11,045 results
1973ref. 162256N.p.: New World Pictures 1973. Vintage studio still photograph from the 1973 film. Provenance stamp on the verso. Curvaceous blond and lethal private detective and race car driver Stacey Hanson is hired to investigate the extremely affluent Chambers family by the family's matriach Florence Chambers. Re-released in 1975 as "Stacy and Her Gangbusters." Director Andy Sidaris reworked and remade the film in 1984 as "Malibu Express." Shot on location in Los Angeles and Malibu California. 8 x 10 inches. Near Fine. New World Pictures unknown books
1987ref. 141282Quebec City: Radio-Quebec 1987. Draft script for the 1987 French film seen here under the English title "Deaf to the City." Text in English. Based on the 1979 novel by Marie-Claire Blais. A wealthy woman's husband leaves her so she moves into a dilapidated boarding house where she befriends the optimistic landlord and tends to a terminally ill deaf young man. Set in Quebec. Black and white titled illustrated wrappers. Title page present with credits for screenwriters A. Mazouz and Sylvie Melancon author Marie-Claire Blais and translator Raymond Y. Chamberlain. 119 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a spiral binding. Radio-Quebec unknown
1987ref. 141282Quebec City: Radio-Quebec 1987. Draft script for the 1987 French film seen here under the English title "Deaf to the City." Text in English. Based on the 1979 novel by Marie-Claire Blais. A wealthy woman's husband leaves her so she moves into a dilapidated boarding house where she befriends the optimistic landlord and tends to a terminally ill deaf young man. Set in Quebec. Black and white titled illustrated wrappers. Title page present with credits for screenwriters A. Mazouz and Sylvie Melancon author Marie-Claire Blais and translator Raymond Y. Chamberlain. 119 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a spiral binding. Radio-Quebec unknown books
1982ref. 162736Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 8 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie looks into the murder of a successful lawyer only to discover the lawyer's widow is the mistress of her mentor. Originally aired on July 6 1982 on NBC. Self wrappers. Title page present dated February 2 1982 noted as REVISED FINAL DRAFT and production No. 1814 with credit for screenwriter Abram S. Ginnes. 65 leaves with last page of text numbered 58. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2/10/82 and 2/18/82. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown
1982ref. 162751Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 6 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie's secretary is framed in a robbery case. Originally aired on June 22 1982 on NBC. Blue titled wrappers noted as production No. 1827 on the front wrapper. Title page present dated February 28 1982 noted as FINAL DRAFT and production No. 1827 with credit for screenwriter Robert Crais. 65 leaves with last page of text numbered 57. Xerographic duplication on blue stock rectos only with pink yellow green and white revision pages throughout dated variously between March 1 and 11 1982. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown
1982ref. 162751Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 6 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie's secretary is framed in a robbery case. Originally aired on June 22 1982 on NBC. Blue titled wrappers noted as production No. 1827 on the front wrapper. Title page present dated February 28 1982 noted as FINAL DRAFT and production No. 1827 with credit for screenwriter Robert Crais. 65 leaves with last page of text numbered 57. Xerographic duplication on blue stock rectos only with pink yellow green and white revision pages throughout dated variously between March 1 and 11 1982. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown books
1982ref. 162736Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 8 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie looks into the murder of a successful lawyer only to discover the lawyer's widow is the mistress of her mentor. Originally aired on July 6 1982 on NBC. Self wrappers. Title page present dated February 2 1982 noted as REVISED FINAL DRAFT and production No. 1814 with credit for screenwriter Abram S. Ginnes. 65 leaves with last page of text numbered 58. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2/10/82 and 2/18/82. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown books
1963ref. 158196N.p.: N.p. 1963. Three vintage borderless reference photographs from the 1963 French- Italian film. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo lightly faded. N.p. unknown
1963ref. 158194N.p.: N.p. 1963. Eight vintage borderless reference photographs from the 1963 French- Italian film. Features a photograph of a camera crew on the set shooting a driving scene. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo with a bruise and dampstaining at a corner. N.p. unknown
1963ref. 158194N.p.: N.p. 1963. Eight vintage borderless reference photographs from the 1963 French- Italian film. Features a photograph of a camera crew on the set shooting a driving scene. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo with a bruise and dampstaining at a corner. N.p. unknown books
1963ref. 158196N.p.: N.p. 1963. Three vintage borderless reference photographs from the 1963 French- Italian film. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo lightly faded. N.p. unknown books
1969ref. 162601N.p.: Tonylyn Productions 1969. Three vintage studio still photographs from the 1969 film. Two with provenance stamps on the versos and one with a label obscuring a previous provenance stamp on the verso. Based on the 1966 Norwegian novel "Uten en tråd" by Jens Bjørneboe. A high school girl unable to achieve orgasm visits a doctor who advises her to keep a diary of her sexual encounters. She follows his suggestion and soon finds herself caught up in an increasingly wild series of intimate experiences. IMDB Shot on location in Copenhagen Denmark Hamburg Germany and Paris France. 8 x 10 inches. One photograph with a wax pencil cropping annotation in the lower margins else Near Fine. Tonylyn Productions unknown
1969ref. 162601N.p.: Tonylyn Productions 1969. Three vintage studio still photographs from the 1969 film. Two with provenance stamps on the versos and one with a label obscuring a previous provenance stamp on the verso. Based on the 1966 Norwegian novel "Uten en tråd" by Jens Bjørneboe. A high school girl unable to achieve orgasm visits a doctor who advises her to keep a diary of her sexual encounters. She follows his suggestion and soon finds herself caught up in an increasingly wild series of intimate experiences. IMDB Shot on location in Copenhagen Denmark Hamburg Germany and Paris France. 8 x 10 inches. One photograph with a wax pencil cropping annotation in the lower margins else Near Fine. Tonylyn Productions unknown books
1986ref. 167874Burbank CA: Warner Brothers 1986. Seven vintage studio still photographs from the US release of the 1986 French film. Years after their affair the titular man and woman meet again in order to reflect on their relationship with the woman hoping to make a film about their experiences. Sequel to director Claude Lelouch's 1966 film "A Man and a Woman" and followed by "The Best Years of a Life" in 2019. 10 x 8 inches. Fine. Warner Brothers unknown
1986ref. 167874Burbank CA: Warner Brothers 1986. Seven vintage studio still photographs from the US release of the 1986 French film. Years after their affair the titular man and woman meet again in order to reflect on their relationship with the woman hoping to make a film about their experiences. Sequel to director Claude Lelouch's 1966 film "A Man and a Woman" and followed by "The Best Years of a Life" in 2019. 10 x 8 inches. Fine. Warner Brothers unknown books
1970ref. 144319Los Angeles: Paramount Pictures 1970. Vintage borderless still photograph of Ali MacGraw Ryan O'Neal and Arthur Hiller on the set of the 1970 film. With typed identifying description manuscript annotations regarding layout and press agency stamps on the verso. Based on screenwriter Erich Segal's novel of the same name. Oliver Barrett IV Ryan O'Neal a wealthy Harvard Law student and Jennifer Cavilleri Ali MacGraw a working class music student fall in love despite their class differences. As their love grows into a serious relationship and eventually marriage they face the disapproval of the Oliver's father despite Jenny's attempts to find common ground. Winner of the 1971 Academy Award for Best Original Score and nominated for six others. Shot on location in California New York China Massachusetts and England. 9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown
1970ref. 144319Los Angeles: Paramount Pictures 1970. Vintage borderless still photograph of Ali MacGraw Ryan O'Neal and Arthur Hiller on the set of the 1970 film. With typed identifying description manuscript annotations regarding layout and press agency stamps on the verso. Based on screenwriter Erich Segal's novel of the same name. Oliver Barrett IV Ryan O'Neal a wealthy Harvard Law student and Jennifer Cavilleri Ali MacGraw a working class music student fall in love despite their class differences. As their love grows into a serious relationship and eventually marriage they face the disapproval of the Oliver's father despite Jenny's attempts to find common ground. Winner of the 1971 Academy Award for Best Original Score and nominated for six others. Shot on location in California New York China Massachusetts and England. 9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown books
1937ref. 165097Universal City: Universal Pictures 1937. Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place. Shot on location in Santa Clarita and Newhall California. 10 x 8 inches. Near Fine. Universal Pictures unknown
1939ref. 151805Universal City CA: Universal Pictures 1939. Post-production Continuity and Dialogue script for the 1939 film. A prison warden must decide between keeping a huge lot of stolen goods and saving a man from the electric chair. Tall yellow titled wrappers. Title page present noted as production No. 1032 with credits for director Arthur Lubin and actors Victor McLaglen and Jackie Cooper. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads at the top edge. Universal Pictures unknown
1937ref. 165097Universal City: Universal Pictures 1937. Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place. Shot on location in Santa Clarita and Newhall California. 10 x 8 inches. Near Fine. Universal Pictures unknown books
1939ref. 151805Universal City CA: Universal Pictures 1939. Post-production Continuity and Dialogue script for the 1939 film. A prison warden must decide between keeping a huge lot of stolen goods and saving a man from the electric chair. Tall yellow titled wrappers. Title page present noted as production No. 1032 with credits for director Arthur Lubin and actors Victor McLaglen and Jackie Cooper. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads at the top edge. Universal Pictures unknown books
1966ref. 142660Culver City CA: Columbia Pictures 1966. Vintage photograph on Jane Fonda taking a peek through a camera during shooting on the set of the 1966 film. With a Columbia Pictures stamp on the verso. Based on the 1952 Broadway play by Horton Foote about a small town sheriff on the look out for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. 8 x 10 inches. Near Fine. Spicer US. Twilight Time 242. Columbia Pictures unknown
1962ref. 137095Beverly Hills CA: United Artists 1962. Seven vintage studio photographs from the 1962 film. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. 10 x 8 inches. Very Good plus overall. A few photographs lightly creased one with a dampstain to the top edge. United Artists unknown
1962ref. 137096Beverly Hills CA: United Artists 1962. Vintage studio photograph from the 1962 film showing director Arthur Penn in thoughtful consultation with producer Fred Coe. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. 10 x 8 inches. Near Fine. United Artists unknown
1962ref. 137096Beverly Hills CA: United Artists 1962. Vintage studio photograph from the 1962 film showing director Arthur Penn in thoughtful consultation with producer Fred Coe. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. 10 x 8 inches. Near Fine. United Artists unknown books
