David T Chantler (screenwriter)Biblio.com
10,264 results
1978ref. 140768Los Angeles: H. N. Swanson 1978. Draft script for an unproduced film. With three pages of synopsis laid-in. Peter Conrad is a successful American defense attorney and he is on a tour of Europe revisiting places he had seen during World War II places where his friends died. He ends up in Sicily where he hopes to reconnect with a young woman he met during the war. He finds her but she has been promised to another and amidst a backdrop of Mafia activity he vows to win her over and prove his true Sicilian heritage. Set in Sicily. Black titled wrappers with credits for screenwriter David Chantler. Title page present with credits for screenwriter David T. Chantler. 141 leaves with last page of text numbered 140. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. H. N. Swanson unknown
1969ref. 146156N.p.: Les Productions Fox Europa 1969. Vintage borderless photograph of Henri Verneuil and Lino Ventura on the set of the 1969 film. French "Le Clan Des Siciliens" stamp and crop annotations in manuscript ink on the verso. Based on the 1967 novel by Auguste Le Breton about a small Mafia family planning to steal a collection of diamonds while being pursued by a police commission. With a film score by the great Italian composer Ennio Morricone. Shot on location in Rome Italy and Paris. 9.25 x 6.5 inches. Very Good plus transparent manuscript marker to corners light creasing and faint scratches to the recto from annotations on the verso. Les Productions Fox Europa unknown
1969ref. 144739Paris: Fox Europa 1969. Vintage borderless photograph of Jean Gabin and Alain Delon from the 1969 neo-noir film. With manuscript annotations and agency stamps on the verso. Based on the 1967 novel by Auguste Le Breton about a small Mafia family planning to steal a collection of diamonds while being pursued by a police commission. With a film score by the great Italian composer Ennio Morricone. Shot on location in Rome Italy and Paris. 12 x 8 inches. Near Fine. Grant Worldwide. Fox Europa unknown
1969ref. 159011N.p.: Les Productions Fox Europa 1969. Vintage studio still photograph from the 1969 French film noir. Provenance stamp on the verso. Based on the 1967 novel by Auguste Le Breton. A small Mafia family plans to steal a collection of diamonds while being pursued by a police commissioner. Set and shot on location in Rome New York and Paris. 10 x 8 inches. Near Fine. Grant US. Lee The Heist Film. Les Productions Fox Europa unknown books
1969ref. 144739Paris: Fox Europa 1969. Vintage borderless photograph of Jean Gabin and Alain Delon from the 1969 neo-noir film. With manuscript annotations and agency stamps on the verso. Based on the 1967 novel by Auguste Le Breton about a small Mafia family planning to steal a collection of diamonds while being pursued by a police commission. With a film score by the great Italian composer Ennio Morricone. Shot on location in Rome Italy and Paris. 12 x 8 inches. Near Fine. Grant Worldwide. Fox Europa unknown books
1969ref. 149633Paris: Fox Europa 1969. Vintage borderless reference photograph from the 1969 French film showing director Henri Verneuil actor Alain Delon and other members of the cast and crew on a constructed set used for the airplane flight sequence in the film. With two provenance stamps on the verso. Based on the 1967 novel by Auguste Le Breton about a small Mafia family planning to steal a collection of diamonds while being pursued by a police commissioner. Set and shot on location in Rome New York and Paris. 9 x 6.5 inches. Very Good plus lightly creased throughout. Grant US. Lee The Heist Film. Fox Europa unknown books
1969ref. 146156N.p.: Les Productions Fox Europa 1969. Vintage borderless photograph of Henri Verneuil and Lino Ventura on the set of the 1969 film. French "Le Clan Des Siciliens" stamp and crop annotations in manuscript ink on the verso. Based on the 1967 novel by Auguste Le Breton about a small Mafia family planning to steal a collection of diamonds while being pursued by a police commission. With a film score by the great Italian composer Ennio Morricone. Shot on location in Rome Italy and Paris. 9.25 x 6.5 inches. Very Good plus transparent manuscript marker to corners light creasing and faint scratches to the recto from annotations on the verso. Les Productions Fox Europa unknown books
1978ref. 140768Los Angeles: H. N. Swanson 1978. Draft script for an unproduced film. With three pages of synopsis laid-in. Peter Conrad is a successful American defense attorney and he is on a tour of Europe revisiting places he had seen during World War II places where his friends died. He ends up in Sicily where he hopes to reconnect with a young woman he met during the war. He finds her but she has been promised to another and amidst a backdrop of Mafia activity he vows to win her over and prove his true Sicilian heritage. Set in Sicily. Black titled wrappers with credits for screenwriter David Chantler. Title page present with credits for screenwriter David T. Chantler. 141 leaves with last page of text numbered 140. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. H. N. Swanson unknown books
1963ref. 149582London: Gala Film Distributors 1963. Eight vintage series contact print photographs from the 1963 film. Three images per print amounting to 24 complete images. Two estranged sisters Ester and Anna and Anna's 10-year-old son travel to an unnamed Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka. The third in a series of thematically related films by Bergman following "Through a Glass Darkly" 1961 and "Winter Light" 1963. Set and shot on location in Dalarnas Ian Sweden. 3.75 x 8.75 inches. Very Good plus. Criterion Collection 211. Ebert III. Gala Film Distributors unknown
1964ref. 148813New York: Janus Films 1964. Collection of thirteen vintage studio still photographs from the US release of the 1963 Swedish film. Three with mimeo snipe and "R.R. Stuart Collection" stamp on the verso. The third entry in Ingmar Bergman's trilogy of faith and redemption preceded by "Through A Glass Darkly" 1961 and "Winter Light"1963. A stark and enigmatic allegory fueled by subtle performances from Ingrid Thulin and Gunnel Lindblom. Ester Thulin a translator and intellectual suffering from a terminal disease is traveling home with her younger resentful sister Anna Linblom and Anna's son Johan Jorgen Lindstrom when they stop in the town of Timoka in a fictional European county on the brink of war with an unknown dialect. After they check into a nearly empty hotel with the exception of a group of Spanish dwarves in a traveling show Anna leaves and has an affair with a waiter as Johan wanders the hallways. Regarded as one of the most sexually provocative films of its day. 8 x 10 inches. Three with faint even fading one with pinholes to corners one with a small closed tear in top margin else Near Fine. Criterion Collection 211. Ebert III. Janus Films unknown
1949ref. 163331N.p.: N.p. 1949. Vintage reference photograph from the 1949 film showing director Jean-Pierre Melville and a camera crew capturing a scene with Nicole Stéphane and Jean-Marie Robain. Provenance stamp and annotations in manuscript ink on the verso. Based on the 1949 novel by Jean Bruller writing as Vercors. In occupied France a young woman and her uncle are forced to give shelter to a German lieutenant and silently agree to endure the man's presence by refusing to acknowledge him for the duration of his stay. Melville's feature film debut. 10 x 8 inches. Very Good plus with a light crease at the bottom left corner reinforced with paper tape on the verso. Criterion Collection 755. Grant France. N.p. unknown
1964ref. 148813New York: Janus Films 1964. Collection of thirteen vintage studio still photographs from the US release of the 1963 Swedish film. Three with mimeo snipe and "R.R. Stuart Collection" stamp on the verso. The third entry in Ingmar Bergman's trilogy of faith and redemption preceded by "Through A Glass Darkly" 1961 and "Winter Light"1963. A stark and enigmatic allegory fueled by subtle performances from Ingrid Thulin and Gunnel Lindblom. Ester Thulin a translator and intellectual suffering from a terminal disease is traveling home with her younger resentful sister Anna Linblom and Anna's son Johan Jorgen Lindstrom when they stop in the town of Timoka in a fictional European county on the brink of war with an unknown dialect. After they check into a nearly empty hotel with the exception of a group of Spanish dwarves in a traveling show Anna leaves and has an affair with a waiter as Johan wanders the hallways. Regarded as one of the most sexually provocative films of its day. 8 x 10 inches. Three with faint even fading one with pinholes to corners one with a small closed tear in top margin else Near Fine. Criterion Collection 211. Ebert III. Janus Films unknown books
1963ref. 149582London: Gala Film Distributors 1963. Eight vintage series contact print photographs from the 1963 film. Three images per print amounting to 24 complete images. Two estranged sisters Ester and Anna and Anna's 10-year-old son travel to an unnamed Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka. The third in a series of thematically related films by Bergman following "Through a Glass Darkly" 1961 and "Winter Light" 1963. Set and shot on location in Dalarnas Ian Sweden. 3.75 x 8.75 inches. Very Good plus. Criterion Collection 211. Ebert III. Gala Film Distributors unknown books
1949ref. 163331N.p.: N.p. 1949. Vintage reference photograph from the 1949 film showing director Jean-Pierre Melville and a camera crew capturing a scene with Nicole Stéphane and Jean-Marie Robain. Provenance stamp and annotations in manuscript ink on the verso. Based on the 1949 novel by Jean Bruller writing as Vercors. In occupied France a young woman and her uncle are forced to give shelter to a German lieutenant and silently agree to endure the man's presence by refusing to acknowledge him for the duration of his stay. Melville's feature film debut. 10 x 8 inches. Very Good plus with a light crease at the bottom left corner reinforced with paper tape on the verso. Criterion Collection 755. Grant France. N.p. unknown books
1985ref. 141905N.p.: N.p. 1985. Draft script for an unproduced film. A Black man and his son struggle to survive in Apartheid-era South Africa where they find themselves constantly at odds with white society whether at the hands of questioning police the disrespect Mogane faces when he is promoted to foreman at his job and his son struggling to earn respect and money for hard work out on the streets. Set in South Africa. White titled self wrappers dated August 19 1985. Title page present dated August 19 1985 noted as Revised First Draft with credits for screenwriter Adam Rodman. 127 leaves with last page of text numbered 126. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1985ref. 141905N.p.: N.p. 1985. Draft script for an unproduced film. A Black man and his son struggle to survive in Apartheid-era South Africa where they find themselves constantly at odds with white society whether at the hands of questioning police the disrespect Mogane faces when he is promoted to foreman at his job and his son struggling to earn respect and money for hard work out on the streets. Set in South Africa. White titled self wrappers dated August 19 1985. Title page present dated August 19 1985 noted as Revised First Draft with credits for screenwriter Adam Rodman. 127 leaves with last page of text numbered 126. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1978ref. 135472N.p.: Carolco 1978. Collection of 3 vintage black-and-white studio still photographs from the 1978 film. 8 x 10 inches. Near Fine condition. Carolco unknown books
1960ref. 151136London: J. Arthur Rank 1960. Shooting script for the 1961 film. Laid in with the script is a 36-leaf gathering of revision pages on pink stock bound with a single staple on the top left corner dated 5.4.60. Based on the 1953 novel by Audrey Erskine Lindop. A Catholic priest is sent to establish a parish in a rural Mexican town under the control of a ruthless but educated bandit. Set in Mexico shot on location in Spain. Blue titled wrappers noted as SHOOTING SCRIPT on the front wrapper dated 15-3-60. Title page present noted as SHOOTING SCRIPT dated 18th March 1960 with credits for screenwriter Nigel Balchin. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown
1960ref. 151136London: J. Arthur Rank 1960. Shooting script for the 1961 film. Laid in with the script is a 36-leaf gathering of revision pages on pink stock bound with a single staple on the top left corner dated 5.4.60. Based on the 1953 novel by Audrey Erskine Lindop. A Catholic priest is sent to establish a parish in a rural Mexican town under the control of a ruthless but educated bandit. Set in Mexico shot on location in Spain. Blue titled wrappers noted as SHOOTING SCRIPT on the front wrapper dated 15-3-60. Title page present noted as SHOOTING SCRIPT dated 18th March 1960 with credits for screenwriter Nigel Balchin. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown books
1965ref. 151469Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1966 film. Specially bound copy belonging to actress Juanita Moore bound in full red leather with twelve reference photographs from the film tipped in and containing two inscriptions from actress Debbie Reynolds. The first inscription by Reynolds on the verso of the first leaf in manuscript ink is "Juanita I Love you! You are the greatest! My deepest Thanks Love Debbie" the second on a the recto of a photograph of Reynolds and Moore from the film in manuscript marker and making reference to Reynold's character is "What feeling! What a face! What an actress! What a great Lady! Your Fan Sister Ann." A fanciful biography on the life of Belgian nun Jeanine Deckers who recorded the number one hit pop song "Dominique" in 1963. Nominated for an Academy Award. Set in and shot on location in Gent Belgium. Red full leather binding with gilt titles and with actor Juanita Moore's name in gilt at the bottom right corner of the front board. Title page integral with first page dated 9-2-65. 150 leaves with last page of text numbered "130-135." Mimeograph duplication rectos only with pink blue green and gray revision pages throughout dated variously between 11-4-65 and 11-24-65. Pages Near Fine wrapper Very Good with front wrapper detached. Metro-Goldwyn-Mayer [MGM] unknown
1965ref. 151469Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1966 film. Specially bound copy belonging to actress Juanita Moore bound in full red leather with twelve reference photographs from the film tipped in and containing two inscriptions from actress Debbie Reynolds. The first inscription by Reynolds on the verso of the first leaf in manuscript ink is "Juanita I Love you! You are the greatest! My deepest Thanks Love Debbie" the second on a the recto of a photograph of Reynolds and Moore from the film in manuscript marker and making reference to Reynold's character is "What feeling! What a face! What an actress! What a great Lady! Your Fan Sister Ann." A fanciful biography on the life of Belgian nun Jeanine Deckers who recorded the number one hit pop song "Dominique" in 1963. Nominated for an Academy Award. Set in and shot on location in Gent Belgium. Red full leather binding with gilt titles and with actor Juanita Moore's name in gilt at the bottom right corner of the front board. Title page integral with first page dated 9-2-65. 150 leaves with last page of text numbered "130-135." Mimeograph duplication rectos only with pink blue green and gray revision pages throughout dated variously between 11-4-65 and 11-24-65. Pages Near Fine wrapper Very Good with front wrapper detached. Metro-Goldwyn-Mayer [MGM] unknown books
1969ref. 160971N.p.: N.p. 1969. Collection of eleven vintage borderless color reference photographs from the 1969 Italian sexploitation film. Faced with a broken marriage a woman decides to try to rekindle her incestuous relationship with her younger sister who is herself happily married to a wealthy older man. 9.25 x 7 inches. Fine. N.p. unknown
1969ref. 160971N.p.: N.p. 1969. Collection of eleven vintage borderless color reference photographs from the 1969 Italian sexploitation film. Faced with a broken marriage a woman decides to try to rekindle her incestuous relationship with her younger sister who is herself happily married to a wealthy older man. 9.25 x 7 inches. Fine. N.p. unknown books
1939ref. 132529London: Films in London Publications 1939. Vintage black-and-white still photograph from the 1939 UK release of the 1938 US film. Distributors rubber-stamps on the verso. Based on the Myron Brinig novel about three sisters who are considered the most desirable young women in a tiny town in Montana and the troubled marriages each faces. 8 x 10 inches with no borders as issued. Faint discoloration at the center of the recto see image else Near Fine. Films in London Publications unknown books
1950ref. 132397Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1950. Vintage black-and-white still photograph of Robert Walker and Joan Leslie from the 1950 film. Based on Reader's Digest articles written by Commander W. J. Lederer co-author of "The Ugly American" 1958 about a naval commander who applied military discipline at home when taking over the housework for his injured wife. 8 x 10 inches. A couple of light creases else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
