10,264 results
ref. 12240Une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur trimestre 1981. ISBN 2-205-01-636-9. 21 titres au dernier plat.. Edition originale.
ref. 12242Une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur premier trimestre 1974.n° 725-4, Editeur n°695, 14 titres au dernier plat
ref. 12215La collection Pilote présente une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur troisième trimestre 1963. N°553. Editeur n°158, 16 titres au dernier plat. Très bon état. Edition originale.
ref. 12218Fort NAVAJO. Le cavalier perdu. Collection Pilote présente une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAU S.A éditeur premier trimestre 1968. N°593. Editeur n°270, 18 titres au dernier plat. Petites traces de frottements, sans gravité en tête, au dernier plat de couverture. Edition originale.
1971ref. 147059Rome: Vogue Film 1971. Treatment script for an unproduced film. Laid in with the script is a two-page typed summary dated 2-17-72. Text in English. A married lawyer travels to Tehuantepec to seek the extradition of a vicious killer to Italy. He falls in love with a beautiful Mexican woman and decides to leave his wife and children in the US to live with her unaware that a darker fate awaits him. Set in Tehuantepec Mexico. Black untitled wrappers. Title page present dated 1971 noted as film treatment with credits for screenwriters GIROGIO BONTEMPI and MIGUEL SABIDO. 47 leaves with last page of text numbered 43. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Vogue Film unknown books
1971ref. 147059Rome: Vogue Film 1971. Treatment script for an unproduced film. Laid in with the script is a two-page typed summary dated 2-17-72. Text in English. A married lawyer travels to Tehuantepec to seek the extradition of a vicious killer to Italy. He falls in love with a beautiful Mexican woman and decides to leave his wife and children in the US to live with her unaware that a darker fate awaits him. Set in Tehuantepec Mexico. Black untitled wrappers. Title page present dated 1971 noted as film treatment with credits for screenwriters GIROGIO BONTEMPI and MIGUEL SABIDO. 47 leaves with last page of text numbered 43. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Vogue Film unknown
ref. 4212In 12 carré broché,faux-titre,titre,158 pages, illustrations photographiques hors-texte tirées du film de Marcel PAGNOL,éditions Marcel Pagnol 1937,collection les films qu’on peut lire.Un petit manque en marge supérieure page 147 à la fin
ref. 12673In 12 broché, couverture illustrée en couleurs, rempliée. Faux-titre, frontispice en couleurs, titre, 277 pages, texte encadré d’un filet rouge, 10 hors-texte en couleurs, de Léon DABAT Editions Athéna 1947. Collection Athéna –Luxe édition numérotée exemplaire n°480 sur alfa mousse Navarre, seul grand papier.
1957ref. 132492London: Twentieth Century-Fox 1957. Seven vintage full-color British front-of-house cards from the UK release of the 1957 US film. Based on Edward Chodorov's 1955 play about a bored housewife who seeks therapy from an emotionally unstable psychiatrist. Tony Randall's film debut the same year he'd star in "Will Success Spoil Rock Hunter" with Jayne Mansfield. 8 x 10 inches. Faint short creases overall else Near Fine. Twentieth Century-Fox unknown books
1965ref. 167758N.p.: N.p. 1965. Two vintage color transparencies from the 1965 film showing actor Gina Lollobrigida preparing for a turn as a blonde Lady Godiva. A well-to-do American businessman and a free-spirited Italian woman meet in London and impulsively marry but soon realize they have little in common and truly dislike each other. 3.25 x 5 inches. Near Fine. N.p. unknown books
1965ref. 167758N.p.: N.p. 1965. Two vintage color transparencies from the 1965 film showing actor Gina Lollobrigida preparing for a turn as a blonde Lady Godiva. A well-to-do American businessman and a free-spirited Italian woman meet in London and impulsively marry but soon realize they have little in common and truly dislike each other. 3.25 x 5 inches. Near Fine. N.p. unknown
ref. 147316N.p.: N.p. Unknown. Treatment script for an unproduced film. A gubernatorial candidate faces the unexpected exposure of his private life when his ex-wife declares her intentions to release his early love letters to her in the local newspaper. Yellow titled wrappers. Title page present with credits for screenwriter GINA KAUS and translator Albert Julian. 34 leaves with last page of text numbered 33. Carbon typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good lightly soiled bound internally with two gold brads. N.p. unknown books
ref. 147316N.p.: N.p. Unknown. Treatment script for an unproduced film. A gubernatorial candidate faces the unexpected exposure of his private life when his ex-wife declares her intentions to release his early love letters to her in the local newspaper. Yellow titled wrappers. Title page present with credits for screenwriter GINA KAUS and translator Albert Julian. 34 leaves with last page of text numbered 33. Carbon typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good lightly soiled bound internally with two gold brads. N.p. unknown
1988ref. 167941Culver City CA: Tri-Star TriStar Pictures 1988. Vintage studio still photograph from the 1988 film showing actress Gina Gershon. A Soviet policeman is sent to America to retrieve a Georgian drug lord and is forced to work with a cocky Chicago police detective on the case. Set and shot on location in Chicago and Moscow. 10 x 8 inches. Near Fine. Tri-Star [TriStar] Pictures unknown books
1960ref. 143876Rome: Cineriz 1960. Collection of 18 vintage borderless single weight studio still photographs from the 1960 film. Starring actress Strasberg is seen in all photographs before and after a buzz cut always in pinstripes with a candid image of director Pontecorvo discussing aspects of Strasberg's trimmed hair. Numerical annotations in manuscript pencil on the versos of all but one and five with Contino's rubber-stamp on the versos. Strasberg portrays a Jewish women sent to a concentration camp during WWII leading an escape plan even as the turmoil of war threatens to defeat her will. Pontecorvo's engaging war film with feminist undercurrents albeit overshadowed by what would become his most accomplished film "The Battle of Algiers" 1966. Nominated for an Academy Award Best Foreign Language Film. Shot on location in Yugoslavia. 8 x 10 inches. Near Fine slight curling. Cineriz unknown books
1960ref. 144662Rome: Cineriz 1960. Collection of 21 original borderless double weight still photographs from the 1960 film. Starring actress Susan Strasberg is seen in several photographs always in pinstripes and several feature costar Terzieff with striking images of laboring women a death pit and German soldiers. Numerical annotations in manuscript pencil and Contino's rubber-stamp on the versos. An impressive showcase in landscape format of a life behind barbed wire and the conditioning of inmates. Strasberg portrays a Jewish women sent to a concentration camp during WWII leading an escape plan even as the turmoil of war threatens to defeat her will. Pontecorvo's engaging war film with feminist undercurrents albeit overshadowed by what would become his most accomplished film "The Battle of Algiers" 1966. Nominated for an Academy Award Best Foreign Language Film. Shot on location in Yugoslavia. 9.5 x 14 inches. Very Good plus overall light curling brief foxing a few with small dampstains and corresponding bruises on the rectos. Cineriz unknown books
1960ref. 144662Rome: Cineriz 1960. Collection of 21 original borderless double weight still photographs from the 1960 film. Starring actress Susan Strasberg is seen in several photographs always in pinstripes and several feature costar Terzieff with striking images of laboring women a death pit and German soldiers. Numerical annotations in manuscript pencil and Contino's rubber-stamp on the versos. An impressive showcase in landscape format of a life behind barbed wire and the conditioning of inmates. Strasberg portrays a Jewish women sent to a concentration camp during WWII leading an escape plan even as the turmoil of war threatens to defeat her will. Pontecorvo's engaging war film with feminist undercurrents albeit overshadowed by what would become his most accomplished film "The Battle of Algiers" 1966. Nominated for an Academy Award Best Foreign Language Film. Shot on location in Yugoslavia. 9.5 x 14 inches. Very Good plus overall light curling brief foxing a few with small dampstains and corresponding bruises on the rectos. Cineriz unknown
1960ref. 143876Rome: Cineriz 1960. Collection of 18 vintage borderless single weight studio still photographs from the 1960 film. Starring actress Strasberg is seen in all photographs before and after a buzz cut always in pinstripes with a candid image of director Pontecorvo discussing aspects of Strasberg's trimmed hair. Numerical annotations in manuscript pencil on the versos of all but one and five with Contino's rubber-stamp on the versos. Strasberg portrays a Jewish women sent to a concentration camp during WWII leading an escape plan even as the turmoil of war threatens to defeat her will. Pontecorvo's engaging war film with feminist undercurrents albeit overshadowed by what would become his most accomplished film "The Battle of Algiers" 1966. Nominated for an Academy Award Best Foreign Language Film. Shot on location in Yugoslavia. 8 x 10 inches. Near Fine slight curling. Cineriz unknown
1963ref. 160358Paris: Cinedis 1963. Vintage French program for the 1963 film. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family hoping that the trip will help repair his relationship with his son. The final film appearance of Arletty. Set and shot on location in Biarritz. 9.5 x 12 inches folded 20 x 12 inches unfolded. Near Fine with some curling at the bottom right edge and corner. Cinedis unknown books
1959ref. 144629Paris: Intermondia Films / Pretoria / Cinedis 1959. Collection of 4 original black-and-white single weight still photographs from the 1959 French-Italian film. Featuring Jean Gabin dancing gaily in a pub with costar Doll all photos with brief numerical annotations in manuscript pencil on the verso. Gabin plays a sophisticated tramp who lives during summer in an abandoned construction site. As winter draws near he devises a plan that will surely have him incarcerated and thus in warmer climates. To do so he chooses a bar to demolish but the crime only lands him a week in jail. Freedom proves too chilling and he vows to return. Grangier worked with Gabin on several films notably "The Night Affair" 1958 "The Counterfeiters of Paris" 1961 "Speaking of Murder" 1957 and "Maigret Sees Red" 1963 as did photographer Dole who was consistent if anything a regular fixture in films by Denys de La Patelliere Jean Delannoy. Photos 9.25 x 11.75 inches. Very Good plus overall with light curling discoloration. Intermondia Films / Pretoria / Cinedis unknown books
1959ref. 144629Paris: Intermondia Films / Pretoria / Cinedis 1959. Collection of 4 original black-and-white single weight still photographs from the 1959 French-Italian film. Featuring Jean Gabin dancing gaily in a pub with costar Doll all photos with brief numerical annotations in manuscript pencil on the verso. Gabin plays a sophisticated tramp who lives during summer in an abandoned construction site. As winter draws near he devises a plan that will surely have him incarcerated and thus in warmer climates. To do so he chooses a bar to demolish but the crime only lands him a week in jail. Freedom proves too chilling and he vows to return. Grangier worked with Gabin on several films notably "The Night Affair" 1958 "The Counterfeiters of Paris" 1961 "Speaking of Murder" 1957 and "Maigret Sees Red" 1963 as did photographer Dole who was consistent if anything a regular fixture in films by Denys de La Patelliere Jean Delannoy. Photos 9.25 x 11.75 inches. Very Good plus overall with light curling discoloration. Intermondia Films / Pretoria / Cinedis unknown
1966ref. 147437London: David Higham Associates 1966. Draft script for the 48th episode of the British television anthology series "The Wednesday Play" which featured the adaptation of Vernon Bartlett's 1929 novel "Calf Love" by screenwriter Philip Purser which aired on January 26 1966. Script contains copied annotations on nearly every page noting passages that are to be spoken in German with much of the annotations in German as well as strikes comments and dialogue changes. Missing three pages likely as used or issued. "The Wednesday Play" is regarded as one of the most influential and successful British television programs of the 1960s and gave audience to the fledgling careers of among others Dennis Potter Nell Dunn and Jeremy Sandford Ken Loach and David Mercer. A young English exchange student stays with a German family and becomes smitten with their daughters. Wrapper integral with title page noted as Draft Screenplay with credits for screenwriter Philip Purser and novelist Vernon Bartlett. 113 leaves with last page of text numbered 118. Mimeograph duplication rectos only. Pages Near Fine bound with prong binding. David Higham Associates unknown books
1966ref. 147437London: David Higham Associates 1966. Draft script for the 48th episode of the British television anthology series "The Wednesday Play" which featured the adaptation of Vernon Bartlett's 1929 novel "Calf Love" by screenwriter Philip Purser which aired on January 26 1966. Script contains copied annotations on nearly every page noting passages that are to be spoken in German with much of the annotations in German as well as strikes comments and dialogue changes. Missing three pages likely as used or issued. "The Wednesday Play" is regarded as one of the most influential and successful British television programs of the 1960s and gave audience to the fledgling careers of among others Dennis Potter Nell Dunn and Jeremy Sandford Ken Loach and David Mercer. A young English exchange student stays with a German family and becomes smitten with their daughters. Wrapper integral with title page noted as Draft Screenplay with credits for screenwriter Philip Purser and novelist Vernon Bartlett. 113 leaves with last page of text numbered 118. Mimeograph duplication rectos only. Pages Near Fine bound with prong binding. David Higham Associates unknown
1989ref. 142398Los Angeles: Columbia Broadcasting System CBS 1989. Draft script for the 1989 television film originally broadcast on CBS. Copy belonging to actor Billy O'Sullivan who portrayed Teddy with his autograph on the title page. Two parents discover horrible stories of abuse coming from the daycare their children attends especially since the people running the center are moral pillars of the community. This film was released at the height of the child abuse daycare moral scare starting with a highly-publicized legal case in California. Nominated for two Primetime Emmys. Red titled wrappers. Title page present dated April 10 1989 with credits for screenwriter Stan Kensela. 114 leaves with last page of text numbered 112. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with three gold brads. Reyes 46 47. Columbia Broadcasting System [CBS] unknown books
1989ref. 142398Los Angeles: Columbia Broadcasting System CBS 1989. Draft script for the 1989 television film originally broadcast on CBS. Copy belonging to actor Billy O'Sullivan who portrayed Teddy with his autograph on the title page. Two parents discover horrible stories of abuse coming from the daycare their children attends especially since the people running the center are moral pillars of the community. This film was released at the height of the child abuse daycare moral scare starting with a highly-publicized legal case in California. Nominated for two Primetime Emmys. Red titled wrappers. Title page present dated April 10 1989 with credits for screenwriter Stan Kensela. 114 leaves with last page of text numbered 112. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with three gold brads. Reyes 46 47. Columbia Broadcasting System [CBS] unknown