11,160 results
1964ref. 170777N.p.: N.p. 1964. Four vintage color transparencies from the 1964 film all four showing Tippi Hedren. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 5 x 4 inches. Near Fine. Godard Histoires du cinema. Grant US. Spicer US. N.p. unknown books
1967ref. 157986N.p.: N.p. 1967. Four vintage studio still photographs from the 1967 film. One with annotations in manuscript ink and pencil on the verso regarding cropping. From the archive of film historian and author Joel Finler. A bold film adaptation of the controversial allegorical drama by Amiri Baraka writing here as he often did in the 1960s as Leroi Jones. An erratic white woman meets an African American man on a subway car. When he begins to respond to her erotic advances she begins to taunt him viciously goading him until he explodes into violence. Anthony Anthony Harvey's important and still impactful first directorial effort followed by many successful films including "The Lion in Winter" 1968 "They Might Be Giants" 1971 and "The Glass Menagerie" 1973. Set in New York with subway exteriors shot in Manhattan and interiors shot in London. 10 x 8 inches. Near Fine. N.p. unknown
1967ref. 157986N.p.: N.p. 1967. Four vintage studio still photographs from the 1967 film. One with annotations in manuscript ink and pencil on the verso regarding cropping. From the archive of film historian and author Joel Finler. A bold film adaptation of the controversial allegorical drama by Amiri Baraka writing here as he often did in the 1960s as Leroi Jones. An erratic white woman meets an African American man on a subway car. When he begins to respond to her erotic advances she begins to taunt him viciously goading him until he explodes into violence. Anthony Anthony Harvey's important and still impactful first directorial effort followed by many successful films including "The Lion in Winter" 1968 "They Might Be Giants" 1971 and "The Glass Menagerie" 1973. Set in New York with subway exteriors shot in Manhattan and interiors shot in London. 10 x 8 inches. Near Fine. N.p. unknown books
1975ref. 153877N.p.: Excelsior 1975. Vintage oversize borderless color reference photograph from the 1975 film. Stamp of Excelsior Films to the verso. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who has resorted to appearing in porn films to make a living. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 12 x 9.5 inches. Very Good plus with pinholes and light creasing to the corners. Excelsior unknown
1975ref. 139641Paris: Albina Productions 1975. Vintage photograph of Romy Schneider dressed as Marlene Dietrich in a scene from the 1975 film. With the stamp of photographer Giancarlo Botti on the verso as well as printed mimeo snipes in both English and French. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who is starring in cheap softcore films. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 6.75 x 9.5 inches. Fine. Albina Productions unknown
1975ref. 153877N.p.: Excelsior 1975. Vintage oversize borderless color reference photograph from the 1975 film. Stamp of Excelsior Films to the verso. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who has resorted to appearing in porn films to make a living. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 12 x 9.5 inches. Very Good plus with pinholes and light creasing to the corners. Excelsior unknown books
1975ref. 139641Paris: Albina Productions 1975. Vintage photograph of Romy Schneider dressed as Marlene Dietrich in a scene from the 1975 film. With the stamp of photographer Giancarlo Botti on the verso as well as printed mimeo snipes in both English and French. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who is starring in cheap softcore films. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 6.75 x 9.5 inches. Fine. Albina Productions unknown books
1973ref. 160513N.p.: N.p. 1973. Seven vintage borderless reference photographs from the 1973 film. An X-rated Andy Warhol-produced take on Mary Shelley's 1818 classic novel featuring Warhol superstar Udo Kier as Baron von Frankenstein a man obsessed with creating a new Serbian race to obey his every command. Shot on location in Vojvodina Serbia. 7 x 9.25 inches. Near Fine. N.p. unknown
1973ref. 160513N.p.: N.p. 1973. Seven vintage borderless reference photographs from the 1973 film. An X-rated Andy Warhol-produced take on Mary Shelley's 1818 classic novel featuring Warhol superstar Udo Kier as Baron von Frankenstein a man obsessed with creating a new Serbian race to obey his every command. Shot on location in Vojvodina Serbia. 7 x 9.25 inches. Near Fine. N.p. unknown books
1943ref. 130866Universal City CA: Universal Pictures 1943. Revised Draft script for the 1944 film. The second of Universal's Technicolor fantasy adventures after "Arabian Nights" 1942 and "White Savage" 1943 loosely based on the classic Arabian Nights tales with a fitting score by Edward Ward to match Lubin's directorial flair. A fun but often overlooked desert romp. Gray titled wrappers noted as Revised and copy No. 113 on the front wrapper rubber-stamped production No. 7142 dated 5-20-43 with credit for screenwriter Hartmann. 114 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Poor with front wrapper starting bound with three gold brads. Weaver p. 565. Universal Pictures unknown
1943ref. 130866Universal City CA: Universal Pictures 1943. Revised Draft script for the 1944 film. The second of Universal's Technicolor fantasy adventures after "Arabian Nights" 1942 and "White Savage" 1943 loosely based on the classic Arabian Nights tales with a fitting score by Edward Ward to match Lubin's directorial flair. A fun but often overlooked desert romp. Gray titled wrappers noted as Revised and copy No. 113 on the front wrapper rubber-stamped production No. 7142 dated 5-20-43 with credit for screenwriter Hartmann. 114 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Poor with front wrapper starting bound with three gold brads. Weaver p. 565. Universal Pictures unknown books
1970ref. 151976Rome: Mars Film 1970. Vintage borderless reference photograph of Jean-Louis Trintignant and Stefania Sandrelli from the 1970 film. Stamp of photographer Angelo Novi on verso. An intricate and incisive examination of the psychological tribulations of a man who will do anything to be "normal." Marcello Clerici Trintignant a young and upper-middle class Italian joins Mussolini's Organization for Vigilance and Repression of Anti-Fascism and his first assignment is to assassinate his former teacher a political dissident now residing in France with his attractive young wife. Under the guise of taking his new bride Gulia on a honeymoon Marcello travels to France to complete his mission. Lauded for its fantastic cinematography and expressionistic style often compared stylistically to early German Expressionist works such as Leni Riefenstahl's "Triumph of the Will" or Fritz Lang's "Metropolis." 9.5 x 7.25 inches. Near Fine. Arrow Academy 709. Schrader's Canon Fodder 14. Grant Italy. Mars Film unknown
1970ref. 151976Rome: Mars Film 1970. Vintage borderless reference photograph of Jean-Louis Trintignant and Stefania Sandrelli from the 1970 film. Stamp of photographer Angelo Novi on verso. An intricate and incisive examination of the psychological tribulations of a man who will do anything to be "normal." Marcello Clerici Trintignant a young and upper-middle class Italian joins Mussolini's Organization for Vigilance and Repression of Anti-Fascism and his first assignment is to assassinate his former teacher a political dissident now residing in France with his attractive young wife. Under the guise of taking his new bride Gulia on a honeymoon Marcello travels to France to complete his mission. Lauded for its fantastic cinematography and expressionistic style often compared stylistically to early German Expressionist works such as Leni Riefenstahl's "Triumph of the Will" or Fritz Lang's "Metropolis." 9.5 x 7.25 inches. Near Fine. Arrow Academy 709. Schrader's Canon Fodder 14. Grant Italy. Mars Film unknown books
1940ref. 156009N.p.: N.p. 1940. Vintage borderless reference photograph from the 1940 film showing director William Wyler and actress Bette Davis enjoying tea on the set. A rubber plantation owner's wife claims self defense after shooting her secret lover but a damning letter in her own hand may uncover the truth. 9 x 6.5 inches. Near Fine. Selby US. Spicer US. Grant US. N.p. unknown
1940ref. 156009N.p.: N.p. 1940. Vintage borderless reference photograph from the 1940 film showing director William Wyler and actress Bette Davis enjoying tea on the set. A rubber plantation owner's wife claims self defense after shooting her secret lover but a damning letter in her own hand may uncover the truth. 9 x 6.5 inches. Near Fine. Selby US. Spicer US. Grant US. N.p. unknown books
1987ref. 171907N.p.: N.p. 1987. Draft script for the 1988 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages indicating stunt sequences. Crew contact list and eight white revision pages bound in at the rear of the script. Based on an unpublished novel by Rod Amateau. In Hollywood during the transition to sound film US Marshal Wyatt Earp and Western actor Tom Mix team up to solve a murder involving a violent gangster. The second film in which James Garner portrayed Wyatt Earp following "Hour of the Gun" in 1967. Cream titled pictorial wrappers. Title page present dated March 20 1987 with credits for Amateau and screenwriter Blake Edwards. 138 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue and pink revision pages throughout dated 3/27/87 and 3/30/87 respectively. Pages Near Fine wrapper Very Good plus extremities lightly toned bound internally with two gold brads. N.p. unknown
1982ref. 171906N.p.: N.p. 1982. Final Draft script for the 1983 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages. Based on the 1977 François Truffaut film about a middle-aged man whose single-minded obsession with sex and beauty disrupts his life and eventually leads to his downfall. Self wrappers. Title page present dated October 1982 noted as Final Draft with credits for screenwriters Blake and Geoffrey Edwards. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout dated 11/2/82. Pages Near Fine bound with two gold brads. N.p. unknown
1982ref. 169091N.p.: N.p. 1982. Final Draft script for the 1983 film. Blake Edwards remake of Francois Truffaut's 1977 film about sculptor David Fowler Burt Reynolds whose obsessive love of women leads to his eventual death told from the perspective of his analyst and eventual lover Marianna Julie Andrews. Shot on location in Texas New York and California. Front wrapper integral with title page dated October 1982 noted as FINAL DRAFT with credits for screenwriters Blake Edwards Geoffrey Edwards Milton Wexler. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue and pink revision pages throughout dated 11/2/82 and 2/23/83. Pages Near Fine bound with two gold brads. N.p. unknown
1987ref. 171907N.p.: N.p. 1987. Draft script for the 1988 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages indicating stunt sequences. Crew contact list and eight white revision pages bound in at the rear of the script. Based on an unpublished novel by Rod Amateau. In Hollywood during the transition to sound film US Marshal Wyatt Earp and Western actor Tom Mix team up to solve a murder involving a violent gangster. The second film in which James Garner portrayed Wyatt Earp following "Hour of the Gun" in 1967. Cream titled pictorial wrappers. Title page present dated March 20 1987 with credits for Amateau and screenwriter Blake Edwards. 138 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue and pink revision pages throughout dated 3/27/87 and 3/30/87 respectively. Pages Near Fine wrapper Very Good plus extremities lightly toned bound internally with two gold brads. N.p. unknown books
1982ref. 169091N.p.: N.p. 1982. Final Draft script for the 1983 film. Blake Edwards remake of Francois Truffaut's 1977 film about sculptor David Fowler Burt Reynolds whose obsessive love of women leads to his eventual death told from the perspective of his analyst and eventual lover Marianna Julie Andrews. Shot on location in Texas New York and California. Front wrapper integral with title page dated October 1982 noted as FINAL DRAFT with credits for screenwriters Blake Edwards Geoffrey Edwards Milton Wexler. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue and pink revision pages throughout dated 11/2/82 and 2/23/83. Pages Near Fine bound with two gold brads. N.p. unknown books
1982ref. 171906N.p.: N.p. 1982. Final Draft script for the 1983 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages. Based on the 1977 François Truffaut film about a middle-aged man whose single-minded obsession with sex and beauty disrupts his life and eventually leads to his downfall. Self wrappers. Title page present dated October 1982 noted as Final Draft with credits for screenwriters Blake and Geoffrey Edwards. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout dated 11/2/82. Pages Near Fine bound with two gold brads. N.p. unknown books
ref. BBS-2022275Tri-Star Pictures. Very Good. Unproduced script by Robert Bloch based on the novel by Anderson and Dickson. In a navy folder branded with Tri-Star Pictures bound with metal button clasps. Folder is very good with light shelf-wear and edgewear. Metal clasps are secure free of rust; they have also scraped into the inside back cover a little. Binding sound. 167 pages are bound in with 9 additional revision pages laid-in. Revision pages toned; original pages bright. Free of markings. Tri-Star Pictures unknown
1978ref. 156029Geneva: Septima Film 1978. Four vintage oversize double weight photographs from the Swiss release of the 1978 adult film. With the stamp of Swiss distributor Septima Film on the verso. A failing pizza restaurant in San Francisco begins to offer more than just pizza with their deliveries. Directed by noted Chinese-American adult filmmaker Bob Chinn restored and re-released by Vinegar Syndrome in 2014. Shot on location in Oakland San Francisco and Berkeley California. 10 x 8 inches. Near Fine unusually mounted on thick stock with keybook style holes at the corners for use in adult film theatres. Vinegar Syndrome 55. Septima Film unknown
1978ref. 156029Geneva: Septima Film 1978. Four vintage oversize double weight photographs from the Swiss release of the 1978 adult film. With the stamp of Swiss distributor Septima Film on the verso. A failing pizza restaurant in San Francisco begins to offer more than just pizza with their deliveries. Directed by noted Chinese-American adult filmmaker Bob Chinn restored and re-released by Vinegar Syndrome in 2014. Shot on location in Oakland San Francisco and Berkeley California. 10 x 8 inches. Near Fine unusually mounted on thick stock with keybook style holes at the corners for use in adult film theatres. Vinegar Syndrome 55. Septima Film unknown books
1967ref. 151850Los Angeles: Paramount Pictures 1967. Five vintage reference photographs from the 1967 film all featuring actress Brigitte Bardot. Four with printed mimeo snipes affixed to the verso. From the collection of noted British film producer John Palmer. A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. Shot on location in London and Paris. 8 x 10 inches. Very Good moderately toned and lightly creased. Paramount Pictures unknown
