10,190 results
1984ref. 132133London: National Screen Service 1984. Five vintage full-color British front-of-house cards from the 1984 UK film. A businessman falls in love with a single mother who lives next to a night club. The mother obsesses over the man when he dumps her and her rage can not be controlled. Miranda Richardson's first feature credit. 8 x 10 inches. Near Fine. National Screen Service unknown books
1964ref. 171049Universal City: Universal Studios 1964. Vintage color transparency from the 1971 film showing Ann-Margret and Jack Nicholson. A pitch-black comedy chronicling the sex lives of two college friends over a period of 25 years as they navigate their changing desires and expectations. Set and shot on location in New York and Massachusetts in the US and Vancouver in Canada. 4 x 5 inches. Near Fine. Universal Studios unknown
1971ref. 152535N.p.: AVCO Embassy Pictures 1971. Vintage program for the UK release of the 1971 film. A dark comedy chronicling the sex lives of two college friends over a period of 25 years as they navigate their changing desires and expectations. Set and shot on location in New York and Massachusetts in the US and Vancouver in Canada. Bi-fold. 8.25 x 9.5 inches. Very Good plus lightly creased. AVCO Embassy Pictures unknown
1990ref. 167764N.p.: N.p. 1990. Revised Shooting Script for the 1991 film. A ruthless trial lawyer survives a shooting only to be left with amnesia and impaired speech and mobility. His wife and daughter help him recover and he gains a new lease on life in the process becoming a consummate family man. Shot on location in White Plains Milbrook and New York City. Blue untitled wrappers. Title page present dated September 11 1990 noted as Revised Shooting Script with credit for screenwriter Jeffrey Abrams. 127 leaves with last page of text numbered 121. Xerographic duplication rectos only with four blue revision pages dated 9/26/90. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1990ref. 167764N.p.: N.p. 1990. Revised Shooting Script for the 1991 film. A ruthless trial lawyer survives a shooting only to be left with amnesia and impaired speech and mobility. His wife and daughter help him recover and he gains a new lease on life in the process becoming a consummate family man. Shot on location in White Plains Milbrook and New York City. Blue untitled wrappers. Title page present dated September 11 1990 noted as Revised Shooting Script with credit for screenwriter Jeffrey Abrams. 127 leaves with last page of text numbered 121. Xerographic duplication rectos only with four blue revision pages dated 9/26/90. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1970ref. 150606Los Angeles: Paramount Pictures 1970. Eight vintage black and white studio still photographs from the 1970 film. Based on Joseph Heller's searing 1961 antiwar novel about a US Air Force bombardier seeking an escape from the endless senseless brutality of World War II. Director Mike Nichol's third feature film released the same year as Robert Altman's "MASH." Set in the Mediterranean shot on location in Sonora Mexico and Rome. 10 x 8 inches. Near Fine. Paramount Pictures unknown books
1971ref. 158870New South Wales: Embassy Pictures 1971. Vintage studio still photograph of Carol Kane and Art Garfunkel from the 1971 film. A chronicle of the sex lives of two college friends over 25 years as they navigate what they desire and expect from their lovers. Set and shot on location in New York and Massachusetts in the US and Vancouver in Canada. 8 x 10 inches. Fine. Embassy Pictures unknown books
1971ref. 152535N.p.: AVCO Embassy Pictures 1971. Vintage program for the UK release of the 1971 film. A dark comedy chronicling the sex lives of two college friends over a period of 25 years as they navigate their changing desires and expectations. Set and shot on location in New York and Massachusetts in the US and Vancouver in Canada. Bi-fold. 8.25 x 9.5 inches. Very Good plus lightly creased. AVCO Embassy Pictures unknown books
1964ref. 171049Universal City: Universal Studios 1964. Vintage color transparency from the 1971 film showing Ann-Margret and Jack Nicholson. A pitch-black comedy chronicling the sex lives of two college friends over a period of 25 years as they navigate their changing desires and expectations. Set and shot on location in New York and Massachusetts in the US and Vancouver in Canada. 4 x 5 inches. Near Fine. Universal Studios unknown books
1988ref. 157891Los Angeles: Twentieth Century-Fox 1988. Vintage studio still photograph from the 1988 film showing actors Melanie Griffith and Alec Baldwin. A secretary takes over her new boss' responsibilities when he is out sick with a broken leg only to have him return and attempt to take credit for her ideas. Nominated for six Academy Awards. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1988ref. 157902Los Angeles: Twentieth Century-Fox 1988. Vintage press kit for the 1988 film. Kit includes six gatherings of promotional materials 24 magazine clippings of "For Your Consideration" ads for the film one magazine article clipping and a Fox Academy Screening Schedule bi-fold housed in a two-color "Working Girl" folder. Melanie Griffith stars as an ambitious secretary whose boss steals her big ideas but when the boss Sigourney Weaver breaks her leg on a ski trip Griffith assumes the position of Boss even joining forces with the boss' boyfriend Harrison Ford. Winner of an Academy Award nominated for five others. Shot on location in New Jersey and New York. Folder and contents Near Fine to Fine overall. Twentieth Century-Fox unknown books
1989ref. 143676Los Angeles: CBS Television Network 1989. Draft script for the 1990 television film originally aired May 1 1990 on CBS. Copy belonging to casting director Barbara Claman with her name in manuscript ink on front wrapper. A nine-year-old boy witnesses his father's murder. A psychologist works with him to retrieve important information for the criminal investigation. Elijah Wood's debut. Shot on location in Seattle Washington. White titled self wrappers dated September 14 1989 with credits for screenwriter Michael Petryni. Title page integral to front wrapper. 105 leaves with last page of text numbered 105. Xerographically reproduced. Pages Fine wrapper Near Fine bound with two gold brads. CBS Television Network unknown books
1957ref. 142595Moscow: Mosfilm 1957. Vintage oversize double weight photograph from the 1957 film. From the archives of French weekly "Tele Magazine" with two stamps on the verso one referencing its inclusion in issue 52 page 5 along with manuscript annotations regarding layout and the French title. Based on the 1956 play "Forever Alive" by Viktor Rozov who also wrote the screenplay about a young woman who must flee in the face of Nazi Germany's invasion of Russia while feeling guilty over her missing lover who unbeknownst to her has been killed in the war. Winner of the Palme d'Or the only Soviet film to do so while star Tatiana Samoylova would receive a Special Mention for her role becoming a European film icon in the process. 12 x 9.5 inches. Very Good with some light creasing. Criterion Collection 146. Mosfilm unknown
1957ref. 142595Moscow: Mosfilm 1957. Vintage oversize double weight photograph from the 1957 film. From the archives of French weekly "Tele Magazine" with two stamps on the verso one referencing its inclusion in issue 52 page 5 along with manuscript annotations regarding layout and the French title. Based on the 1956 play "Forever Alive" by Viktor Rozov who also wrote the screenplay about a young woman who must flee in the face of Nazi Germany's invasion of Russia while feeling guilty over her missing lover who unbeknownst to her has been killed in the war. Winner of the Palme d'Or the only Soviet film to do so while star Tatiana Samoylova would receive a Special Mention for her role becoming a European film icon in the process. 12 x 9.5 inches. Very Good with some light creasing. Criterion Collection 146. Mosfilm unknown books
1956ref. 143200Tokyo: Toho Company 1956. Draft script for the 1956 film. Copy belonging to an unknown cast or crew member with their annotations in manuscript pencil throughout. Text and titles in Japanese. A neglected wife begins an affair with a bank teller who offers to loan money for her husband to open a cafe. Actress Hideko Takamine would appear in many of director Mikio Naruse's films usually embodying the plight of contemporary women in Japan longing for emancipation. Set in Japan. White titled perfect-bound wrappers. 67 pages with last page of text numbered e-26. Mimeograph duplication printed on rectos and versos. Pages Near Fine wrapper Very Good lightly foxed. Toho Company unknown
1961ref. 143198Tokyo: Toho Company 1961. Second Final Draft script for the 1961 Japanese film. Manuscript ink notation on rear wrapper and manuscript ink and rubber-stamped name Takahishi Toshihiro not credited in the final film on the top and bottom page edges with the same initials in Arabic lettering "T.T." near the spine. Manuscript annotations on preliminary page 4 noting the entire proposed cast lining up pretty closely with the final cast and a note in manuscript ink on the rear wrapper about an unrelated play titled Minamioka. A psychological drama that a love triangle unraveling a family in the process. Set in Japan. White titled wrappers noted as 2 on the front wrapper dated 1961. Title page present. 78 leaves with last page of text numbered "e-30." Mechanical duplication. Pages Near Fine wrapper Very Good with some foxing due to age. Toho Company unknown
1960ref. 143342Tokyo: Toho Company 1960. Draft script for the 1960 film. With the stamp of cast/crew member Takahashi Toshihiro to the page edges and manuscript ink annotations to the rear wrapper. Text and titles in Japanese. A film that bought depictions of modern life into Japanese films of the 1960s particularly with respect to the idea of the independent woman. A young widowed bar hostess finds herself torn between a conventional life and potential financial independence when she must decide to either remarry or open her own bar. Set in Tokyo's Ginza district shot on location in Tokyo. White titled wrappers noted as 2 on the front wrapper. Title page present. 94 leaves with last page of text numbered f-31. Mimeograph duplication printed on rectos and versos. Pages Near Fine wrapper Good with foxing wear to the binding and light soil overall. With perfect binding. BFI 694. Criterion Collection 377. Toho Company unknown
1960ref. 143342Tokyo: Toho Company 1960. Draft script for the 1960 film. With the stamp of cast/crew member Takahashi Toshihiro to the page edges and manuscript ink annotations to the rear wrapper. Text and titles in Japanese. A film that bought depictions of modern life into Japanese films of the 1960s particularly with respect to the idea of the independent woman. A young widowed bar hostess finds herself torn between a conventional life and potential financial independence when she must decide to either remarry or open her own bar. Set in Tokyo's Ginza district shot on location in Tokyo. White titled wrappers noted as 2 on the front wrapper. Title page present. 94 leaves with last page of text numbered f-31. Mimeograph duplication printed on rectos and versos. Pages Near Fine wrapper Good with foxing wear to the binding and light soil overall. With perfect binding. BFI 694. Criterion Collection 377. Toho Company unknown books
1961ref. 143198Tokyo: Toho Company 1961. Second Final Draft script for the 1961 Japanese film. Manuscript ink notation on rear wrapper and manuscript ink and rubber-stamped name Takahishi Toshihiro not credited in the final film on the top and bottom page edges with the same initials in Arabic lettering "T.T." near the spine. Manuscript annotations on preliminary page 4 noting the entire proposed cast lining up pretty closely with the final cast and a note in manuscript ink on the rear wrapper about an unrelated play titled Minamioka. A psychological drama that a love triangle unraveling a family in the process. Set in Japan. White titled wrappers noted as 2 on the front wrapper dated 1961. Title page present. 78 leaves with last page of text numbered "e-30." Mechanical duplication. Pages Near Fine wrapper Very Good with some foxing due to age. Toho Company unknown books
1956ref. 143200Tokyo: Toho Company 1956. Draft script for the 1956 film. Copy belonging to an unknown cast or crew member with their annotations in manuscript pencil throughout. Text and titles in Japanese. A neglected wife begins an affair with a bank teller who offers to loan money for her husband to open a cafe. Actress Hideko Takamine would appear in many of director Mikio Naruse's films usually embodying the plight of contemporary women in Japan longing for emancipation. Set in Japan. White titled perfect-bound wrappers. 67 pages with last page of text numbered e-26. Mimeograph duplication printed on rectos and versos. Pages Near Fine wrapper Very Good lightly foxed. Toho Company unknown books
ref. 143729N.p.: Mafilm 1977. Dialogue script for the 1979 Hungarian film "Allegro Barbaro." The second of Jancso's two-part dramatized history of Hungary from the turn of the century to World War II as told by the conflicted son of a wealthy landowner. Shot on location in Hungary. Gray titled wrappers dated 1977. Title page not present presumably as issued. 122 leaves with last page of text numbered 122. Mimeograph duplication. Pages Fine wrapper Near Fine side stapled. Mafilm unknown
ref. 143728N.p.: Objektiv Film 1977. Studio Dialogue script for the 1979 Hungarian film seen here under the Hungarian title "Magyar rapszodia." Text in Hungarian. The first of Jancso's two-part dramatized history of Hungary from the turn of the century to World War II as told by the conflicted son of a wealthy landowner. Nominated for the 1979 Palme d'Or at Cannes. Shot on location in Hungary. Gray titled wrappers dated 1977. Title page not present presumably as issued. 112 leaves with last page of text numbered 112. Mimeograph duplication. Pages Fine wrapper Very Good plus side stapled. Objektiv Film unknown
1976ref. 146019N.p.: Filmes Cinematografica 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf Lajos Balazsovits as a pan-sexual bored by his wife cavorting with beautiful aristocratic lovers of both sexes on his sprawling rural estate. Ordered by his father Emperor Franz Josef to leave the estate Rudolf refuses and organizes a celebration which becomes a tragic orgy. Nominated for the 1976 Palme d'Or. Shot on location in Croatia. 9.5 x 7 inches. Near Fine some light creasing. Filmes Cinematografica unknown
1967ref. 167722Budapest: Hungarofilm 1967. Collection of 23 vintage borderless reference photographs from the 1967 film including one showing director Miklós Jancsó on the set. Annotations in manuscript ink and pencil along with provenance labels on the versos. A Russian-Hungarian co-production the film was originally commissioned to celebrate the 50th anniversary of the 1917 October Revolution led by Lenin's Bolsheviks. However Jancsó chose to set the action two years later in 1919 focusing on the Hungarian soldiers supporting the Red Army in fighting the Whites. Instead of an idealized depiction of the revolution the resultant release was bleak and profoundly antiheroic and is today considered one of the masterpieces of Hungarian cinema. Generally 7 x 5 inches some with wide bottom margins. Very Good plus to Near Fine. Rosebaum 1000. Vogel Film as a Subversive Art. Hungarofilm unknown
1967ref. 141810Budapest: Mafilm 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However Jancso chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting Jancso also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism Jancso produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. 7.75 x 3.5 folded 15.25 x 10.75 unfolded. Near Fine. Rosebaum 1000. Vogel Film as a Subversive Art. Mafilm unknown
