10,264 results
1967ref. 151601N.p.: N.p. 1967. Vintage contact sheet from the 1967 film showing 36 images of actress Raquel Welch sporting a bandolier and cowboy hat. Two brothers are pursued by a posse after robbing a bank and taking a widow as hostage but accidentally flee into a territory controlled by a gang of violent Mexican bandoleros. Set in Texas shot on location in Arizona Texas and Utah. 8.25 x 10.5 inches. Near Fine. Pitts 237. N.p. unknown books
1968ref. 171042N.p.: N.p. 1968. Vintage vernacular color photograph of Dean Martin director Andrew V. McLaglen and uncredited camera operator Al Meyers on the set of the 1968 film. Photograph belonging to uncredited camera operator Myers with pencil annotations in Myers' hand on the verso noting the title McLaglen and Martin and "with Bill Clothier 19" William H. Clothier was the director of photography who Myers worked under. British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958. Two brothers are pursued by a posse after robbing a bank and taking a widow as hostage but accidentally flee into a territory controlled by a gang of violent Mexican bandoleros. Set in Texas shot on location in Arizona Texas and Utah. 8 x 10 inches mounted to a heavy stock paper. Very Good plus with faint spotting and light edgewear see image. Pitts 237. N.p. unknown
1968ref. 171042N.p.: N.p. 1968. Vintage vernacular color photograph of Dean Martin director Andrew V. McLaglen and uncredited camera operator Al Meyers on the set of the 1968 film. Photograph belonging to uncredited camera operator Myers with pencil annotations in Myers' hand on the verso noting the title McLaglen and Martin and "with Bill Clothier 19" William H. Clothier was the director of photography who Myers worked under. British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958. Two brothers are pursued by a posse after robbing a bank and taking a widow as hostage but accidentally flee into a territory controlled by a gang of violent Mexican bandoleros. Set in Texas shot on location in Arizona Texas and Utah. 8 x 10 inches mounted to a heavy stock paper. Very Good plus with faint spotting and light edgewear see image. Pitts 237. N.p. unknown books
1973ref. 141286Los Angeles: Filmways 1973. Draft script for an unproduced film. Based on the 1971 novel by Jack Curtis about a Kansas farm boy with a big heart who grows up and becomes a crime boss. Set in Kansas. Blue titled wrappers. Title page present dated December 27 1973 with credits for screenwriter Dennis Shryack and author Jack Curtis. 140 leaves with last page of text numbered 138. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Filmways unknown
1973ref. 141286Los Angeles: Filmways 1973. Draft script for an unproduced film. Based on the 1971 novel by Jack Curtis about a Kansas farm boy with a big heart who grows up and becomes a crime boss. Set in Kansas. Blue titled wrappers. Title page present dated December 27 1973 with credits for screenwriter Dennis Shryack and author Jack Curtis. 140 leaves with last page of text numbered 138. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Filmways unknown books
1967ref. 169559Rome: Fotografica Pierluigi 1967. Two vintage borderless reference photographs from the 1968 film both showing director Roger Vadim with cast and crew members on the set. Fotografica Pierluigi stamps on the versos along with layout annotations in manuscript ink and pencil. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space and shot in Rome. 7 x 9.5 inches. Very Good plus. Vogel Film as a Subversive Art. Fotografica Pierluigi unknown
1967ref. 168996Paris: Magnum 1967. Vintage borderless double weight reference photograph of Jane Fonda from the 1968 film with a "David Hurn-magnum" photographer's stamp on the verso. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space and shot in Rome. 10.5 x 8.25 inches. Near Fine. Vogel Film as a Subversive Art. Magnum unknown
1968ref. 160678N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing actress Jane Fonda nude underneath a blanket of moss and feathers. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space shot on location in Rome. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown
1968ref. 150474N.p.: N.p. 1968. Vintage borderless double weight reference photograph of Jane Fonda and Roger Vadim on the set of the 1968 film. Photographer Alfonso Avincola stamp on verso. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space and shot on location in Rome. 8 x 10.5 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown
1968ref. 160678N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing actress Jane Fonda nude underneath a blanket of moss and feathers. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space shot on location in Rome. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown books
1967ref. 152491Paris: Pier Luigi 1967. Vintage oversize borderless double weight reference photograph of director Roger Vadim actor Honey Autumm a crew member and an extra from the set of the 1968 film. Shot by still photographer Emilio Lari with his stamp on the verso as well layout annotations in manuscript pencil and stamps reading "Noir & Blanc" "APIS-PARIS." Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space and shot in Rome. 9.5 x 11.75 inches. Light edgewear else Near Fine. Vogel Film as a Subversive Art. Pier Luigi unknown books
1968ref. 150474N.p.: N.p. 1968. Vintage borderless double weight reference photograph of Jane Fonda and Roger Vadim on the set of the 1968 film. Photographer Alfonso Avincola stamp on verso. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space and shot on location in Rome. 8 x 10.5 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown books
1967ref. 168996Paris: Magnum 1967. Vintage borderless double weight reference photograph of Jane Fonda from the 1968 film with a "David Hurn-magnum" photographer's stamp on the verso. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space and shot in Rome. 10.5 x 8.25 inches. Near Fine. Vogel Film as a Subversive Art. Magnum unknown books
1967ref. 169559Rome: Fotografica Pierluigi 1967. Two vintage borderless reference photographs from the 1968 film both showing director Roger Vadim with cast and crew members on the set. Fotografica Pierluigi stamps on the versos along with layout annotations in manuscript ink and pencil. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space and shot in Rome. 7 x 9.5 inches. Very Good plus. Vogel Film as a Subversive Art. Fotografica Pierluigi unknown books
1991ref. 163986N.p.: N.p. 1991. Early Revised Draft script for the 1993 television film. From the archive of crew member Chris Scher. Based on the 1989 book by Bryan Burrough and John Helyar. A satirical depiction of F. Ross Johnson CEO of RJR Nabisco and his attempts at buying the company leading to leveraged buyouts and bidding wars. Nominated for nine Primetime Emmy Awards winner of Best Picture. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Untitled Rastar wrappers. Title page present dated 1 November 1991 noted as REVISED with credits for screenwriter Larry Gelbart. 112 leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1992ref. 163897N.p.: N.p. 1992. Revised Draft script for the 1993 television film. From the archive of crew member Chris Scher. Based on the 1989 book by Bryan Burrough and John Helyar. The CEO of Nabisco tries to buy out his own company not anticipating the massive bidding war that ensues. Tied with Stalin 1992 for the Primetime Emmy for Outstanding Made for Television Movie. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Lavender untitled wrappers. Title page present dated 31 March 1992 noted as REVISED with credits for screenwriter Larry Gelbart. 126 leaves with last page of text numbered 115. Xerogrpahic duplication rectos only with rainbow revision pages throughout dated variously between March 13 1992 and March 31 1992. Pages Near Fine some with slight damp staining wrapper Very Good plus bound with two gold brads. N.p. unknown
1991ref. 163986N.p.: N.p. 1991. Early Revised Draft script for the 1993 television film. From the archive of crew member Chris Scher. Based on the 1989 book by Bryan Burrough and John Helyar. A satirical depiction of F. Ross Johnson CEO of RJR Nabisco and his attempts at buying the company leading to leveraged buyouts and bidding wars. Nominated for nine Primetime Emmy Awards winner of Best Picture. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Untitled Rastar wrappers. Title page present dated 1 November 1991 noted as REVISED with credits for screenwriter Larry Gelbart. 112 leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
1992ref. 163897N.p.: N.p. 1992. Revised Draft script for the 1993 television film. From the archive of crew member Chris Scher. Based on the 1989 book by Bryan Burrough and John Helyar. The CEO of Nabisco tries to buy out his own company not anticipating the massive bidding war that ensues. Tied with Stalin 1992 for the Primetime Emmy for Outstanding Made for Television Movie. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Lavender untitled wrappers. Title page present dated 31 March 1992 noted as REVISED with credits for screenwriter Larry Gelbart. 126 leaves with last page of text numbered 115. Xerogrpahic duplication rectos only with rainbow revision pages throughout dated variously between March 13 1992 and March 31 1992. Pages Near Fine some with slight damp staining wrapper Very Good plus bound with two gold brads. N.p. unknown books
1935ref. 139849Los Angeles: Samuel Goldwyn Company 1935. Vintage studio still photograph from the 1935 film. Miriam Hopkins plays Mary Rutledge a widow who begins working at the roulette wheel of a pub in San Francisco. She is tirelessly pursued by the club's owner and she in turn pursues one of the clientele a wealthy gold miner. A love triangle ensues with rather violent consequences. Shot on location in California. 8 x 10 inches. Good with creasing overall pin holes to the cornerssoiling to the verso and a small closed tear to the right margin. Samuel Goldwyn Company unknown books
1974ref. 141125N.p.: N.p. 1974. Draft script for an unproduced film. In the American West an evangelical preacher establishes a movement of free love and kindness to other people but many people find his ideas radical believing that he has started a cult. Black titled wrappers. Title page present dated 1974 with credit for screenwriter J.H.Clay. 110 leaves with last page of text numbered 6. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Pagination available upon request. N.p. unknown
1974ref. 141125N.p.: N.p. 1974. Draft script for an unproduced film. In the American West an evangelical preacher establishes a movement of free love and kindness to other people but many people find his ideas radical believing that he has started a cult. Black titled wrappers. Title page present dated 1974 with credit for screenwriter J.H.Clay. 110 leaves with last page of text numbered 6. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Pagination available upon request. N.p. unknown books
1967ref. 171801N.p.: N.p. 1967. Four vintage transparencies from the 1967 film. Adapted for the screen by Neil Simon from his 1963 play about newlyweds: he of course a cautious reserved lawyer and her obviously a carefree spontaneous young woman trying to make it work in a tiny apartment in Greenwich Village. Mildred Natwick received a nomination for Best Supporting Actress for her role in the film. 4 x 5 inches. Near Fine. N.p. unknown
1967ref. 171801N.p.: N.p. 1967. Four vintage transparencies from the 1967 film. Adapted for the screen by Neil Simon from his 1963 play about newlyweds: he of course a cautious reserved lawyer and her obviously a carefree spontaneous young woman trying to make it work in a tiny apartment in Greenwich Village. Mildred Natwick received a nomination for Best Supporting Actress for her role in the film. 4 x 5 inches. Near Fine. N.p. unknown books
1986ref. 162487N.p.: Cannon Films 1986. Shooting script for the 1987 film. Annotation noting copy No. 62 in manuscript ink on the first leaf. Last three pages of script pages 109-111 is a epilogue "Background Bar Talk" a series of two character jokes and dialogue "to be barely heard if needed in various bar scenes." Largely based on screenwriter Charles Bukowski's life in Hollywood during the 1970s about a misanthropic alcoholic Bukowski's literary alter-ego Henry Chinaski who spends his evenings drinking at a dreary Los Angeles watering hole where he enjoys a romance with fellow barfly Wanda. Bukowski published the screenplay with illustrations by the author in 1984 while the film was still pending production. Nominated for the Palme d'Or. Set and shot on location in Los Angeles California. With no wrappers presumably as issued. Title page present dated 12 August 1986 noted as SHOOTING SCRIPT with credits for screenwriter Bukowski and director Barbet Schroeder. 117 leaves with last page of text numbered 111. Xerographic duplication on green stock rectos only. Pages Very Good plus moderately soiled on first and last leaves with first leaf detached from the binding partially bound with a single gold brad. Cannon Films unknown
1986ref. 162487N.p.: Cannon Films 1986. Shooting script for the 1987 film. Annotation noting copy No. 62 in manuscript ink on the first leaf. Last three pages of script pages 109-111 is a epilogue "Background Bar Talk" a series of two character jokes and dialogue "to be barely heard if needed in various bar scenes." Largely based on screenwriter Charles Bukowski's life in Hollywood during the 1970s about a misanthropic alcoholic Bukowski's literary alter-ego Henry Chinaski who spends his evenings drinking at a dreary Los Angeles watering hole where he enjoys a romance with fellow barfly Wanda. Bukowski published the screenplay with illustrations by the author in 1984 while the film was still pending production. Nominated for the Palme d'Or. Set and shot on location in Los Angeles California. With no wrappers presumably as issued. Title page present dated 12 August 1986 noted as SHOOTING SCRIPT with credits for screenwriter Bukowski and director Barbet Schroeder. 117 leaves with last page of text numbered 111. Xerographic duplication on green stock rectos only. Pages Very Good plus moderately soiled on first and last leaves with first leaf detached from the binding partially bound with a single gold brad. Cannon Films unknown books
