11,160 results
1978ref. 168320N.p.: Momentum Productions 1978. Treatment script for an unproduced film. An English-language feature-length treatment based on the 1965 Dutch short film co-written by René Daalder and his childhood friend and noted architect Rem Koolhaas under the auspices of experimental film collective the 1 2 3 Group. Counting Jan de Bont and Robby Müller among its members the 1 2 3 Group opposed the concept of the auteur with each person in the group serving variously as writer director actor and more on each production. The collective is perhaps best remembered today for "The White Slave" 1969 co-written by Koolhaas and Daalder. Self wrappers. Title page present copyright date noted as 1978 with credit for Daalder. 48 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Very Good plus partially bound at the top left corner with a paper clip. Momentum Productions unknown
1978ref. 168320N.p.: Momentum Productions 1978. Treatment script for an unproduced film. An English-language feature-length treatment based on the 1965 Dutch short film co-written by René Daalder and his childhood friend and noted architect Rem Koolhaas under the auspices of experimental film collective the 1 2 3 Group. Counting Jan de Bont and Robby Müller among its members the 1 2 3 Group opposed the concept of the auteur with each person in the group serving variously as writer director actor and more on each production. The collective is perhaps best remembered today for "The White Slave" 1969 co-written by Koolhaas and Daalder. Self wrappers. Title page present copyright date noted as 1978 with credit for Daalder. 48 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Very Good plus partially bound at the top left corner with a paper clip. Momentum Productions unknown books
1962ref. 150413N.p.: N.p. 1962. Vintage borderless reference photograph from the 1962 French film showing actors Michel Legrand Corinne Marchand and Jean-Pierre Taste-from the memorable early sequence in the film where Legrand and Taste drop in to Marchand's flat. With manuscript pencil and ink annotations on the verso. Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in Paris. 9.5 x 7 inches. Near Fine. N.p. unknown
1962ref. 150424N.p.: N.p. 1962. Vintage borderless reference photograph of director Agnes Varda on the set of the 1962 French film. With a stamp noting Varda's name on the verso along with manuscript pencil and ink annotations. Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in Paris. 4.5 x 6.5 inches. Near Fine. N.p. unknown
1962ref. 150413N.p.: N.p. 1962. Vintage borderless reference photograph from the 1962 French film showing actors Michel Legrand Corinne Marchand and Jean-Pierre Taste-from the memorable early sequence in the film where Legrand and Taste drop in to Marchand's flat. With manuscript pencil and ink annotations on the verso. Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in Paris. 9.5 x 7 inches. Near Fine. N.p. unknown books
1962ref. 150424N.p.: N.p. 1962. Vintage borderless reference photograph of director Agnes Varda on the set of the 1962 French film. With a stamp noting Varda's name on the verso along with manuscript pencil and ink annotations. Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in Paris. 4.5 x 6.5 inches. Near Fine. N.p. unknown books
1968ref. 158755New York: AVCO Embassy Pictures 1968. Revised Draft for the 1969 film. Script belonging to uncredited crew member with their name in manuscript ink in three places in the script. Additionally included with the script is a vintage reference photograph from the film showing cast and crew members on location. Based on the 1960 novel by Harold Robbins. A Mafia hit man is ready to retire but his employers not happy with this idea send a hit man out after him. Shot on location in New York City and Puerto Rico. Red titled wrappers. Title page present dated 9/27/68 with credits for novelist Harold Robbins screenwriter A.J. Russell and director Bernard L. Kowalski. PAGES leaves with last page of text numbered 121. Mimeograph duplication rectos only with pink yellow blue and green revision pages throughout dated variously between 10/15/68 and 11/5/68. Pages Near Fine wrapper Near Fine bound with two gold brads. Photograph: 10 x 8 inches. Near Fine. AVCO Embassy Pictures unknown
1968ref. 158755New York: AVCO Embassy Pictures 1968. Revised Draft for the 1969 film. Script belonging to uncredited crew member with their name in manuscript ink in three places in the script. Additionally included with the script is a vintage reference photograph from the film showing cast and crew members on location. Based on the 1960 novel by Harold Robbins. A Mafia hit man is ready to retire but his employers not happy with this idea send a hit man out after him. Shot on location in New York City and Puerto Rico. Red titled wrappers. Title page present dated 9/27/68 with credits for novelist Harold Robbins screenwriter A.J. Russell and director Bernard L. Kowalski. PAGES leaves with last page of text numbered 121. Mimeograph duplication rectos only with pink yellow blue and green revision pages throughout dated variously between 10/15/68 and 11/5/68. Pages Near Fine wrapper Near Fine bound with two gold brads. Photograph: 10 x 8 inches. Near Fine. AVCO Embassy Pictures unknown books
1969ref. 169582Paris: Gamma 1969. Vintage oversize borderless reference photograph from the 1969 film showing Romy Schneider and Alain Delon swimming together on the set. Gamma stamp crediting photographer J.P. Bonnotte on the verso along with layout annotations in manuscript pencil. A searing psychologically complex erotic thriller set in the dead of summer at a villa on the Côte d'Azur. A couple's holiday is unexpectedly interrupted by the arrival of the wife's ex-lover and his beautiful teenage daughter-with violent consequences. Co-written by noted screenwriter Jean-Claude Carriere who penned some of Luis Buñuel's finest work. Shot on location at Côte d'Azur and Saint-Tropez France. 12 x 8 inches. Near Fine. Criterion Collection 1088. Grant France. Gamma unknown
1969ref. 169582Paris: Gamma 1969. Vintage oversize borderless reference photograph from the 1969 film showing Romy Schneider and Alain Delon swimming together on the set. Gamma stamp crediting photographer J.P. Bonnotte on the verso along with layout annotations in manuscript pencil. A searing psychologically complex erotic thriller set in the dead of summer at a villa on the Côte d'Azur. A couple's holiday is unexpectedly interrupted by the arrival of the wife's ex-lover and his beautiful teenage daughter-with violent consequences. Co-written by noted screenwriter Jean-Claude Carriere who penned some of Luis Buñuel's finest work. Shot on location at Côte d'Azur and Saint-Tropez France. 12 x 8 inches. Near Fine. Criterion Collection 1088. Grant France. Gamma unknown books
1961ref. 168495N.p.: N.p. 1961. Two vintage borderless reference photographs from the 1961 French film one showing director Alain Resnais talking with Delphine Seyrig and Giorgio Albertazzi the other showing Resnais talking with Seyrig alone. Provenance stamps and annotations in manuscript ink on the versos. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.5 inches. About Near Fine with faint toning on the edges. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961ref. 159807N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with two "Photofest" stamps. alexander An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961ref. 159807N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with two "Photofest" stamps. alexander An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961ref. 168495N.p.: N.p. 1961. Two vintage borderless reference photographs from the 1961 French film one showing director Alain Resnais talking with Delphine Seyrig and Giorgio Albertazzi the other showing Resnais talking with Seyrig alone. Provenance stamps and annotations in manuscript ink on the versos. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.5 inches. About Near Fine with faint toning on the edges. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1981ref. 152296Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to special effects crew member John Burke with his name on the front wrapper in manuscript ink and his manuscript pencil annotations to the rear wrapper and throughout. Missing two pages likely as used or issued. While visiting his daughter in a small Colorado town a retired New York policeman becomes involved in solving the case of a string of cattle mutilations. Shot on location in Colorado New York and Wyoming. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 218 dated 2/27/81 with credits for director Alan Rudolph. Title page present noted as FINAL DRAFT dated 2/27/81 with credits for director Alan Rudolph. 132 leaves with last page of text numbered 132. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 8/13/81 and 10/1/81. Pages and wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1981ref. 152296Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to special effects crew member John Burke with his name on the front wrapper in manuscript ink and his manuscript pencil annotations to the rear wrapper and throughout. Missing two pages likely as used or issued. While visiting his daughter in a small Colorado town a retired New York policeman becomes involved in solving the case of a string of cattle mutilations. Shot on location in Colorado New York and Wyoming. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 218 dated 2/27/81 with credits for director Alan Rudolph. Title page present noted as FINAL DRAFT dated 2/27/81 with credits for director Alan Rudolph. 132 leaves with last page of text numbered 132. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 8/13/81 and 10/1/81. Pages and wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1960ref. 163709Universal City: Universal International Pictures 1960. Vintage full color banner poster for the 1960 film with a "Classified By Ontario Board of Censors as Adult Entertainment" label on the lower right. Rare in this format. Steve Allen stars as a sociology professor accused of corrupting the students morals after conducting a survey about their lifestyles and sexual habits. An unofficial follow-up to the hit 1958 film "High School Confidential!" 118.5 x 24 inches. Very Good plus with censor label partially detached. Bright and unfaded. Universal International Pictures unknown
1960ref. 163713Glendale CA: Allied Artists Pictures 1960. Vintage three-color banner poster for the 1960 film. Rare in this format. Collins College consults with the campus computer "Thinko" in search for a new head of their science department which suggests Dr. Mathilda West who holds 13 degrees speaks 18 languages and is a disruptively attractive buxom blonde played by Mamie Van Doren. Released in Europe with an additional nine-minute dream sequence featuring "Thinko" and four striptease dancers. 118.5 x 24 inches. Very Good plus. Allied Artists Pictures unknown
1960ref. 163709Universal City: Universal International Pictures 1960. Vintage full color banner poster for the 1960 film with a "Classified By Ontario Board of Censors as Adult Entertainment" label on the lower right. Rare in this format. Steve Allen stars as a sociology professor accused of corrupting the students morals after conducting a survey about their lifestyles and sexual habits. An unofficial follow-up to the hit 1958 film "High School Confidential!" 118.5 x 24 inches. Very Good plus with censor label partially detached. Bright and unfaded. Universal International Pictures unknown books
1960ref. 163713Glendale CA: Allied Artists Pictures 1960. Vintage three-color banner poster for the 1960 film. Rare in this format. Collins College consults with the campus computer "Thinko" in search for a new head of their science department which suggests Dr. Mathilda West who holds 13 degrees speaks 18 languages and is a disruptively attractive buxom blonde played by Mamie Van Doren. Released in Europe with an additional nine-minute dream sequence featuring "Thinko" and four striptease dancers. 118.5 x 24 inches. Very Good plus. Allied Artists Pictures unknown books
1959ref. 153996Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage reference photograph of novelist Daphne Du Maurier and her husband Sir Frederick Browning visiting actors Alec Guinness and Nicole Maurey on the set of the 1959 film. Printed mimeo snipe affixed to the verso. Based on the 1957 novel by Du Maurier about a lonely university professor who meets his lookalike a wealthy but discontented count while vacationing in France and finds himself unwittingly forced to swap places and assume the count's life. Shot on location in France. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1959ref. 153996Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage reference photograph of novelist Daphne Du Maurier and her husband Sir Frederick Browning visiting actors Alec Guinness and Nicole Maurey on the set of the 1959 film. Printed mimeo snipe affixed to the verso. Based on the 1957 novel by Du Maurier about a lonely university professor who meets his lookalike a wealthy but discontented count while vacationing in France and finds himself unwittingly forced to swap places and assume the count's life. Shot on location in France. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1964ref. 170777N.p.: N.p. 1964. Four vintage color transparencies from the 1964 film all four showing Tippi Hedren. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 5 x 4 inches. Near Fine. Godard Histoires du cinema. Grant US. Spicer US. N.p. unknown
1959ref. 161065Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage studio still photograph of director Alfred Hitchcock talking with actor Cary Grant on the set of the 1959 film. An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of Hitchcock's best films the last of four the director made with Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. 8 x 10 inches. Near Fine. National Film Registry. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
1959ref. 161065Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage studio still photograph of director Alfred Hitchcock talking with actor Cary Grant on the set of the 1959 film. An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of Hitchcock's best films the last of four the director made with Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. 8 x 10 inches. Near Fine. National Film Registry. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown books
