11,160 results
1957ref. 138551Culver City CA: Columbia Pictures 1957. Vintage reference photograph of Jean Seberg from the 1957 film. An image we have never seen. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1958ref. 162537N.p.: N.p. 1958. Two vintage reference photographs taken on the set of the 1958 film one showing a car scene with actress Jean Seberg and a camera crew the other showing Seberg in shorts and a button-down shirt examining several books and what appears to be a script. One photograph with the stamp of photographer Michel Brodsky on the verso the other with the stamp of Columbia International. Based on the 1954 novel by Francoise Sagan. A teenage girl feels her comfortable life begin to change when her widowed father proposes to his girlfriend and the girl becomes determined to end their relationship. Set and shot on location in Saint-Tropez France. One photograph 8.25 x 5 inches the other photograph 8 x 10 inches. About Very Good plus smaller photograph wavy along the top edge larger photograph lightly faded and edgeworn. Godard Histoires du cinema. Twilight Time. N.p. unknown
1958ref. 153860Culver City CA: Columbia Pictures 1958. Vintage reference photograph taken on the set of the 1958 film showing a car scene with actors Mylene Demongeot David Niven and Jean Seberg while a camera crew captures the shot in the foreground. With a provenance stamp to the verso. Based on the 1954 novel by Francoise Sagan. A teenage girl feels her comfortable life begin to change when her widowed father proposes to his girlfriend and the girl becomes determined to end their relationship. Set and shot on location in Saint-Tropez France. 7.25 x 8 inches. Near Fine. Godard Histoires du cinema. Twilight Time. Columbia Pictures unknown
1958ref. 139533Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily manuscript description of the scene on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown
1989ref. 135643Burbank CA: Warner Brothers 1989. Two original screenplays for the 1990 film one being a First Draft 1988 and the other a Second Revised Draft 1989. Brief annotations in manuscript ink on the title page of the second script. Director De Palma's unfortunate box-office flop based on Tom Wolfe's first novel. Sherman McCoy Hanks the "master of the universe" is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin Griffith. One day the two find themselves in the South Bronx where Maria sees a black youth approaching so frightened she guns the engine and runs him over killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow Willis anxious for a story hears about the incident through a local black community activist. Once the story is out the end is inevitable for Sherman. Set in New York shot on location there and in California. De Palma would return to independent filmmaking with his next effort the creepy horror film "Raising Cain" 1992 starring John Lithgow. First Draft script: White wrappers. Title page present dated October 1 1988 noted as FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe.163 leaves with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. Second Revised Draft script; Yellow wrappers. Title page present dated October 12 1989 December 15 1989 in manuscript ink just above the printed date noted as SECOND REVISED FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves with last page of text numbered 152. Xerographic duplication with pink blue green and yellow revision pages throughout dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1989ref. 135643Burbank CA: Warner Brothers 1989. Two original screenplays for the 1990 film one being a First Draft 1988 and the other a Second Revised Draft 1989. Brief annotations in manuscript ink on the title page of the second script. Director De Palma's unfortunate box-office flop based on Tom Wolfe's first novel. Sherman McCoy Hanks the "master of the universe" is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin Griffith. One day the two find themselves in the South Bronx where Maria sees a black youth approaching so frightened she guns the engine and runs him over killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow Willis anxious for a story hears about the incident through a local black community activist. Once the story is out the end is inevitable for Sherman. Set in New York shot on location there and in California. De Palma would return to independent filmmaking with his next effort the creepy horror film "Raising Cain" 1992 starring John Lithgow. First Draft script: White wrappers. Title page present dated October 1 1988 noted as FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe.163 leaves with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. Second Revised Draft script; Yellow wrappers. Title page present dated October 12 1989 December 15 1989 in manuscript ink just above the printed date noted as SECOND REVISED FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves with last page of text numbered 152. Xerographic duplication with pink blue green and yellow revision pages throughout dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1961ref. 131821London: Foxwarren-Elthea / Hemisphere Pictures 1961. Draft British script for the 1961 film "Bomb in the High Street" seen here as "Bomb in High Street." An elaborate and highly entertaining British thriller in which a Nazi-era bomb is found in an English town. A bomb squad is called in but the men in the squad are not who they seem and the ultimate goal is revealed to be a bank heist. Tall red titled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Simcoe. 68 leaves mechanical duplication on eye-rest green stock. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Foxwarren-Elthea / Hemisphere Pictures unknown books
1961ref. 131821London: Foxwarren-Elthea / Hemisphere Pictures 1961. Draft British script for the 1961 film "Bomb in the High Street" seen here as "Bomb in High Street." An elaborate and highly entertaining British thriller in which a Nazi-era bomb is found in an English town. A bomb squad is called in but the men in the squad are not who they seem and the ultimate goal is revealed to be a bank heist. Tall red titled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Simcoe. 68 leaves mechanical duplication on eye-rest green stock. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Foxwarren-Elthea / Hemisphere Pictures unknown
1984ref. 165396N.p.: N.p. 1984. Draft script for the 1984 film. Copy belonging to costume designer Jane Hamilton with her annotations in manuscript pencil throughout the first 13 leaves all relating to costuming. Included with the script are multiple gatherings of manuscript and xerographically duplicated leaves relating to costuming including measurements of actors and extras in the film details for specific scenes and lists of props and period costumes needed. In the 1920s a young woman embarks on a worldwide journey of sexual exploration determining to lose her virginity and ultimately find her ideal lover. Shot on location in Andalucía Spain and in Hampshire England. Housed in a three-ring green binder. 121 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good plus. N.p. unknown books
1984ref. 165396N.p.: N.p. 1984. Draft script for the 1984 film. Copy belonging to costume designer Jane Hamilton with her annotations in manuscript pencil throughout the first 13 leaves all relating to costuming. Included with the script are multiple gatherings of manuscript and xerographically duplicated leaves relating to costuming including measurements of actors and extras in the film details for specific scenes and lists of props and period costumes needed. In the 1920s a young woman embarks on a worldwide journey of sexual exploration determining to lose her virginity and ultimately find her ideal lover. Shot on location in Andalucía Spain and in Hampshire England. Housed in a three-ring green binder. 121 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good plus. N.p. unknown
1963ref. 161557N.p.: Box Office Spectaculars 1963. Three vintage studio still photographs from the 1963 film. One photograph with a provenance stamp on the verso. Al and Bob are two businessmen who decide they could make there own "nudie cutie" movie better than the ones they've seen until everything goes wrong. Shot on location in Barrington Illinois. 8 x 10 inches. Very Good plus with light edgewear one with a crease to the far right corner and one with faint creasing in the right margins. Box Office Spectaculars unknown books
1963ref. 161557N.p.: Box Office Spectaculars 1963. Three vintage studio still photographs from the 1963 film. One photograph with a provenance stamp on the verso. Al and Bob are two businessmen who decide they could make there own "nudie cutie" movie better than the ones they've seen until everything goes wrong. Shot on location in Barrington Illinois. 8 x 10 inches. Very Good plus with light edgewear one with a crease to the far right corner and one with faint creasing in the right margins. Box Office Spectaculars unknown
1962ref. 141261Los Angeles: H. N. Swanson 1962. Third Draft script for an unproduced film. Police receive a suicide call and head to the scene only to find the caller shooting wildly at anyone who tries to approach him. To make matters worse police discover one of the building's other inhabitants has declared that he plans to use his homemade bomb to destroy the building and everyone in it. Set in New York City. Tan titled wrappers. Title page present dated September 14 1962 noted as Third Draft with credit for screenwriter David P. Harmon. 147 leaves with last page of text numbered 146. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. H. N. Swanson unknown books
1962ref. 140839Los Angeles: H. N. Swanson 1962. Third Draft script for an unproduced film. Police receive a call on a scorcher of an early morning that someone in a apartment building will be killing themselves. They arrive on the scene to find the caller with a gun and shooting wildly at anyone who begins to walk up the steps to him. A sick boy is trapped on the same floor as him as well as an adulterous couple and an old couple content to die. The boy is revealed to have a bottle of nitroglycerine and plans to take out the whole building at 5:30 am on July 16th to make the occasion of the first atomic bomb leaving the police in a race against time to figure out how to diffuse the situation. Set in New York City. Gray titled wrappers. Title page present dated September 14 1962 noted as Third Draft with credits for screenwriter David Harmon. 141 leaves with last page of text numbered 146. Mechanical duplication with blue revision pages throughout dated variously between September 24 1962 and September 25 1962. Pages Near Fine wrapper Near Fine bound with two gold brads. H. N. Swanson unknown books
1962ref. 140748Los Angeles: H. N. Swanson 1962. Third Draft script for an unproduced film. With one page Typed Letter Signed to agent Paul Kohner laid in. Police receive a call early on a hot summer morning from someone in an apartment building is trying to commit suicide. They arrive on the scene to find the caller with a gun and shooting wildly at anyone who begins to walk up the steps toward him. A sick boy is trapped on the same floor as the shooter as well as an adulterous couple and an old couple content to die. The shooter is revealed to have a bottle of nitroglycerine and plans to take out the whole building at 5:30 am on July 16th to commemorate the occasion of the first atomic bomb test leaving the police in a race against time to figure out how to defuse the situation. Set in New York City. White titled wrappers. Title page present dated September 14 1962 noted as Third Draft with credits for screenwriter David Harmon. 141 leaves with last page of text numbered 146. Mechanical duplication with blue revision pages throughout dated variously between September 24 1962 and September 25 1962. Pages Near Fine wrapper Near Fine bound with two gold brads. H. N. Swanson unknown books
1962ref. 141261Los Angeles: H. N. Swanson 1962. Third Draft script for an unproduced film. Police receive a suicide call and head to the scene only to find the caller shooting wildly at anyone who tries to approach him. To make matters worse police discover one of the building's other inhabitants has declared that he plans to use his homemade bomb to destroy the building and everyone in it. Set in New York City. Tan titled wrappers. Title page present dated September 14 1962 noted as Third Draft with credit for screenwriter David P. Harmon. 147 leaves with last page of text numbered 146. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. H. N. Swanson unknown
1962ref. 140839Los Angeles: H. N. Swanson 1962. Third Draft script for an unproduced film. Police receive a call on a scorcher of an early morning that someone in a apartment building will be killing themselves. They arrive on the scene to find the caller with a gun and shooting wildly at anyone who begins to walk up the steps to him. A sick boy is trapped on the same floor as him as well as an adulterous couple and an old couple content to die. The boy is revealed to have a bottle of nitroglycerine and plans to take out the whole building at 5:30 am on July 16th to make the occasion of the first atomic bomb leaving the police in a race against time to figure out how to diffuse the situation. Set in New York City. Gray titled wrappers. Title page present dated September 14 1962 noted as Third Draft with credits for screenwriter David Harmon. 141 leaves with last page of text numbered 146. Mechanical duplication with blue revision pages throughout dated variously between September 24 1962 and September 25 1962. Pages Near Fine wrapper Near Fine bound with two gold brads. H. N. Swanson unknown
1962ref. 140748Los Angeles: H. N. Swanson 1962. Third Draft script for an unproduced film. With one page Typed Letter Signed to agent Paul Kohner laid in. Police receive a call early on a hot summer morning from someone in an apartment building is trying to commit suicide. They arrive on the scene to find the caller with a gun and shooting wildly at anyone who begins to walk up the steps toward him. A sick boy is trapped on the same floor as the shooter as well as an adulterous couple and an old couple content to die. The shooter is revealed to have a bottle of nitroglycerine and plans to take out the whole building at 5:30 am on July 16th to commemorate the occasion of the first atomic bomb test leaving the police in a race against time to figure out how to defuse the situation. Set in New York City. White titled wrappers. Title page present dated September 14 1962 noted as Third Draft with credits for screenwriter David Harmon. 141 leaves with last page of text numbered 146. Mechanical duplication with blue revision pages throughout dated variously between September 24 1962 and September 25 1962. Pages Near Fine wrapper Near Fine bound with two gold brads. H. N. Swanson unknown
1948ref. 167637Culver City CA: RKO Radio Pictures 1948. Treatment script for the key 1948 film noir. In Jaffe Agency wrappers stamped "FILE COPY" and "JAFFE AGENCY" at the top right corner of the front wrapper. Robert Altman's first screenwriting credit he would not direct his first feature film for another 20 years and Richard Fleischer's first directorial effort a tight noir second feature. Altman is credited here alongside another first-time screenwriter George W. George who would go on to be a prolific screenwriter with credits for such films as "The Woman on Pier 13" 1949 and "Big House USA" 1955. Set in Los Angeles and an early example of a noir film with a large amount of location shooting throughout the Los Angeles area. Tan agency wrappers "The Jaffe Agency" printed at the bottom of the front wrapper and with their diamond TJA logo at the center Title page present with credits for screenwriters Altman and George. 55 leaves with last page of text numbered 54. Mimeograph duplication. Pages about Near Fine with a small chip at the bottom right corner of the title page wrapper Very Good plus internally bound with three gold brads. RKO Radio Pictures unknown books
1948ref. 167637Culver City CA: RKO Radio Pictures 1948. Treatment script for the key 1948 film noir. In Jaffe Agency wrappers stamped "FILE COPY" and "JAFFE AGENCY" at the top right corner of the front wrapper. Robert Altman's first screenwriting credit he would not direct his first feature film for another 20 years and Richard Fleischer's first directorial effort a tight noir second feature. Altman is credited here alongside another first-time screenwriter George W. George who would go on to be a prolific screenwriter with credits for such films as "The Woman on Pier 13" 1949 and "Big House USA" 1955. Set in Los Angeles and an early example of a noir film with a large amount of location shooting throughout the Los Angeles area. Tan agency wrappers "The Jaffe Agency" printed at the bottom of the front wrapper and with their diamond TJA logo at the center Title page present with credits for screenwriters Altman and George. 55 leaves with last page of text numbered 54. Mimeograph duplication. Pages about Near Fine with a small chip at the bottom right corner of the title page wrapper Very Good plus internally bound with three gold brads. RKO Radio Pictures unknown
1992ref. 163845N.p.: N.p. 1992. Third Draft script for the 1993 neo-noir film. Actor Charles Hallahan's copy with his lines highlighted in yellow on pages 44 through 46. McCurdy plays the role of the doctor who examines the corpse of what appears to be Madonna's first unfortunate victim. Against his better judgment a married lawyer agrees to defend a woman suspected of murdering her husband and soon begins a sadomasochistic affair with her. Shot on location in Portland Oregon and Olympia Washington. White titled front self-wrapper yellow rear wrapper noted as THIRD DRAFT on the front wrapper with credits for screenwriter Brad Mirman. Title page integral with front self-wrapper. 107 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Grant US. Silver & Ursini American Neo-Noir. Spicer US Neo-Noir. N.p. unknown books
1993ref. 167749N.p.: N.p. 1993. Vintage color photograph from the 1993 film showing a topless Madonna. Annotations in manuscript ink and pencil on the verso. Against his better judgment a married lawyer agrees to defend a woman suspected of murdering her husband and soon begins a sadomasochistic affair with her. Shot on location in Portland Oregon and Olympia Washington. 8 x 10 inches. Near Fine. Grant US. Silver & Ursini American Neo-Noir. Spicer US Neo-Noir. N.p. unknown books
1993ref. 167749N.p.: N.p. 1993. Vintage color photograph from the 1993 film showing a topless Madonna. Annotations in manuscript ink and pencil on the verso. Against his better judgment a married lawyer agrees to defend a woman suspected of murdering her husband and soon begins a sadomasochistic affair with her. Shot on location in Portland Oregon and Olympia Washington. 8 x 10 inches. Near Fine. Grant US. Silver & Ursini American Neo-Noir. Spicer US Neo-Noir. N.p. unknown
1992ref. 163845N.p.: N.p. 1992. Third Draft script for the 1993 neo-noir film. Actor Charles Hallahan's copy with his lines highlighted in yellow on pages 44 through 46. McCurdy plays the role of the doctor who examines the corpse of what appears to be Madonna's first unfortunate victim. Against his better judgment a married lawyer agrees to defend a woman suspected of murdering her husband and soon begins a sadomasochistic affair with her. Shot on location in Portland Oregon and Olympia Washington. White titled front self-wrapper yellow rear wrapper noted as THIRD DRAFT on the front wrapper with credits for screenwriter Brad Mirman. Title page integral with front self-wrapper. 107 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Grant US. Silver & Ursini American Neo-Noir. Spicer US Neo-Noir. N.p. unknown
1981ref. 164253Burbank CA: The Ladd Company 1981. Two vintage reference photographs from the 1981 neo-noir film both showing actress Kathleen Turner. Annotations in manuscript ink on the versos. A young woman manipulates her lover a small-town lawyer into killing her wealthy husband. A watershed neo-noir update to the classic femme fatale of the 1940s and 1950s. Set and shot on location in Florida. 10 x 8 inches. About Fine. Ebert I. Grant US. Penzler 101. Silver and Ward Neo-Noir. Spicer US Neo-Noir. The Ladd Company unknown books
