11,046 results
1973ref. 162062N.p.: Times Films 1973. Three vintage studio still photographs from the 1973 release of the 1970 sexploitation film here under its alternative title "Part-Time Virgins." All three photographs with provenance stamps on the versos. Shot on location in New York City. 8 x 10 inches. Near Fine. Times Films unknown
1973ref. 162062N.p.: Times Films 1973. Three vintage studio still photographs from the 1973 release of the 1970 sexploitation film here under its alternative title "Part-Time Virgins." All three photographs with provenance stamps on the versos. Shot on location in New York City. 8 x 10 inches. Near Fine. Times Films unknown books
1968ref. 162603N.p.: New York Film Productions 1968. Two vintage studio still photographs from the semi-experimental 1968 film. Both photographs with provenance stamps on the versos. Phil has relationship issues with his fiancee Bea due largely to his unrealistic expectations. One day he finds comfort in letters he discovers in an abandoned cabin written by a man named Jon who is even more dysfunctional and delusional than Phil. 8 x 10 inches. Near Fine. New York Film Productions unknown books
1950ref. 164812Universal City: Universal Pictures 1950. Vintage publicity photograph from the 1950 film noir showing actress Alexis Smith. A young woman joins the police department in order to find and stop the killer responsible for her father's death. Actor Royal Dano's film debut. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in New York City. 8 x 10 inches. Near Fine. Grant US. Selby US. Spicer US. Universal Pictures unknown
1950ref. 164812Universal City: Universal Pictures 1950. Vintage publicity photograph from the 1950 film noir showing actress Alexis Smith. A young woman joins the police department in order to find and stop the killer responsible for her father's death. Actor Royal Dano's film debut. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in New York City. 8 x 10 inches. Near Fine. Grant US. Selby US. Spicer US. Universal Pictures unknown books
1936ref. 164527Culver City CA: Columbia Pictures 1936. Vintage publicity photograph of Fay Wray and Chester Morris from the 1936 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Chester Morris is a taxi driver who picks up Fay Wray a fashion store model falsely accused of stealing jewelry and sets out to prove her innocence. Set in New York City. 10 x 8 inches. Near Fine. Columbia Pictures unknown
1936ref. 164527Culver City CA: Columbia Pictures 1936. Vintage publicity photograph of Fay Wray and Chester Morris from the 1936 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Chester Morris is a taxi driver who picks up Fay Wray a fashion store model falsely accused of stealing jewelry and sets out to prove her innocence. Set in New York City. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1948ref. 137965Burbank CA: Warner Brothers 1948. Vintage reference photograph of a boardwalk poster advertising the 1948 Alfred Hitchcock film. 10 x 8 inches. Near Fine. Grant US. Selby US. Spicer US. Warner Brothers unknown
1955ref. 150634Los Angeles: Paramount Pictures 1955. Complete set of ten vintage color studio still photographs from the 1955 film. Stamped production No. 63-71 on the versos and bottom right corner of the rectos. Based on Jack Trevor Story's 1950 novel. The dead body of a local man is discovered in the woods near a small New England town leading the townspeople to speculate on what should be done with the corpse and more importantly the identity of the culprit. One of director Alfred Hitchcock's few true comedies. Set and shot in Craftsbury Vermont. 10 x 8 inches. Near Fine. Rosenbaum 1000. Paramount Pictures unknown
1956ref. 143359Burbank CA: Warner Brothers 1956. Vintage borderless photograph of a contemplative Alfred Hitchcock on the set of the 1956 film. With the stamp of Warner Brothers Netherlands on the verso. Based on the real life story of Manny Balestrero accused of a series of robberies he didn't commit as detailed in the nonfiction book "The True Story of Christopher Emmanuel Balestrero" by Maxwell Anderson who co-wrote the screenplay and the "Life" magazine article "A Case of Identity" by Herbert Brean. Hitchcock's final film for Warner Brothers and an influence on both Jean-Luc Godard and Martin Scorsese. 7.25 x 9.25. About Near Fine. Grant US. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown
1948ref. 137965Burbank CA: Warner Brothers 1948. Vintage reference photograph of a boardwalk poster advertising the 1948 Alfred Hitchcock film. 10 x 8 inches. Near Fine. Grant US. Selby US. Spicer US. Warner Brothers unknown books
1955ref. 150634Los Angeles: Paramount Pictures 1955. Complete set of ten vintage color studio still photographs from the 1955 film. Stamped production No. 63-71 on the versos and bottom right corner of the rectos. Based on Jack Trevor Story's 1950 novel. The dead body of a local man is discovered in the woods near a small New England town leading the townspeople to speculate on what should be done with the corpse and more importantly the identity of the culprit. One of director Alfred Hitchcock's few true comedies. Set and shot in Craftsbury Vermont. 10 x 8 inches. Near Fine. Rosenbaum 1000. Paramount Pictures unknown books
1956ref. 143359Burbank CA: Warner Brothers 1956. Vintage borderless photograph of a contemplative Alfred Hitchcock on the set of the 1956 film. With the stamp of Warner Brothers Netherlands on the verso. Based on the real life story of Manny Balestrero accused of a series of robberies he didn't commit as detailed in the nonfiction book "The True Story of Christopher Emmanuel Balestrero" by Maxwell Anderson who co-wrote the screenplay and the "Life" magazine article "A Case of Identity" by Herbert Brean. Hitchcock's final film for Warner Brothers and an influence on both Jean-Luc Godard and Martin Scorsese. 7.25 x 9.25. About Near Fine. Grant US. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown books
1970ref. 152295Rome: Excelsior 1970. Original English-language treatment script for an unproduced Italian film. A factory worker recounts his life and loves to his captors after being taken by government operatives on suspicion of having subversive ties. Red untitled wrappers. Title page present with credits for screenwriter Alfredo Giannetti with the stamp of Excelsior Cinematografica. 8 leaves with last page of text numbered 6. Xerographic duplication rectos only. Pages Fine wrapper Near Fine with perfect binding. Excelsior unknown
1970ref. 152295Rome: Excelsior 1970. Original English-language treatment script for an unproduced Italian film. A factory worker recounts his life and loves to his captors after being taken by government operatives on suspicion of having subversive ties. Red untitled wrappers. Title page present with credits for screenwriter Alfredo Giannetti with the stamp of Excelsior Cinematografica. 8 leaves with last page of text numbered 6. Xerographic duplication rectos only. Pages Fine wrapper Near Fine with perfect binding. Excelsior unknown books
1970ref. 160915Hollywood: Paramount Pictures 1970. Vintage borderless reference photograph from the 1970 film showing actor Ryan O'Neal. Printed mimeo snipe and Paramount stamp on the verso. Based on the 1970 novel by screenwriter Erich Segal. An enormously successful romantic drama about the tumultuous relationship between a working-class musician and a wealthy law student. Nominated for seven Academy Awards winning one. Shot on location in New York and Massachusetts. 8 x 10 inches. Near Fine. Paramount Pictures unknown
1970ref. 160915Hollywood: Paramount Pictures 1970. Vintage borderless reference photograph from the 1970 film showing actor Ryan O'Neal. Printed mimeo snipe and Paramount stamp on the verso. Based on the 1970 novel by screenwriter Erich Segal. An enormously successful romantic drama about the tumultuous relationship between a working-class musician and a wealthy law student. Nominated for seven Academy Awards winning one. Shot on location in New York and Massachusetts. 8 x 10 inches. Near Fine. Paramount Pictures unknown books
1974ref. 141481Los Angeles: Lawrence Kasha and Edgar Rosenberg 1974. First Draft script for an unproduced film. Based on the 1974 novel "Ward 402" by Ronald J. Glasser. A young medical intern confronts the sad realities of his profession when he meets a terminally ill girl in a pediatric ward. Red titled wrappers. Title page present dated June 20 1974 noted as FIRST DRAFT with credits for screenwriter Allan Sloane and author Ronald J. Glasser. 92 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Lawrence Kasha and Edgar Rosenberg unknown
1974ref. 141481Los Angeles: Lawrence Kasha and Edgar Rosenberg 1974. First Draft script for an unproduced film. Based on the 1974 novel "Ward 402" by Ronald J. Glasser. A young medical intern confronts the sad realities of his profession when he meets a terminally ill girl in a pediatric ward. Red titled wrappers. Title page present dated June 20 1974 noted as FIRST DRAFT with credits for screenwriter Allan Sloane and author Ronald J. Glasser. 92 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Lawrence Kasha and Edgar Rosenberg unknown books
1997ref. 161775N.p.: N.p. 1997. Final Draft script for Season 1 Episode 12 of the long-running 1997-2007 television series seen here under the working title "Funeral for a Friend." Originally aired on October 17 1997 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate team race to save Dr. Jackson after he is captured by the last survivor of an aquatic species. Self wrappers. Title page present dated July 21 1997 noted as FINAL DRAFT and production No. 3965 with credit for screenwriter Katharyn Powers. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1997ref. 161775N.p.: N.p. 1997. Final Draft script for Season 1 Episode 12 of the long-running 1997-2007 television series seen here under the working title "Funeral for a Friend." Originally aired on October 17 1997 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate team race to save Dr. Jackson after he is captured by the last survivor of an aquatic species. Self wrappers. Title page present dated July 21 1997 noted as FINAL DRAFT and production No. 3965 with credit for screenwriter Katharyn Powers. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1958ref. 159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. 8 x 10 inches. Very Good plus. Spicer UK. Columbia Pictures unknown
1958ref. 159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. 8 x 10 inches. Very Good plus. Spicer UK. Columbia Pictures unknown books
1981ref. 144334Paris: Studio Canal 1981. Vintage borderless photograph of Catherine Deneuve Patrick Dewaere and Etienne Chicot on the set of the 1981 film. With manuscript annotations regarding layout and photographer Tony Frank's name typed on the verso. Helene Catherine Deneuve an anesthetist depressed and mourning her recently drowned lover almost crashes her car into Gilles Patrick Dewaere a young working class man who lives at his mother's hotel. The two fall into a difficult relationship that brings up their painful past histories. Shot on location in France. 10.5 x 8 inches. Near Fine. Studio Canal unknown
1981ref. 144334Paris: Studio Canal 1981. Vintage borderless photograph of Catherine Deneuve Patrick Dewaere and Etienne Chicot on the set of the 1981 film. With manuscript annotations regarding layout and photographer Tony Frank's name typed on the verso. Helene Catherine Deneuve an anesthetist depressed and mourning her recently drowned lover almost crashes her car into Gilles Patrick Dewaere a young working class man who lives at his mother's hotel. The two fall into a difficult relationship that brings up their painful past histories. Shot on location in France. 10.5 x 8 inches. Near Fine. Studio Canal unknown books
