11,064 results
1960ref. 162189Munich: Universum Film UFA 1960. Vintage borderless lobby card for the 1960 Italian film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on several short stories by Alberto Moravia. Spurred on by his girlfriend a young man in the Roman suburbs sets out to look for a day job but instead finds his mission waylaid by sensual delights. 9.25 x 11.75 inches. Very Good plus lightly edgeworn with pinholes at the corners. Universum Film [UFA] unknown
1960ref. 162189Munich: Universum Film UFA 1960. Vintage borderless lobby card for the 1960 Italian film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on several short stories by Alberto Moravia. Spurred on by his girlfriend a young man in the Roman suburbs sets out to look for a day job but instead finds his mission waylaid by sensual delights. 9.25 x 11.75 inches. Very Good plus lightly edgeworn with pinholes at the corners. Universum Film [UFA] unknown books
1956ref. 152175Burbank CA: National Broadcasting Company NBC 1956. Draft script for the 1956 television film originally aired on April 4 on NBC. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the title page and his manuscript annotations throughout. A driven executive discovers that she is being slowly poisoned and begins to suspect everyone around her of the crime including her own husband. Brown titled wrappers. Title page present undated with credits for screenwriter Robert Esson. 83 leaves with last page of text numbered 81. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. National Broadcasting Company [NBC] unknown
1956ref. 152175Burbank CA: National Broadcasting Company NBC 1956. Draft script for the 1956 television film originally aired on April 4 on NBC. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the title page and his manuscript annotations throughout. A driven executive discovers that she is being slowly poisoned and begins to suspect everyone around her of the crime including her own husband. Brown titled wrappers. Title page present undated with credits for screenwriter Robert Esson. 83 leaves with last page of text numbered 81. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. National Broadcasting Company [NBC] unknown books
1956ref. 148955Beverly Hills CA: Associated Film Releasing 1956. Vintage studio still photograph from the 1956 film showing actresses Coleen Gray and Veda Ann Borg. A US marshal investigates the mysterious death of a woman owner of a gambling house. Set in the American West. 10 x 8 inches. Near Fine. Associated Film Releasing unknown books
1970ref. 141278N.p.: N.p. 1970. Treatment script for an unproduced film. Laid in is a page from the "Independent Trade Reviews." While on their honeymoon a sailor and his Japanese wife get into an altercation with a drunk. Police intervene resulting in the wife being shot and the man sent to prison. Set in San Francisco. Gray titled wrappers. Title page present with credit for screenwriter William Kozlenko. 54 leaves with last leaf of text numbered 53. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown
1970ref. 141278N.p.: N.p. 1970. Treatment script for an unproduced film. Laid in is a page from the "Independent Trade Reviews." While on their honeymoon a sailor and his Japanese wife get into an altercation with a drunk. Police intervene resulting in the wife being shot and the man sent to prison. Set in San Francisco. Gray titled wrappers. Title page present with credit for screenwriter William Kozlenko. 54 leaves with last leaf of text numbered 53. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown books
ref. 147046N.p.: N.p. Unknown. Draft script for an unproduced film. With a single manuscript ink annotation on the front wrapper reading "99." A young man who learns he was born out of wedlock is driven to succeed in life to prove himself greater than his sullied heritage eventually becoming a prizewinning bullfighter. But his success comes at the expense of his friends and family whom he drives further and further away as he grows famous. Red titled wrappers with credits for screenwriter PETER PACKER and story credits to REGINALD LEBORG. Title page present with credits for screenwriter PETER PACKER and story credits to REGINALD LEBORG. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
ref. 147046N.p.: N.p. Unknown. Draft script for an unproduced film. With a single manuscript ink annotation on the front wrapper reading "99." A young man who learns he was born out of wedlock is driven to succeed in life to prove himself greater than his sullied heritage eventually becoming a prizewinning bullfighter. But his success comes at the expense of his friends and family whom he drives further and further away as he grows famous. Red titled wrappers with credits for screenwriter PETER PACKER and story credits to REGINALD LEBORG. Title page present with credits for screenwriter PETER PACKER and story credits to REGINALD LEBORG. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1987ref. 161007New York: Alfred A. Knopf 1987. First Edition. First Edition. INSCRIBED on the half-title page by screenwriter Michael Herr to noted bookseller Ken Hubner: "18 February / For Ken Hubner / Best / Michael Herr." A hint of toning overall else about Fine in illustrated wrappers. Alfred A. Knopf unknown
1987ref. 161007New York: Alfred A. Knopf 1987. First Edition. First Edition. INSCRIBED on the half-title page by screenwriter Michael Herr to noted bookseller Ken Hubner: "18 February / For Ken Hubner / Best / Michael Herr." A hint of toning overall else about Fine in illustrated wrappers. Alfred A. Knopf unknown books
1973ref. 161747N.p.: Times Films 1973. Two vintage studio still photographs from the US release of the 1972 French film. One photograph with two provenance stamps on the verso. Stèfanie a young nurse caring for an old man in a country villa is murdered by two men who subsequently try to get a prostitute to play her double. 8 x 10 inches. Near Fine. Times Films unknown
1973ref. 161747N.p.: Times Films 1973. Two vintage studio still photographs from the US release of the 1972 French film. One photograph with two provenance stamps on the verso. Stèfanie a young nurse caring for an old man in a country villa is murdered by two men who subsequently try to get a prostitute to play her double. 8 x 10 inches. Near Fine. Times Films unknown books
1966ref. 162177Los Angeles: Paramount Pictures 1966. Vintage lobby card for the 1966 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1964 novel by Len Deighton. A British secret agent is sent to Berlin to facilitate the defection of a Soviet Intelligence officer. Once the agent arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 14 x 11 inches. Poor with pinholes at the corners and light creasing and toning overall. Paramount Pictures unknown
1966ref. 145070Switzerland: Jovera Pictures 1966. Vintage photograph from the set of the 1966 film. With manuscript annotations on the verso. Based on the 1964 novel of the same name by Len Deighton. British secret agent Harry Palmer Michael Caine is sent to Berlin to facilitate the defection of Colonel Stok Oskar Homolka a Soviet Intelligence officer. Once Palmer arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 7 x 10 inches. Near Fine. Jovera Pictures unknown
1966ref. 162177Los Angeles: Paramount Pictures 1966. Vintage lobby card for the 1966 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1964 novel by Len Deighton. A British secret agent is sent to Berlin to facilitate the defection of a Soviet Intelligence officer. Once the agent arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 14 x 11 inches. Poor with pinholes at the corners and light creasing and toning overall. Paramount Pictures unknown books
1966ref. 145070Switzerland: Jovera Pictures 1966. Vintage photograph from the set of the 1966 film. With manuscript annotations on the verso. Based on the 1964 novel of the same name by Len Deighton. British secret agent Harry Palmer Michael Caine is sent to Berlin to facilitate the defection of Colonel Stok Oskar Homolka a Soviet Intelligence officer. Once Palmer arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 7 x 10 inches. Near Fine. Jovera Pictures unknown books
1957ref. 165095Hollywood: Paramount Pictures 1957. Vintage borderless press photograph from the set 1957 film showing actress Audrey Hepburn posing with an oversized hat. Paris agency stamp and layout annotations in manuscript pencil on the verso. Based on the unproduced musical "Wedding Bells" by screenwriter Leonard Gershe and featuring music from George and Ira Gershwin including four songs from their 1927 musical "Funny Face" though the musical and film have nothing in common beyond the title. Nominated for four Academy Awards including Best Screenplay and nominated for the Palme d'Or at Cannes. 8 x 10 inches. Very Good or better. Hirschhorn The Hollywood Musical. Paramount Pictures unknown
1957ref. 165095Hollywood: Paramount Pictures 1957. Vintage borderless press photograph from the set 1957 film showing actress Audrey Hepburn posing with an oversized hat. Paris agency stamp and layout annotations in manuscript pencil on the verso. Based on the unproduced musical "Wedding Bells" by screenwriter Leonard Gershe and featuring music from George and Ira Gershwin including four songs from their 1927 musical "Funny Face" though the musical and film have nothing in common beyond the title. Nominated for four Academy Awards including Best Screenplay and nominated for the Palme d'Or at Cannes. 8 x 10 inches. Very Good or better. Hirschhorn The Hollywood Musical. Paramount Pictures unknown books
1967ref. 150122Culver City CA: Columbia Pictures 1967. Vintage reference photograph of choreographer and director of musical numbers Herbert Ross with a line of 15 girls in bikinis from the casting of the 1968 film. Ross had previously worked with Streisand in her Broadway debut in "I Can Get It for You Wholesale" 1962. 1967 "Columbia Pictures Corp." stamp on verso. Based on the 1964 musical with music by Julie Stein lyrics by Bob Merrill and book by Isobel Lennart which was based on Lennart's 1964 biography detailing the life of Broadway star Fanny Brice and her tumultuous relationship with playboy Nick Arnstein. Lennart also adapted the work for the screen. The film debut of Barbra Streisand reprising her Tony nominated Broadway role. Streisand would go on to win an Academy Award for Best Actress and the film would be nominated for seven others including Best Supporting Actress for Kay Medford and Best Picture. Set in New York shot on location in California New York and New Jersey. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1967ref. 150122Culver City CA: Columbia Pictures 1967. Vintage reference photograph of choreographer and director of musical numbers Herbert Ross with a line of 15 girls in bikinis from the casting of the 1968 film. Ross had previously worked with Streisand in her Broadway debut in "I Can Get It for You Wholesale" 1962. 1967 "Columbia Pictures Corp." stamp on verso. Based on the 1964 musical with music by Julie Stein lyrics by Bob Merrill and book by Isobel Lennart which was based on Lennart's 1964 biography detailing the life of Broadway star Fanny Brice and her tumultuous relationship with playboy Nick Arnstein. Lennart also adapted the work for the screen. The film debut of Barbra Streisand reprising her Tony nominated Broadway role. Streisand would go on to win an Academy Award for Best Actress and the film would be nominated for seven others including Best Supporting Actress for Kay Medford and Best Picture. Set in New York shot on location in California New York and New Jersey. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1960ref. 140912Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Collection of six full-color vintage lobby cards from the 1960 film. From one perspective a fairly one-dimensional representation-perhaps even a caricature-of Beat culture but culturally fascinating in that it was made at the height of the Beat era with A-list talent by a top studio and until Walter Salles' 2012 adaptation of "On the Road" was the only feature-length film ever made from a Kerouac novel. Kerouac was paid $15000 by MGM for the rights to the book and bought his first home with the proceeds on Long Island. A film that rarely screened today and has never been available on any kind of home viewing format. While its perspective on the actual Beat scene may be skewed or wildly misinterpreted it is nonetheless important as an interpretation of Kerouac's world from the outside looking in. Shot on location in San Francisco California. 17 x 13 inches. Very Good with pin holes and a manuscript ink notation to the recto of one lobby card. Metro-Goldwyn-Mayer [MGM] unknown
1960ref. 140912Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Collection of six full-color vintage lobby cards from the 1960 film. From one perspective a fairly one-dimensional representation-perhaps even a caricature-of Beat culture but culturally fascinating in that it was made at the height of the Beat era with A-list talent by a top studio and until Walter Salles' 2012 adaptation of "On the Road" was the only feature-length film ever made from a Kerouac novel. Kerouac was paid $15000 by MGM for the rights to the book and bought his first home with the proceeds on Long Island. A film that rarely screened today and has never been available on any kind of home viewing format. While its perspective on the actual Beat scene may be skewed or wildly misinterpreted it is nonetheless important as an interpretation of Kerouac's world from the outside looking in. Shot on location in San Francisco California. 17 x 13 inches. Very Good with pin holes and a manuscript ink notation to the recto of one lobby card. Metro-Goldwyn-Mayer [MGM] unknown books
1958ref. 166167N.p.: N.p. 1958. Draft script for the 1958 British comedy copy belonging to Art Director George Provis with the annotation of his name along the top edge of the front wrapper with manuscript pencil annotations on four pages. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Sequel to the 1958 British film "Up the Creek" also directed by Val Guest and starring David Tomlinson and Peter Sellers. Sellers was unable to appear in the sequel because of scheduling conflicts with another film. When the Navy frigate the "Aristotle" is sold to a fictitious Middle Eastern power the ship's bosun played by Frankie Howerd sells tickets for the voyage as a luxury cruise unbeknownst to the Captain. Shot on location in Portland Harbour England. Pink titled wrappers. Title page present with credits for screenwriters Val Guest John Warren and Len Heath. 199 leaves with last page of text numbered 195. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads. N.p. unknown
1958ref. 166167N.p.: N.p. 1958. Draft script for the 1958 British comedy copy belonging to Art Director George Provis with the annotation of his name along the top edge of the front wrapper with manuscript pencil annotations on four pages. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Sequel to the 1958 British film "Up the Creek" also directed by Val Guest and starring David Tomlinson and Peter Sellers. Sellers was unable to appear in the sequel because of scheduling conflicts with another film. When the Navy frigate the "Aristotle" is sold to a fictitious Middle Eastern power the ship's bosun played by Frankie Howerd sells tickets for the voyage as a luxury cruise unbeknownst to the Captain. Shot on location in Portland Harbour England. Pink titled wrappers. Title page present with credits for screenwriters Val Guest John Warren and Len Heath. 199 leaves with last page of text numbered 195. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads. N.p. unknown books
