11,064 results
1975ref. 155637N.p.: N.p. 1975. Six vintage borderless reference photographs from the 1975 French sexploitation film including two photographs taken on location. A sexually frustrated executive assistant goes to see a psychologist and recovers his prowess proceeding to embark on a number of erotic adventures with the secretaries at his office. Shot on location in Calvados France. 7 x 9.5 inches. Very Good with light fading to two of the photographs. Bier 807. N.p. unknown books
1976ref. 159153N.p.: N.p. 1976. Seven vintage borderless reference photographs from the 1976 adult film. After being kidnapped a doctor and his lover plan to shoot the pornographic film of their dreams at a remote French chateau. Four photographs 9.5 x 7 inches three photographs 7 x 5 inches. Very Good plus lightly age toned. Bier 849. N.p. unknown books
1998ref. 173117Culver City CA: Columbia Pictures 1998. Two vintage satin-finished studio still photographs from the 1999 film here under alternate title "Hoofbeats." A foal is separated from its mother when it arrives in a German Southwest Africa mining town but is taken in by a orphan boy. Set in German Southwest Africa shot on location in Namibia and Germany. 8 x 10 inches. Fine. Columbia Pictures unknown books
1966ref. 138830Moscow: Mosfilm 1966. Three vintage borderless black-and-white reference photographs from the 1966 French release of the 1964 film. With the archival stamp of the noted cinema historian Maurice Bessy on the verso of each photo. A stunning set of battle scene photos including one three-part panoramic shot demonstrating the massive scale of the film shot on location in Dorogobuzh a region in the Smolensk province of Russia. An epic film over seven hours long and slavishly faithful to Tolstoy's novel that was for many years the most expensive European movie every made. The lengthy graphic battle scenes which killed a number of horses led to the film being boycotted in many American cities. Winner of the Academy Award for Best Foreign Language film. 8 x 10 inches. Near Fine. Mosfilm unknown
1966ref. 138830Moscow: Mosfilm 1966. Three vintage borderless black-and-white reference photographs from the 1966 French release of the 1964 film. With the archival stamp of the noted cinema historian Maurice Bessy on the verso of each photo. A stunning set of battle scene photos including one three-part panoramic shot demonstrating the massive scale of the film shot on location in Dorogobuzh a region in the Smolensk province of Russia. An epic film over seven hours long and slavishly faithful to Tolstoy's novel that was for many years the most expensive European movie every made. The lengthy graphic battle scenes which killed a number of horses led to the film being boycotted in many American cities. Winner of the Academy Award for Best Foreign Language film. 8 x 10 inches. Near Fine. Mosfilm unknown books
1925ref. 168469N.p.: N.p. 1925. Nine reference photographs from the 1925 Soviet silent film seven borderless and two bordered struck and issued by Cinémathèque Française circa 1936. All seven borderless photographs with the stamp of Archives Cinémathèque Française on the verso. A dramatization of a real-life mutiny which occurred on the Russian battleship Potemkin in 1905. The film's violence led to it being banned in West Germany and the UK until 1954 and even after that given an X rating until 1978. It was shown in a much-edited form in East Germany though the US premiere in December 1926 was shown unedited. A written introduction by Leon Trotsky at the beginning of the film was cut from later Soviet prints due to Trotsky running afoul of Stalin. The film's famous sequence showing a massacre by Tsarist soldiers of civilians on the Odessa Steps is considered the first example of a montage sequence in cinema. All photogaphs 5 x 3.5 inches. Generally Near Fine. BFI 1494. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1925ref. 168469N.p.: N.p. 1925. Nine reference photographs from the 1925 Soviet silent film seven borderless and two bordered struck and issued by Cinémathèque Française circa 1936. All seven borderless photographs with the stamp of Archives Cinémathèque Française on the verso. A dramatization of a real-life mutiny which occurred on the Russian battleship Potemkin in 1905. The film's violence led to it being banned in West Germany and the UK until 1954 and even after that given an X rating until 1978. It was shown in a much-edited form in East Germany though the US premiere in December 1926 was shown unedited. A written introduction by Leon Trotsky at the beginning of the film was cut from later Soviet prints due to Trotsky running afoul of Stalin. The film's famous sequence showing a massacre by Tsarist soldiers of civilians on the Odessa Steps is considered the first example of a montage sequence in cinema. All photogaphs 5 x 3.5 inches. Generally Near Fine. BFI 1494. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown books
1960ref. 172987London: Contemporary Films 1960. Two vintage reference photographs from the circa 1960s British release of the 1966 film. Both photographs with a Contemporary Films stamp on the versos. One photograph with a mimeo snipe attached to the verso. Based on real historical events Vladamir Lenin is arrested by Austro-Hungarian officials in Poronin at the start of World War I on suspicion of espionage. Nominated for the Palme d'Or. Set in and shot on location in Poland. 8 x 10 inches. Very Good plus. Contemporary Films unknown
1960ref. 172987London: Contemporary Films 1960. Two vintage reference photographs from the circa 1960s British release of the 1966 film. Both photographs with a Contemporary Films stamp on the versos. One photograph with a mimeo snipe attached to the verso. Based on real historical events Vladamir Lenin is arrested by Austro-Hungarian officials in Poronin at the start of World War I on suspicion of espionage. Nominated for the Palme d'Or. Set in and shot on location in Poland. 8 x 10 inches. Very Good plus. Contemporary Films unknown books
1969ref. 152344N.p.: N.p. 1969. Two vintage borderless reference photographs taken on the set of the 1969 Western film one showing director Sergio Corbucci actors Johnny Hallyday and Gastone Moschin and various crew members between shots the other showing Corbucci and Hallyday inspecting a gun. A lone stranger named Hud arrives in a small western town in hopes of avenging his brother who was hanged after being wrongly accused of robbing a bank. The third and final film in Corbucci's "Mud and Blood" trilogy preceded by "Django" and "The Great Silence" in 1968. Shot on location in Italy in the Venetian Prealps the Dolomites and the outskirts of Rome. 9.5 x 7.25 inches. Near Fine. N.p. unknown
1969ref. 152344N.p.: N.p. 1969. Two vintage borderless reference photographs taken on the set of the 1969 Western film one showing director Sergio Corbucci actors Johnny Hallyday and Gastone Moschin and various crew members between shots the other showing Corbucci and Hallyday inspecting a gun. A lone stranger named Hud arrives in a small western town in hopes of avenging his brother who was hanged after being wrongly accused of robbing a bank. The third and final film in Corbucci's "Mud and Blood" trilogy preceded by "Django" and "The Great Silence" in 1968. Shot on location in Italy in the Venetian Prealps the Dolomites and the outskirts of Rome. 9.5 x 7.25 inches. Near Fine. N.p. unknown books
1972ref. 147273Paris: Paris-Cannes Productions 1972. Draft script for the 1972 French-Italian film. With handwritten pagination throughout. A French cosmetologist is robbed and sexually assaulted by a race car driver leading her to seek revenge. Set and shot on location in Seine-Maritime and Essonne France. Black untitled wrappers. Title page present with credits for director SERGIO GOBBI and English translator Patrick LITTLE-LEADER. 135 leaves with last page of text numbered 134. Carbon typescript with a typescript title page rectos only. Pages Very Good with light creasing to the first two leaves wrapper Very Good plus bound with a silver clasp. Paris-Cannes Productions unknown
1972ref. 147273Paris: Paris-Cannes Productions 1972. Draft script for the 1972 French-Italian film. With handwritten pagination throughout. A French cosmetologist is robbed and sexually assaulted by a race car driver leading her to seek revenge. Set and shot on location in Seine-Maritime and Essonne France. Black untitled wrappers. Title page present with credits for director SERGIO GOBBI and English translator Patrick LITTLE-LEADER. 135 leaves with last page of text numbered 134. Carbon typescript with a typescript title page rectos only. Pages Very Good with light creasing to the first two leaves wrapper Very Good plus bound with a silver clasp. Paris-Cannes Productions unknown books
1967ref. 148300N.p.: Produzioni Europee Associate PEA 1967. Collection of eleven vintage black-and-white lobby cards from the French release of the 1967 film. The second in Leone's iconic trilogy "For a Few Dollars More" is another tale of gunslingers revenge double-crossing and robbery. Starring Clint Eastwood as Manco the "man with no name" and Gian Maria Volonte as the ruthless psychopath El Indio. Set in Texas shot on location in Spain and Italy. 10.75 x 8.25 inches. Very Good with pinholes to corners. Alex Cox10000 Ways to Die. Grant Any Gun Can Play p. XXX. Pitts 572. Produzioni Europee Associate [PEA] unknown
1968ref. 168099N.p.: N.p. 1968. Two vintage oversize double weight satin-finish photographs of director Sergio Leone on the set of the 1968 Western film. Stamp of photographer Angelo Novi on the versos. The first installment in Leone's "Once Upon a Time" trilogy and a classic of the Western genre. Shot on location in Mexico Spain Italy and in Arizona and Utah. 8.25 x 10.75 inches one with a wide left margin. Very Good plus slightly wavy. National Film Registry. Pitts 2898. Schrader 49. N.p. unknown
1984ref. 137587Hollywood: The Ladd Company 1984. Original press kit for the 1984 Italian-American film. Included in the press kit are 24 black-and-white still photographs including one photograph of director Sergio Leone biographies of select cast and crew final credits production information and insight into Leone's process. Based on Harry Grey's 1952 novel "The Hoods." David Aaronson De Niro is a former Prohibition-era Jewish gangster who after thirty years of absence returns to Manhattan where he confronts the foibles of his past and the painful truth of his life to date. Actress Jennifer Connelly's film debut and director Leone's final film a film that like his similarly titled 1968 classic "One Upon a Time in the West" remains one of his few American productions. Film stills various sizes. Biographies credits and production information printed on 8 x 10 leaves corner-stapled rectos only. Stills and printed leaves Near Fine house in a Very Good plus full-color 9 x 12 studio single-pocket folder. The Ladd Company unknown
1968ref. 168099N.p.: N.p. 1968. Two vintage oversize double weight satin-finish photographs of director Sergio Leone on the set of the 1968 Western film. Stamp of photographer Angelo Novi on the versos. The first installment in Leone's "Once Upon a Time" trilogy and a classic of the Western genre. Shot on location in Mexico Spain Italy and in Arizona and Utah. 8.25 x 10.75 inches one with a wide left margin. Very Good plus slightly wavy. National Film Registry. Pitts 2898. Schrader 49. N.p. unknown books
1984ref. 137587Hollywood: The Ladd Company 1984. Original press kit for the 1984 Italian-American film. Included in the press kit are 24 black-and-white still photographs including one photograph of director Sergio Leone biographies of select cast and crew final credits production information and insight into Leone's process. Based on Harry Grey's 1952 novel "The Hoods." David Aaronson De Niro is a former Prohibition-era Jewish gangster who after thirty years of absence returns to Manhattan where he confronts the foibles of his past and the painful truth of his life to date. Actress Jennifer Connelly's film debut and director Leone's final film a film that like his similarly titled 1968 classic "One Upon a Time in the West" remains one of his few American productions. Film stills various sizes. Biographies credits and production information printed on 8 x 10 leaves corner-stapled rectos only. Stills and printed leaves Near Fine house in a Very Good plus full-color 9 x 12 studio single-pocket folder. The Ladd Company unknown books
1967ref. 148300N.p.: Produzioni Europee Associate PEA 1967. Collection of eleven vintage black-and-white lobby cards from the French release of the 1967 film. The second in Leone's iconic trilogy "For a Few Dollars More" is another tale of gunslingers revenge double-crossing and robbery. Starring Clint Eastwood as Manco the "man with no name" and Gian Maria Volonte as the ruthless psychopath El Indio. Set in Texas shot on location in Spain and Italy. 10.75 x 8.25 inches. Very Good with pinholes to corners. Alex Cox10000 Ways to Die. Grant Any Gun Can Play p. XXX. Pitts 572. Produzioni Europee Associate [PEA] unknown books
ref. 161096Los Angeles: Tse Tse Fly Productions 2001. Two Final Draft scripts for the 2002 film. Scripts belonging to costume designer Judith Brewer Curtis with her annotations in manuscript ink throughout and housed in her production binder with wardrobe test photographs and ephemera relating to costuming for the film. Binder includes an eight page shooting schedule an eight page continuity breakdown four pages of Curtis' xerographically duplicated costume design sketches and 29 Polaroid wardrobe test shots. An amnesiac wakes up in an asylum for the criminally insane discovering that he has been found guilty of murdering his girlfriend-a crime he does not recall. As his fellow inmates begin showing up dead he begins to wonder if the murder is somehow linked to the asylum's sinister director. Shot on location in Los Angeles. Final Draft no revisions: Title page present undated noted as Final Draft with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine. Final Draft with revisions: Title page present undated noted as Final Draft with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Near Fine. Black three-ring binder Very Good plus with light soil on the extremities. Tse Tse Fly Productions unknown
ref. 161096Los Angeles: Tse Tse Fly Productions 2001. Two Final Draft scripts for the 2002 film. Scripts belonging to costume designer Judith Brewer Curtis with her annotations in manuscript ink throughout and housed in her production binder with wardrobe test photographs and ephemera relating to costuming for the film. Binder includes an eight page shooting schedule an eight page continuity breakdown four pages of Curtis' xerographically duplicated costume design sketches and 29 Polaroid wardrobe test shots. An amnesiac wakes up in an asylum for the criminally insane discovering that he has been found guilty of murdering his girlfriend-a crime he does not recall. As his fellow inmates begin showing up dead he begins to wonder if the murder is somehow linked to the asylum's sinister director. Shot on location in Los Angeles. Final Draft no revisions: Title page present undated noted as Final Draft with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine. Final Draft with revisions: Title page present undated noted as Final Draft with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Near Fine. Black three-ring binder Very Good plus with light soil on the extremities. Tse Tse Fly Productions unknown books
1959ref. 148742Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage one sheet poster for the US release of the 1958 British film noir. Based on the 1956 novel by Donald MacKenzie. Con-artist Paul Gregory George Nader charms an old widow Bessie Love and steals her husbands coin collection hides it and then waits to get arrested thinking he'll get a minor sentence and retrieve it afterward. When the judge gives him a substantially longer term than expected he decides to escape from prison but his attempts at recovering the stash proves more difficult than expected. Maggie Smith's theatrical debut and the penultimate film produced by the British production company Ealing Studios. Set in and shot on location in London. 27 x 41 inches. Folded as issued. Very Good with large horizontal closed tear along top right crease and some small chips and closed tears at the extremities. Spencer UK. Selby UK. Grant UK. Lyons UK. Spicer UK. Metro-Goldwyn-Mayer [MGM] unknown
1959ref. 148742Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage one sheet poster for the US release of the 1958 British film noir. Based on the 1956 novel by Donald MacKenzie. Con-artist Paul Gregory George Nader charms an old widow Bessie Love and steals her husbands coin collection hides it and then waits to get arrested thinking he'll get a minor sentence and retrieve it afterward. When the judge gives him a substantially longer term than expected he decides to escape from prison but his attempts at recovering the stash proves more difficult than expected. Maggie Smith's theatrical debut and the penultimate film produced by the British production company Ealing Studios. Set in and shot on location in London. 27 x 41 inches. Folded as issued. Very Good with large horizontal closed tear along top right crease and some small chips and closed tears at the extremities. Spencer UK. Selby UK. Grant UK. Lyons UK. Spicer UK. Metro-Goldwyn-Mayer [MGM] unknown books
1998ref. 162638Culver City CA: Adelaide Productions 1998. Two scripts for the pilot episode of the 1999-2000 primetime animated television series including one Pre-Table script and one Record Draft script. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert must name a product that has not yet been designed leading to a significant amount of mental duress. Originally aired on January 25 1999 on UPN. Pre-Table: Self wrappers dated April 6 1998 on the front wrapper noted as Pre-Table with credits for screenwriters Scott Adams and Larry Charles. Title page integral with the front wrapper as issued. 62 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages and wrapper Very Good plus with light dampstaining affecting the top edges of the front wrapper and first four leaves bound with two gold brads. Record Draft: Blue titled wrappers dated May 4 1998 on the front wrapper noted as Record Draft with credits for screenwriters Scott Adams and Larry Charles. Title page integral with the front wrapper as issued. 53 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Adelaide Productions unknown
1998ref. 162641Culver City CA: Adelaide Productions 1998. Two scripts for Season 1 Episode 3 of the 1999-2000 primetime animated television series including one Table Draft and one Record Draft. Scripts belonging to screenwriter Steve Sustarsic with his name on a printed label affixed to the first leaf of the Table Draft. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert is fired after being suspected of spying for a rival company and is hired at a surprisingly ethical company. Originally aired on February 8 1999 on UPN. Table Draft: Self wrappers dated May 21 1998 on the front wrapper noted as Table Draft and episode No. 103 with credit for screenwriter Ned Goldreyer. Title page integral with the front wrapper as issued. 57 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Record Draft: Blue titled wrappers dated May 26 1998 on the front wrapper noted as Record Draft with credit for screenwriter Ned Goldreyer. Title page integral with the front wrapper as issued. 53 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Adelaide Productions unknown
