11,064 results
ref. 160904N.p.: N.p. 1977. Early First Draft script for the seminal 1980 film here under the working title "California Girls." Copy belonging to uncredited crew member Jim Brown no relation to the actor we suspect with his name in manuscript ink on the title page. A bleak seminal coming-of-age drama about four teenage girls grappling with their families drugs and relationships in Los Angeles in the late 1970s. Adrian Lyne's directorial debut. Shot on location in San Fernando Hollywood and Los Angeles California. Blue untitled wrappers. Title page present dated Nov. 28 1977 noted as First Draft with credits for screenwriter Gerald Ayres. 138 leaves with last page of text numbered 137. Xerographiic duplication with the exception of the title page which is a carbon typescript copy rectos onl. Pages Near Fine wrapper Very Good plus bound with two gold brads. McPadden Heavy Metal Movies. McPadden Teen Movie Hell. N.p. unknown books
1955ref. 132081London: General Film Distributors GFD 1955. Collection of 4 vintage British front-of-house cards from the UK release of the 1955 US film. Based on a story by Anya Seton about a half-Apache miner and his wife who tries to bridge the cultural gaps in a mining town. 8 x 10 inches. One with moderate corner creases else Near Fine. General Film Distributors [GFD] unknown books
1985ref. 166915N.p.: N.p. 1985. Final Draft script for the 1986 film. Fred Williamson directs and stars as a cigar-smoking swaggering private investigator hired by a millionaire to find his missing niece in Europe. Set and shot on location in Cannes Los Angeles Rome and Venice. Front wrapper integral with title page dated June 3 1985 noted as FINAL DRAFT. 81 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Very Good plus with light soiling to the title page side-stapled. Moore The Good the Tough and the Deadly: Action Movies and Stars 1960s-2015. N.p. unknown
1985ref. 166915N.p.: N.p. 1985. Final Draft script for the 1986 film. Fred Williamson directs and stars as a cigar-smoking swaggering private investigator hired by a millionaire to find his missing niece in Europe. Set and shot on location in Cannes Los Angeles Rome and Venice. Front wrapper integral with title page dated June 3 1985 noted as FINAL DRAFT. 81 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Very Good plus with light soiling to the title page side-stapled. Moore The Good the Tough and the Deadly: Action Movies and Stars 1960s-2015. N.p. unknown books
1939ref. 149865Universal City CA: Universal Pictures 1939. Continuity and Dialogue script for the 1940 film. A young journalist finds himself unjustly accused of murder. White titled self-wrappers production No. 1033 dated December 19 1939 with credits for director Harold D. Shuster. Approximately 130 leaves with last page of text numbered 19. Mimeograph duplication rectos only. Pages Near Fine with tearing to the last three leaves along the top edge wrapper Very Good plus with some tearing to the back self-wrapper along the top edge bound with two gold brads along the top edge. Universal Pictures unknown
1975ref. 132840Hollywood: Paramount Pictures 1975. Vintage full-color still photograph from the 1975 US film. Gambler Ron Lewis Joe Don Baker wins a ton of money but is later robbed in the street. In self defense he kills a cop and is sentenced to 4 years of prison where he plots bloody revenge on the corrupt police force and the mayor. Location shooting was critical to the film's gritty look. The AFI catalog notes: "The film's end credits include the following information: 'Filmed Entirely on Location in The State of Tennessee.' . shooting was set to begin in mid-Jul 1973 in New Orleans LA . but filming didn't begin until 14 May 1974 in Nashville TN instead of New Orleans. . The film was also shot on locations within twenty miles of the State Capitol in Nashville TN including the capitol building itself. At Tennessee State Prison real security guards and convicts were used as extras. Governor Winfield Dunn loaned his state-owned Lear jet for a sequence filmed at Rutherford County-Smyrna Airport. Nashville's historic downtown was closed down after midnight for filming. Other locations were Radnor Lake the Starlite nightclub in north Nashville the Sheraton-South Motor Inn and Longacres the opulent estate of a local businessman." 8 x 10 inches. Pinholes else Near Fine. Paramount Pictures unknown books
1939ref. 149865Universal City CA: Universal Pictures 1939. Continuity and Dialogue script for the 1940 film. A young journalist finds himself unjustly accused of murder. White titled self-wrappers production No. 1033 dated December 19 1939 with credits for director Harold D. Shuster. Approximately 130 leaves with last page of text numbered 19. Mimeograph duplication rectos only. Pages Near Fine with tearing to the last three leaves along the top edge wrapper Very Good plus with some tearing to the back self-wrapper along the top edge bound with two gold brads along the top edge. Universal Pictures unknown books
ref. 148354Rome: Solaris Cinematografica 2000. Eighth Draft script for the 2001 television film originally aired on January 22 on Channel 5. Copy belonging to script supervisor Franca Invernizzi with her extensive manuscript annotations on nearly every page and many page versos regarding camera shots takes timing and dialogue. Bound in after the script are six pages of Invernizzi's handwritten notes. Text in Italian. Missing page 98 likely as used or issued. Based on the 1995 novel by Maria Orsini Natale. A noblewoman's adopted daughter falls in love with her foster brother causing great rifts between mother and daughter and exposing older family secrets. Set and shot on location in Naples Italy. Blue untitled wrappers. Title page present dated 5 OTTOBRE 2000 with credits for director and screenwriter Lina Wertmuller screenwriter Elvio Porta and novelist Mario Orsini Natale. 196 leaves with last page of text numbered 186. Xerographic duplication rectos only with white undated revision pages throughout. Pages Very Good plus wrapper Very Good with light soil and edgewear bound with two silver brads. Solaris Cinematografica unknown
ref. 148354Rome: Solaris Cinematografica 2000. Eighth Draft script for the 2001 television film originally aired on January 22 on Channel 5. Copy belonging to script supervisor Franca Invernizzi with her extensive manuscript annotations on nearly every page and many page versos regarding camera shots takes timing and dialogue. Bound in after the script are six pages of Invernizzi's handwritten notes. Text in Italian. Missing page 98 likely as used or issued. Based on the 1995 novel by Maria Orsini Natale. A noblewoman's adopted daughter falls in love with her foster brother causing great rifts between mother and daughter and exposing older family secrets. Set and shot on location in Naples Italy. Blue untitled wrappers. Title page present dated 5 OTTOBRE 2000 with credits for director and screenwriter Lina Wertmuller screenwriter Elvio Porta and novelist Mario Orsini Natale. 196 leaves with last page of text numbered 186. Xerographic duplication rectos only with white undated revision pages throughout. Pages Very Good plus wrapper Very Good with light soil and edgewear bound with two silver brads. Solaris Cinematografica unknown books
1953ref. 164764Universal City: Universal Pictures 1953. Vintage keybook publicity photograph from the 1953 film showing actors Donald O'Connor and Yvette Duguay. Annotations in manuscript ink on the verso. The owner of a talking mule lands a job at a newspaper in New York City and is framed for a murder while on assignment. The fourth film in the Francis the Talking Mule series. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1956ref. 164806Universal City: Universal-International 1956. Vintage publicity studio still photograph from the 1956 film. The seventh and final film in the "Francis the Talking Mule" series. The only film in the series to be directed by Charles Lamont instead of Arthur Lubin and the only film in the series to star Mickey Rooney instead of Donald O'Connor. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal-International unknown books
1956ref. 167582Universal City: Universal-International 1956. Vintage reference photograph from the 1956 film showing Mickey Rooney facing off with a knight. Printed mimeo snipe affixed to the verso. The seventh and final film in the "Francis the Talking Mule" series. The only film in the series to be directed by Charles Lamont instead of Arthur Lubin and the only film in the series to star Mickey Rooney instead of Donald O'Connor. 10 x 8 inches. Near Fine. Universal-International unknown books
1954ref. 131088Universal City CA: Universal Pictures 1954. Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson with his name in manuscript blue ink on a label affixed to the front wrapper and his annotations throughout. Carlson acted as a consultant on the military aspects of the film as the film involves Francis joining the Army going to the Pentagon etc. Salmon titled wrappers noted as Final Screenplay on the front wrapper dated February 9 1954. 157 leaves Multilith duplication with blue pink and yellow revision pages throughout dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus in a three ring binder used during production. Universal Pictures unknown
1954ref. 131088Universal City CA: Universal Pictures 1954. Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson with his name in manuscript blue ink on a label affixed to the front wrapper and his annotations throughout. Carlson acted as a consultant on the military aspects of the film as the film involves Francis joining the Army going to the Pentagon etc. Salmon titled wrappers noted as Final Screenplay on the front wrapper dated February 9 1954. 157 leaves Multilith duplication with blue pink and yellow revision pages throughout dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus in a three ring binder used during production. Universal Pictures unknown books
1973ref. 149463Amsterdam: Scorpio Films 1973. Vintage reference photograph from the 1973 Dutch film showing actors Sylvia Kristel and Hugo Metsers in an intimate moment. With a printed mimeo snipe on the verso. One of the key films of the "Dutch Wave" of the 1970s. A man can't stop himself from cheating on his beautiful wife leading her to have an affair with a mutual friend as revenge. 7 x 5 inches. Very Good plus with some soil and wear to the top edge. Scorpio Films unknown
1973ref. 149463Amsterdam: Scorpio Films 1973. Vintage reference photograph from the 1973 Dutch film showing actors Sylvia Kristel and Hugo Metsers in an intimate moment. With a printed mimeo snipe on the verso. One of the key films of the "Dutch Wave" of the 1970s. A man can't stop himself from cheating on his beautiful wife leading her to have an affair with a mutual friend as revenge. 7 x 5 inches. Very Good plus with some soil and wear to the top edge. Scorpio Films unknown books
1973ref. 1179171973 Screen, The Journal of Society for Education in Film and Television / Edinburgh Film Festival - 1973 - In-12, broché format carré, couverture illustrée - 151 pages - Illustrations et reproductions photographiques en N&B in et hors texte
1943ref. 165456Universal City: Universal Pictures 1943. Two vintage photographs of Bela Lugosi as Frankenstein's Monster for the 1943 film. One photograph with a provenance label on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. The first of Universal's "monster rally films" which incorporated seemingly disparate Universal monsters into a single narrative and the only film to feature Lugosi as the monster originally made famous by Boris Karloff in the 1931 film "Frankenstein." Accidentally revived by grave robbers"wolf man" Lawrence Talbot seeks out Dr. Frankenstein in the hopes of finding a cure only to discover the doctor has died but finds his creature still very much alive. 8 x 10 inches. Near Fine. Universal Pictures unknown
1943ref. 165456Universal City: Universal Pictures 1943. Two vintage photographs of Bela Lugosi as Frankenstein's Monster for the 1943 film. One photograph with a provenance label on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. The first of Universal's "monster rally films" which incorporated seemingly disparate Universal monsters into a single narrative and the only film to feature Lugosi as the monster originally made famous by Boris Karloff in the 1931 film "Frankenstein." Accidentally revived by grave robbers"wolf man" Lawrence Talbot seeks out Dr. Frankenstein in the hopes of finding a cure only to discover the doctor has died but finds his creature still very much alive. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1986ref. 141902N.p.: N.p. 1986. Treatment script for an unproduced film. The true story of Benjamin Franklin traveling to France after the American Revolution where he acts as a diplomat from the newly-established United States of America and he makes sure to throw around the new weight of this budding country. Set in Paris. Clear untitled wrappers. Title page present dated 1986 with credits for screenwriter Dennis Whelan. 53 leaves with last leaf of text numbered 50. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with two staples. N.p. unknown
1986ref. 141902N.p.: N.p. 1986. Treatment script for an unproduced film. The true story of Benjamin Franklin traveling to France after the American Revolution where he acts as a diplomat from the newly-established United States of America and he makes sure to throw around the new weight of this budding country. Set in Paris. Clear untitled wrappers. Title page present dated 1986 with credits for screenwriter Dennis Whelan. 53 leaves with last leaf of text numbered 50. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with two staples. N.p. unknown books
ref. 172342Burbank CA: Walt Disney Productions 1975. Shooting script for the 1976 film. Not to be confused with the 2003 remake starring Jamie Lee Curtis and Lindsay Lohan. Based on the 1972 novel by Mary Rodgers who also wrote the screenplay about a feuding mother and daughter who magically switch bodies for a day allowing each to gain sympathy for the other. A star vehicle for Jodie Foster and one of the last films before Foster began transitioning to more adult roles. Yellow titled wrappers dated July 15 1975 noted as Shooting Script and production No. 0151 on the front wrapper with credit for Rodgers. Title page integral with the first page of text noted as production No. 0151 and dated 7/15/75. 129 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrappers Very Good plus moderately faded to the edges bound internally with three gold brads. Walt Disney Productions unknown
ref. 172342Burbank CA: Walt Disney Productions 1975. Shooting script for the 1976 film. Not to be confused with the 2003 remake starring Jamie Lee Curtis and Lindsay Lohan. Based on the 1972 novel by Mary Rodgers who also wrote the screenplay about a feuding mother and daughter who magically switch bodies for a day allowing each to gain sympathy for the other. A star vehicle for Jodie Foster and one of the last films before Foster began transitioning to more adult roles. Yellow titled wrappers dated July 15 1975 noted as Shooting Script and production No. 0151 on the front wrapper with credit for Rodgers. Title page integral with the first page of text noted as production No. 0151 and dated 7/15/75. 129 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrappers Very Good plus moderately faded to the edges bound internally with three gold brads. Walt Disney Productions unknown books
1967ref. 161739N.p.: Boxoffice International 1967. Two vintage studio still photographs from the 1967 film. Provenance stamps on the verso of each. A bored suburban housewife and her French friend answer a classified ad leading to sex blackmail and whippings. Set in and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Boxoffice International unknown
1967ref. 161739N.p.: Boxoffice International 1967. Two vintage studio still photographs from the 1967 film. Provenance stamps on the verso of each. A bored suburban housewife and her French friend answer a classified ad leading to sex blackmail and whippings. Set in and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Boxoffice International unknown books
