10,264 results
1977ref. 147064N.p.: N.p. 1977. First Edition. First Edition publicity manual reminiscent in content to a press kit but with much more detail. Produced by Dino De Laurentiis to advertise legendary Swedish director Ingmar Bergman and his psychological drama "The Serpent's Egg" 1976. Profusely photo-illustrated with over 60 black and white images including film stills and on the set photography of Bergman and other actors at work. Black comb bound wrappers with titles in green. Very Good plus with light rubbing and soil on the front and rear wrapper. Approximately 120 pages. N.p. unknown books
1963ref. 146913N.p.: Estree Distributors 1963. Vintage borderless photograph of Sarah Miles and Joseph Losey on the set of the 1963 film. Crop annotations in manuscript marker on recto crop annotations in manuscript pencil and "Theo Cowan LTD" and "Paris-Presse" stamps and 1 1/4" mimeo snipe on the verso. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a servant-becomes-master tale but goes beyond what could have been a mediocre finish and journeys into the psyche and personal problems of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set in and shot on location in London. 7.5 x 9.75 inches. Very Good plus some faint creasing. Estree Distributors unknown
1963ref. 149757N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 British film showing director Joseph Losey watching a scene between actors James Fox and Wendy Craig. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a familiar servant-becomes-master tale but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set and shot on location in London. 10 x 8 inches. Very Good plus with light wear to the corners. Spicer UK. N.p. unknown
1963ref. 151273N.p.: N.p. 1963. Vintage reference photograph from the 1963 film noir. A wonderful fourth wall version of the film's most classic shot only this one including cinematographer Douglas Slocombe director Joseph Losey actor James Fox not in the original scene and a crew member adjusting the chandelier all in the reverse mirror image. From the archive of film historian and author Joel Finler. The first of director Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a familiar servant-becomes-master tale but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set and shot on location in London. 8 x 10 inches. Very Good plus with light wear to the corners. Spicer UK. N.p. unknown
1963ref. 149757N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 British film showing director Joseph Losey watching a scene between actors James Fox and Wendy Craig. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a familiar servant-becomes-master tale but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set and shot on location in London. 10 x 8 inches. Very Good plus with light wear to the corners. Spicer UK. N.p. unknown books
1963ref. 146913N.p.: Estree Distributors 1963. Vintage borderless photograph of Sarah Miles and Joseph Losey on the set of the 1963 film. Crop annotations in manuscript marker on recto crop annotations in manuscript pencil and "Theo Cowan LTD" and "Paris-Presse" stamps and 1 1/4" mimeo snipe on the verso. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a servant-becomes-master tale but goes beyond what could have been a mediocre finish and journeys into the psyche and personal problems of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set in and shot on location in London. 7.5 x 9.75 inches. Very Good plus some faint creasing. Estree Distributors unknown books
1963ref. 151273N.p.: N.p. 1963. Vintage reference photograph from the 1963 film noir. A wonderful fourth wall version of the film's most classic shot only this one including cinematographer Douglas Slocombe director Joseph Losey actor James Fox not in the original scene and a crew member adjusting the chandelier all in the reverse mirror image. From the archive of film historian and author Joel Finler. The first of director Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a familiar servant-becomes-master tale but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set and shot on location in London. 8 x 10 inches. Very Good plus with light wear to the corners. Spicer UK. N.p. unknown books
1971ref. 162479N.p.: Gulf-United Productions 1971. Vintage studio still photograph from the 1971 film here under the alternate release title "3 on a Waterbed." Provenance stamp on the verso. A famous actor hires a sex worker and locks her in a hotel room for three days as part of an "experiment." Shot on location in Florida. 8 x 10 inches. Very Good plus with wax pencil layout annotations in the margins of the recto and light creasing to the extremities. Gulf-United Productions unknown
1971ref. 162479N.p.: Gulf-United Productions 1971. Vintage studio still photograph from the 1971 film here under the alternate release title "3 on a Waterbed." Provenance stamp on the verso. A famous actor hires a sex worker and locks her in a hotel room for three days as part of an "experiment." Shot on location in Florida. 8 x 10 inches. Very Good plus with wax pencil layout annotations in the margins of the recto and light creasing to the extremities. Gulf-United Productions unknown books
1956ref. 132407Hollywood: Paramount Pictures 1956. Collection of 4 vintage full-color British front-of-house cards from the UK release of the 1955 US film. A musical romp about a solo Vaudeville entertainer who marries an Italian ballerina and the seven children they have together. 8 x 10 inches. Light toning else Near Fine. Paramount Pictures unknown books
1993ref. 147073Los Angeles: Orbit Entertainment 1993. Draft script for the 1993 film here under the working title "Cross Bait." After being accidentally given an invaluable coin from the age of King Herod while traveling through Jerusalem an Arabic boy and an American teenager travel across Israel to protect the treasure from a British man obsessed with procuring the coin by any means. Set and shot in Jerusalem. Pink untitled wrappers. Title page present with credits for screenwriters Dror Soref and Howard Delman. 127 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good plus wrapper Good lightly dampstained and soiled bound with three gold brads. Orbit Entertainment unknown
1982ref. 138021N.p.: Self published 1982. Early Draft script for the 1993 film "The Seventh Coin" here under the working title "King Herod's Children" dated a full decade before the film's release. Credited on the title page to Kikuo Kawasaki for an original concept. An Arab boy Chowdhry meets a beautiful American tourist Powers in modern-day Jerusalem. By accident the two are entrusted to guard a valuable coin dating back to King Herod but they must defend themselves and the coin from a no-good villain O'Toole. Red titled wrappers. Title page present dated 1982 with credits for screenwriters Delman and Soref and concept person Kawasaki. 128 leaves with last page of text numbered 126. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Self published unknown
1993ref. 147073Los Angeles: Orbit Entertainment 1993. Draft script for the 1993 film here under the working title "Cross Bait." After being accidentally given an invaluable coin from the age of King Herod while traveling through Jerusalem an Arabic boy and an American teenager travel across Israel to protect the treasure from a British man obsessed with procuring the coin by any means. Set and shot in Jerusalem. Pink untitled wrappers. Title page present with credits for screenwriters Dror Soref and Howard Delman. 127 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good plus wrapper Good lightly dampstained and soiled bound with three gold brads. Orbit Entertainment unknown books
1982ref. 138021N.p.: Self published 1982. Early Draft script for the 1993 film "The Seventh Coin" here under the working title "King Herod's Children" dated a full decade before the film's release. Credited on the title page to Kikuo Kawasaki for an original concept. An Arab boy Chowdhry meets a beautiful American tourist Powers in modern-day Jerusalem. By accident the two are entrusted to guard a valuable coin dating back to King Herod but they must defend themselves and the coin from a no-good villain O'Toole. Red titled wrappers. Title page present dated 1982 with credits for screenwriters Delman and Soref and concept person Kawasaki. 128 leaves with last page of text numbered 126. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Self published unknown books
1976ref. 164365N.p.: Danton Films 1976. Vintage one sheet poster for a double-bill of the 1968 and circa 1976 films circa 1976. An amusing pairing of two obscure exploitation films released as a double-bill by Danton Films one of the more memorable sexploitation and Gridnouse production companies of the 1970s circa 1976. "The Sex Shuffle" from 1968 is an exploitation film shot in Texas of hippie orgies drug use and body painting. The second film "Teenage She-Wolves" circa 1976 is largely undocumented except for a few newspaper ads from 1976-1979 and a favorable review in the April 26 1979 "Toronto Star" which describes the film as a Faustian fable set in Mexico in which a Vietnam veteran trades his soul to save the life of the woman he loves. 28 x 39.5 inches. Very Good with two R-rating labels over the recto a 1.5 inch chip to the lower left side a small open tear to the top left corner and repairs to pinholes and starting at the creases on the verso with linen tape and cello tape. Danton Films unknown
1976ref. 164365N.p.: Danton Films 1976. Vintage one sheet poster for a double-bill of the 1968 and circa 1976 films circa 1976. An amusing pairing of two obscure exploitation films released as a double-bill by Danton Films one of the more memorable sexploitation and Gridnouse production companies of the 1970s circa 1976. "The Sex Shuffle" from 1968 is an exploitation film shot in Texas of hippie orgies drug use and body painting. The second film "Teenage She-Wolves" circa 1976 is largely undocumented except for a few newspaper ads from 1976-1979 and a favorable review in the April 26 1979 "Toronto Star" which describes the film as a Faustian fable set in Mexico in which a Vietnam veteran trades his soul to save the life of the woman he loves. 28 x 39.5 inches. Very Good with two R-rating labels over the recto a 1.5 inch chip to the lower left side a small open tear to the top left corner and repairs to pinholes and starting at the creases on the verso with linen tape and cello tape. Danton Films unknown books
1965ref. 149469New York: Wiliam Mishkin Motion Pictures 1965. Vintage studio still photograph from the 1965 film. With a provenance stamp on the verso. Three theatre bigwigs discuss their most recent project prominently featuring aspiring actress Liz Adams who has slept her way to the top of the Broadway money chain. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly edgeworn to the bottom right corner. Wiliam Mishkin Motion Pictures unknown
1965ref. 149469New York: Wiliam Mishkin Motion Pictures 1965. Vintage studio still photograph from the 1965 film. With a provenance stamp on the verso. Three theatre bigwigs discuss their most recent project prominently featuring aspiring actress Liz Adams who has slept her way to the top of the Broadway money chain. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly edgeworn to the bottom right corner. Wiliam Mishkin Motion Pictures unknown books
1965ref. 149476Chicago: Esquire 1965. Vintage studio still photograph from the 1965 film. With the stamp of R.I.C. Productions in Brussels on the verso. A so-called modeling agency in New York City secretly operates as an undercover prostitution ring. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly creased and edgeworn. Esquire unknown
1965ref. 149476Chicago: Esquire 1965. Vintage studio still photograph from the 1965 film. With the stamp of R.I.C. Productions in Brussels on the verso. A so-called modeling agency in New York City secretly operates as an undercover prostitution ring. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly creased and edgeworn. Esquire unknown books
1967ref. 151964N.p.: N.p. 1967. First Draft script for an unproduced film. Laid in with the script is a brief typed letterdated May 14 1968 addressed to agent Irene Heymann introducing the script. A cold-hearted mob boss is jailed on a vagrancy charge and seeks vengeance upon his release. Screenwriter Sy Bartlett worked as a screenwriter and producer for four decades most notably co-writing "Sergeant Murphy" 1938 and "13 Rue Madeleine" 1946 and producing "Cape Fear" 1962. Blue titled wrappers noted as First Draft and Production No. 8864 dated February 17 1967 with credits for screenwriter Sy Bartlett. Title page present dated February 17 1967 with credits for screenwriter Sy Bartlett. 147 leaves with last page of text numbered 144. Mimeograph duplication rectos only. Pages Very Good plus with light creasing and wear to page 142 wrapper Very Good plus lightly soiled and edgeworn bound with three gold brads. N.p. unknown
1957ref. 125414Culver City CA: Columbia Pictures 1957. Vintage pressbook for the 1957 film. Betty Garrett plays a woman being held hostage by three thugs who have just killed her employer and whose son shocked catatonic by seeing his mother being terrorized helps lead her husband and the police to find her. Eight pages saddle stapled 12 x 16 inches. Near Fine with a manuscript ink notation on the front wrapper. Grant US. Selby US. Spicer US. Columbia Pictures unknown books
1967ref. 151964N.p.: N.p. 1967. First Draft script for an unproduced film. Laid in with the script is a brief typed letterdated May 14 1968 addressed to agent Irene Heymann introducing the script. A cold-hearted mob boss is jailed on a vagrancy charge and seeks vengeance upon his release. Screenwriter Sy Bartlett worked as a screenwriter and producer for four decades most notably co-writing "Sergeant Murphy" 1938 and "13 Rue Madeleine" 1946 and producing "Cape Fear" 1962. Blue titled wrappers noted as First Draft and Production No. 8864 dated February 17 1967 with credits for screenwriter Sy Bartlett. Title page present dated February 17 1967 with credits for screenwriter Sy Bartlett. 147 leaves with last page of text numbered 144. Mimeograph duplication rectos only. Pages Very Good plus with light creasing and wear to page 142 wrapper Very Good plus lightly soiled and edgeworn bound with three gold brads. N.p. unknown books
ref. 163896Hollywood: Mépris Films / Pretty Pictures 2001. Revised Draft script for the 2003 film. Working copy belonging to director and producer Neil LaBute annotated throughout bound in a three-ring binder with numerous production documents including handwritten shot sequences color photos contact sheets shooting and post-production schedules and location and vendor lists. Laid in with the binder are three borderless wardrobe test photographs of actor Paul Rudd in costume an additional white set of revision pages a manuscript shot breakdown in LaBute's hand and three xerographically duplicated images of Rudd with a prosthetic neck. Laid into the front of the binder is a full-page newspaper advertisement for LaBute's play. Based on the 2001 play written by LaBute. A pitch-black comedy about a frumpy literature major whose personality and appearance begins to change as he is wooed by a beautiful graduate art student. Title page present dated December 12 2001 with credit for LaBute. 134 leaves with last page of text numbered 112. Xerographic duplication rectos only with blue yellow and pink revision pages throughout dated variously between January 21 and February 8 2002. Pages Near Fine binder Near Fine. Mépris Films / Pretty Pictures unknown
ref. 163896Hollywood: Mépris Films / Pretty Pictures 2001. Revised Draft script for the 2003 film. Working copy belonging to director and producer Neil LaBute annotated throughout bound in a three-ring binder with numerous production documents including handwritten shot sequences color photos contact sheets shooting and post-production schedules and location and vendor lists. Laid in with the binder are three borderless wardrobe test photographs of actor Paul Rudd in costume an additional white set of revision pages a manuscript shot breakdown in LaBute's hand and three xerographically duplicated images of Rudd with a prosthetic neck. Laid into the front of the binder is a full-page newspaper advertisement for LaBute's play. Based on the 2001 play written by LaBute. A pitch-black comedy about a frumpy literature major whose personality and appearance begins to change as he is wooed by a beautiful graduate art student. Title page present dated December 12 2001 with credit for LaBute. 134 leaves with last page of text numbered 112. Xerographic duplication rectos only with blue yellow and pink revision pages throughout dated variously between January 21 and February 8 2002. Pages Near Fine binder Near Fine. Mépris Films / Pretty Pictures unknown books
