Ted Leversuch (director); Margot Stevens (screenwriter); Jean Christopher, Bruce Gray, Sean SullivanBiblio.com
11,046 results
1966ref. 161441N.p.: Executive Films 1966. Four vintage studio still photographs from the 1966 film. Two with "Tom Conroy" photographer stamps on the versos one of which has two labels affixed to the verso obscuring previous provenance stamps. A voyeur blackmails an ex-stripper for money then sex after observing her having an affair on her husband. Shot on location in Toronto. 8 x 10 inches. Very Good plus. Executive Films unknown
1965ref. 161741New York: Sam Lake Enterprises 1965. Two vintage studio still photographs from the 1965 film. Provenance stamps and one label on the versos. The Way Out Electronics Company is marketing a new color television that includes a "fourth dimension" capable of transmitting physical objects through the screen. Shot on location in Toronto. 8 x 10 inches. Very Good plus with light creasing at the extremities. Sam Lake Enterprises unknown
1971ref. 162070N.p.: Manson Distributing 1971. Three vintage studio still photographs from the US release of the Canadian/US film. Provenance stamps and labels on the versos. Barbara Mills stars as a sexually unfulfilled housewife of a film producer. She begins an affair with a writer and the two break down en route to Las Vegas. There they encounter a group of thugs where things take a very dark turn. 8 x 10 inches. Near Fine. Manson Distributing unknown
1979ref. 151074Los Angeles: Paramount Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 13 black-and-white photographs and 11 gatherings of promotional reading material. Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. Folder photographs and promotional material Near Fine. Paramount Pictures unknown books
1979ref. 168165Hollywood: Paramount Pictures 1979. Vintage studio still photograph from the 1979 film. Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. Set in Dallas shot on location in Los Angeles. 8 x 10 inches. Near Fine. Paramount Pictures unknown books
1974ref. 157978N.p.: Astral Films 1974. Vintage reference photograph from the 1974 film showing author Mordecai Richler on the set. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Richler's 1959 novel about a young working-class Jewish man who embarks on a series of get-rich-quick schemes in an attempt to buy the land around a lake. Set and shot on location in Montreal. 8 x 10 inches. Very Good plus. Astral Films unknown books
1974ref. 127463Los Angeles: Paramount Pictures 1974. Vintage insert poster for the 1974 film. Based on Mordechai Richler's 1959 novel about a young working-class Jewish man who embarks on a series of get-rich-quick schemes in an attempt to buy the land around a lake. Set and shot on location in Montreal. 14 x 36 inches. Near Fine. Paramount Pictures unknown books
1969ref. 158710N.p.: N.p. 1969. Draft script for the 1969 film. Based on the 1963 novel by David Stuart Leslie. A white advertising executive is forced to confront his own prejudices when he finds himself unexpectedly sharing a flat with a Black Jamaican-British lawyer. OCLC locates no holdings. AMPAS shows one holding. Set and shot on location in London. Orange titled wrappers. Title page present dated March 15 1968 with credits for screenwriter Evan Jones and novelist David Stuart Leslie. 143 leaves with last page of text numbered 134. Mimeograph duplication rectos only with undated pink revision pages laid in throughout. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. N.p. unknown books
1979ref. 151074Los Angeles: Paramount Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 13 black-and-white photographs and 11 gatherings of promotional reading material. Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. Folder photographs and promotional material Near Fine. Paramount Pictures unknown
1974ref. 157978N.p.: Astral Films 1974. Vintage reference photograph from the 1974 film showing author Mordecai Richler on the set. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Richler's 1959 novel about a young working-class Jewish man who embarks on a series of get-rich-quick schemes in an attempt to buy the land around a lake. Set and shot on location in Montreal. 8 x 10 inches. Very Good plus. Astral Films unknown
1969ref. 158710N.p.: N.p. 1969. Draft script for the 1969 film. Based on the 1963 novel by David Stuart Leslie. A white advertising executive is forced to confront his own prejudices when he finds himself unexpectedly sharing a flat with a Black Jamaican-British lawyer. OCLC locates no holdings. AMPAS shows one holding. Set and shot on location in London. Orange titled wrappers. Title page present dated March 15 1968 with credits for screenwriter Evan Jones and novelist David Stuart Leslie. 143 leaves with last page of text numbered 134. Mimeograph duplication rectos only with undated pink revision pages laid in throughout. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. N.p. unknown
1971ref. 152528London: Scotia-Barber Distributors 1971. Vintage pressbook for the 1971 film. At his home on the North Cornish coast a demented sculptor murders a young woman in order to cast a bronze sculpture of her form. Shot on location in Cornwall and London. Bi-fold. 6.5 x 10 inches. Near Fine. Scotia-Barber Distributors unknown books
1971ref. 152529London: Scotia-Barber Distributors 1971. Vintage pressbook for the 1971 film. At his home on the North Cornish coast a demented sculptor murders a young woman in order to cast a bronze sculpture of her form. Shot on location in Cornwall and London. Bi-fold. 6.5 x 10 inches. Near Fine. Scotia-Barber Distributors unknown books
1971ref. 152528London: Scotia-Barber Distributors 1971. Vintage pressbook for the 1971 film. At his home on the North Cornish coast a demented sculptor murders a young woman in order to cast a bronze sculpture of her form. Shot on location in Cornwall and London. Bi-fold. 6.5 x 10 inches. Near Fine. Scotia-Barber Distributors unknown
1983ref. 160279New York: N.p. 1983. Treatment script dated 1983 for an unproduced film adaptation of the classic 1719 novel. Screenwriter Ted Bafaloukos is today best remembered as the director of the 1978 Jamaican film "Rockers." Self wrappers. Title page present dated 11/11/83 with credit for screenwriter Ted Bafaloukos. Eight leaves with last page of text numbered 7. Carbon typescript rectos only. Pages Very Good plus partially bound with a single staple at the top left corner. N.p. unknown books
1983ref. 160279New York: N.p. 1983. Treatment script dated 1983 for an unproduced film adaptation of the classic 1719 novel. Screenwriter Ted Bafaloukos is today best remembered as the director of the 1978 Jamaican film "Rockers." Self wrappers. Title page present dated 11/11/83 with credit for screenwriter Ted Bafaloukos. Eight leaves with last page of text numbered 7. Carbon typescript rectos only. Pages Very Good plus partially bound with a single staple at the top left corner. N.p. unknown
1962ref. 162514N.p.: Rialto International Film Releasing 1962. Vintage studio still photograph of Brenda Denaut from the 1962 film. With a subhead reading "Starring the City of New York and a cast of New Faces from its stages." Notable for starring a young Taylor Mead. Director screenwriter and star Raymond Phelan best known as cinematographer for sexploitation impresario Doris Wishman originally began making "Too Young Too Immoral!" in 1957 about a brother reflecting on the tragically short life of his murdered addict brother. This early version was titled "Rebels Die Young." Unable to find distribution Phelan added what turned out to be some of the earliest known sexploitation scenes filmed in the US. It starred Brenda Denaut subject of this photograph the mother of Roseanne Patricia David and Alexis Arquette. as well as Andy Warhol mainstay Taylor Mead in his first film role. It wouldn't be until five years later after sexploitation films began to gain traction with US distributors that Phelan was able to get the film booked at the Rialto Theatre on Broadway. It played for four months there before getting limited US distribution. It re-emerged in 2017 when it was screened at the Anthology Film Archives in New York. Featuring some of the most striking footage of New York City found in the late 1950s. Shot on location in New York. 8 x 10 inches. Near Fine. Rialto International Film Releasing unknown books
1962ref. 162514N.p.: Rialto International Film Releasing 1962. Vintage studio still photograph of Brenda Denaut from the 1962 film. With a subhead reading "Starring the City of New York and a cast of New Faces from its stages." Notable for starring a young Taylor Mead. Director screenwriter and star Raymond Phelan best known as cinematographer for sexploitation impresario Doris Wishman originally began making "Too Young Too Immoral!" in 1957 about a brother reflecting on the tragically short life of his murdered addict brother. This early version was titled "Rebels Die Young." Unable to find distribution Phelan added what turned out to be some of the earliest known sexploitation scenes filmed in the US. It starred Brenda Denaut subject of this photograph the mother of Roseanne Patricia David and Alexis Arquette. as well as Andy Warhol mainstay Taylor Mead in his first film role. It wouldn't be until five years later after sexploitation films began to gain traction with US distributors that Phelan was able to get the film booked at the Rialto Theatre on Broadway. It played for four months there before getting limited US distribution. It re-emerged in 2017 when it was screened at the Anthology Film Archives in New York. Featuring some of the most striking footage of New York City found in the late 1950s. Shot on location in New York. 8 x 10 inches. Near Fine. Rialto International Film Releasing unknown
1985ref. 147576Culver City CA: Columbia Pictures 1985. Seven vintage black and white studio still photographs from the 1985 film. Nikolai 'Kolya' Rodchenko Mikhail Baryshnikov is an expatriate Soviet dancer whose plane is forced to land on Soviet territory and prohibited from leaving. Forced to live with the American defector tap dancer Raymond Greenwood Gregory Hines and his wife Isabella Rossellini he must plan an escape but doesn't know who to trust. Rossellini's screen debut. Winner of the Academy Award for Best Song and nominated for one other. Shot on location in Russia England Finland Scotland and Portugal. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1985ref. 147575Culver City CA: Columbia Pictures 1985. Two vintage color double weight studio still photographs one of Mikhail Baryshnikov and Gregory Hines dancing the other of Hines and Isabella Rossellini from the 1985 film. Nikolai 'Kolya' Rodchenko Mikhail Baryshnikov is an expatriate Soviet dancer whose plane is forced to land on Soviet territory and prohibited from leaving. Forced to live with the American defector tap dancer Raymond Greenwood Hines and his wife Rossellini he must plan an escape but doesn't know who to trust. Rossellini's screen debut. Winner of the Academy Award for Best Song and nominated for one other. Shot on location in Russia England Finland Scotland and Portugal. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1932ref. 159945London: National Film Archive 1932. Vintage reference photograph from the 1932 film showing director Tay Garnett and a camera crew capturing a scene with Lew Ayres. National Film Archive stamp and annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. A dramatization of the rise to fame of a gossip columnist based closely on real-life columnist Walter Winchell. 10 x 8 inches. Near Fine. National Film Archive unknown books
1950ref. 132169Los Angeles: Twentieth Century-Fox 1950. Vintage black-and-white still photograph from the 1950 film. Distributor rubber-stamp and blindstamp on the verso. Based on an original story by Horace McCoy about a runaway orphan who becomes a champion roller-skater and the women he meets along the way. Mickey Rooney stars as the orphan and Marilyn Monroe has a small role as one of his romances. 8 x 10 inches. Light corner creases else Near Fine. Twentieth Century-Fox unknown books
1950ref. 157957N.p.: N.p. 1950. Vintage borderless oversize reference photograph from the 1950 film showing actress Marilyn Monroe surrounded by admirers. Based on an original story by Horace McCoy about a runaway orphan who becomes a champion roller-skater and the women he meets along the way. Monroe's eighth screen appearance. 13.5 x 10.5 inches. Very Good plus with light creasing overall. N.p. unknown books
1932ref. 159945London: National Film Archive 1932. Vintage reference photograph from the 1932 film showing director Tay Garnett and a camera crew capturing a scene with Lew Ayres. National Film Archive stamp and annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. A dramatization of the rise to fame of a gossip columnist based closely on real-life columnist Walter Winchell. 10 x 8 inches. Near Fine. National Film Archive unknown
1950ref. 157957N.p.: N.p. 1950. Vintage borderless oversize reference photograph from the 1950 film showing actress Marilyn Monroe surrounded by admirers. Based on an original story by Horace McCoy about a runaway orphan who becomes a champion roller-skater and the women he meets along the way. Monroe's eighth screen appearance. 13.5 x 10.5 inches. Very Good plus with light creasing overall. N.p. unknown
