11,064 results
1951ref. 151232Beverly Hills CA: United Artists 1951. Four vintage studio still photographs from the 1951 film three showing crew members on the set including novelist Rumer Godden cinematographer Satyajit Ray producer Kenneth McEldowney and director Jean Renoir. One with a partially faded provenance stamp on the verso. From the archive of film historian and author Joel Finler. Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. Shot on location in West Bengal India. Three photographs 8 x 10 inches one 10 x 8 inches. Near Fine. United Artists unknown books
1964ref. 150307N.p.: N.p. 1964. Vintage oversize borderless reference photograph from the 1964 film showing actors Jean-Louis Trintignant and Jeanne Moreau between takes. With a printed mimeo snipe affixed to the verso along with the stamp of PRPresse. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. Loosely based on the adventures of Dutch dancer-turned-spy Mata Hari who worked as a secret agent for the Germans during World War I. Shot on location in Paris. 8 x 11.5 inches. Near Fine. N.p. unknown
1964ref. 150307N.p.: N.p. 1964. Vintage oversize borderless reference photograph from the 1964 film showing actors Jean-Louis Trintignant and Jeanne Moreau between takes. With a printed mimeo snipe affixed to the verso along with the stamp of PRPresse. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. Loosely based on the adventures of Dutch dancer-turned-spy Mata Hari who worked as a secret agent for the Germans during World War I. Shot on location in Paris. 8 x 11.5 inches. Near Fine. N.p. unknown books
1965ref. 151996N.p.: Andre Michelin Productions 1965. Vintage borderless reference photograph of Eddie Constantine as Lemmy Caution in bed armed and reading a French translation of Raymond Chandler's "The Big Sleep" from the 1965 film. Printed snipe and provenance stamp of "G. Toussier" on verso. Jean-Luc Godard's neo-noir foray into science fiction transplanting the fictional detective Lemmy Caution Constantine into a dystopian future assigned to kill the machine intelligence that rules over a fascist state where emotion is outlawed. 9.5 x 7.25 inches. Very light edgewear to the corners else Near Fine. Criterion Collection 25. Godard Histoires du Cinema. Grant France. Rosenbaum 1000. Andre Michelin Productions unknown
1963ref. 160682N.p.: N.p. 1963. Vintage reference photograph from the 1963 film showing director Jean-Luc Godard and cameraman Raoul Coutard capturing a scene. Date stamp and provenance stamp on the verso. During the Algerian War a French agent is ordered to assassinate a member of the National Liberation Front of Algeria FLN but cannot complete the mission due to his involvement with a pro-FLN woman. Shot in 1960 but not released until 1963 due to a French ban on torture scenes thus Godard's second feature film but fourth to be released. Set in Algeria shot on location in Switzerland. 10.5 x 7 inches. Near Fine. Criterion Collection 1010. Grant France. N.p. unknown
1965ref. 151996N.p.: Andre Michelin Productions 1965. Vintage borderless reference photograph of Eddie Constantine as Lemmy Caution in bed armed and reading a French translation of Raymond Chandler's "The Big Sleep" from the 1965 film. Printed snipe and provenance stamp of "G. Toussier" on verso. Jean-Luc Godard's neo-noir foray into science fiction transplanting the fictional detective Lemmy Caution Constantine into a dystopian future assigned to kill the machine intelligence that rules over a fascist state where emotion is outlawed. 9.5 x 7.25 inches. Very light edgewear to the corners else Near Fine. Criterion Collection 25. Godard Histoires du Cinema. Grant France. Rosenbaum 1000. Andre Michelin Productions unknown books
1963ref. 160682N.p.: N.p. 1963. Vintage reference photograph from the 1963 film showing director Jean-Luc Godard and cameraman Raoul Coutard capturing a scene. Date stamp and provenance stamp on the verso. During the Algerian War a French agent is ordered to assassinate a member of the National Liberation Front of Algeria FLN but cannot complete the mission due to his involvement with a pro-FLN woman. Shot in 1960 but not released until 1963 due to a French ban on torture scenes thus Godard's second feature film but fourth to be released. Set in Algeria shot on location in Switzerland. 10.5 x 7 inches. Near Fine. Criterion Collection 1010. Grant France. N.p. unknown books
1974ref. 156676N.p.: N.p. 1974. Seven vintage color reference photographs from the 1974 French adult film. Included with the set is a flyer for the Dutch release of the film. A professor who is about to win the Nobel Prize takes a trip into the countryside where he becomes involved with an outdoor brothel. 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. Flyer 8.25 x 11.75 inches. Very Good plus moderately edgeworn. N.p. unknown
1974ref. 156676N.p.: N.p. 1974. Seven vintage color reference photographs from the 1974 French adult film. Included with the set is a flyer for the Dutch release of the film. A professor who is about to win the Nobel Prize takes a trip into the countryside where he becomes involved with an outdoor brothel. 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. Flyer 8.25 x 11.75 inches. Very Good plus moderately edgeworn. N.p. unknown books
1964ref. 158223N.p.: N.p. 1964. Collection of 83 vintage borderless reference photographs from the set of the 1964 French film. With the stamps of photographer Darcy Trigo Les Films Ariane and the film's title in French on the versos. A young woman is kidnapped and held for ransom by a treasure-hungry family friend forcing her young sailor lover to rescue her during his shore leave. A James Bond spoof in the wake of Jean-Paul Belmondo's swashbuckling success "Cartouche" 1962. Shot on location in Rio de Janeiro Brazil and Paris. 8 x 10 inches. Very Good to Good several photos with light fading and several with loss and bruising along the top margin. N.p. unknown
1964ref. 158223N.p.: N.p. 1964. Collection of 83 vintage borderless reference photographs from the set of the 1964 French film. With the stamps of photographer Darcy Trigo Les Films Ariane and the film's title in French on the versos. A young woman is kidnapped and held for ransom by a treasure-hungry family friend forcing her young sailor lover to rescue her during his shore leave. A James Bond spoof in the wake of Jean-Paul Belmondo's swashbuckling success "Cartouche" 1962. Shot on location in Rio de Janeiro Brazil and Paris. 8 x 10 inches. Very Good to Good several photos with light fading and several with loss and bruising along the top margin. N.p. unknown books
1970ref. 157622N.p.: N.p. 1970. Five vintage reference photographs from the 1970 Danish film. Based on the 1956 novel by Henry Miller about two womanizing men-one American one European-who share an apartment in Paris. Filmed in Paris at the same time as another Henry Miller adaptation "Tropic of Cancer" directed by Joseph Strick and starring Rip Torn and Ellen Burstyn. Set and shot on location in Paris and Luxembourg. 10 x 8 inches. Near Fine. Blue Underground. N.p. unknown
1970ref. 157622N.p.: N.p. 1970. Five vintage reference photographs from the 1970 Danish film. Based on the 1956 novel by Henry Miller about two womanizing men-one American one European-who share an apartment in Paris. Filmed in Paris at the same time as another Henry Miller adaptation "Tropic of Cancer" directed by Joseph Strick and starring Rip Torn and Ellen Burstyn. Set and shot on location in Paris and Luxembourg. 10 x 8 inches. Near Fine. Blue Underground. N.p. unknown books
1974ref. 172064N.p.: N.p. 1974. Vintage oversize borderless color reference photograph from the 1974 sexploitation horror film showing director Jess Franco during filming on location in Paris with Lina Romay and an unidentified woman to the left. Annotations in manuscript ink on the verso. Franco began shooting his films in Paris in the early 1970s due to the country's increasingly liberal laws around sexual content. 11.75 x 9.25 inches. Lightly faded else Fine. N.p. unknown
1974ref. 172064N.p.: N.p. 1974. Vintage oversize borderless color reference photograph from the 1974 sexploitation horror film showing director Jess Franco during filming on location in Paris with Lina Romay and an unidentified woman to the left. Annotations in manuscript ink on the verso. Franco began shooting his films in Paris in the early 1970s due to the country's increasingly liberal laws around sexual content. 11.75 x 9.25 inches. Lightly faded else Fine. N.p. unknown books
1987ref. 170424Los Angeles: Island Pictures 1987. Seven vintage studio still photographs from the 1987 film. One with a provenance label on the verso. An irritable pimp an out-of-work disc jockey and a lackadaisical Italian tourist find themselves in an unlikely trio when they are sentenced to share a prison cell where they decide to escape together into the Louisiana bayou. Set and shot on location in Slidell and New Orleans Louisiana. 10 x 8 inches. Fine. Criterion Collection 166. Rosenbaum 1000. Island Pictures unknown
1987ref. 170424Los Angeles: Island Pictures 1987. Seven vintage studio still photographs from the 1987 film. One with a provenance label on the verso. An irritable pimp an out-of-work disc jockey and a lackadaisical Italian tourist find themselves in an unlikely trio when they are sentenced to share a prison cell where they decide to escape together into the Louisiana bayou. Set and shot on location in Slidell and New Orleans Louisiana. 10 x 8 inches. Fine. Criterion Collection 166. Rosenbaum 1000. Island Pictures unknown books
2000ref. 171937N.p.: N.p. 2000. Draft script for the 2002 film. A mother and daughter lock themselves in their New York brownstone's safe room to hide from three burglars who seek a large sum in bearer bonds stowed in the house by its previous owner. Director David Fincher's fifth feature film following "Fight Club" 1999. Self wrappers. Title page present dated February 23 2000 with credit for screenwriter David Koepp. 106 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Grant US. N.p. unknown
2000ref. 171937N.p.: N.p. 2000. Draft script for the 2002 film. A mother and daughter lock themselves in their New York brownstone's safe room to hide from three burglars who seek a large sum in bearer bonds stowed in the house by its previous owner. Director David Fincher's fifth feature film following "Fight Club" 1999. Self wrappers. Title page present dated February 23 2000 with credit for screenwriter David Koepp. 106 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Grant US. N.p. unknown books
1992ref. 163846N.p.: N.p. 1992. Draft script for the 1994 film copy belonging to Dan Mazur creative executive to Twentieth Century-Fox producer Lawrence Gordon for the film. The Coen brothers' paean to the films of Frank Capra Howard Hawks and Preston Sturges wherein Norville Barnes a decent but naive mailroom clerk is secretly chosen by ruthless members of the company's board to be the company's president after the founder's suicide in an attempt to depress the company's stocks and secretly gain control. The script was originally conceived shortly shortly after Joel Coen worked as assistant editor on Sam Raimi's 1981 film "The Evil Dead" and was reportedly completed by the Coen brothers and Sam Raimi in 1985. Production didn't begin however until 1991 following the success of the Coen brothers' 1991 film "Bartin Fink." Heralded for its visual effects and production design including a scale model of New York City the film was the Coen brothers' then-biggest budget to date. Originally released to mixed reviews the film has since been reappraised and is now considered a cult classic. Nominated for the Palme d'Or. Shot on location in Chicago Illinois and North Carolina. Untitled lavender wrappers. Title page present dated 1992 with credits for screenwriters Joel Coen Ethan Coen and Sam Raimi. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two silver brads. N.p. unknown
1992ref. 163846N.p.: N.p. 1992. Draft script for the 1994 film copy belonging to Dan Mazur creative executive to Twentieth Century-Fox producer Lawrence Gordon for the film. The Coen brothers' paean to the films of Frank Capra Howard Hawks and Preston Sturges wherein Norville Barnes a decent but naive mailroom clerk is secretly chosen by ruthless members of the company's board to be the company's president after the founder's suicide in an attempt to depress the company's stocks and secretly gain control. The script was originally conceived shortly shortly after Joel Coen worked as assistant editor on Sam Raimi's 1981 film "The Evil Dead" and was reportedly completed by the Coen brothers and Sam Raimi in 1985. Production didn't begin however until 1991 following the success of the Coen brothers' 1991 film "Bartin Fink." Heralded for its visual effects and production design including a scale model of New York City the film was the Coen brothers' then-biggest budget to date. Originally released to mixed reviews the film has since been reappraised and is now considered a cult classic. Nominated for the Palme d'Or. Shot on location in Chicago Illinois and North Carolina. Untitled lavender wrappers. Title page present dated 1992 with credits for screenwriters Joel Coen Ethan Coen and Sam Raimi. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two silver brads. N.p. unknown books
1982ref. 154871Arlington: PBS 1982. Vintage souvenir reference photograph book produced by PBS in conjunction with the 1982 television episode an adaptation of John Cheever's 1958 short story "The Housebreaker of Shady Hill." SIGNED by director Paul Bogart and producers Ann Blumenthal and Jac Venza on the title page. The episode aired on January 12 1982 and was the premiere of the anthology television series "American Playhouse" a series broadcast from 1982 to 1996 over 13 seasons. In this episode a suburban family in a small bourgeois town causes a comic uproar when they announce their five-year-old son has been kidnapped producing a fake ransom note to substantiate their claims. Set in the fictitious town of Shady Hill. Brief rubbing on the front board else Near Fine with no dust jacket as issued. PBS unknown
1982ref. 154871Arlington: PBS 1982. Vintage souvenir reference photograph book produced by PBS in conjunction with the 1982 television episode an adaptation of John Cheever's 1958 short story "The Housebreaker of Shady Hill." SIGNED by director Paul Bogart and producers Ann Blumenthal and Jac Venza on the title page. The episode aired on January 12 1982 and was the premiere of the anthology television series "American Playhouse" a series broadcast from 1982 to 1996 over 13 seasons. In this episode a suburban family in a small bourgeois town causes a comic uproar when they announce their five-year-old son has been kidnapped producing a fake ransom note to substantiate their claims. Set in the fictitious town of Shady Hill. Brief rubbing on the front board else Near Fine with no dust jacket as issued. PBS unknown books
1964ref. 155108Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Two vintage borderless reference photographs one double weight of director John Huston and playwright Tennessee Williams on location of the 1964 film. One photo with a National FIlm Archive stamp on verso and one with a Sunday Telegraph stamp on the verso. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. 9 x 11 inches and 8 x 10 inches. Very Good plus to Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1964ref. 153070Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Vintage borderless reference photograph of actress Sue Lyons and playwright Tennessee Williams sharing a script on the set of the 1964 film. Mimeo snipe to the verso. From the archive of film historian and author Joel Finler. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
