11,160 results
1969ref. 148989Paris: Adel Productions 1969. Draft script for the 1970 French film noir here under the working title "Marseille 1930." Text in French. Annotation on front wrapper of release title written large and boldly in cursive manuscript pencil with working title on title page. Erased annotations in manuscript pencil still visible on upper left of title page of names of actors "Alan Delon" and "Belmondo" with two other names illegible. A few annotations in manuscript pencil and ink on several pages circling characters or props and one noting the camera field of vision otherwise changes to scene numbers. Based on the 1959 history of Marseille gangsters "Bandits a Marseille" by Eugene Saccamano. Two small time gangsters Belmondo and Delon in 1930s Marseille join forces and go into business themselves vying for control against mob bosses. Director Jacques Deray released the sequel "Borsalino and Co" in 1974 starring Alain Delon and Riccardo Cucciolla. Set in and shot on location in Marseille and Paris. Gray untitled wrappers bound at the left in black cloth tape as issued. Title page present. Mimeograph duplication rectos only. Pages Near Fine with first two pages separating from binding near top wrapper with light soiling else Near Fine bound with binding tape. Grant France. Spicer France. Adel Productions unknown
1938ref. 141102Hollywood: Republic Pictures 1938. Collection of five vintage studio still photographs from the 1938 film. Featuring images of Ralph Byrd Doris Weston Ward Bond and others. Written for the screen by Nathanael West. Ralph Byrd and Ward Bond play two rough and tumble truckers who agree to take a dangerous load of dynamite to a city in danger of being flooded when a nearby dam breaks. Byrd best known for his role in Republic's "Dick Tracy" series was here being groomed to play better roles for the company. Joe Kane's first non-Western feature film. Set in California. 10 x 8 inches. Very Good plus with pinhole tears and occasional light foxing to the borders. Republic Pictures unknown books
1938ref. 141102Hollywood: Republic Pictures 1938. Collection of five vintage studio still photographs from the 1938 film. Featuring images of Ralph Byrd Doris Weston Ward Bond and others. Written for the screen by Nathanael West. Ralph Byrd and Ward Bond play two rough and tumble truckers who agree to take a dangerous load of dynamite to a city in danger of being flooded when a nearby dam breaks. Byrd best known for his role in Republic's "Dick Tracy" series was here being groomed to play better roles for the company. Joe Kane's first non-Western feature film. Set in California. 10 x 8 inches. Very Good plus with pinhole tears and occasional light foxing to the borders. Republic Pictures unknown
1978ref. 149253New South Wales: Avco Embassy Pictures 1978. Vintage one sheet poster for the 1978 film. Based on the 1975 memoir by Charles Colson. Charles Colson played by Disney stalwart Dean Jones Special Counsel to President Richard Nixon and one of the Watergate Seven known as Nixon's "hatchet man" has a mid-life religious conversion when serving seven months in federal prison for obstruction of justice in the Watergate Scandal and establishes Prison Fellowship a world wide ministry. Shot on location in Washington DC and Chino California. 27 x 41 inches. Folded as issued. Near Fine. Avco Embassy Pictures unknown books
1950ref. 144959Paris: Milton H. Bren and William A. Seiter Productions 1950. Vintage photograph of actress Claire Trevor and various members of the crew on the set of the 1950 film noir. Mimeo snipe affixed to the verso. US Police officer Madeleine Haley Claire Trevor goes undercover to get close to Pete Ritchie Raymond Burr the leader of a drug-smuggling ring in Mexico. Just as she meets Ritchie she is kidnapped by Johnny Macklin Fred MacMurray who unbeknownst to her is an undercover federal agent. Shot on location in Southern California. 10 x 8 inches. Near Fine with three holes punched in the left margin. Grant US. Selby US. Spicer US. Milton H. Bren and William A. Seiter Productions unknown books
1950ref. 160944Universal City: Universal Pictures 1950. Vintage mini-banner poster for the 1950 film noir. Police officer Claire Trevor goes undercover to get close to Raymond Burr the leader of a drug-smuggling ring in Mexico. Just as she meets Ritchie she is kidnapped by Fred MacMurray who unbeknownst to her is an undercover federal agent. Shot on location in Southern California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby US. Spicer US. Universal Pictures unknown books
1950ref. 160944Universal City: Universal Pictures 1950. Vintage mini-banner poster for the 1950 film noir. Police officer Claire Trevor goes undercover to get close to Raymond Burr the leader of a drug-smuggling ring in Mexico. Just as she meets Ritchie she is kidnapped by Fred MacMurray who unbeknownst to her is an undercover federal agent. Shot on location in Southern California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby US. Spicer US. Universal Pictures unknown
1950ref. 144959Paris: Milton H. Bren and William A. Seiter Productions 1950. Vintage photograph of actress Claire Trevor and various members of the crew on the set of the 1950 film noir. Mimeo snipe affixed to the verso. US Police officer Madeleine Haley Claire Trevor goes undercover to get close to Pete Ritchie Raymond Burr the leader of a drug-smuggling ring in Mexico. Just as she meets Ritchie she is kidnapped by Johnny Macklin Fred MacMurray who unbeknownst to her is an undercover federal agent. Shot on location in Southern California. 10 x 8 inches. Near Fine with three holes punched in the left margin. Grant US. Selby US. Spicer US. Milton H. Bren and William A. Seiter Productions unknown
1954ref. 164753Universal City: Universal-International 1954. Vintage publicity photograph from the 1954 film showing actors Yvonne De Carlo and Joel McCrea in a passionate moment. Printed mimeo snipe affixed to the verso. A Confederate officer journeys with his men to an outlaw town in Mexico where they hope to use two million dollars in gold to acquire weapons and continue the war effort. A Union soldier determines to stop them. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in Zona Libra Mexico shot on location in Moab Utah and in Morelos Mexico. 8 x 10 inches. Near Fine. Pitts 450. Universal-International unknown books
1954ref. 164753Universal City: Universal-International 1954. Vintage publicity photograph from the 1954 film showing actors Yvonne De Carlo and Joel McCrea in a passionate moment. Printed mimeo snipe affixed to the verso. A Confederate officer journeys with his men to an outlaw town in Mexico where they hope to use two million dollars in gold to acquire weapons and continue the war effort. A Union soldier determines to stop them. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in Zona Libra Mexico shot on location in Moab Utah and in Morelos Mexico. 8 x 10 inches. Near Fine. Pitts 450. Universal-International unknown
1946ref. 155153Los Angeles: Twentieth Century-Fox 1946. Revised Final script for the 1947 film noir. Copy belonging to actor Robert Keith with his name in manuscript pencil annotation on the front wrapper and his manuscript pencil annotations on the inside front wrapper. Based on a 1945 article by Fulton Oursler writing as Anthony Abbot in turn based on the 1924 case of a homeless man wrongly accused of murdering a beloved small-town priest. Set and shot on location in Connecticut and New York. Red titled wrappers dated September 6 1946 noted as Revised Final on the front wrapper. Distribution page present with receipt intact stamped copy No. 135. Title page present dated September 6. 1946 noted as Revised Final script with credits for screenwriter Richard Murphy and story credit to Anthony Abbot. 173 leaves with last page of text numbered 155. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 9/18/46 and 9/25/46. Pages Near Fine wrapper Near Fine with slight yapping bound internally with two gold brads. Eureka Masters of Cinema 89. Grant US. Selby Canon. Silver and Ward Classic Noir. Spicer US. Twentieth Century-Fox unknown books
1946ref. 155153Los Angeles: Twentieth Century-Fox 1946. Revised Final script for the 1947 film noir. Copy belonging to actor Robert Keith with his name in manuscript pencil annotation on the front wrapper and his manuscript pencil annotations on the inside front wrapper. Based on a 1945 article by Fulton Oursler writing as Anthony Abbot in turn based on the 1924 case of a homeless man wrongly accused of murdering a beloved small-town priest. Set and shot on location in Connecticut and New York. Red titled wrappers dated September 6 1946 noted as Revised Final on the front wrapper. Distribution page present with receipt intact stamped copy No. 135. Title page present dated September 6. 1946 noted as Revised Final script with credits for screenwriter Richard Murphy and story credit to Anthony Abbot. 173 leaves with last page of text numbered 155. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 9/18/46 and 9/25/46. Pages Near Fine wrapper Near Fine with slight yapping bound internally with two gold brads. Eureka Masters of Cinema 89. Grant US. Selby Canon. Silver and Ward Classic Noir. Spicer US. Twentieth Century-Fox unknown
1946ref. 156220Los Angeles: Twentieth Century-Fox 1946. Vintage studio still photograph from the 1947 film noir. "Key Set" stamp on the verso. From the archive of film historian and author Joel Finler. Based on a 1945 magazine article by Fulton Oursler writing as Anthony Abbot in turn based on an actual incident involving a Catholic priest and a mentally unstable homeless man. A public attorney is hired to defend a strange out-of-towner accused of murdering a priest. Set in Connecticut and shot on location in Connecticut and New York. 10 x 8 inches. Near Fine. Grant US. Selby Canon. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown books
1946ref. 156220Los Angeles: Twentieth Century-Fox 1946. Vintage studio still photograph from the 1947 film noir. "Key Set" stamp on the verso. From the archive of film historian and author Joel Finler. Based on a 1945 magazine article by Fulton Oursler writing as Anthony Abbot in turn based on an actual incident involving a Catholic priest and a mentally unstable homeless man. A public attorney is hired to defend a strange out-of-towner accused of murdering a priest. Set in Connecticut and shot on location in Connecticut and New York. 10 x 8 inches. Near Fine. Grant US. Selby Canon. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown
1968ref. 154499N.p.: N.p. 1968. Vintage borderless reference photograph from the set of the 1968 film showing actress Joanna Shimkus enjoying a cigarette while a crew member irons out a crease in the back of her dress. Based on Tennessee Williams' 1963 stage play "The Milk Train Don't Stop Here Anymore." A lonely terminally ill woman has an romantic encounter with a mysterious poet who may in fact be the Angel of Death. Shot on location in Sardinia Italy. 7.25 x 9.5 inches. Near Fine. N.p. unknown books
1968ref. 154499N.p.: N.p. 1968. Vintage borderless reference photograph from the set of the 1968 film showing actress Joanna Shimkus enjoying a cigarette while a crew member irons out a crease in the back of her dress. Based on Tennessee Williams' 1963 stage play "The Milk Train Don't Stop Here Anymore." A lonely terminally ill woman has an romantic encounter with a mysterious poet who may in fact be the Angel of Death. Shot on location in Sardinia Italy. 7.25 x 9.5 inches. Near Fine. N.p. unknown
1940ref. 163540Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1940. Vintage studio still photograph from the 1940 film showing actors Clark Gable and Spencer Tracy getting a faceful of crude. Two oil riggers work together over the course of ten years to become oil tycoons but their friendship is strained by their love for the same woman. 8 x 10 inches. Good moderately faded with a chip at the bottom left corner. Metro-Goldwyn-Mayer [MGM] unknown books
1973ref. 164084N.p.: General Film Corporation 1973. Vintage 33 1/3 RPM microgroove vinyl record containing four radio spot announcements for the 1973 exploitation film. Rare. A pair of sisters kill their stepfather after he attempts to rape the younger sister and flee to Los Angeles after the murder where they are pulled into their uncle's money-laundering operation. 7 inches. Very Good plus with nominal surface wear housed in a Near Fine white paper sleeve. Not in Discogs. General Film Corporation unknown books
1973ref. 164084N.p.: General Film Corporation 1973. Vintage 33 1/3 RPM microgroove vinyl record containing four radio spot announcements for the 1973 exploitation film. Rare. A pair of sisters kill their stepfather after he attempts to rape the younger sister and flee to Los Angeles after the murder where they are pulled into their uncle's money-laundering operation. 7 inches. Very Good plus with nominal surface wear housed in a Near Fine white paper sleeve. Not in Discogs. General Film Corporation unknown
1958ref. 162537N.p.: N.p. 1958. Two vintage reference photographs taken on the set of the 1958 film one showing a car scene with actress Jean Seberg and a camera crew the other showing Seberg in shorts and a button-down shirt examining several books and what appears to be a script. One photograph with the stamp of photographer Michel Brodsky on the verso the other with the stamp of Columbia International. Based on the 1954 novel by Francoise Sagan. A teenage girl feels her comfortable life begin to change when her widowed father proposes to his girlfriend and the girl becomes determined to end their relationship. Set and shot on location in Saint-Tropez France. One photograph 8.25 x 5 inches the other photograph 8 x 10 inches. About Very Good plus smaller photograph wavy along the top edge larger photograph lightly faded and edgeworn. Godard Histoires du cinema. Twilight Time. N.p. unknown books
1958ref. 150778Culver City CA: Columbia Pictures 1958. Three vintage studio still color photographs from the 1958 film. Based on the 1954 novel by Francoise Sagan. A teenage girl feels her comfortable life begin to change when her widowed father proposes to his girlfriend and the girl becomes determined to end their relationship. Set and shot on location in Saint-Tropez France. 10 x 8 inches. Very Good lightly edgeworn and lightly and evenly toned. Godard Histoires du cinema. Twilight Time. Columbia Pictures unknown books
1958ref. 162374Culver City CA: Columbia Pictures 1958. Vintage pressbook for the 1958 film. Based on the 1954 novel by Francoise Sagan. A teenage girl feels her comfortable life begin to change when her widowed father proposes to his girlfriend and the girl becomes determined to end their relationship. Set and shot on location in Saint-Tropez France. 14 x 15.5 inches. Four leaves saddle stapled. Very Good plus folded once horizontally. Godard Histoires du cinema. Twilight Time. Columbia Pictures unknown books
1957ref. 138551Culver City CA: Columbia Pictures 1957. Vintage reference photograph of Jean Seberg from the 1957 film. An image we have never seen. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1958ref. 153860Culver City CA: Columbia Pictures 1958. Vintage reference photograph taken on the set of the 1958 film showing a car scene with actors Mylene Demongeot David Niven and Jean Seberg while a camera crew captures the shot in the foreground. With a provenance stamp to the verso. Based on the 1954 novel by Francoise Sagan. A teenage girl feels her comfortable life begin to change when her widowed father proposes to his girlfriend and the girl becomes determined to end their relationship. Set and shot on location in Saint-Tropez France. 7.25 x 8 inches. Near Fine. Godard Histoires du cinema. Twilight Time. Columbia Pictures unknown books
1958ref. 139533Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily manuscript description of the scene on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown books
