Alan Scholefield (screenwriter, author)Biblio.com
10,264 results
1970ref. 141739London: Jud Kinberg and Stanley Mann 1970. Draft script for an unproduced film. Based on Alan Scholefield's 1967 novel "Great Elephant" about a white settler family and their experiences in 19th century South Africa. Oversized yellow wrappers with title window die cut in the British style. Title page present dated June 8 1970 noted as Revised with credits for screenwriter and author Alan Scholefield. 125 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Jud Kinberg and Stanley Mann unknown
1970ref. 141739London: Jud Kinberg and Stanley Mann 1970. Draft script for an unproduced film. Based on Alan Scholefield's 1967 novel "Great Elephant" about a white settler family and their experiences in 19th century South Africa. Oversized yellow wrappers with title window die cut in the British style. Title page present dated June 8 1970 noted as Revised with credits for screenwriter and author Alan Scholefield. 125 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Jud Kinberg and Stanley Mann unknown books
1979ref. 142149N.p.: N.p. 1979. Draft script for an unproduced film. A man on a hunting trip finds himself the unexpected prey of an old acquaintance with a score to settle. Screenwriter Alan Trustman is best known for "Fallen Angels" 1995. Orange titled wrappers. Title page present dated January 15 1979 with credit for screenwriter Alan Trustman. 131 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1979ref. 142149N.p.: N.p. 1979. Draft script for an unproduced film. A man on a hunting trip finds himself the unexpected prey of an old acquaintance with a score to settle. Screenwriter Alan Trustman is best known for "Fallen Angels" 1995. Orange titled wrappers. Title page present dated January 15 1979 with credit for screenwriter Alan Trustman. 131 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1969ref. 146246N.p.: N.p. 1969. Revised Draft script for an unproduced film. With a single manuscript ink notation to page 21. Loosely based on the 1946 novel. A bleak retelling of the somewhat apocryphal failed 1212 "Children's Crusade"-a Christian campaign to regain Jerusalem from the Muslims led by a young boy who claimed to possess prophetic powers followed by thousands of children. In screenwriter Albert Band's version following Humphrey Slater's novel the tragedy plays out through the plight of three young children who take to the streets to hide from zealous Christian press gangs who seek to train them for the crusade sleeping in alleys and surviving on cats and stolen bread. In the mid- and late 1960s Band worked primarily in Italy producing several Euro Westerns and writing screenplays for "Massacro al Grande Canyon" 1964; "Gli uomini dal passo pesante" 1965 which he also directed; "I crudeli" 1967; and "Un minuto per pregare un instante per morire" 1968. Orange titled wrappers with a printer's stamp on the verso of the front wrapper reading "teena mayers s.r.l. / via marche 84 / 00187 roma / tel. 485785 - 482470." Title page present noted as REVISED dated November 1969 with credits for screenwriter Albert Band and novelist Humphrey Slate. 138 leaves with last page of text numbered 135. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with offsetting on the front wrapper bound internally with two gold brads. N.p. unknown books
1960ref. 143981Strasbourg France: Jean Jungmann 1960. Archive of 5 vintage single weight press photographs from a press gala for the 1960 French film here under the original French title. All rubber-stamped on the verso crediting photographer Jungmann and all but one show director Lamorisse on-stage behind a microphone with an official from the gala with one photo featuring smiling colleagues seated at a dining table. Housed in an original Jungmann mailing envelope addressed to Maryse Martres in manuscript ink with a memo on Cinedis parchment from "F. Willkomm" signed by him in manuscript ink and dated December 30 1960 noting that the images portray Lamorisse while he visited Strasbourg for the gala. Also included is a carbon typescript letter from Martres to Lamorisse citing the inclusion of travel tickets to Strasbourg and Marseilles and various press events to occur. A welcome addition to the director's mostly unseen oeuvre. Little is known of Willkomm but the memo does bear his rubber-stamp crediting him as the Cinedis director of the Strasbourg location. Martres Martin was a prolific French actress since 1948 notably "Girl on the Third Floor" 1955 and "The Happy Road" 1957 and she was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund UNFPA. Photographer Jungmann is equally obscure but seems to have been prolific in the 1960s mostly for press relations. Director Lamorisse starred his own son Pascal as a boy who stows away on his grandfather's Gille hot-air balloon that is less controllable than suspected. They narrowly escape church spires and snag clotheslines and party guests Pascal enjoying every minute. Lemmon narrated the English version and subsequently bought the rights to the film. Winner of an OCIC Award at the 1960 Venice Film Festival. Photos 5 x 7 inches small white borders Near Fine. Envelope and memo slightly larger Very Good plus overall. Carbon typescript 8.25 x 10.5 inches pink stock Very Good plus. Jean Jungmann unknown
1960ref. 143981Strasbourg France: Jean Jungmann 1960. Archive of 5 vintage single weight press photographs from a press gala for the 1960 French film here under the original French title. All rubber-stamped on the verso crediting photographer Jungmann and all but one show director Lamorisse on-stage behind a microphone with an official from the gala with one photo featuring smiling colleagues seated at a dining table. Housed in an original Jungmann mailing envelope addressed to Maryse Martres in manuscript ink with a memo on Cinedis parchment from "F. Willkomm" signed by him in manuscript ink and dated December 30 1960 noting that the images portray Lamorisse while he visited Strasbourg for the gala. Also included is a carbon typescript letter from Martres to Lamorisse citing the inclusion of travel tickets to Strasbourg and Marseilles and various press events to occur. A welcome addition to the director's mostly unseen oeuvre. Little is known of Willkomm but the memo does bear his rubber-stamp crediting him as the Cinedis director of the Strasbourg location. Martres Martin was a prolific French actress since 1948 notably "Girl on the Third Floor" 1955 and "The Happy Road" 1957 and she was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund UNFPA. Photographer Jungmann is equally obscure but seems to have been prolific in the 1960s mostly for press relations. Director Lamorisse starred his own son Pascal as a boy who stows away on his grandfather's Gille hot-air balloon that is less controllable than suspected. They narrowly escape church spires and snag clotheslines and party guests Pascal enjoying every minute. Lemmon narrated the English version and subsequently bought the rights to the film. Winner of an OCIC Award at the 1960 Venice Film Festival. Photos 5 x 7 inches small white borders Near Fine. Envelope and memo slightly larger Very Good plus overall. Carbon typescript 8.25 x 10.5 inches pink stock Very Good plus. Jean Jungmann unknown books
1974ref. 151669N.p.: Good Times 1974. Vintage US one sheet poster for the 1974 adult film. 27 x 41 inches folded. Near Fine. Good Times unknown books
1960ref. 140960Paris: G. de Boissiere 1960. Original French press kit for the 1960 French-Italian film "Fortunat." Text in French. Resembling the star biography and film credit packets often seen with US press kits this material details film credits cast and crew biographies and a synopsis. The film was distributed by Cinedis but here is credited to publicity manager G. de Boissiere with their cute cat logo as a complimentary kit. Based on Michel Breitman's 1955 novel "Fortunat ou le pere adopte." During the occupation of France a drunkard poacher named Fortunat Bourvil is tasked with helping Juliette Morgan and her two children escape the Nazis. Fortunat and Juliette engage in a brief love affair until she rejoins her husband the man in charge of a resistance effort and reason for Juliette's evading the Reich. 9 leaves 1 "with compliments" slip 8 printed rectos a few corner-stapled on "DEB de Boissiere parchment mimeograph duplication. Housed in a DEB pocketed paper folder 8.5 x 12.25 inches. Near Fine overall. G. de Boissiere unknown books
1971ref. 158801Beverly Hills CA: Crown International Pictures 1971. Four vintage studio still photographs from the 1971 film. A man starts having an affair with a married woman he meets on a beach. Unbeknownst to him she previously murdered the wife of her current husband when she first began having an affair with him. 10 x 8 inches. Very Good plus. Crown International Pictures unknown books
1964ref. 160359New York: Embassy Films 1964. Vintage program for two May 20 1964 screenings of the 1954 documentary at the Crystal Ballroom at the Delmonico Hotel New York preceded by an essay presented by historian author screenwriter and president of Embassy Films Inc. Alexandre Tarsaidze included in the second half of the brochure. The screenings were presented as a benefit for the Association of Russian War Invalids of the First World War. A chronological compilation of historical newsreel footage of Nicholas II and his family taken between 1896 and 1914. 7 x 10 inches Bi-fold. Very Good plus with two faint horizontal creases and two pinholes at the top left. Embassy Films unknown books
1998ref. 162639Culver City CA: Appleton Productions 1998. Record Draft script for Season 1 Episode 2 of the 1999-2000 primetime animated television series. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert and his coworkers must ensure that a rival engineer does not steal their idea for a new product. Originally aired on February 1 1999 on UPN. Self wrappers dated May 5 1998 on the front wrapper noted as Record Draft and episode No. 102 with credit for screenwriter Jeff Kahn. Title page integral with the front wrapper as issued. 57 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Appleton Productions unknown
1998ref. 162639Culver City CA: Appleton Productions 1998. Record Draft script for Season 1 Episode 2 of the 1999-2000 primetime animated television series. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert and his coworkers must ensure that a rival engineer does not steal their idea for a new product. Originally aired on February 1 1999 on UPN. Self wrappers dated May 5 1998 on the front wrapper noted as Record Draft and episode No. 102 with credit for screenwriter Jeff Kahn. Title page integral with the front wrapper as issued. 57 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Appleton Productions unknown books
1972ref. 148289Universal City: Universal Pictures 1972. Vintage French color lobby card from the 1972 film. Based on the 1966 novel "Goodbye Piccadilly Farewell Leicester Square" by Arthur La Bern. London is terrorized by a serial rapist who then strangles his victims with a necktie. Police suspect Richard Blaney Jon Finch whose wife was brutally killed. Alfred Hitchcock's penultimate film. Set in and shot on location in London. 11.25 x 9 inches. Pinholes at corners else Near Fine. Grant UK. Vogel Film as a Subversive Art. Clover Men Women and Chainsaws. Universal Pictures unknown
1972ref. 148289Universal City: Universal Pictures 1972. Vintage French color lobby card from the 1972 film. Based on the 1966 novel "Goodbye Piccadilly Farewell Leicester Square" by Arthur La Bern. London is terrorized by a serial rapist who then strangles his victims with a necktie. Police suspect Richard Blaney Jon Finch whose wife was brutally killed. Alfred Hitchcock's penultimate film. Set in and shot on location in London. 11.25 x 9 inches. Pinholes at corners else Near Fine. Grant UK. Vogel Film as a Subversive Art. Clover Men Women and Chainsaws. Universal Pictures unknown books
1949ref. 151703Beverly Hills CA: United Artists 1949. Post-production Cutting Continuity script for the 1945 film issued for the Selznick Studio files in 1949. Light blue titled wrappers noted as Cutting Continuity on the front wrapper dated Rerun June 10 1949. 49 leaves with last page of text numbered REEL SIX-B Page 5. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound along top with two gold brads. Selby Canon US. Silver Classic Noir. Spicer US. United Artists unknown books
1955ref. 156157N.p.: Farbfilm 1955. Vintage program for the 1955 Austrian film. Text and titles in German. Based on the 1870 play "Der Pfarrer von Kirchfeld" by Ludwig Anzengruber. An orphaned girl starts working as a maid for a kind young pastor but their close relationship soon raises suspicions of impropriety in their small town. 7.25 x 10.5 inches. Bi-fold. About Near Fine. Farbfilm unknown books
1953ref. 156139N.p.: N.p. 1953. Vintage program for the 1953 German film. Text and titles in German. A young man frames his older brother for killing a forest ranger after being caught poaching. The older brother takes the blame and is sent to prison for 22 years only to discover after he is released that his former sweetheart has married another man. 7.25 x 10.5 inches. Bi-fold. Near Fine. N.p. unknown books
1956ref. 156169N.p.: Farbfilm 1956. Vintage program for the 1956 Austrian film. Text and titles in German. Two landowning families plan to unite their estates through the marriage of their children but the eldest son loves the maid an orphaned woman named Maria. Shot on location in Heiligenblut am Großglockner and Virgen. 7.25 x 10.5 inches. Bi-fold. About Near Fine. Farbfilm unknown books
1955ref. 149955Santa Monica: RKO Radio Pictures 1955. Vintage reference photograph of Virginia Mayo and Allan Dwan on the set of the 1955 film. Rita Mayo and Bully David Farrar convince her ex Dan Dennis Morgan to join them in an expedition to steal rare black pearls from the natives of a South Pacific island. Shot on location in Hawaii. 8 x 10 inches. Light edgewear and small crease on upper right edge else Near Fine. RKO Radio Pictures unknown
1955ref. 149955Santa Monica: RKO Radio Pictures 1955. Vintage reference photograph of Virginia Mayo and Allan Dwan on the set of the 1955 film. Rita Mayo and Bully David Farrar convince her ex Dan Dennis Morgan to join them in an expedition to steal rare black pearls from the natives of a South Pacific island. Shot on location in Hawaii. 8 x 10 inches. Light edgewear and small crease on upper right edge else Near Fine. RKO Radio Pictures unknown books
1980ref. 166581Los Angeles: Embassy Pictures 1980. Second Draft script for an unproduced film. Annotations in manuscript ink throughout the first 50 pages of the script indicating sets and props. During Prohibition a war veteran takes up competitive sharpshooting to support his family. Generic white Embassy Pictures studio wrappers. Title page present undated noted as Second Draft with credit for screenwriter Allan Scott. 120 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Embassy Pictures unknown
1980ref. 166581Los Angeles: Embassy Pictures 1980. Second Draft script for an unproduced film. Annotations in manuscript ink throughout the first 50 pages of the script indicating sets and props. During Prohibition a war veteran takes up competitive sharpshooting to support his family. Generic white Embassy Pictures studio wrappers. Title page present undated noted as Second Draft with credit for screenwriter Allan Scott. 120 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Embassy Pictures unknown books
1957ref. 146655Los Angeles: The Associates and Aldrich Company 1957. Eight vintage studio still photographs from the 1957 film. Texas lawman Chris Hamish William Conrad who feels himself as a failure is sent into Mexico to retrieve the confident and charismatic Bob Kallen Anthony Quinn to stand trial for murder. Finding and arresting Kallen proves easy enough but the journey back proves perilous as they traverse a seemingly endless desert and are stalked by marauding Apaches forcing lawman and outlaw to rely upon each other for survival. Set in Texas and Mexico shot on location in California and Mexico. 8 x 10 inches. Very Good plus seven with small closed tear on right side one with significant open tear on right. Pitts 3421. The Associates and Aldrich Company unknown books
1975ref. 149266N.p.: Essex Enterprises Ltd 1975. Vintage one sheet poster for the 1975 film. Joe Don Baker is Mitchell a hard-nosed cop intent on taking down a drug dealing syndicate regardless of the orders of his superiors. "Mitchell" gained a newfound popularity after being featured in a 1993 episode of "Mystery Science Theater 3000." Shot on location in Calabasas Long Beach Marina del Rey and Los Angeles California. 27 x 41 inches. Very Good plus light splitting at the folds and a bruise at the lower left margin. Essex Enterprises Ltd unknown
