6,012 results
1967ref. 132399Hollywood: National Screen Service / Paramount Pictures 1967. Vintage full-color British front-of-house card from the 1967 UK film. A musical romp through northern England about two young women venturing out to find fame and fortune. 8 x 10 inches. About Near Fine. Ink notation on verso. National Screen Service / Paramount Pictures unknown books
1960ref. 132603Burbank CA: Waterlow and Sons / Warner Brothers 1960. Two vintage full-color British front-of-house cards from the UK release of the 1959 US film. Based on Pulitzer Prize-winning author Don Whitehead's 1956 book "The FBI Story: A Report to the People" about one man's experience as an FBI agent including encounters with gangsters con artists the KKK and members of the Nazi party. 8 x 10 inches. Near Fine. Waterlow and Sons / Warner Brothers unknown books
1957ref. 132492London: Twentieth Century-Fox 1957. Seven vintage full-color British front-of-house cards from the UK release of the 1957 US film. Based on Edward Chodorov's 1955 play about a bored housewife who seeks therapy from an emotionally unstable psychiatrist. Tony Randall's film debut the same year he'd star in "Will Success Spoil Rock Hunter" with Jayne Mansfield. 8 x 10 inches. Faint short creases overall else Near Fine. Twentieth Century-Fox unknown books
1957ref. 132040London: Eros Films 1957. Vintage black-and-white still photograph from the British release of the 1957 US film. Compilation of scenes from classic silent films from the Mack Sennet and Hal Roach studios with narration written by filmmaker René Clair in cooperation with Youngson. 8 x 10 inches. About Near Fine. Eros Films unknown books
1963ref. 132582London: National Screen Service / MGM 1963. Two vintage full-color still photographs from the 1963 UK film. A star-studded drama that takes place in a New York airport at the V.I.P. lounge. Taylor's jewelry in the film came mostly from her own collection and this was Taylor's and Burton's second collaborative film credit. Margaret Rutherford won an Academy Award for her supporting role. 8 x 10 inches. Faint creases overall else Near Fine. National Screen Service / MGM unknown books
1952ref. 132886Burbank CA: Warner Brothers 1952. Vintage hand-tinted still photograph from the 1952 UK release of the 1952 US film. Burt Lancaster stars as a pirate who gets involved in a revolution in the Caribbean in the late 1700s. A swashbuckler with enough swordplay and acrobatics to satisfy even the most discerning enthusiast. A story set in the Caribbean shot on location in Italy. 8 x 10 inches. Faint creases to one corner else Near Fine. Warner Brothers unknown books
1939ref. 132529London: Films in London Publications 1939. Vintage black-and-white still photograph from the 1939 UK release of the 1938 US film. Distributors rubber-stamps on the verso. Based on the Myron Brinig novel about three sisters who are considered the most desirable young women in a tiny town in Montana and the troubled marriages each faces. 8 x 10 inches with no borders as issued. Faint discoloration at the center of the recto see image else Near Fine. Films in London Publications unknown books
1958ref. 132871London: Twentieth Century-Fox 1958. Collection of 3 vintage hand-tinted British front-of-house cards from the UK release of the 1958 US film. A physicist meets and marries a doctor's receptionist who later develops a heart condition. She decides to adopt an orphan to keep her husband company in the wake of her premature demise. Shot on location in San Francisco and Palomar Mountain California. 8 x 10 inches. Light rubbing and faint creases else Near Fine. Twentieth Century-Fox unknown books
1955ref. 132894London: Unviersal International Pictures 1955. Vintage color British front-of-house card from the UK release of the 1955 US film. Based on W. R. Burnett's little-known 1954 novel about a member of an Irish revolutionary society forced to become an outlaw. In Dublin he meets a famous rebel named "Captain Thunderbolt" and becomes his second-in-command "Lightfoot." A story set and shot on location in Ireland. 8 x 10 inches. Two tiny bruises else Near Fine. Unviersal International Pictures unknown books
1981ref. 132540Los Angeles: Twentieth Century-Fox 1981. Vintage black-and-white still photograph from the 1981 US film. A troubled tattoo artist Dern becomes obsessed with a model Adams he meets when he's hired to paint temporary tattoos on a group of women for a photo shoot. His obsession grows increasingly dangerous and he is determined to leave his mark on the model forever. 8 x 10 inches. Brief ink notation on the verso else Near Fine. Twentieth Century-Fox unknown books
1942ref. 130516Los Angeles: Twentieth Century-Fox 1942. First Draft Continuity for the 1942 film. This is a pre-production continuity not to be confused with a post-production continuity. The "other woman" in this early 1940s Twentieth Century-Fox programmer turns out to be Emily Virginia Gilmore faithful secretary to master architect Henry Summers James Ellison. Hoping to trap her boss into marriage Emily begins sending "mash notes" to Henry purportedly from a mysterious female admirer. She then coerces her old pal Ralph Dan Duryea to pose as her jealous Southern-fried boy friend of the nonexistent letter-writer. Poor Henry convinced that Ralph is the gangster who's been threatening him with bodily harm takes off for parts unknown. Our heroine spends the rest of the picture chasing Henry until he finally catches her Hal Erickson Rovi. From the AFI Catalog: "The working title of this film was 'Leap Year' also the title of Lamar Trotti's original story. According to a September 4 1941 memo in the Twentieth Century-Fox Records of the Legal Department located at the UCLA Arts Special Collections Library Trotti wrote the story "sometime ago" and sold it to the studio for one dollar when producer Walter Morosco decided to make it as a "low budget picture." Although the legal records indicate that Jerry Sackheim worked on a screenplay for the picture the extent of his contribution to the completed film has not been determined. Orange titled wrappers noted as FIRST DRAFT CONTINUITY on the front wrapper rubber-stamped copy No. 185 and production No. 730 dated June 6 1942. Distribution page present with receipt intact. Title page present dated June 6 1942 noted as 1st Draft Continuity with a sole credit for screenwriter Jungmeyer. 135 leaves mimeograph duplication with revision pages on blue stock dated variously between 6/10/42 and 6/20/42. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown books
1964ref. 131832London: Three Kings Films 1964. Draft script for the 1965 film. With several substantive manuscript emendations to dialogue throughout. A British "teen" comedy with a title that borrows the title and spirit of Conrad Hilton's 1957 autobiography. A family inherits a seaside hotel and has trouble filling it up until their son's rock group begins bringing in the crowds. One of several British films from the mid-sixties which offered the added inducement of a guest appearance by "The Killer" Jerry Lee Lewis who had more success in the UK than the USA after marrying his teenage cousin in 1958. Magenta titled wrappers with a die-cut title window in the British style. Title page present dated 6-11-64 in manuscript pencil with credits for screenwriter and composer Fairhurst. 108 leaves mechanical duplication on eye-rest green stock with pink revision pages throughout dated 23.11.64. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Three Kings Films unknown books
1978ref. 133348Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1978. Vintage black-and-white still photograph from the 1978 film. Based on Nolan's 1974 novel "The Algonquin Project" about a heisted shipment of German gold and General Patton's ploy to retrieve it starring George Kennedy as Patton . Shot on location in Germany and Switzerland. 8 x 10 inches. And faint corner creases else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1970ref. 132913Paris: Les Films du Carrosse / Les Productions Artistes Associes 1970. Collection of twelve vintage reference photographs from the 1970 French film. Based on the true story of "feral child" Victor of Aveyron found living alone in the woods of France in 1800 and a doctor's attempts to educate him and introduce him to civilized society. Shot on location in Aubiat Auvergne and Paris. 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown books
1958ref. 132901Paris: Nouvelles Editions de Films NEF 1958. Collection of twelve vintage black-and-white still photographs from the 1958 French film. The great French director's second film about a wealthy woman who has become bored with both her emotionally distant husband and her lover and abruptly leaves them both to take up with a younger man she just met. After it was released in the US the film became the subject of a landmark First Amendment case before the Supreme Court where Justice Potter Stewart in declaring the film not obscene issued the immortal phrase "I know it when I see it" in regards to what constitutes pornographic material. A story set and shot on location in France including Paris Dijon Burgundy and the Cote-d'Or. 8 x 10 inches. Near Fine or better with light toning to a few of the photographs. Criterion Collection 58. Nouvelles Editions de Films [NEF] unknown books
1976ref. 132912Paris: Les Films du Carrosse / Les Productions Artistes Associes 1976. Collection of ten vintage reference photographs from the UK release of the 1976 French film. Released in the US as "Small Change." An interrelated series of vignettes about the lives of children in a small French town primarily using nonprofessional actors ranging in age from infancy to 14 years old. One of François Truffaut's best loved and most financially successful films. Shot on location in and around Thiers France. 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown books
1962ref. 132899Paris: Cine Tamaris / Rome Paris Films 1962. Four vintage black-and-white still photographs from the 1962 French film. Agnes Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film prefigures stylistically the French New Wave and is today considered very much a part of it. Varda was nominated for the Palme d'Or for "Cleo from 5 to 7" her second feature film about a female pop singer whose spends two adventurous and winsome hours on her own and talking to friends while awaiting the results of a biopsy. Set and shot on location in Paris. 8 x 10 inches. Near Fine. Edges lightly toned. Cine Tamaris / Rome Paris Films unknown books
1966ref. 132241Germany: Peter-Presse / Atlas Films 1966. Original 1966 German A1 poster for the 1942 US film. From the collection of noted film historian Amos Vogel. Full provenance available. 23.25 x 33 inches rolled. Near Fine. Peter-Presse / Atlas Films unknown books
1971ref. 132245Germany: P. R. Wilk Ffm 1971. Original German A1 re-release poster circa 1971 for the 1938 Russian film. Artwork by Lenicka. From the collection of noted film historian Amos Vogel. Full provenance available. 23.25 x 33 inches rolled. Near Fine. P. R. Wilk, Ffm unknown books
1966ref. 132242Germany: Obpacher Aktiengesellschaft / Atlas Films 1966. Original 1966 German A1 poster for the 1965 French film. From the collection of noted film historian Amos Vogel. Full provenance available. 23 x 33.25 inches rolled. Near Fine. Obpacher Aktiengesellschaft / Atlas Films unknown books
1996ref. 132257Austria: Weiener Filmfinanzierungsfonds WFF 1996. Original A1 poster for the 1996 Austrian film. The film focuses on a handful of specific Viennese emigres one of whom is noted film historian Amos Vogel from whose collection this poster comes. Full provenance available. A documentary in which director Egon Humer visits twelve New Yorkers all former citizens of Austria who were driven by discriminatory decrees laws and open terror from their native land into exile. Among them were 130000 other Austrians mainly Jews who had also been left with no other option than to flee between 1938 and 1941 when the National Socialists rose to power. 23.25 x 32.75 inches rolled. A few short creases and light edge rubbing. Very Good plus overall. Weiener Filmfinanzierungsfonds [WFF] unknown books
1971ref. 132236Germany: Fotopress Heidelberg / Atlas Films 1971. Original German A1 poster for the 1961 Italian film. From the collection of noted film historian Amos Vogel. Full provenance available. An Ernie Kovacs cult comedy the last film to be directed by Mario Zampi. Being the exploits of Aldo Bondi Kovacs who earns his living off wealthy widows. When Bondi consoles the beautiful and impoverished Baroness Sandra Cyd Charisse he makes the mistake of falling in love. This gets him into a complex con game with three other widows and a huge sum of money meant to be invested to earn a bundle based on the five-hour time difference between the East Coast of the US and Western Europe. Eleanor Mannikka Rovi 23 x 33 inches rolled. Very Good or better overall. Fotopress Heidelberg / Atlas Films unknown books
1965ref. 133391London: British Broadcasting Corporation BBC 1965. Draft script for the 1965 BBC television movie "Tea Party" adapted by Pinter from his 1963 short story. The film first aired live on March 25 1965 on the BBC program "The Largest Theatre in the World." INSCRIBED by screenwriter Pinter on that day: "March 25th 1965 / To Peter Colin Holder / Congratulations on being born! / Hooray! / Lots of Love / Harold Pinter." The story of an industrial tycoon who comes to believe that his new secretary second wife and brother-in-law are all conspiring against him to the point where his health is affected by the conviction. Blue titled wrappers lacking the rear wrapper. Front wrapper present but detached with a credit for screenwriter Pinter. Title page present also with a credit for screenwriter Pinter. 59 leaves mechanical duplication. Pages Near Fine side stapled front wrapper Very Good. British Broadcasting Corporation [BBC] unknown books
1976ref. 132931Beverly Hills CA: United Artists 1976. Vintage black-and-white still photograph from the 1976 UK release of the 1975 US film. Mimeograph snipe and layout annotations on the verso and layout annotations on the recto. Based on Alistair MacLean's 1974 novel starring Charles Bronson as John Deaken a prisoner on a train with medical supplies and small US Army unit heading through Rocky mountains. A story set in the Rocky Mountains shot on location in Idaho. 8 x 10 inches. Near Fine. United Artists unknown books
1972ref. 133423Beverly Hills CA: Levy-Garner-Laven / United Artists 1972. Nine vintage black-and-white still photographs from the 1972 film. A poorly publicized well regarded film about an aging rodeo champion a "honker" whose arrogance hurts everyone around him including his family. A must for Slim Pickens and James Coburn fans. Shot on location in New Mexico. 8 x 10 inches. Faint creases to a few stills else Near Fine. Levy-Garner-Laven / United Artists unknown books
