11,160 results
1958ref. 145701Los Angeles: Twentieth Century-Fox 1958. Vintage press photograph of Joan Collins from the 1958 film. Based on Max Shulman's 1957 novel of the same name. A missile base is scheduled to be built in the suburban town Putnam's Landing. Grace Joan Woodward joins a group organizing to prevent the base from being built while her husband Harry Paul Newman is appointed as a liaison for the military. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
ref. 146853N.p.: N.p. Unknown. Treatment script for an unproduced film. Based on Leo Tolstoy's 1872 novella about two Russian soldiers who are kidnapped by rival militia. Screenwriter Eugene Lourie was best known as an art director but also had success in screenwriting "Revolt in the Big House" 1958 and "The Giant Behemoth" 1959 and in directing "The Colossus of New York" 1958 and "Gorgo" 1961. Set in the North Caucasus. Green titled card wrappers with credit for screenwriter E. LOURIE. Title page present with credits for screenwriter Eugene Lourie and novelist Leo Tolstoy. 11 leaves with last page of text numbered 9. Xerographic duplication rectos only. Pages Near FIne wrapper Near Fine bound internally with three gold brads. N.p. unknown
ref. 146853N.p.: N.p. Unknown. Treatment script for an unproduced film. Based on Leo Tolstoy's 1872 novella about two Russian soldiers who are kidnapped by rival militia. Screenwriter Eugene Lourie was best known as an art director but also had success in screenwriting "Revolt in the Big House" 1958 and "The Giant Behemoth" 1959 and in directing "The Colossus of New York" 1958 and "Gorgo" 1961. Set in the North Caucasus. Green titled card wrappers with credit for screenwriter E. LOURIE. Title page present with credits for screenwriter Eugene Lourie and novelist Leo Tolstoy. 11 leaves with last page of text numbered 9. Xerographic duplication rectos only. Pages Near FIne wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1980ref. 162166Japan: Herald Ace / Nippon Herald Films 1980. Vintage pressbook for the 1980 film. A Japanese-Italian coproduction with text in both Japanese and Italian. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A pickpocket meets and falls in love with a naive wealthy girl at an art museum and the couple go to a deserted beach to live together. Director Yasuzô Masumura's penultimate film and only western production. 8.5 x 11.75 inches. Ten leaves in side-stapled pictorial wrappers. Near Fine. Herald Ace / Nippon Herald Films unknown
1980ref. 162166Japan: Herald Ace / Nippon Herald Films 1980. Vintage pressbook for the 1980 film. A Japanese-Italian coproduction with text in both Japanese and Italian. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A pickpocket meets and falls in love with a naive wealthy girl at an art museum and the couple go to a deserted beach to live together. Director Yasuzô Masumura's penultimate film and only western production. 8.5 x 11.75 inches. Ten leaves in side-stapled pictorial wrappers. Near Fine. Herald Ace / Nippon Herald Films unknown books
1935ref. 164482Culver City CA: Columbia Pictures 1935. Vintage photograph of actors Lilian Harvey and Tullio Carminati on the set of the 1935 film. Two stamps and a mimeo snipe on the verso one stamp crediting studio photographer Ray Jones. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Carminati stars as a wealthy womanizer who haunted by his memory of a former paramour returning to find her engaged to his friend. An unsuccessful attempt at establishing German film star Harvey as a major star in Hollywood. Set in Monte Carlo. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1935ref. 164482Culver City CA: Columbia Pictures 1935. Vintage photograph of actors Lilian Harvey and Tullio Carminati on the set of the 1935 film. Two stamps and a mimeo snipe on the verso one stamp crediting studio photographer Ray Jones. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Carminati stars as a wealthy womanizer who haunted by his memory of a former paramour returning to find her engaged to his friend. An unsuccessful attempt at establishing German film star Harvey as a major star in Hollywood. Set in Monte Carlo. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1933ref. 167804Los Angeles: RKO Radio Pictures 1933. Vintage pressbook for the 1933 film. Based on the 1926 novel by Lester Cohen who also wrote the screenplay. A widowed businessman hopes to bequeath his department store to his children after his death-only to realize that they are disinterested incompetent or simply unable to manage the business. Set in Chicago. 12 x 18 inches. Ten pages side-stapled. Near Fine. RKO Radio Pictures unknown
1933ref. 167804Los Angeles: RKO Radio Pictures 1933. Vintage pressbook for the 1933 film. Based on the 1926 novel by Lester Cohen who also wrote the screenplay. A widowed businessman hopes to bequeath his department store to his children after his death-only to realize that they are disinterested incompetent or simply unable to manage the business. Set in Chicago. 12 x 18 inches. Ten pages side-stapled. Near Fine. RKO Radio Pictures unknown books
1972ref. 148275N.p.: Greenwich Film Productions 1972. Vintage borderless studio still photograph from the 1972 film with provenance stamp of film historian "Maurice Bessy" on the verso. Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings in Buñuel's satiric masterpiece. Winner of the Academy Award for Best Foreign Film also nominated for Best Screenplay. Set in and shot on location in Paris. 9.5 x 7 inches. One uniformly faded else Near Fine. Vogel Film as a Subversive Art. Rosenbaum 1000. Ebert II. Criterion Collection 102. Schrader 33. Greenwich Film Productions unknown
1972ref. 148275N.p.: Greenwich Film Productions 1972. Vintage borderless studio still photograph from the 1972 film with provenance stamp of film historian "Maurice Bessy" on the verso. Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings in Buñuel's satiric masterpiece. Winner of the Academy Award for Best Foreign Film also nominated for Best Screenplay. Set in and shot on location in Paris. 9.5 x 7 inches. One uniformly faded else Near Fine. Vogel Film as a Subversive Art. Rosenbaum 1000. Ebert II. Criterion Collection 102. Schrader 33. Greenwich Film Productions unknown books
1978ref. 126628Cambridge Film Production 1978. Very Good. 8 original color lobby cards for the adult film about a drug smuggling operation that goes awry. Yachts topless women acrobatic rope tricks. All aboard! 8 x 10 inches tiny white border. Near Fine overall. Cambridge Film Production unknown
1966ref. 144364Sweden: Sandrews 1966. Vintage borderless photograph of Ingrid Thulin and Mai Zetterling on the set of the 1966 film. Mimeo snipe and press agency stamps on the verso. Jan and his fiance return to his childhood home a 14th Century castle where he is haunted by vivid flashbacks of a difficult childhood the neglect of his parents and a sexual fixation on his mother. Shot on location in Penningby Castle Stockholm Sweden. 10 x 8 inches. Near Fine. Sandrews unknown
1966ref. 144364Sweden: Sandrews 1966. Vintage borderless photograph of Ingrid Thulin and Mai Zetterling on the set of the 1966 film. Mimeo snipe and press agency stamps on the verso. Jan and his fiance return to his childhood home a 14th Century castle where he is haunted by vivid flashbacks of a difficult childhood the neglect of his parents and a sexual fixation on his mother. Shot on location in Penningby Castle Stockholm Sweden. 10 x 8 inches. Near Fine. Sandrews unknown books
1978ref. 144304Paris: Roissy Films 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With manuscript ink annotations on the verso. An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist theater group. He finds an abandoned chimpanzee on the beach who he attempts to raise. A bleak and desolate depiction of New York City. Filmed in English and released dubbed in both French and Italian. Shot on location in New York City. 9.5 x 12 inches. Very Good plus. Roissy Films unknown
1974ref. 144958Paris: Films sans Frontieres 1974. Vintage borderless press photograph showing director Marco Ferreri on the set of the 1974 French-Italian film with camera and crew behind him. With stamps of photographer Bernard Prim and French magazine "Paru dans le point" as well as manuscript annotations on the verso. A farcical reenactment of the events leading up to and including The Battle of Little Big Horn anachronistically set in a contemporary area of Paris slated for urban renewal. 9.25 x 6.25 inches. Near Fine. Cox 10000 Ways to Die. Films sans Frontieres unknown
1964ref. 143345Italy: Compagnia Cinematografica Champion 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot the "ape woman" in the film in a dressing room with two other semi-clothed "normal" women conveying an immediate irony as she looks up at her husband Ugo Tognazzi standing in the doorway. With the stamps of both the French Dalmas and Italian Publifoto photo agencies on the verso. Inspired by the real life story of Julia Pastrana who suffered from a condition that caused excessive hairiness and was exhibited in a freak show and mummified after her death by her husband/manager. Nominated for the Palme d'Or at Cannes. 8.25 x 10.5 inches. Near Fine with a touch of rubbing to the edges and slight curl. Compagnia Cinematografica Champion unknown
1991ref. 143062Italy: MMD 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman who uses magic to turn him into a sex slave. He doesn't seem to mind until she gets bored and wants to leave him and the things take a darker turn. Nominated for the Palme d'Or at Cannes. 11.75 x 7.5 inches. Light creasing to the corners else Near Fine. MMD unknown
1968ref. 162112N.p.: N.p. 1968. Vintage reference photograph of Catherine Spaak from the 1968 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A wealthy industrialist's obsession with balloons derails his life and his relationship with his beautiful fiancée. 8 x 10 inches. About Fine. N.p. unknown
1974ref. 144958Paris: Films sans Frontieres 1974. Vintage borderless press photograph showing director Marco Ferreri on the set of the 1974 French-Italian film with camera and crew behind him. With stamps of photographer Bernard Prim and French magazine "Paru dans le point" as well as manuscript annotations on the verso. A farcical reenactment of the events leading up to and including The Battle of Little Big Horn anachronistically set in a contemporary area of Paris slated for urban renewal. 9.25 x 6.25 inches. Near Fine. Cox 10000 Ways to Die. Films sans Frontieres unknown books
1978ref. 144304Paris: Roissy Films 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With manuscript ink annotations on the verso. An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist theater group. He finds an abandoned chimpanzee on the beach who he attempts to raise. A bleak and desolate depiction of New York City. Filmed in English and released dubbed in both French and Italian. Shot on location in New York City. 9.5 x 12 inches. Very Good plus. Roissy Films unknown books
1991ref. 143062Italy: MMD 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman who uses magic to turn him into a sex slave. He doesn't seem to mind until she gets bored and wants to leave him and the things take a darker turn. Nominated for the Palme d'Or at Cannes. 11.75 x 7.5 inches. Light creasing to the corners else Near Fine. MMD unknown books
1964ref. 143345Italy: Compagnia Cinematografica Champion 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot the "ape woman" in the film in a dressing room with two other semi-clothed "normal" women conveying an immediate irony as she looks up at her husband Ugo Tognazzi standing in the doorway. With the stamps of both the French Dalmas and Italian Publifoto photo agencies on the verso. Inspired by the real life story of Julia Pastrana who suffered from a condition that caused excessive hairiness and was exhibited in a freak show and mummified after her death by her husband/manager. Nominated for the Palme d'Or at Cannes. 8.25 x 10.5 inches. Near Fine with a touch of rubbing to the edges and slight curl. Compagnia Cinematografica Champion unknown books
1968ref. 162112N.p.: N.p. 1968. Vintage reference photograph of Catherine Spaak from the 1968 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A wealthy industrialist's obsession with balloons derails his life and his relationship with his beautiful fiancée. 8 x 10 inches. About Fine. N.p. unknown books
2000ref. 161774N.p.: N.p. 2000. Draft script for Episode 7 Season 4 of the long-running 1997-2007 television series. Originally aired on August 11 2000 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate crew help Russian scientists with their own Stargate portal. Self wrappers. Title page present dated April 4 2000 noted as WRITERS DRAFT and production No. 6712 with credit for screenwriter Robert C. Cooper. 46 leaves with last page of text numbered 45. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
