4,909 results
1950ref. 107868London: Apex 1950. Draft script for the 1951 British film. Editor Peter Hunt's copy with his manuscript annotations throughout. Peter Hunt began his career in the UK film industry as an editor working on several of the best-known early James Bond films "Dr. No" "From Russia With Love" "Goldfinger" as well as "The Ipcress File." He debuted as a director with "On Her Majesty's Secret Service" in 1969. Blue untitled wrappers. Title page present dated April 1950 noted as shooting script with credits for Kenneth Hume. 87 leaves with last page of text numbered 86. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two staples. Apex unknown
1955ref. 107862N.p.: N.p. 1955. Treatment script for an unproduced film. From the collection of British film director and editor Peter Hunt presumably one of only a handful of copies made. The only other copy located is in the Harry Ransom Center film library at the University of Texas and the notes from that collection read: "'The Speaker's Corner' is a screenplay based on three stories by Robin Maugham including 'Broken Cellophane' 'The Prodigal Son' and 'The Man Who Could Hypnotize Racehorses.' Maugham worked with Rodney Ackland on the adaptation." Mauve titled wrapper noted as a short story on the front wrapper copy No. 20 with credits for screenwriter Robin Maugham. Title page present with credits for Maugham. 13 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with a string binding. N.p. unknown
1995ref. 7W-K1W9-QM9L1996 Faber & Faber paperback edition. Some reading wear inscription inside cover minor marks to edge else good condition. From the cover: 'Well I always wanted to make the teenage movie that I felt America never made. The great American teenage movie like the 'great American novel.' That's what I always wanted to do. I remember back in the fifties when I was a kid and the teenage movies were like City Across the River and Cassavetes was an actor in one and Tony Curtis was in one. And I would see these movies and I would say 'Those kids don't look like kids they're all older people they're all like grown-ups.' So right away they don't ring true. That's why some of the teenage movies that I do like - Over the Edge - the reason why I liked that movie was that they used kids the right age they actually used kids. Real kids. I knew my film had to be from the inside so I called this kid writer I knew through skateboarding and he came over and I told him what I wanted and he said 'I've been waiting all my life to write this' and he knocked out the screenplay in three weeks. I think when you see the movie Kids that most of us - not all of us but most of us - will say 'Yeah that's the way we were that's the way kids are.' - Larry Clark Larry Clark is one of the most important photographers of the last quarter century. Harmony Korine is 19 years old. Grove Press paperback
ref. 29792Culver City Calif. : Metro-Goldwyn-Mayer MGM July 24 1928. Original yellow wrappers preserved with some marginal loss on later card covers 303 x 230 mm front wrapper with typed title at centre '""The Mysterious Island"" / Screen Play / by / Lucien Hubbard'; at top right is typed 'Prod. No. 273' and at lower right 'Script Okayed by Mr. Thalberg. July 24 1928'; above the title is the original MGM studio label rubber-stamped 'No. 4664' with the typed film title and same date of July 24 1928; the pencilled name 'Jane Daly' i.e. Jacqueline Gadsden above the label appears to be written in the film star's own hand while her name is also written in pencil but in a different hand near the foot of the front wrapper; 121 leaves 280 x 215 mm mimeograph duplication; the film's title crediting Hubbard as the screenwriter and dated July 24 1928 is integral with the first page of the script; contents very clean throughout corners a little dog-eared with the two original brads in place. Rare and important draft shooting script for the Hollywood film The Mysterious Island. Loosely adapted from Jules Verne's science fiction novel L’ile mystérieuse this MGM production - a part-talkie - was filmed in two-strip Technicolour and had a checkered production history: shooting had commenced in 1926 but the film was not released until 5 October 1929. Lucien Hubbard 1888-1971 was officialy credited as the writer of the screenplay and as director even though scenes shot earlier by Maurice Tourneur and Benjamin Christensen - both removed from the project by Irving Thalberg because of their painstaking approach to filmmaking - were used in the final version. Lucien Hubbard is today perhaps best-known as the producer of the silent film Wings 1927 for which he won an Academy Award. Until recently a single ten-minute reel with a colour sequence in the UCLA Film and Television Archive was thought to be the only portion of The Mysterious Island that had survived in Technicolour although complete black-and-white prints had always been known. Then in 2013 experts from George Eastman House discovered that a colour print had been preserved in the Czech National Film Archive; the restored colour print of the film was screened at the 33rd Pordenone Silent Film Festival in October 2014. The cast of The Mysterious Island included Lionel Barrymore Count Andre Dakkar Jane Daly Jacqueline Gadsden Sonia Lloyd Hughes Nikolai Montagu Love Falon Harry Gribbon Mikhail Snitz Edwards Anton Gibson Gowland Dmitry Dolores Brinkman Teresa and Major Roup an underwater creature. Art direction was by Cedric Gibbons with technical effects by James Basevi Louis H. Tolhurst and Irving R. Ries. Jacqueline Gadsden 1900-1986 was an American film actress during the silent era. Her most famous role was in It 1927 in which she starred alongsde Clara Bow. In 1924 she had married William Harry Daly and in fact she made two other films in the same year that The Mysterious Island was released 1929 - one for Columbia and another for MGM - in which she was billed under the name Jane Daly. The Mysterious Island was her last film prior to retirement from motion pictures. Â unknown
1957ref. 1901200426Finland: Films Lutétia/S.L.P.F. 1957. No Binding. Fine. An unusual pairing: an original Finnish tour poster for Cette Sacrée Gamine Naughty Girl 1956 the French comedy starring Brigitte Bardot combined with a postcard-sized photographic print hand-signed by Bardot. The poster measures approximately 15.25 × 23.5 inches. Unused no pinholes no tape residue no notable edge wear. Superb condition ideal for display or a serious Bardot collection. Tour poster format; no printer information noted. The hand-signed photograph is a postcard-sized photographic image bearing Bardot's signature. An attractive combined lot for collectors of French cinema memorabilia or Bardot ephemera. Films Lutétia/S.L.P.F. unknown
1973ref. 62975Los Angeles and New York 1973. Postcard and note paper 4 x 5 inches total of approximately 100 words both signed "Terrence." Accompanied by a simple illustrated program for "Whisky" and a snapshot of one of the friends dated 1969. Among McNally's many awards are an Emmy and four Tonys. All very good. 9740. unknown
1925ref. 3105California: Universal Pictures 1925. First edition. original wrappers. Good. AN EARLY WORKING DRAFT OF THE 1925 PHANTOM OF THE OPERA PRESERVING THE DARKER SCENARIO UNIVERSAL WROTE BEFORE ITS FRONT OFFICE ORDERED THE TERROR TONED DOWN AND INCLUDING AN ORIGIN STORY FOR THE PHANTOM THAT NEVER REACHED THE SCREEN. Lon Chaney's unmasking in The Phantom of the Opera remains one of the most famous moments in film history. The picture that audiences finally saw in 1925 though came out of a long and difficult production shaped by poorly received previews reshoots and repeated re-editing. Its story begins with Universal staff writer Elliott J. Clawson's adaptation of Gaston Leroux's 1910 novel. The present typescript records his scenario at an early stage before the studio's successive revisions reshaped it. THE PHANTOM'S LOST ORIGIN STORY: The most striking feature of the draft is a lengthy origin episode absent from every filmed version of the story. In it a Sultan condemns the Phantom to die on an anthill and the Persian who becomes his lifelong associate rescues him. Leroux's novel only alludes to its Phantom's past in Persia where a police official spared him from the Shah's death sentence. Clawson turned that background into a full dramatic sequence. The episode though was abandoned before filming began. Philip J. Riley mentions it in his narrative account of the production The Making of the Phantom of the Opera 1999 but the present manuscript preserves it as Clawson actually wrote it. Riley records that by the fifth revised shooting script most of the genuinely frightening scenes like the anthill death scene had been removed because the front office feared the original material would drive audiences out of the theater. RELATIONSHIP TO THE KNOWN RECORD: Riley's study draws on two principal script documents: an early Clawson draft which he quotes in places and the fifth revised shooting script which he reproduces in full. The present manuscript shares the general scope and character of the early draft yet it differs in both scene numbering and the wording of specific directions. At the bedchamber scene Riley's source is numbered 286; here the same scene is numbered 289. The three-scene offset indicates that this manuscript contains material Riley's source lacks at that point suggesting either an earlier compositional layer or a fuller parallel version. Riley does not say where his early draft is held so the relationship between the two documents remains open. Our comparison is limited to the passages Riley chose to quote and a full collation may well reveal further differences. THE ANNOTATIONS: Pencil annotations appear intermittently throughout. They are pointed and analytical raising questions of continuity pacing and plot logic. One asks how Christine could communicate with Raoul while held captive and another asks why certain developments do not occur earlier in a sequence. They suggest close review by a reader with editorial authority over the script. Note: Although the draft breaks off during the climactic rescue attempt by Raoul and Ledoux and does not include the full text as we've come to know the story the draft appears complete as it originally existed. There is no sign of removed pages - in fact the last page with type seems to be on a different stock and serves also as the rear wrapper - which is consistent with an unfinished working draft rather than later loss. RARITY: Universal silent-era screenplays rarely survive. Scripts were typed in small numbers on unstable pulp paper and much of the studio's early paper record was later discarded. This draft documents The Phantom of the Opera before commercial pressure and successive rewrites displaced Clawson's original conception. It preserves a version of the film that Universal chose not to make. Typescript working draft. Universal City California: Universal Pictures ca. 1925. More than 200 pages typed on 8.5 x 13 inch legal-size pulp stock; original blue wrapper; pale toned rear wrapper. Pencil annotations throughout. Front wrapper present but detached; leaves brittle with edge chipping creases foxing marginal staining and small losses as is typical of Universal scripts of the period. Housed in custom archival presentation box. Universal Pictures unknown
1982ref. 035925Universal City CA: Universal Studios 1982. Complete Universal Studios Press Kit for "Fast Times at Ridgemont High" by Cameron Crowe author & screenwriter Amy Heckerling director and Starring Sean Penn Jennifer Jason Leigh Judge Reinhold Phoebe Cates Robert Romanus Ray Walston Brian Backer Nicolas Cage Eric Stolz and Forrest Whitaker. Single folder with two pockets. One pocket contains 12 - 8 x 10 black & white press photographs from the film. The other pocket contains biographical information on actors Sean Penn Jennifer Jason Leigh Judge Reinhold Phoebe Cates Robert Romanus Ray Walston and Brian Backer. Biographical information on Cameron Crowe Amy Heckerling and producers Art Linson & Irving Azoff. Also credits and final production notes. Overall condition of the packet is good with faint slight staining and some foxing to the folder. There is rusting to staples. The twelve photographs are in very good condition. Rare. White folder. #035925. First Edition. Folder. Good. 4to. Movie Press Kit Teen Cult. Universal Studios
ref. 049457Istanbul. Soft cover. Very Good. Original autograph letter signed as 'Sadi' sent to Vasfi Riza Zobu. 1 p. In Ottoman script. Letterhead 'Ferah: Sinema-varyete-tiyaro'. Dated 31-12-1929 Istanbul. It starts as 'Muhterem Vasfi Riza bey'. Used black ink with fountain pen. It's a letter of appeal. Vasfi Riza Zobu was born on December 5 1902 in Constantinople Ottoman Empire. He was an actor known for Karim beni aldatirsa 1933 Ankara postasi 1928 and Milyon avcilari 1934. He died on November 23 1992 in Istanbul Turkey. Aktör Sadi started his art career as a theater actor. He appeared on the stage at school along with Muvahhit actor husband of paintress Bedia Muvahhit writer Refik Halit Karay and Refi 'Cevat Ulunay. After the proclamation of the Second Constitutional Monarchy he started the professional theater company which was founded by Resat Ridvanand the playwright Ibnürrefik Ahmet Nuri Sekizinci. Bican Efendi series in which he played the title role after the WW 1 was accepted from the first comedy of Turkish cinema history. paperback
1960ref. 126608Willoughby Film Productions 1960. Very Good. Original b/w film still photograph of blonde Gillian Hills dancing in a skirt and white shirt as Jennifer Linden in the British film "Beat Girl" 1960 released in the US as "Wild for Kicks" 1961. Hills plays a girl hell-bent on ruining her father's new relationship with a woman whose questionable past as a stripper returns to haunt. Jennifer Hills hangs out at the Off-Beat a night club with jazz smoke and juvenile delinquents including "Plaid Shirt" Oliver Reed seen in the photograph on the shadowy staircase. The first British soundtrack to be released on vinyl and the breathtaking Egyptian Gillian Hills would go on to other notable films including "Blowup" 1966 and "A Clockwork Orange" 1971. 6 x 8.25 inches single weight small white border. Cropping notations in pencil and ink and rubber-stamped NATIONAL FILM ARCHIVE / DUPLICATE STILL on the verso. Very Good Plus light curl. Willoughby Film Productions unknown
1978ref. 126628Cambridge Film Production 1978. Very Good. 8 original color lobby cards for the adult film about a drug smuggling operation that goes awry. Yachts topless women acrobatic rope tricks. All aboard! 8 x 10 inches tiny white border. Near Fine overall. Cambridge Film Production unknown
1969ref. 126627Crown International Pictures 1969. Very Good. Original b/w film still photograph featuring blonde Patricia Wymer in her best-known role as Candy Wilson. Recalls the lecherous themes of "Lolita" and adds a motorcycle gang. Released the year of the gay rights movement Woodstock and Nixon. Soundtrack by and great dance party scene with The Food. 8 x 10 inches small white border. Very Good Plus faint spots and creasing. Crown International Pictures unknown
ref. 51-7277Tokyo: Shinsei Katsusha October 1946. Original pictorial wraps. 18.2 x 25.8cm. 56pp.The Motion Picture Library was a pioneering bilingual film publication launched in Tokyo in post-WWII Japan 1946-1948. Aimed at bridging American pop culture and Japanese audiences it printed full English scripts actor profiles and bilingual synopses of imports like Casablanca. The emergence of these bilingual or heavily translated film resources during the mid-1940s marked a dramatic cultural shift. Following wartime censorship and the total ban of foreign films the sudden influx of Hollywood movies under the Supreme Commander for the Allied Powers SCAP created a boom in cine-literacy. .“MÅshon pikuchÄ raiburarÄ«” wa dainijisekaitaisengo no Nihon 1946-nen 〜 1948-nen ni oite TÅkyÅ de sÅkan sa reta senku-tekina bairingaru eiga shuppan-monodeatta. Amerika no poppukaruchÄ to Nihon no kankyaku to no kakehashi to naru koto o mezashi dÅshi wa “Kasaburanka” nado no yunyū eiga ni tsuite kanzen'na eigo kyakuhon haiyū no purofīru soshite nichiei taiyaku no arasuji o keisai shite ita. 1940-Nendai nakaba ni okeru kÅshita bairingaru aruiwa Åhabana hon'yaku o hodokoshita eiga kanren shiryÅ no tÅjÅ wa gekitekina bunka-teki tenkan o shÅchÅ suru monodeatta. Senji-chū no ken'etsu ya gaikoku eiga no zenmen kinshi o hete rengÅ-koku saikÅ shirei-kan sÅ shirei-bu SCAP no tÅchi-ka de Hariuddo eiga ga totsujotoshite tairyÅ ni ryūnyū shita koto wa eiga riterashī eiga o yomitoku chikara e no kanshin o ikkini takameru būmu o makiokoshita nodearu.『モーション・ピクãƒãƒ£ãƒ¼ãƒ»ãƒ©ã‚¤ãƒ–ラリーã€ã¯ã€ç¬¬äºŒæ¬¡ä¸–界大戦後ã®æ—¥æœ¬ï¼ˆ1946年〜1948年）ã«ãŠã„ã¦ã€æ±äº¬ã§å‰µåˆŠã•ã‚ŒãŸå…ˆé§†çš„ãªãƒã‚¤ãƒªãƒ³ã‚¬ãƒ«æ˜ 画出版物ã§ã‚ã£ãŸã€‚アメリカã®ãƒãƒƒãƒ—カルãƒãƒ£ãƒ¼ã¨æ—¥æœ¬ã®è¦³å®¢ã¨ã®æž¶ã‘æ©‹ã¨ãªã‚‹ã“ã¨ã‚’目指ã—ã€åŒèªŒã¯ã€Žã‚«ã‚µãƒ–ランカã€ãªã©ã®è¼¸å…¥æ˜ ç”»ã«ã¤ã„ã¦ã€å®Œå…¨ãªè‹±èªžè„šæœ¬ã€ä¿³å„ªã®ãƒ—ãƒãƒ•ã‚£ãƒ¼ãƒ«ã€ãã—ã¦æ—¥è‹±å¯¾è¨³ã®ã‚らã™ã˜ã‚’掲載ã—ã¦ã„ãŸã€‚1940年代åŠã°ã«ãŠã‘ã‚‹ã€ã“ã†ã—ãŸãƒã‚¤ãƒªãƒ³ã‚¬ãƒ«ã‚ã‚‹ã„ã¯å¤§å¹…ãªç¿»è¨³ã‚’æ–½ã—ãŸæ˜ 画関連資料ã®ç™»å ´ã¯ã€åŠ‡çš„ãªæ–‡åŒ–的転æ›ã‚’象徴ã™ã‚‹ã‚‚ã®ã§ã‚ã£ãŸã€‚戦時ä¸ã®æ¤œé–²ã‚„å¤–å›½æ˜ ç”»ã®å…¨é¢ç¦æ¢ã‚’経ã¦ã€é€£åˆå›½æœ€é«˜å¸ä»¤å®˜ç·å¸ä»¤éƒ¨ï¼ˆSCAP）ã®çµ±æ²»ä¸‹ã§ãƒãƒªã‚¦ãƒƒãƒ‰æ˜ ç”»ãŒçªå¦‚ã¨ã—ã¦å¤§é‡ã«æµå…¥ã—ãŸã“ã¨ã¯ã€æ˜ ç”»ãƒªãƒ†ãƒ©ã‚·ãƒ¼ï¼ˆæ˜ ç”»ã‚’èªã¿è§£ã力）ã¸ã®é–¢å¿ƒã‚’一気㫠Tokyo: Shinsei Katsusha , October , 1946 paperback
1956ref. 298558Remus Films 1956. Photograph. 7 original B/W publicity photograph 7.8 x 9.8 inches. Photographs of Sydney James William Hartnell Renee Houston Dick Bentley 2 poses Brian Rix and Tommy Cooper. Near fine copies. Identification of actor written in ink on rear. Pen indentation visible with raking light on photograph surface. Remus Films unknown
1978ref. 290221Fay Kanin 1978. Trade Paperback. 149 loose sheets 8.5 x 11 inches printed in black recto only on white. Fay Kanin 1917-2013 was a screenwriter and producer. She and her husband Michael were blacklisted by HUAC. She wrote and produced Friendly Fire for television. Starring Carol Burnett. The film won the Primetime Emmy Award for Outstanding Drama or Comedy of the Year. Fay later was President of the Academy of Motion Picture Arts and Sciences for 4 terms 1979-1983. 'Rev. Final Draft / July 25 1978' typed on bottom of cover sheet. Near fine copy. Fay Kanin paperback
1984ref. 295866Universal City Studios 1984. Trade Paperback. Press Packet contains: 10 B/W photographs 8 x 10 inches; 3-pages on Executive Producers Michael and Kathy Fitzgerald; 23-pages Production Notes; 2-pages Moritz Borman; 2-pages Wieland Sculz-Keil; 3-pages Anthony Andrews; 3-pages Jacqueline Bisset; 5-pages Albert Finney; 6-pages John Huston; and 4-pages Cast and Credits. Housed in printed white folder. First edition first printing. Very good copy. Photographs are near fine. Rust near staples on printed pages. Folder with wear stains scuffs. Universal City Studios paperback
1960ref. 296421Robert Goldfarb 1960. Trade Paperback. 140 mimeographed sheets printed recto only. Ric Hardman 1924-2009 was a writer of screenplays Rare Breed Gunman's Walk TV scripts and novels Fifteen Flags and others. First edition first printing. Very good copy in yellow folder bound with metal clasps. At bottom of title page: Robert Goldfarb / 3839 Carnavon Way / Los Angeles 90027 / 663 9543 / mag 876 2100.'. Robert Goldfarb paperback
1957ref. 268762The Selnick Company Inc 1957. First Edition. Trade Paperback. iii 173 pages Mimeographed sheets printed on recto only. Dated January 26 1957. Shooting script. Title page forward page 'Cast of Principal Characters' on 3rd introductory page followed by script. 1.5 inch blue wrapper around script. Script pages are not 3-hole punched. Accompanied with bright yellow Selnick Studio folder. The 24 pages of corrections are printed on recto only and detail changes to dialogue or scene arrangements identified by page number in the January 26 1957 screenplay. First edition thus. A fine copy inbright yellow Selnick Studio wrappers paperback. The Selnick Company, Inc paperback
1957ref. 268766The Selnick Company Inc 1957. Trade Paperback. Mimeographed typed sheets printed on recto only: 2 8 1 5 2 3 6 2 2 2 9. 2 2. Includes information on The Cast The Story The Producer The Director The Production Vittorio De Sica's comments on the film About the Film About the Book The Makers Biography of David O. Selnick Biography of Jennifer Jones Biography of Rock Hudson Biography of Vittorio De Sica Biographies of others. 'Official Advertising Billing Revised October 23 1957.' Revised edition October 23 1957. A fine copy brad bound. The Selnick Company, Inc paperback
1957ref. 269293The Selnick Company Inc 1957. First Edition. Trade Paperback. iii 173 pages Mimeographed sheets printed on recto only. Dated January 26 1957. Shooting script. Title page forward page 'Cast of Principal Characters' on 3rd introductory page followed by script. 1.5 inch blue wrapper around script. Script pages are not 3-hole punched. Accompanied with bright yellow Selnick Studio folder. The 24 pages of corrections are printed on recto only and detail changes to dialogue or scene arrangements identified by page number in the January 26 1957 screenplay. First edition first printing. Near fine copies of both items. Accompanied with bright yellow 3-pronged folder of The Selnick Company. The Selnick Company, Inc paperback
1961ref. 101276London March 8 1961. 1961. Fine. - Over 110 words typed on his 10 inch high by 8 inch wide "John Osborne Productions Ltd." stationery. Replying to a young actor's request for advice the playwright & actor John Osborne writes "I cannot imagine why you should think I might be able to help or advise you. For one thing I do not know you or your circumstances and I can't quite make out what is is you want to know. If you want to be an actor go and be one if you don't don't. In any case don't expect to be successful or to be loved." Signed in full "John Osborne". Folded for mailing else fine with the original air mail envelope. The English playwright screenwriter and actor John Osborne 1929-1994 is thought of as one of the most influential figures in post-war theatre. He briefly worked as a journalist before working as a stage manager and actor. He gained national recognition and fame with his third produced play "Look Back in Anger" in 1956. This first work of "kitchen sink realism" inspired a movement of social realism within domestic settings addressing the disillusion with British Society. George Fearon coined the phrase "angry young man" to describe Osborne when promoting the play. London, March 8, 1961.
1940ref. 1355Los Angeles: 20th Century Fox Film Corporation 1940. Letter 295 x 230mm pp. Title 1 2-186 mimeographed duplication rectos only. First draft continuity script for the 1941 film. Orange titled continuous card wrapper rubber stamped internal three brass brad binding. Noted as FIRST DRAFT CONTINUITY on the front wrapper production number 559 copy number 29 dated October 7 1940. Title page present also dated October 7 1940 and noted as 1st Draft Continuity. Pages very good but for a bit of toning and worming to the upper left corner of the final 15 pages cover soiled worn and with some splits to the extremities good. Ex-Howard Barnes; Richard Manney; Gene Hackman. Custom cloth box. Inscribed on the title page by screenwriter Dudley Nichols to film critic Howard Barnes; "Critic par excellence in memory of our old days on The World when neither of us dreamed of working in this fascinating medium of the film Affectionately Dudley Nichols July 15 1941". Referencing the time they both spent as journalists for the New York World. There is a postscript that reads: "This was my first draft done in three weeks. Many things happened to it afterwards as your keen eye will note. D.N". A British big-game hunter is captured after stalking Hitler as a sporting challenge then escapes to England only to be relentlessly pursued by Nazi agents whose campaign of terror claims the life of the young woman who sheltered him. After a harrowing confrontation with his nemesis he acknowledges his true intent and parachutes back into Germany now committed to carrying out the assassination he once denied contemplating. Set in 1939 Bavaria and London shot on set at 20th Century Fox studios in Los Angeles. 20th Century Fox Film Corporation unknown
1965ref. T217113Hamish Hamilton London 1965. 1st Edition. HARDCOVER. 8vo in dark blue faux cloth gilt lettering to spine. 107pp. Warmly inscribed to author and translator Peter Meyer and signed by the author on the title-page no other marks or inscriptions __CONDITION : A well preserved FINE very clean and tight copy top edge of page block faintly dusty in a slightly tanned and faintly dusty but otherwise FINE complete Dust Jacket. A nice copy of one of Dehn's scarcest books. . __To see more of our Poetry books type DbbPOETRY in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Hamish Hamilton, London hardcover
1986ref. 009743Published by Author. Offered is the first and possibly only draft of the film screenplay entitled "Ruggers" by writer producer and director Roger C. Nygard. A draft script dated 5-5-86 the scenes are not numbered the film to my knowledge was never made. The screenplay contains 124 mimeographed loose leaf pages including title page. With blank light blue front and rear covers with covers and pages measuring 8-1/2" by 11" printed on one side three-hole punched bound together with upper and lower brass brads. Covers lightly faded covers show light corner wear; "RUGGERS" written in neat black felt pen to outer left and lower spine edges. . Fine. No Binding. 1st Edition. 1986. Published by Author
1985ref. 009746Hollywood California: Movie Tech Studios. Offered is the probable first draft of the film screenplay entitled "Dismemberd" Dismembered by screenwriter Jack Neal. An undated draft script the scenes are not numbered circa 1980s the film was finally produced and released in 2003. Directed by Ewing Miles Brown the film starred Lee Horsley Leslie Easterbrook Gordon Jump Bernie Kopell and Judson Mills. Since the film was produced nearly 20 years after the original draft being offered in this listing it is probable that the script underwent several revisions during the ensuing years. The screenplay contains 117 mimeographed loose leaf pages including title page and photo of a glove-covered hand ready to grab a frightened woman looking in a mirror measuring 8-1/2" by 11" bound in heavy green front and rear covers with metal strip. Pasted to the upper area of the front cover is a label from Movie Tech Studios showing its name and address on 832 Seward Street in Hollywood California and typed titled author Jack Neal Reg. S.W.G.W. Property Movie Tech Studios. Light creases to outer cover overhang edges; "DISMBERD" written in black felt pen to outer left spine edges. . Near Fine. Soft cover. 1st Edition. 1985. Movie Tech Studios paperback
