11,046 results
1950ref. 157957N.p.: N.p. 1950. Vintage borderless oversize reference photograph from the 1950 film showing actress Marilyn Monroe surrounded by admirers. Based on an original story by Horace McCoy about a runaway orphan who becomes a champion roller-skater and the women he meets along the way. Monroe's eighth screen appearance. 13.5 x 10.5 inches. Very Good plus with light creasing overall. N.p. unknown
1984ref. 168022Los Angeles: The Samuel Goldwyn Company 1984. Two vintage reference photographs from the 1984 softcore film. Loosely based on the bondage-themed comics of John Willie and on his original character Sweet Gwendoline. After being kidnapped at a Chinese port a courageous young woman is rescued by a mercenary kicking off a string of wild adventures. 10 x 8 inches. About Fine. The Samuel Goldwyn Company unknown books
1984ref. 168022Los Angeles: The Samuel Goldwyn Company 1984. Two vintage reference photographs from the 1984 softcore film. Loosely based on the bondage-themed comics of John Willie and on his original character Sweet Gwendoline. After being kidnapped at a Chinese port a courageous young woman is rescued by a mercenary kicking off a string of wild adventures. 10 x 8 inches. About Fine. The Samuel Goldwyn Company unknown
1984ref. 150350N.p.: N.p. 1984. Vintage borderless reference photograph of Paolo and Vittorio Taviani on the set of the 1984 film. Based on four short stories from Luigi Pirandello's 15 volume "Novelle per un anno" "Short Stories for a Year" published 1922-1937. Four stories followed by an epilogue which take place around the birthplace of author Pirandello Girgenti on the southern coast of Sicily with each story threaded by a raven with a bell around it's next put there by locals. Shot on location in Sicily and Tuscany Italy. 5 x 7 inches. Near Fine. N.p. unknown books
1974ref. 156669Tokyo: Toei 1974. Six vintage borderless studio still photographs from the 1974 Japanese pinku pink film. 6 x 4.5 inches. Near Fine. Toei unknown books
1974ref. 156669Tokyo: Toei 1974. Six vintage borderless studio still photographs from the 1974 Japanese pinku pink film. 6 x 4.5 inches. Near Fine. Toei unknown
ref. 0217410 Suite de 4 photographies d'exploitation plastifiées d'origine, du célèbre film sorti en 1967, format : H. 23,8 cm - L. 30,2 cm. (traces de rayure sur le plastique, numéro inscrit au feutre noir au dos de chacune des photos, petit manque de plastique sur 2 coins à une photo). Jacques Tati est présent sur 2 photos. Peu courant.
ref. 22085On letterhead of Tanners Mead Oxted Surrey. 10 November 1960. Other than 'The Lavender Hill Mob' for which he won an Oscar Clarke's screenplays include 'The Blue Lamp' and 'The Titchfield Thunderbolt'. For the recipient Barbara Kaye Barbara Kenrick Gowing 1908-1998 writer bookseller and wife of Percy Muir see her obituary by Nicolas Barker in the Independent 12 March 1998. The present letter was written a few days after Clarke's appearance on 31 October on the television programme 'This Is Your Life'. 2pp 12mo. In fair condition aged and worn. Folded once. The letter begins: 'Dear Barbara Many thanks for your kind letter. That certainly was a shock they gave me last Monday! Shirley Long was there in addition to Teddy Wass - it was he who dug up the old “Answers” articles for reproduction. But I wish there had been a little more flavour of those good old Twenties. They went to see Bobby Cooper and he tells me took copious notes from him then for space reasons had to leave out all his reminiscences.' He remembers 'all the incidents' she mentions 'except the girl in the orchestra so I presume she must have been a virgin or she would have registered better'. He discusses the marriage of Dorothy Hargreaves and Humphrey Bradney before turning to his son Michael who 'was recently taken to a dance in Suffolk while staying with friends there and found the hostess to be my old girl friend Betty Hand. It was her daughter's 21st.' From the papers of Barbara Kaye Muir. On letterhead of Tanners Mead, Oxted, Surrey. 10 November 1960. unknown
1979ref. 150728N.p.: AVCO Embassy Pictures 1979. Eight vintage studio still photographs from the 1979 film. With the stamp of a Canadian film distributor on the verso and a stamp noting production No. 79-22 on the bottom right corner of the recto. Based on Sylvia Plath's influential semi-autobiographical 1963 novel about a young woman who suffers a series of mental breakdowns at her family's home in New England in the 1950s. Set in New York and New England shot on location in New Jersey and New York. 10 x 8 inches. Near Fine. AVCO Embassy Pictures unknown books
1978ref. 161434N.p.: N.p. 1978. Second Draft script for the 1979 film. Based on Sylvia Plath's influential semi-autobiographical 1963 novel about a young woman who suffers a series of mental breakdowns at her family's home in New England in the 1950s. Set in New York and New England shot on location in New Jersey and New York. Blue titled Studio Duplicating Service wrappers. Title page present dated April 17 1978 noted as 4th polish/2nd draft with credits for Sylvia Plath and screenwriter Marjorie Kellogg. 120 leaves with last page of text numbered 123. Xerographic duplication rectos only with pink revision pages throughout dated 5/30/78. Pages Very Good plus wrapper Very Good plus with adhesive residue on the front wrapper bound with two gold brads. N.p. unknown books
1978ref. 161434N.p.: N.p. 1978. Second Draft script for the 1979 film. Based on Sylvia Plath's influential semi-autobiographical 1963 novel about a young woman who suffers a series of mental breakdowns at her family's home in New England in the 1950s. Set in New York and New England shot on location in New Jersey and New York. Blue titled Studio Duplicating Service wrappers. Title page present dated April 17 1978 noted as 4th polish/2nd draft with credits for Sylvia Plath and screenwriter Marjorie Kellogg. 120 leaves with last page of text numbered 123. Xerographic duplication rectos only with pink revision pages throughout dated 5/30/78. Pages Very Good plus wrapper Very Good plus with adhesive residue on the front wrapper bound with two gold brads. N.p. unknown
1979ref. 150728N.p.: AVCO Embassy Pictures 1979. Eight vintage studio still photographs from the 1979 film. With the stamp of a Canadian film distributor on the verso and a stamp noting production No. 79-22 on the bottom right corner of the recto. Based on Sylvia Plath's influential semi-autobiographical 1963 novel about a young woman who suffers a series of mental breakdowns at her family's home in New England in the 1950s. Set in New York and New England shot on location in New Jersey and New York. 10 x 8 inches. Near Fine. AVCO Embassy Pictures unknown
1977ref. 157107Amsterdam: Filmtrust TV 1977. Two vintage borderless color reference photographs from the 1977 film. One with the stamp of Filmtrust TV on the verso and both with annotations in manuscript ink. Emmanuelle now working as a journalist writes a report on a guru who claims to have achieved the ultimate orgasm before heading to China to investigate a sex trafficking ring. Shot on location in New York and California in the US and in Italy Hong Kong India and Iran. One photograph 9.25 x 7 inches one photograph 11 x 8 inches. Very Good plus with pinholes at the corners. Filmtrust TV unknown books
1977ref. 135605Paris: Trinacra Films 1977. Vintage double weight photograph from the set of the 1977 film shot by still photographer Etienne George. Shown are director Francois Leterrier and his crew to the left on a dolly and actress Sylvia Kristel on the right in a state of semi-undress. The last film in the original "Emmanuelle" trilogy. An interior shot apparently meant to be a barn as the ground is covered with hay for a film shot on the Seychellois island of La Digue. Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. With slightly wide margins as issued. Photograph 9.5 x 12 inches image 6.25 x 10.5 inches. In an archival mat. Mild creasing at a couple of corners else Near Fine. Trinacra Films unknown books
1977ref. 155300Paris: Trinacra Films 1977. Vintage borderless reference photograph from the 1977 film showing actors Jean-Pierre Bouvier and Sylvia Kristel in a passionate aquatic embrace. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. 7 x 9.5 inches. Near Fine. Trinacra Films unknown books
1977ref. 160639Paris: Trinacra Films 1977. Two vintage borderless color reference photographs from the 1977 film. Reference number stamps on the verso of each. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. 9.5 x 7 inches. One with pinholes from a staple on the bottom right corner else Near Fine. Trinacra Films unknown books
1973ref. 161525N.p.: International Coproductions 1973. Vintage studio still photograph from the 1973 film with a provenance stamp on the verso. Film debut of actress Sylvia Kristel. Based on the 1963 novel by Nicolas Freeling the second in his Van der Valk series. A gang of wealthy young men break into a couple's house and rape the wife forcing the husband to watch. A dogged police inspector is determined to identify the men and bring them to justice. Set in and shot on location in the Netherlands. 8 x 10 inches. Near Fine. International Coproductions unknown books
1975ref. 170771France: Arcadie Productions 1975. Collection of promotional ephemera from the 1975 French film including a program ten lobby cards and two black-and-white reference photographs. Text in French. One of ten films directed by Alain Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgängers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. Lobby cards 10: 11.5 x 9.25 inches. Very Good plus. Photographs 2: 7 x 5 inches. Near Fine. Program: 7.25 x 10.25 inches. 17 leaves. Near Fine in saddle-stapled wrappers. All material housed together in an original glassine envelope as issued. Arcadie Productions unknown books
1975ref. 144355France: Arcadie Productions 1975. Vintage borderless photograph of Sylvia Kristel from the 1975 film. With manuscript annotations in pencil on the verso. One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. 7 x 5 inches. Near Fine. Arcadie Productions unknown books
1973ref. 161525N.p.: International Coproductions 1973. Vintage studio still photograph from the 1973 film with a provenance stamp on the verso. Film debut of actress Sylvia Kristel. Based on the 1963 novel by Nicolas Freeling the second in his Van der Valk series. A gang of wealthy young men break into a couple's house and rape the wife forcing the husband to watch. A dogged police inspector is determined to identify the men and bring them to justice. Set in and shot on location in the Netherlands. 8 x 10 inches. Near Fine. International Coproductions unknown
1977ref. 157107Amsterdam: Filmtrust TV 1977. Two vintage borderless color reference photographs from the 1977 film. One with the stamp of Filmtrust TV on the verso and both with annotations in manuscript ink. Emmanuelle now working as a journalist writes a report on a guru who claims to have achieved the ultimate orgasm before heading to China to investigate a sex trafficking ring. Shot on location in New York and California in the US and in Italy Hong Kong India and Iran. One photograph 9.25 x 7 inches one photograph 11 x 8 inches. Very Good plus with pinholes at the corners. Filmtrust TV unknown
1977ref. 160639Paris: Trinacra Films 1977. Two vintage borderless color reference photographs from the 1977 film. Reference number stamps on the verso of each. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. 9.5 x 7 inches. One with pinholes from a staple on the bottom right corner else Near Fine. Trinacra Films unknown
1977ref. 155300Paris: Trinacra Films 1977. Vintage borderless reference photograph from the 1977 film showing actors Jean-Pierre Bouvier and Sylvia Kristel in a passionate aquatic embrace. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. 7 x 9.5 inches. Near Fine. Trinacra Films unknown
1977ref. 135605Paris: Trinacra Films 1977. Vintage double weight photograph from the set of the 1977 film shot by still photographer Etienne George. Shown are director Francois Leterrier and his crew to the left on a dolly and actress Sylvia Kristel on the right in a state of semi-undress. The last film in the original "Emmanuelle" trilogy. An interior shot apparently meant to be a barn as the ground is covered with hay for a film shot on the Seychellois island of La Digue. Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. With slightly wide margins as issued. Photograph 9.5 x 12 inches image 6.25 x 10.5 inches. In an archival mat. Mild creasing at a couple of corners else Near Fine. Trinacra Films unknown
1975ref. 170771France: Arcadie Productions 1975. Collection of promotional ephemera from the 1975 French film including a program ten lobby cards and two black-and-white reference photographs. Text in French. One of ten films directed by Alain Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgängers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. Lobby cards 10: 11.5 x 9.25 inches. Very Good plus. Photographs 2: 7 x 5 inches. Near Fine. Program: 7.25 x 10.25 inches. 17 leaves. Near Fine in saddle-stapled wrappers. All material housed together in an original glassine envelope as issued. Arcadie Productions unknown
