11,064 results
1954ref. 160512N.p.: N.p. 1954. Vintage borderless reference photograph of Jacques Tati as Monsieur Hulot from the classic 1954 film. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 6.75 x 9 inches. Very Good plus with pinholes at the corners and light creasing on the bottom edge. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
1954ref. 160512N.p.: N.p. 1954. Vintage borderless reference photograph of Jacques Tati as Monsieur Hulot from the classic 1954 film. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 6.75 x 9 inches. Very Good plus with pinholes at the corners and light creasing on the bottom edge. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1992ref. 163927N.p.: N.p. 1992. Third Draft script for the 1993 film. From the archive of crew member Chris Scher. Based on the award-winning semi-autobiographical 1988 play by John O'Keefe about two teenage boys who create a shared fantastical world in order to mentally escape from their abusive confinement in a juvenile detention center. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in the rural midwest shot on location in Toledo and Waterloo Iowa. Self wrappers. Title page present dated 15 April 1992 noted as Third Draft with credit for O'Keefe. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1992ref. 163927N.p.: N.p. 1992. Third Draft script for the 1993 film. From the archive of crew member Chris Scher. Based on the award-winning semi-autobiographical 1988 play by John O'Keefe about two teenage boys who create a shared fantastical world in order to mentally escape from their abusive confinement in a juvenile detention center. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in the rural midwest shot on location in Toledo and Waterloo Iowa. Self wrappers. Title page present dated 15 April 1992 noted as Third Draft with credit for O'Keefe. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1950ref. 161063Burbank CA: Warner Brothers 1950. Three vintage photographs from the 1950 film including one publicity photograph showing James Cagney with Helena Carter and Barbara Payton and two studio still photographs showing cast members and a camera crew on the set. Publicity photograph with the stamp of Warner Brothers photographer Bert Six on the verso. Based on the 1948 novel by Horace McCoy about a repeat offender's violent escape from a prison work camp. Banned in Ohio for its brutality and extreme depiction of violent crime the film was the first of four movies the Cagney brothers made for Warner Brothers. Shot on location in Chino and Glendale. 8 x 10 inches. Near Fine two with light creases at the corners. Grant US. Selby US Canon. Selby US Masterwork. Spicer US. Warner Brothers unknown
1950ref. 161063Burbank CA: Warner Brothers 1950. Three vintage photographs from the 1950 film including one publicity photograph showing James Cagney with Helena Carter and Barbara Payton and two studio still photographs showing cast members and a camera crew on the set. Publicity photograph with the stamp of Warner Brothers photographer Bert Six on the verso. Based on the 1948 novel by Horace McCoy about a repeat offender's violent escape from a prison work camp. Banned in Ohio for its brutality and extreme depiction of violent crime the film was the first of four movies the Cagney brothers made for Warner Brothers. Shot on location in Chino and Glendale. 8 x 10 inches. Near Fine two with light creases at the corners. Grant US. Selby US Canon. Selby US Masterwork. Spicer US. Warner Brothers unknown books
1972ref. 161813Beverly Hills CA: United Artists 1972. Revised Draft script for the 1972 film. Well-regarded New Hollywood Western about an aging rodeo champion a "honker" whose arrogance hurts everyone around him including his family. Notable for its accurate depiction of rodeo life portrayed in striking detail. Director Steve Inhat's directorial debut. Shot on location in New Mexico. Blue titled wrappers. Title page present dated April 19 1971 noted as Revised with credits for screenwriters Steve Ihnat and Stephen Lodge. 130 leaves with last page of text numbered 129. Mimeograph on blue stock. Pages Fine wrapper Near Fine bound with two gold brads. Hardy p. 332. United Artists unknown
1972ref. 161813Beverly Hills CA: United Artists 1972. Revised Draft script for the 1972 film. Well-regarded New Hollywood Western about an aging rodeo champion a "honker" whose arrogance hurts everyone around him including his family. Notable for its accurate depiction of rodeo life portrayed in striking detail. Director Steve Inhat's directorial debut. Shot on location in New Mexico. Blue titled wrappers. Title page present dated April 19 1971 noted as Revised with credits for screenwriters Steve Ihnat and Stephen Lodge. 130 leaves with last page of text numbered 129. Mimeograph on blue stock. Pages Fine wrapper Near Fine bound with two gold brads. Hardy p. 332. United Artists unknown books
1977ref. 156705Amsterdam: Universal Film Agency 1977. Three vintage reference photographs including two bordered black-and-white and one borderless color photographs and one vintage press photograph from the 1977 film. Printed label of Universal Film Agency in Amsterdam affixed to the versos. A heavily fictionalized autobiography of British adult film actress Fiona Richmond starring Richmond herself. Set in California and Michigan shot on location in both states. Approximately 8 x 10 inches. Very Good plus with pinholes at the corners. Universal Film Agency unknown
1977ref. 156705Amsterdam: Universal Film Agency 1977. Three vintage reference photographs including two bordered black-and-white and one borderless color photographs and one vintage press photograph from the 1977 film. Printed label of Universal Film Agency in Amsterdam affixed to the versos. A heavily fictionalized autobiography of British adult film actress Fiona Richmond starring Richmond herself. Set in California and Michigan shot on location in both states. Approximately 8 x 10 inches. Very Good plus with pinholes at the corners. Universal Film Agency unknown books
1976ref. 166641Paris: Sygma 1976. Vintage oversize matte-finish borderless reference photograph from the 1976 film showing a crying nude Jane Birkin with Joe Dallesandro in the foreground. Mimeo snipe on the verso. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 11.75 x 8 inches. About Fine. Sygma unknown
1976ref. 166641Paris: Sygma 1976. Vintage oversize matte-finish borderless reference photograph from the 1976 film showing a crying nude Jane Birkin with Joe Dallesandro in the foreground. Mimeo snipe on the verso. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 11.75 x 8 inches. About Fine. Sygma unknown books
1969ref. 151305N.p.: N.p. 1969. Eight vintage borderless photographs from the 1969 French film. Based on Rene Barjavel's 1969 novel. A young Parisian man travels to Nepal to find his deadbeat father only to fall in with a group of drug-loving hippies. Set in Paris and Nepal. 7 x 5 inches. Near Fine. N.p. unknown
1969ref. 151305N.p.: N.p. 1969. Eight vintage borderless photographs from the 1969 French film. Based on Rene Barjavel's 1969 novel. A young Parisian man travels to Nepal to find his deadbeat father only to fall in with a group of drug-loving hippies. Set in Paris and Nepal. 7 x 5 inches. Near Fine. N.p. unknown books
1959ref. 144110Paris: Cinedis 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. The collection consists of two unique and complimentary pieces one being a film still keybook with 68 contact prints of small format negatives most with 12 images per print amounting to over 800 images captured. Nearly all images with series number bordering the image and credits at the top for photo laboratory Tele-Photo film studio Cinedis film title and photographer Rosselle housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages several with small white borders and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges etched in the original film negative before photo development as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos a few smaller photographs have rubber-stamps on the versos crediting Richard Pierre film titles director Bastia and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs a few with rubber-stamps on the verso crediting starring actors and French film titles and a small press packet from Cinedis detailing film credits synopsis and star biographies. Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image mostly in their official uniforms. Actress Zuber is equally present in striking high-contrast images cuddling bunnies fishing at a river and wielding a rifle. The notebook depicts images seen in the film while the keybook depicts on-the-set sequences test shots candid moments and images of the crew; the loose photos show both candid and action shots. An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with "Nous autres à Champignol" 1957 the first in this series involving gendarmes and Champignol followed by this film and finally "The Boss of Champignol" 1966. Photographs in large quarto notebook 3.5 x 4.75 inches keybook contact prints 8.25 x 10.5 inches 2-hole punched several trimmed and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine with light curling a handful with short creases press packet Near Fine notebook Near Fine and binder Very Good. Cinedis unknown
1959ref. 144110Paris: Cinedis 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. The collection consists of two unique and complimentary pieces one being a film still keybook with 68 contact prints of small format negatives most with 12 images per print amounting to over 800 images captured. Nearly all images with series number bordering the image and credits at the top for photo laboratory Tele-Photo film studio Cinedis film title and photographer Rosselle housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages several with small white borders and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges etched in the original film negative before photo development as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos a few smaller photographs have rubber-stamps on the versos crediting Richard Pierre film titles director Bastia and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs a few with rubber-stamps on the verso crediting starring actors and French film titles and a small press packet from Cinedis detailing film credits synopsis and star biographies. Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image mostly in their official uniforms. Actress Zuber is equally present in striking high-contrast images cuddling bunnies fishing at a river and wielding a rifle. The notebook depicts images seen in the film while the keybook depicts on-the-set sequences test shots candid moments and images of the crew; the loose photos show both candid and action shots. An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with "Nous autres à Champignol" 1957 the first in this series involving gendarmes and Champignol followed by this film and finally "The Boss of Champignol" 1966. Photographs in large quarto notebook 3.5 x 4.75 inches keybook contact prints 8.25 x 10.5 inches 2-hole punched several trimmed and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine with light curling a handful with short creases press packet Near Fine notebook Near Fine and binder Very Good. Cinedis unknown books
1960ref. 170422Paris: Gok in Sipahio lu 1960. Vintage borderless oversize photograph from the set of the 1960 film showing Jean Cocteau with Pablo Picasso and his wife Jacqueline Luis Miguel Dominguin Serge Lifar and Lucia Bose-all of whom appeared in cameos in the film. French mimeo snipe and stamp of Sipa Press founder Gök in Sipahio lu on the verso. The final film in Cocteau's "Orphic" trilogy following "The Blood of a Poet" 1930 and "Orphee" 1950. The only film in the trilogy featuring Cocteau himself as an aging poet who knows he is dying as indeed he was his greatest desire being to experience rebirth so that he can qualify for celestial immortality. A few seconds of color are spliced in at one point a surreal effect used prior to this film in "Portrait of Jennie" 1948 and later in Samuel Fuller's "Shock Corridor" 1963. Having run out of funds in mid-production Cocteau was given money to complete filming by François Truffaut who used the prize money he had won at Cannes for "Les Quatre Cents Coups" 1959. 11.75 x 8 inches. Light edgewear else Near Fine. Gok in Sipahio lu unknown
1965ref. 159827Paris: UniFrance Film 1965. Vintage borderless reference photograph of director Georges Franju on the set of the 1965 French film arranging the coat of actress Emmanuele Riva. Stamp specific to the film's French release on the verso along with the stamp of UniFrance Film. Based on the 1923 novel by Jean Cocteau about a teenager who is mistaken for the nephew of the popular General de Fontenoy during World War I. Shot on location in Paris and Oise. 9.5 x 7.25 inches. Near Fine. UniFrance Film unknown
1960ref. 170422Paris: Gok in Sipahio lu 1960. Vintage borderless oversize photograph from the set of the 1960 film showing Jean Cocteau with Pablo Picasso and his wife Jacqueline Luis Miguel Dominguin Serge Lifar and Lucia Bose-all of whom appeared in cameos in the film. French mimeo snipe and stamp of Sipa Press founder Gök in Sipahio lu on the verso. The final film in Cocteau's "Orphic" trilogy following "The Blood of a Poet" 1930 and "Orphee" 1950. The only film in the trilogy featuring Cocteau himself as an aging poet who knows he is dying as indeed he was his greatest desire being to experience rebirth so that he can qualify for celestial immortality. A few seconds of color are spliced in at one point a surreal effect used prior to this film in "Portrait of Jennie" 1948 and later in Samuel Fuller's "Shock Corridor" 1963. Having run out of funds in mid-production Cocteau was given money to complete filming by François Truffaut who used the prize money he had won at Cannes for "Les Quatre Cents Coups" 1959. 11.75 x 8 inches. Light edgewear else Near Fine. Gok in Sipahio lu unknown books
1965ref. 159827Paris: UniFrance Film 1965. Vintage borderless reference photograph of director Georges Franju on the set of the 1965 French film arranging the coat of actress Emmanuele Riva. Stamp specific to the film's French release on the verso along with the stamp of UniFrance Film. Based on the 1923 novel by Jean Cocteau about a teenager who is mistaken for the nephew of the popular General de Fontenoy during World War I. Shot on location in Paris and Oise. 9.5 x 7.25 inches. Near Fine. UniFrance Film unknown books
1935ref. 158494N.p.: N.p. 1935. Vintage reference photograph from the 1935 film showing actress Jean Harlow in a short-sleeve blouse and shorts surrounded by dancers. From the archive of film historian and author Joel Finler. A beautiful stage star is torn between the loves of a devoted wealthy fan and her agent. Loosely based on the real-life scandal of the marriage of torch singer Libby Holman and tobacco heir Zachary Smith Reynolds. 8 x 10 inches. Very Good plus lightly age toned with a bruise on the top edge. N.p. unknown
1935ref. 158494N.p.: N.p. 1935. Vintage reference photograph from the 1935 film showing actress Jean Harlow in a short-sleeve blouse and shorts surrounded by dancers. From the archive of film historian and author Joel Finler. A beautiful stage star is torn between the loves of a devoted wealthy fan and her agent. Loosely based on the real-life scandal of the marriage of torch singer Libby Holman and tobacco heir Zachary Smith Reynolds. 8 x 10 inches. Very Good plus lightly age toned with a bruise on the top edge. N.p. unknown books
1954ref. 130751Los Angeles: Twentieth Century-Fox 1954. Final Draft script for the 1954 film. Actor Van Heflin's copy with blue revision pages throughout and with Heflin's substantial annotations in manuscript pencil on five pages see images. Clifton Webb plays Earnest Gifford the CEO of a car company tasked with replacing one of his managers after the incumbent dies. In a bit of a twist the CEO decides to observe the wives of his top three candidates hoping to tease out useful information and character traits via their choice of spouses. Title page present dated April 20 1954 noted as Final Script with credits for screenwriters Lindsay Crouse and Binyon. 128 leaves Multilith duplication with blue revision pages throughout dated variously between 4-22-54 and 5-11-54. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1954ref. 130751Los Angeles: Twentieth Century-Fox 1954. Final Draft script for the 1954 film. Actor Van Heflin's copy with blue revision pages throughout and with Heflin's substantial annotations in manuscript pencil on five pages see images. Clifton Webb plays Earnest Gifford the CEO of a car company tasked with replacing one of his managers after the incumbent dies. In a bit of a twist the CEO decides to observe the wives of his top three candidates hoping to tease out useful information and character traits via their choice of spouses. Title page present dated April 20 1954 noted as Final Script with credits for screenwriters Lindsay Crouse and Binyon. 128 leaves Multilith duplication with blue revision pages throughout dated variously between 4-22-54 and 5-11-54. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1951ref. 151232Beverly Hills CA: United Artists 1951. Four vintage studio still photographs from the 1951 film three showing crew members on the set including novelist Rumer Godden cinematographer Satyajit Ray producer Kenneth McEldowney and director Jean Renoir. One with a partially faded provenance stamp on the verso. From the archive of film historian and author Joel Finler. Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. Shot on location in West Bengal India. Three photographs 8 x 10 inches one 10 x 8 inches. Near Fine. United Artists unknown
