11,049 results
1998ref. 173099N.p.: Fine Line Features 1998. Eight vintage satin-finished studio still photographs from the 1998 film. Based on the 1984 play by David Rabe. Follows a group of Hollywood directors and actors who find purpose in their increasingly hedonistic lifestyles. Set in Hollywood shot on location in California. 8 x 10 inches. Fine. Fine Line Features unknown
1998ref. 173099N.p.: Fine Line Features 1998. Eight vintage satin-finished studio still photographs from the 1998 film. Based on the 1984 play by David Rabe. Follows a group of Hollywood directors and actors who find purpose in their increasingly hedonistic lifestyles. Set in Hollywood shot on location in California. 8 x 10 inches. Fine. Fine Line Features unknown books
1970ref. 161495N.p.: N.p. 1970. Two vintage studio still photographs from the 1970 film. Both photographs with provenance stamps on the verso and blank labels obscuring previous provenance stamps. Early film by Sean S. Cunningham creator-director of the "Friday the 13th" franchise. A "white coater" film which utilized a doctor dressed in a white coat to introduce the graphic content which followed thus qualifying the film as "educational." Created and shot by Broadway director Sean Cunningham and a three person crew on a budget of $3500 the film a modest hit for the time grossed over $100000. 8 x 10 inches. Near Fine. N.p. unknown
1971ref. 162497N.p.: Hallmark Releasing 1971. Vintage studio still photograph from the 1971 film. Provenance stamp on the verso. Director Sean S. Cunningham's first credited feature film a mock documentary about sex in America featuring adult film star Marilyn Chambers in her first starring role and her first nude scene. Wes Craven's first film credit here as an associate producer. 8 x 10 inches. Near Fine. Hallmark Releasing unknown
1970ref. 161495N.p.: N.p. 1970. Two vintage studio still photographs from the 1970 film. Both photographs with provenance stamps on the verso and blank labels obscuring previous provenance stamps. Early film by Sean S. Cunningham creator-director of the "Friday the 13th" franchise. A "white coater" film which utilized a doctor dressed in a white coat to introduce the graphic content which followed thus qualifying the film as "educational." Created and shot by Broadway director Sean Cunningham and a three person crew on a budget of $3500 the film a modest hit for the time grossed over $100000. 8 x 10 inches. Near Fine. N.p. unknown books
1971ref. 162497N.p.: Hallmark Releasing 1971. Vintage studio still photograph from the 1971 film. Provenance stamp on the verso. Director Sean S. Cunningham's first credited feature film a mock documentary about sex in America featuring adult film star Marilyn Chambers in her first starring role and her first nude scene. Wes Craven's first film credit here as an associate producer. 8 x 10 inches. Near Fine. Hallmark Releasing unknown books
1970ref. 161698N.p.: Rond Inc 1970. Vintage studio still photograph from the 1970 film with a provenance stamp on the verso and two labels obscuring a previous provenance stamp. An innocent girl has her sexual awakening over a wild weekend. 8 x 10 inches. Very Good plus. Rond, Inc unknown
1970ref. 161698N.p.: Rond Inc 1970. Vintage studio still photograph from the 1970 film with a provenance stamp on the verso and two labels obscuring a previous provenance stamp. An innocent girl has her sexual awakening over a wild weekend. 8 x 10 inches. Very Good plus. Rond, Inc unknown books
1970ref. 161907N.p.: Audubon Films 1970. Vintage studio still photograph from the US release of the 1967 Japanese film. Provenance stamp and a label obscuring a previous provenance stamp on the verso. Based on the 1970 novel by Michael DeForrest published under the pseudonym T. Horoku. Brutally gang raped as a young girl Saeko develops a deep hatred toward men. Years later Saeko is a doctor by day and at night picks up men as a street walker and kills them. The pattern continues until she falls in love with a physician who she discovers has a troubling secret of his own. 8 x 10 inches. Light edgewear else Near Fine. Sharp Behind the Pink Curtain. Audubon Films unknown books
ref. 141442Burbank CA: Cinema Epoch 1977. Draft script for the 1977 film. Text in Japanese. A female golfer tries to perform to the very best of her abilities but must contend with the men in her life her neighbors her family and a stalker who will not leave her alone. Pink titled perfect-bound wrappers. Title page present. 118 leaves with last page of text numbered 110. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Cinema Epoch unknown
1966ref. 141426Tokyo: Nikkatsu 1966. Draft script for the 1966 film. Text in Japanese. Based on a novel by Takashi Suzuki a repressed Catholic young man living in a boardinghouse is infatuated with the landlady's daughter and when he cannot express his feelings he turns to violence. He joins a gang and begins a fighting routine exploiting the weakness of classmates. Set in Okayama shot on location in Japan. Red titled perfect-bound wrappers. Title page present. 113 leaves with last page of text numbered 19. Mechanical duplication. Pages Near Fine wrapper Near Fine. Criterion Collection 269. Nikkatsu unknown
1961ref. 141438Tokyo: Nikkatsu 1961. Treatment script for the 1961 film. Text in Japanese. A 1920s playwright meets a beautiful woman who might be the ghost of his patron's deceased wife. White titled perfect-bound wrappers. Title page present. 39 leaves with last page of text numbered 38. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown
1958ref. 141439Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. The first film to be credited to Suzuki by his assumed name a man released from prison needs money and goes to retrieve diamonds sought after by fellow yakuza members. White titled perfect-bound wrappers. Title page present. 107 leaves with last page of text numbered 12. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown
1991ref. 141425N.p.: Genjiro Amato 1991. Draft script for the 1991 film. Text in Japanese. A semi-fictional account of Japanese artists Yumeji Takehisa who falls in love with a widow and then becomes a rival with the ghost of her dead husband and her husband's murderer. Purple titled perfect-bound wrappers. Title page present. 116 leaves with last page of text numbered 101. Mechanical duplication. Pages Near Fine wrapper Near Fine. Genjiro Amato unknown
ref. 141442Burbank CA: Cinema Epoch 1977. Draft script for the 1977 film. Text in Japanese. A female golfer tries to perform to the very best of her abilities but must contend with the men in her life her neighbors her family and a stalker who will not leave her alone. Pink titled perfect-bound wrappers. Title page present. 118 leaves with last page of text numbered 110. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Cinema Epoch unknown books
1966ref. 141426Tokyo: Nikkatsu 1966. Draft script for the 1966 film. Text in Japanese. Based on a novel by Takashi Suzuki a repressed Catholic young man living in a boardinghouse is infatuated with the landlady's daughter and when he cannot express his feelings he turns to violence. He joins a gang and begins a fighting routine exploiting the weakness of classmates. Set in Okayama shot on location in Japan. Red titled perfect-bound wrappers. Title page present. 113 leaves with last page of text numbered 19. Mechanical duplication. Pages Near Fine wrapper Near Fine. Criterion Collection 269. Nikkatsu unknown books
1958ref. 141439Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. The first film to be credited to Suzuki by his assumed name a man released from prison needs money and goes to retrieve diamonds sought after by fellow yakuza members. White titled perfect-bound wrappers. Title page present. 107 leaves with last page of text numbered 12. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown books
1961ref. 141438Tokyo: Nikkatsu 1961. Treatment script for the 1961 film. Text in Japanese. A 1920s playwright meets a beautiful woman who might be the ghost of his patron's deceased wife. White titled perfect-bound wrappers. Title page present. 39 leaves with last page of text numbered 38. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown books
1991ref. 141425N.p.: Genjiro Amato 1991. Draft script for the 1991 film. Text in Japanese. A semi-fictional account of Japanese artists Yumeji Takehisa who falls in love with a widow and then becomes a rival with the ghost of her dead husband and her husband's murderer. Purple titled perfect-bound wrappers. Title page present. 116 leaves with last page of text numbered 101. Mechanical duplication. Pages Near Fine wrapper Near Fine. Genjiro Amato unknown books
1954ref. 148043Glendale CA: Allied Artists 1954. Vintage photograph from the 1954 film. Promotional headshot of John Hodiak. Set months before the beginning of the Korean War an American Air Force instructor Major Matt Brady Hodiak is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. Originally intended for release as a 3D film and filmed in dual 53mm Polaroid 3-D by the time the film premiered in 1954 public interest in 3D had declined and the film was shown as a flat print. Set in South Korea and shot on location in California. 8 x 10 inches. Near Fine with some light edgewear. Allied Artists unknown books
1962ref. 168175N.p.: Davis-Royal Films 1962. Three vintage studio still photographs from the US release of the 1962 French film. Based on the 1958 novel by Bernard Eschassériaux who also co-wrote the screenplay. A neglected eleven-year-old girl befriends a traumatized amnesiac veteran although their unusual relationship begins to concern the members of their community. Winner of the Best Foreign Language Film Academy Award. Set and shot on location in Ville-d'Avray Paris. 10 x 8 inches. Near Fine. Davis-Royal Films unknown books
1933ref. 131892Munich / Paris: UFA / L'Alliance Cinematographique Europeenne 1933. Two vintage black-and-white still photographs from the original French release of the 1933 film. With the UFA logo at the lower left corner of each. Each still mounted on UFA / ACE boards as issued with credit for both studios and text in French. A late attempt by UFA to reach a broader European market this joint production was filmed in French shot in Spain and Germany and released to the French market. Featuring an early supporting appearance by Simone Simon shown in a still here with Jean Gabin with whom she would go on to co-star in Jean Renoir's classic "La Bete Humaine." Both photographs 10.5 x 8.5 inches Near Fine with some faint scratching. Boards 15.75 x 13.25 inches Very Good condition with multiple pinholes a few brief dampstains and minor chipping. UFA / L'Alliance Cinematographique Europeenne unknown
1933ref. 131892Munich / Paris: UFA / L'Alliance Cinematographique Europeenne 1933. Two vintage black-and-white still photographs from the original French release of the 1933 film. With the UFA logo at the lower left corner of each. Each still mounted on UFA / ACE boards as issued with credit for both studios and text in French. A late attempt by UFA to reach a broader European market this joint production was filmed in French shot in Spain and Germany and released to the French market. Featuring an early supporting appearance by Simone Simon shown in a still here with Jean Gabin with whom she would go on to co-star in Jean Renoir's classic "La Bete Humaine." Both photographs 10.5 x 8.5 inches Near Fine with some faint scratching. Boards 15.75 x 13.25 inches Very Good condition with multiple pinholes a few brief dampstains and minor chipping. UFA / L'Alliance Cinematographique Europeenne unknown books
1976ref. 152868N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing actress Jane Birkin nude on a bathroom floor. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 9 x 6.5 inches. Near Fine. N.p. unknown
1976ref. 162553Paris: Sygma 1976. Vintage oversize borderless reference photograph from the 1976 film showing Jane Birkin raising her skirt to reveal that she is not wearing underwear. Mimeo snipe and Sygma stamp on the verso. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 8 x 11.75 inches. Very Good plus lightly worn at the corners. Sygma unknown
