The second film in what has become an ongoing multi-media franchise incorporating six feature films a television series video games comic books novels toys and even an amusement park ride. Winner of four Academy Awards and nominated for two more including Best Cinematography. While the first film is arguably the most profitable low budget film ever made the sequel was the first with a production budget of over 100 million dollars featuring groundbreaking CGI and visual effects and jaw dropping action sequences becoming one of the highest grossing R rated films of all time. Set in Los Angeles shot on location throughout California and in Santa Fe New Mexico. Black untitled wrappers. Title page noted as Revised script dated February 19 1991 with credits for screenwriters Cameron and Wisher. 127 leaves with last page of text numbered 124. Xerographically duplicated with white blue green pink goldenrod and yellow revision pages throughout dated variously between 9/10/90 and 2/19/91. Near Fine overall bound internally with two gold brads. Lentz US. Newman US. Lightstorm Entertainment unknown books