10,264 results
1963ref. 163783N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 film showing actors Jeanne Moreau and Claude Mann. Stamp of photographer Agnès Varda film director and wife of Jacques Demy on the verso. Varda and director Jacques Demy were married from 1962 until Demy's death in 1990. While vacationing in Nice a quiet young bank employee begins an affair with a gambler whose addiction and despair mirrors his own. Set and shot on location in Alpes-Maritimes Val-d'Oise and Paris France and in and Monte Carlo Monaco. 9.5 x 6.5 inches. Near Fine. Criterion Collection 715. N.p. unknown
1963ref. 151019N.p.: N.p. 1963. Three vintage reference photographs from the 1963 film two borderless photographs of Jeanne Moreau and Claude Mann and one photograph of Jacques Demy and Moreau on the set of the film. One with provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. A young bank employee Jean encouraged by his friend to try gambling decides to vacation in Nice where he meets and begins an affair with the beautiful Jackie a gambling addict whose addiction masks an emptiness and despair. Set in and shot on location in Alpes-Maritimes Val-d'Oise and Paris France and Monte Carlo Monaco. 2 8.75 x 7 inches 1 8 x 10 inches. One with faint creasing else Near Fine. Criterion Collection 715. N.p. unknown
1963ref. 163783N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 film showing actors Jeanne Moreau and Claude Mann. Stamp of photographer Agnès Varda film director and wife of Jacques Demy on the verso. Varda and director Jacques Demy were married from 1962 until Demy's death in 1990. While vacationing in Nice a quiet young bank employee begins an affair with a gambler whose addiction and despair mirrors his own. Set and shot on location in Alpes-Maritimes Val-d'Oise and Paris France and in and Monte Carlo Monaco. 9.5 x 6.5 inches. Near Fine. Criterion Collection 715. N.p. unknown books
1963ref. 151019N.p.: N.p. 1963. Three vintage reference photographs from the 1963 film two borderless photographs of Jeanne Moreau and Claude Mann and one photograph of Jacques Demy and Moreau on the set of the film. One with provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. A young bank employee Jean encouraged by his friend to try gambling decides to vacation in Nice where he meets and begins an affair with the beautiful Jackie a gambling addict whose addiction masks an emptiness and despair. Set in and shot on location in Alpes-Maritimes Val-d'Oise and Paris France and Monte Carlo Monaco. 2 8.75 x 7 inches 1 8 x 10 inches. One with faint creasing else Near Fine. Criterion Collection 715. N.p. unknown books
1964ref. 131832London: Three Kings Films 1964. Draft script for the 1965 film. With several substantive manuscript emendations to dialogue throughout. A British "teen" comedy with a title that borrows the title and spirit of Conrad Hilton's 1957 autobiography. A family inherits a seaside hotel and has trouble filling it up until their son's rock group begins bringing in the crowds. One of several British films from the mid-sixties which offered the added inducement of a guest appearance by "The Killer" Jerry Lee Lewis who had more success in the UK than the USA after marrying his teenage cousin in 1958. Magenta titled wrappers with a die-cut title window in the British style. Title page present dated 6-11-64 in manuscript pencil with credits for screenwriter and composer Fairhurst. 108 leaves mechanical duplication on eye-rest green stock with pink revision pages throughout dated 23.11.64. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Three Kings Films unknown
1964ref. 131832London: Three Kings Films 1964. Draft script for the 1965 film. With several substantive manuscript emendations to dialogue throughout. A British "teen" comedy with a title that borrows the title and spirit of Conrad Hilton's 1957 autobiography. A family inherits a seaside hotel and has trouble filling it up until their son's rock group begins bringing in the crowds. One of several British films from the mid-sixties which offered the added inducement of a guest appearance by "The Killer" Jerry Lee Lewis who had more success in the UK than the USA after marrying his teenage cousin in 1958. Magenta titled wrappers with a die-cut title window in the British style. Title page present dated 6-11-64 in manuscript pencil with credits for screenwriter and composer Fairhurst. 108 leaves mechanical duplication on eye-rest green stock with pink revision pages throughout dated 23.11.64. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Three Kings Films unknown books
1969ref. 147024Burbank CA: Warner Brothers / Seven Arts 1969. Six vintage temporary tattoos issued as a promotional item for the 1969 film by the beloved but short-lived film studio Warner Brothers-Seven Arts. With both the original envelope housing the tattoos and a Warner Brothers-Seven Arts mailing envelope addressed to film critic photographer and poet Michael S. Dworkin. The decals shown in reverse here for the sake of readability are inspired by the designs for the tattoos sported by actor Rod Steiger in the film with the promotional copy inviting the recipient to "be your own illustrated man." The only example we have encountered unsurprising given the temporary nature of the item. Based on three short stories from Bradbury's acclaimed collection "The Veldt" "The Long Rain" and "The Last Night of the World." Tattoos variously sized between 4.25 x 5.75 and 8.75 x 4 inches. All but one of the tissue guards are still fully attached. Bright and Near Fine. Promotional envelope 5.25 x 10 inches. Chip to the envelope flap and some bruising from having been opened else Near Fine. Warner Brothers / Seven Arts unknown
1969ref. 147024Burbank CA: Warner Brothers / Seven Arts 1969. Six vintage temporary tattoos issued as a promotional item for the 1969 film by the beloved but short-lived film studio Warner Brothers-Seven Arts. With both the original envelope housing the tattoos and a Warner Brothers-Seven Arts mailing envelope addressed to film critic photographer and poet Michael S. Dworkin. The decals shown in reverse here for the sake of readability are inspired by the designs for the tattoos sported by actor Rod Steiger in the film with the promotional copy inviting the recipient to "be your own illustrated man." The only example we have encountered unsurprising given the temporary nature of the item. Based on three short stories from Bradbury's acclaimed collection "The Veldt" "The Long Rain" and "The Last Night of the World." Tattoos variously sized between 4.25 x 5.75 and 8.75 x 4 inches. All but one of the tissue guards are still fully attached. Bright and Near Fine. Promotional envelope 5.25 x 10 inches. Chip to the envelope flap and some bruising from having been opened else Near Fine. Warner Brothers / Seven Arts unknown books
1954ref. 132553Beverly Hills CA: Waterlow and Sons / United Artists 1954. Eight vintage full-color British front-of-house cards from the UK release of the 1954 US film. Based on Richard G. Hubler's 1946 novel "I've Got Mine" about two soldiers on a Japanese-occupied island during World War II. A true survival tale as the soldiers must escort a scientist and his daughter to the other side of the island where their ship awaits. Filmed in Hawaii and Los Angeles. 8 x 10 inches. Near Fine. Waterlow and Sons / United Artists unknown
1954ref. 132553Beverly Hills CA: Waterlow and Sons / United Artists 1954. Eight vintage full-color British front-of-house cards from the UK release of the 1954 US film. Based on Richard G. Hubler's 1946 novel "I've Got Mine" about two soldiers on a Japanese-occupied island during World War II. A true survival tale as the soldiers must escort a scientist and his daughter to the other side of the island where their ship awaits. Filmed in Hawaii and Los Angeles. 8 x 10 inches. Near Fine. Waterlow and Sons / United Artists unknown books
1970ref. 140743N.p.: N.p. 1970. Treatment script for an unproduced television series. Beans is the chauffeur secret agent Jedediah Norris a beautiful young woman who is in graduate school and adopted from Vietnam during the war by her father a black man named Tom Callahan. She is also a gourmet chef and is in desperate love with her boss but he only seems to notice her when she goofs. All the while she is an aspiring television star hoping to work in show business one day. Set in San Francisco. Yellow untitled wrappers. Title page present with credits for screenwriter Ezra Bowen. 26 leaves with last page of text numbered 25. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1970ref. 140743N.p.: N.p. 1970. Treatment script for an unproduced television series. Beans is the chauffeur secret agent Jedediah Norris a beautiful young woman who is in graduate school and adopted from Vietnam during the war by her father a black man named Tom Callahan. She is also a gourmet chef and is in desperate love with her boss but he only seems to notice her when she goofs. All the while she is an aspiring television star hoping to work in show business one day. Set in San Francisco. Yellow untitled wrappers. Title page present with credits for screenwriter Ezra Bowen. 26 leaves with last page of text numbered 25. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1971ref. 159768Dover DE: Echelon Studios 1971. Vintage studio still photograph from "Powderkeg" the feature-length pilot for the 1971 television series. A man holds a train hostage to try and force a stop on his brother's execution by the US government. Set in the American West shot on location in Arizona. 10 x 8 inches. Near Fine. Echelon Studios unknown books
1954ref. 150117N.p.: Romulus Films 1954. Vintage reference photograph of Humphrey Bogart on the set of the 1953 film. Two mimeo snipes affixed to the verso. Loosely based on the 1951 novel by Claud Cockburn shot as a parody of Huston's 1941 classic "The Maltese Falcon." One of the inscrutable films ever made viewed today variously as a cipher a long literary joke a Hollywood film or a bunch of famous folk on vacation with cameras rolling. In truth probably all of those things. But film noir to the hilt. Set in Europe shot on location in Italy in Ravello south of Naples Italy and nearby at Palazzo Ruffolo Palazzo Confalone and the Villa Cimbrone. Some second unit shooting and retakes were later done in the UK. 8 x 10 inches. Very Good plus with some creasing and several pinholes in margins and three very small chips on top edge. Ebert II. Grant US. Romulus Films unknown
1954ref. 150117N.p.: Romulus Films 1954. Vintage reference photograph of Humphrey Bogart on the set of the 1953 film. Two mimeo snipes affixed to the verso. Loosely based on the 1951 novel by Claud Cockburn shot as a parody of Huston's 1941 classic "The Maltese Falcon." One of the inscrutable films ever made viewed today variously as a cipher a long literary joke a Hollywood film or a bunch of famous folk on vacation with cameras rolling. In truth probably all of those things. But film noir to the hilt. Set in Europe shot on location in Italy in Ravello south of Naples Italy and nearby at Palazzo Ruffolo Palazzo Confalone and the Villa Cimbrone. Some second unit shooting and retakes were later done in the UK. 8 x 10 inches. Very Good plus with some creasing and several pinholes in margins and three very small chips on top edge. Ebert II. Grant US. Romulus Films unknown books
1969ref. 146891Unknown: I.P.C. Pictures 1969. Draft script for the 1971 film here under the working title "The Catcher in the Raw." At a California hot springs resort a shady therapist helps eight carefully selected applicants find themselves and "experience their bodies" a process which mostly involves consuming large amounts of LSD meditative screaming and slow-motion basketball games. Louis Garfinkle's sole directorial credit and an excellent example of the intersection of early 1970s wellness culture and sexploitation. Set in California. Brown titled wrappers. Title page present dated 1969 with credits for director Louis Garfinkle. 136 leaves with last page of text numbered 133. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. I.P.C. Pictures unknown
1969ref. 146891Unknown: I.P.C. Pictures 1969. Draft script for the 1971 film here under the working title "The Catcher in the Raw." At a California hot springs resort a shady therapist helps eight carefully selected applicants find themselves and "experience their bodies" a process which mostly involves consuming large amounts of LSD meditative screaming and slow-motion basketball games. Louis Garfinkle's sole directorial credit and an excellent example of the intersection of early 1970s wellness culture and sexploitation. Set in California. Brown titled wrappers. Title page present dated 1969 with credits for director Louis Garfinkle. 136 leaves with last page of text numbered 133. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. I.P.C. Pictures unknown books
1996ref. 156630N.p.: PPCM Photo Press Agency 1996. Five vintage studio still photographs from the French release of the 1996 animated comedy film. Based on the satirical 1990s animated television series created by Mike Judge about the misadventures of two apathetic teenage slackers. Followed by a 2022 sequel "Beavis and Butt-Head Do the Universe." 10 x 8 inches. Near Fine. PPCM Photo Press Agency unknown
1996ref. 156630N.p.: PPCM Photo Press Agency 1996. Five vintage studio still photographs from the French release of the 1996 animated comedy film. Based on the satirical 1990s animated television series created by Mike Judge about the misadventures of two apathetic teenage slackers. Followed by a 2022 sequel "Beavis and Butt-Head Do the Universe." 10 x 8 inches. Near Fine. PPCM Photo Press Agency unknown books
1973ref. 161525N.p.: International Coproductions 1973. Vintage studio still photograph from the 1973 film with a provenance stamp on the verso. Film debut of actress Sylvia Kristel. Based on the 1963 novel by Nicolas Freeling the second in his Van der Valk series. A gang of wealthy young men break into a couple's house and rape the wife forcing the husband to watch. A dogged police inspector is determined to identify the men and bring them to justice. Set in and shot on location in the Netherlands. 8 x 10 inches. Near Fine. International Coproductions unknown
1973ref. 161525N.p.: International Coproductions 1973. Vintage studio still photograph from the 1973 film with a provenance stamp on the verso. Film debut of actress Sylvia Kristel. Based on the 1963 novel by Nicolas Freeling the second in his Van der Valk series. A gang of wealthy young men break into a couple's house and rape the wife forcing the husband to watch. A dogged police inspector is determined to identify the men and bring them to justice. Set in and shot on location in the Netherlands. 8 x 10 inches. Near Fine. International Coproductions unknown books
1963ref. 146394Hollywood: Paramount Pictures 1963. Revised Draft script for the 1964 film. With a few manuscript pencil annotations throughout mostly relating to line revisions and props. Based on the 1959 French play by Jean Anouilh. King Henry II's malcontent relationship with the Church leads to the appointment of his close friend Thomas Becket as the Archbishop of Canterbury. Henry does not anticipate however how seriously Becket will take the vocation leading to the dissolution of their friendship in the face of Becket's rising political power. Nominated for eleven Academy Awards winning one for Best Adapted Screenplay. Set in England and France. Beige titled wrappers. Title page present dated 12th February 1963 noted as REVISED. 157 leaves with last page of text numbered 155. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus with some rusting near the binding bound internally with three silver brads. Paramount Pictures unknown
1964ref. 133050Hollywood: Paramount Pictures 1964. Original Pressbook for the 1964 film. Unique for a pressbook with a folding front page and a coloring contest to have been used as a herald by distributors. Based on Jean Anouilh's 1959 play. Winner of an Academy Award for Best Screenplay and nominated for 11 more including Best Picture Best Director and twice for Best Actor. It would be the first of two times O'Toole was nominated for portraying Henry II the other being in 1968 for "The Lion in Winter." 18 pages saddle-stapled 12.25 x 15 inches. Rust to the staples else Near Fine. Paramount Pictures unknown books
1963ref. 146394Hollywood: Paramount Pictures 1963. Revised Draft script for the 1964 film. With a few manuscript pencil annotations throughout mostly relating to line revisions and props. Based on the 1959 French play by Jean Anouilh. King Henry II's malcontent relationship with the Church leads to the appointment of his close friend Thomas Becket as the Archbishop of Canterbury. Henry does not anticipate however how seriously Becket will take the vocation leading to the dissolution of their friendship in the face of Becket's rising political power. Nominated for eleven Academy Awards winning one for Best Adapted Screenplay. Set in England and France. Beige titled wrappers. Title page present dated 12th February 1963 noted as REVISED. 157 leaves with last page of text numbered 155. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus with some rusting near the binding bound internally with three silver brads. Paramount Pictures unknown books
1935ref. 139830Culver City CA: RKO Radio Pictures 1935. Three vintage studio still photographs from the 1935 film. Based on William Makepeace Thackeray's 1848 novel "Vanity Fair." Based on Thackeray's classic novel the film was the first feature length film to be shot with the three-strip Technicolor technique. However the poorly written script made the film rather unsuccessful commercially. Miriam Hopkins was nominated for Best Actress in a Leading Role for her performance. 10 x 8 inches. Very Good with light creasing overall black manuscript annotations to the verso and a small tan piece of paper affixed to the verso of image BS-73. Images vary slightly in size due to cropping. RKO Radio Pictures unknown books
