10,264 results
1965ref. 140922France: Athos Films / Chaumiane / Filmstudio 1965. Five vintage borderless reference photographs from the 1965 film. Four with manuscript pencil annotations on the verso crediting photographer Georges Pierre one with the stamp of Cinemagence on the verso. Godard transplants fictional detective Lemmy Caution played by Eddie Constantine as he was in several French films based on the character created by pulp novelist Peter Cheyney into a dystopian future where he is on a mission to kill the machine intelligence that rules over a fascist state where emotion is outlawed. 7.25 x 5 inches. Near Fine. Criterion Collection 25. Godard Histoires du cinema. Grant US. Rosenbaum 1000. Athos Films / Chaumiane / Filmstudio unknown books
1965ref. 140922France: Athos Films / Chaumiane / Filmstudio 1965. Five vintage borderless reference photographs from the 1965 film. Four with manuscript pencil annotations on the verso crediting photographer Georges Pierre one with the stamp of Cinemagence on the verso. Godard transplants fictional detective Lemmy Caution played by Eddie Constantine as he was in several French films based on the character created by pulp novelist Peter Cheyney into a dystopian future where he is on a mission to kill the machine intelligence that rules over a fascist state where emotion is outlawed. 7.25 x 5 inches. Near Fine. Criterion Collection 25. Godard Histoires du cinema. Grant US. Rosenbaum 1000. Athos Films / Chaumiane / Filmstudio unknown
1954ref. 173091London: General Film Distributors GFD 1954. Vintage hand-tinted color British front-of-house card from the 1954 film. Based on the 1931 short story "The Vessel of Wrath" By W. Somerset Maugham. A new Resident in Charge tries to navigate his new post with the only other Europeans on the island a team of two missionaries and an outcast. Set in the fictionalized Welcome Islands shot on location in Sri Lanka. 8 x 10 inches. Very Good plus. General Film Distributors [GFD] unknown books
1954ref. 167868N.p.: Herzog Film 1954. Vintage German program for the 1953 film. Based on Charles Major's 1898 novel "When Knighthood Was in Flower" about Mary Tudor the younger sister of King Henry VIII. The third of Disney's British film productions following "Treasure Island" 1950 and "The Story of Robin Hood" 1952. Major's novel also served as the basis for two silent film adaptations one in 1908 and one in 1923. 7.25 x 10.5 inches. Bi-fold. Very Good moderately faded and creased. Herzog Film unknown books
1962ref. 167588Los Angeles: Twentieth Century-Fox 1962. Vintage studio still photograph from the 1962 film. Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1962ref. 162303Los Angeles: Twentieth Century-Fox 1962. Vintage studio still photograph of Glynis Johns from the 1962 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1962ref. 167588Los Angeles: Twentieth Century-Fox 1962. Vintage studio still photograph from the 1962 film. Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1970ref. 141821N.p.: N.p. 1970. Draft script for an unproduced film. Annotation in manuscript pencil on the title page noting an address. Gloria Goldsmith was known primarily as a writer of television movies including "Girls on the Road" 1972 and "The Secret Life of Kathy McCormick" 1988. Goldenrod titled wrappers. Title page present with credit for screenwriter Gloria Goldsmith. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1970ref. 141821N.p.: N.p. 1970. Draft script for an unproduced film. Annotation in manuscript pencil on the title page noting an address. Gloria Goldsmith was known primarily as a writer of television movies including "Girls on the Road" 1972 and "The Secret Life of Kathy McCormick" 1988. Goldenrod titled wrappers. Title page present with credit for screenwriter Gloria Goldsmith. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1954ref. 160264Universal City CA: Universal International Pictures 1954. Vintage studio still photograph of actress Gloria DeHaven from the 1954 film. Three sailors on furlough in Paris meet three women they would all like to get to know better. Set in Paris. 5.25 x 7.25 inches trimmed. Very Good plus with some creasing and one small bruise to the center of the bottom border on the recto. Universal International Pictures unknown books
1945ref. 164614N.p.: N.p. 1945. Two vintage borderless publicity photographs from the 1945 film one showing actor Glenn Strange in costume as Frankenstein's monster the other showing Strange with Onslow Stevens. Second photograph with annotations in manuscript ink on the verso. The last entry in Universal's famed "monsters" canon a direct sequel to 1944's "House of Frankenstein" which appropriately hosted Universal's "big three" monsters all in Dracula's house including the Prince of Darkness himself Carradine the Wolf Man Chaney Jr. and Frankenstein Glenn Strange along with the requisite mad scientist Onslow Stevens and hunchbacked assistant Jane Adams. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Approximately 7 x 9 inches trimmed irregularly. Very Good plus one with adhesive residue on the verso. N.p. unknown books
1945ref. 164614N.p.: N.p. 1945. Two vintage borderless publicity photographs from the 1945 film one showing actor Glenn Strange in costume as Frankenstein's monster the other showing Strange with Onslow Stevens. Second photograph with annotations in manuscript ink on the verso. The last entry in Universal's famed "monsters" canon a direct sequel to 1944's "House of Frankenstein" which appropriately hosted Universal's "big three" monsters all in Dracula's house including the Prince of Darkness himself Carradine the Wolf Man Chaney Jr. and Frankenstein Glenn Strange along with the requisite mad scientist Onslow Stevens and hunchbacked assistant Jane Adams. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Approximately 7 x 9 inches trimmed irregularly. Very Good plus one with adhesive residue on the verso. N.p. unknown
1981ref. 139716Culver City CA: Columbia Pictures 1981. Vintage studio still photograph from the 1981 film. Based on Neil Simon's 1971 play "The Gingerbread Lady." Playwright Neil Simon departed from his typical light hearted comedic style when he wrote "The Gingerbread Lady." This drama which netted three Academy Award nominations follows the struggles of a alcoholic Broadway actress whose attempt at sobriety is complicated by the realities of her daily life. Set in New York shot on location in California and New York. 10 x 8 inches. Fine. Columbia Pictures unknown books
1996ref. 167493Beverly Hills CA: 3 Arts Productions 1996. Second Revised Draft script for the 1997 film. Jennifer Aniston stars as a young awkward advertising executive who after being passed up for promotion because she isn't "stable enough" pretends to be engaged to wedding photographer Jay Mohr whom she only briefly met to impress her boss. Set in and shot on location in New York and New Jersey. Lilac titled wrappers dated April 30 1996. Title page present dated April 30 1996 noted as 2nd Revised Draft with credits for screenwriters Arleen Sorkin and Paul Slansky and "2nd revised draft by" Glenn Gordon Caron and J.J. Abrams. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two metal brads. 3 Arts Productions unknown books
1996ref. 167493Beverly Hills CA: 3 Arts Productions 1996. Second Revised Draft script for the 1997 film. Jennifer Aniston stars as a young awkward advertising executive who after being passed up for promotion because she isn't "stable enough" pretends to be engaged to wedding photographer Jay Mohr whom she only briefly met to impress her boss. Set in and shot on location in New York and New Jersey. Lilac titled wrappers dated April 30 1996. Title page present dated April 30 1996 noted as 2nd Revised Draft with credits for screenwriters Arleen Sorkin and Paul Slansky and "2nd revised draft by" Glenn Gordon Caron and J.J. Abrams. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two metal brads. 3 Arts Productions unknown
1962ref. 167853N.p.: Screen Gems Inc 1962. Vintage double weight satin-finish reference photograph taken on the set of the 1957 film showing Van Heflin talking with an unidentified cast member during a smoke break between takes. Based on Elmore Leonard's 1953 short story. One of the first revisionist Westerns with a classicism that stands up to "High Noon" but a cynical attitude toward good and evil that was years ahead of its time. Shot on location in Arizona. 8 x 10 inches. Very Good plus with light discoloration on the top edge. National Film Registry. Criterion Collection 657. Pitts 4370. Screen Gems Inc unknown books
1943ref. 152570Culver City CA: Columbia Pictures 1943. Vintage press photograph of actors Glenn Ford and Marguerite Chapman from the 1943 film. Printed mimeo snipe affixed to the verso. During WWII a new destroyer fails its sea trials and is assigned to mail runs but nevertheless is forced to engage in combat against Japanese planes and a submarine. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1954ref. 168145Culver City CA: RKO Radio Pictures 1954. Three vintage studio still photographs from the 1955 Western film. Two with provenance stamps on the versos. A Texan cowboy hand-delivers high-priced Brahman bulls to Brazil encountering outlaws and beautiful women in the process. Shot on location in São Paolo. 10 x 8 inches. Very Good plus. Pitts 82. RKO Radio Pictures unknown books
1962ref. 167853N.p.: Screen Gems Inc 1962. Vintage double weight satin-finish reference photograph taken on the set of the 1957 film showing Van Heflin talking with an unidentified cast member during a smoke break between takes. Based on Elmore Leonard's 1953 short story. One of the first revisionist Westerns with a classicism that stands up to "High Noon" but a cynical attitude toward good and evil that was years ahead of its time. Shot on location in Arizona. 8 x 10 inches. Very Good plus with light discoloration on the top edge. National Film Registry. Criterion Collection 657. Pitts 4370. Screen Gems Inc unknown
1943ref. 152570Culver City CA: Columbia Pictures 1943. Vintage press photograph of actors Glenn Ford and Marguerite Chapman from the 1943 film. Printed mimeo snipe affixed to the verso. During WWII a new destroyer fails its sea trials and is assigned to mail runs but nevertheless is forced to engage in combat against Japanese planes and a submarine. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1954ref. 168145Culver City CA: RKO Radio Pictures 1954. Three vintage studio still photographs from the 1955 Western film. Two with provenance stamps on the versos. A Texan cowboy hand-delivers high-priced Brahman bulls to Brazil encountering outlaws and beautiful women in the process. Shot on location in São Paolo. 10 x 8 inches. Very Good plus. Pitts 82. RKO Radio Pictures unknown
1995ref. 166472Santa Monica: Beacon Communications 1995. Draft script for the 1997 film. Communists hijack Air Force One with the First Lady and her daughter onboard forcing the president to decide whether he will break his vow never to capitulate to terrorist demands or sacrifice the lives of his family. Nominated for two Academy Awards. Shot on location in Washington DC throughout California and in Cleveland and Mansfield Ohio in the US and in Moscow Russia. Self wrappers. Title page present dated August 22 1995 with credit for screenwriter Andrew W. Marlowe. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages Very Good plus bound with three gold brads. Beacon Communications unknown books
1995ref. 166472Santa Monica: Beacon Communications 1995. Draft script for the 1997 film. Communists hijack Air Force One with the First Lady and her daughter onboard forcing the president to decide whether he will break his vow never to capitulate to terrorist demands or sacrifice the lives of his family. Nominated for two Academy Awards. Shot on location in Washington DC throughout California and in Cleveland and Mansfield Ohio in the US and in Moscow Russia. Self wrappers. Title page present dated August 22 1995 with credit for screenwriter Andrew W. Marlowe. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages Very Good plus bound with three gold brads. Beacon Communications unknown
1975ref. 167495London: Reader's Digest Films 1975. Revised Second Draft script for the 1976 British film seen here under the working title "Sarah." Sketch in manuscript pencil likely of a set design on the verso of the colophon page. A dramatization of the storied and frequently scandalous life of French stage actress Sarah Bernhardt. Nominated for two Academy Awards. Shot on location throughout England in London Didcot and Buckinghamshire. Blue wrappers with a die-cut title window in the British style. Title page present dated June 26 1975 noted as Revised Second Draft with copy No. 32 noted in manuscript ink with credit for screenwriter Ruth Wolff. 107 leaves with last page of text numbered 105. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Reader's Digest Films unknown books
1970ref. 138454Beverly Hills CA: United Artists 1970. Vintage studio still photograph from the US release of the 1970 UK film. Featuring an image of Glenda Jackson seated looking pensive in a nightdress. Hand-retouched affixed to a backing board and prepared for use in advertising. Based on the 1937 collection of personal correspondence between Pytor Ilyich Tchaikovsky and his patron Nadezha von Meck edited by her granddaughter Barbara von Meck and Catherine Drinker Bowen. Director Ken Russell's dramatic and visually stunning depiction of composer Tchaikovsky's turbulent life where his passion for his music spills over into his personal life as well. Presented largely in flashbacks nightmares and fantasy sequences the film illustrates the true stories of his nymphomaniac wife his homosexual feelings for Count Anton Chiluvsky and his unusual relationship with his widowed patron to whom he never spoke. Shot on location in Somerset England. Photo 8 x 10 inches on 10 x 15 inch mat board. Very Good plus. United Artists unknown books
