11,160 results
1953ref. 134790Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1953. Set of 4 original lobby cards for the 1953 film "Bright Road" based on the Christopher Award winning story "See How They Run" written by Mary Elizabeth Vroman and first published in 1951 in the Ladies' Home Journal. Notable for its nearly all-black cast "Bright Road" stars Dorothy Dandridge as an Alabama schoolteacher intent on motivating one of her more lackluster students. Dandridge is said to have accepted the role because of the film's lack of racial tension as a central theme. As a result she hoped that young women of all colors could identify with her character. Harry Belafonte's debut feature film. 14 x 11 inches. Both lobby cards quite clean with no pinholes about Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1953ref. 134790Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1953. Set of 4 original lobby cards for the 1953 film "Bright Road" based on the Christopher Award winning story "See How They Run" written by Mary Elizabeth Vroman and first published in 1951 in the Ladies' Home Journal. Notable for its nearly all-black cast "Bright Road" stars Dorothy Dandridge as an Alabama schoolteacher intent on motivating one of her more lackluster students. Dandridge is said to have accepted the role because of the film's lack of racial tension as a central theme. As a result she hoped that young women of all colors could identify with her character. Harry Belafonte's debut feature film. 14 x 11 inches. Both lobby cards quite clean with no pinholes about Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1945ref. 154826N.p.: N.p. 1945. Vintage reference photograph from the 1945 British film showing actress Celia Johnson leaning against a door. Based on Noel Coward's 1936 play "Still Life" about a suburban housewife who enters into a passionate extramarital affair with a married stranger she meets at a railway station. Winner of the Palme d'Or and nominated for three Academy Awards. Set and shot on location in Lancashire Cumbria and London. 7.5 x 9.75 inches. Near Fine. Criterion Collection 76. Rosenbaum 1000. N.p. unknown books
1945ref. 154826N.p.: N.p. 1945. Vintage reference photograph from the 1945 British film showing actress Celia Johnson leaning against a door. Based on Noel Coward's 1936 play "Still Life" about a suburban housewife who enters into a passionate extramarital affair with a married stranger she meets at a railway station. Winner of the Palme d'Or and nominated for three Academy Awards. Set and shot on location in Lancashire Cumbria and London. 7.5 x 9.75 inches. Near Fine. Criterion Collection 76. Rosenbaum 1000. N.p. unknown
1973ref. 168142Culver City CA: Columbia Pictures 1973. Two vintage reference photographs from a 1973 re-release of the 1971 television movie showing Shelley Fabares James Caan and Billy Dee Williams. Annotations in manuscript ink on the verso. Based on Gale Sayers' 1970 autobiography "I Am Third" documenting his groundbreaking interracial friendship with Chicago Bears teammate Brian Piccolo who would die of cancer at the age of 26. 8 x 10 inches. Very Good plus. Columbia Pictures unknown books
1973ref. 155086N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 film. Printed provenance label affixed to the verso. An affection-starved underage hippie falls into an unlikely romance with a depressed older businessman. Clint Eastwood's first directorial credit for a film in which he did not also star as well as an excellent example of the manic pixie dream girl trope. Set and shot on location in Los Angeles California. 8 x 10 inches. Very Good plus. N.p. unknown books
1973ref. 155086N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 film. Printed provenance label affixed to the verso. An affection-starved underage hippie falls into an unlikely romance with a depressed older businessman. Clint Eastwood's first directorial credit for a film in which he did not also star as well as an excellent example of the manic pixie dream girl trope. Set and shot on location in Los Angeles California. 8 x 10 inches. Very Good plus. N.p. unknown
1981ref. 141480N.p.: N.p. 1981. First Draft script for an unproduced film. David a constant disappointment is floundering coming up with new ways to make money. A doctor friend of his asks him to donate some sperm for an artificial insemination experiment and the First Lady is destined to give birth to his child. Set in New York. Clear untitled wrappers. Title page present dated November 1981 noted as First Draft with credits for screenwriter Michael K. Lange. 125 leaves with last page of text numbered 124. Mechanical duplication. Pages Near Fine wrapper Near Fine housed in a black binder. N.p. unknown books
1981ref. 141480N.p.: N.p. 1981. First Draft script for an unproduced film. David a constant disappointment is floundering coming up with new ways to make money. A doctor friend of his asks him to donate some sperm for an artificial insemination experiment and the First Lady is destined to give birth to his child. Set in New York. Clear untitled wrappers. Title page present dated November 1981 noted as First Draft with credits for screenwriter Michael K. Lange. 125 leaves with last page of text numbered 124. Mechanical duplication. Pages Near Fine wrapper Near Fine housed in a black binder. N.p. unknown
1963ref. 166554N.p.: Bing Crosby Productions 1963. Revised Final Draft script for the nineteenth episode of the 1963-1964 ABC television series printed on blue leaves which aired on January 27 1964. A spin-off of the 1961-1966 ABC television series "Ben Casey." Created by producer Meta Rosenberg "Breaking Point" starred Paul Richards as a resident in psychiatry at York Hospital in Los Angeles and Eduard Franz as the hospital's psychiatric clinical director and focused on the problems of individual patients seeking help at the clinic. The Emmy Award-nominated series premiered on ABC on September 16 1963 and aired for 30 episodes with the final episode airing on April 27 1964. In this episode a fashion designer Eleanor Parker who compulsively seeks out liaisons with strange men sets her sights on seducing Dr. Thompson Richards. Front wrapper integral with title page dated November 26 1963 noted as REVISED FINAL DRAFT with credits for screenwriter George Bellak. 55 leaves with last page of text numbered 52. Mimeograph duplication rectos only. Pages Very Good plus with loverall edgewear and light foxing on the front and rear leaves bound with two gold brads. Bing Crosby Productions unknown books
1963ref. 166554N.p.: Bing Crosby Productions 1963. Revised Final Draft script for the nineteenth episode of the 1963-1964 ABC television series printed on blue leaves which aired on January 27 1964. A spin-off of the 1961-1966 ABC television series "Ben Casey." Created by producer Meta Rosenberg "Breaking Point" starred Paul Richards as a resident in psychiatry at York Hospital in Los Angeles and Eduard Franz as the hospital's psychiatric clinical director and focused on the problems of individual patients seeking help at the clinic. The Emmy Award-nominated series premiered on ABC on September 16 1963 and aired for 30 episodes with the final episode airing on April 27 1964. In this episode a fashion designer Eleanor Parker who compulsively seeks out liaisons with strange men sets her sights on seducing Dr. Thompson Richards. Front wrapper integral with title page dated November 26 1963 noted as REVISED FINAL DRAFT with credits for screenwriter George Bellak. 55 leaves with last page of text numbered 52. Mimeograph duplication rectos only. Pages Very Good plus with loverall edgewear and light foxing on the front and rear leaves bound with two gold brads. Bing Crosby Productions unknown
2000ref. 149989N.p.: N.p. 2000. Third Draft script for the pilot episode of the 2002 television series originally aired on July 17 on the Bravo Network. A one-season drama following the team members of a fictional 24-hour cable news television network named "I-24." Set in Milwaukee and shot on location in Vancouver British Columbia. Self wrappers. Title page integral with front wrapper dated February 15 2000 noted as Third Draft with credits for screenwriter Gardner Stern. 64 leaves with last page of text numbered 63. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Full provenance available. N.p. unknown books
2000ref. 149989N.p.: N.p. 2000. Third Draft script for the pilot episode of the 2002 television series originally aired on July 17 on the Bravo Network. A one-season drama following the team members of a fictional 24-hour cable news television network named "I-24." Set in Milwaukee and shot on location in Vancouver British Columbia. Self wrappers. Title page integral with front wrapper dated February 15 2000 noted as Third Draft with credits for screenwriter Gardner Stern. 64 leaves with last page of text numbered 63. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Full provenance available. N.p. unknown
1988ref. 161423Los Angeles: Act III Productions 1988. Draft script for the 1989 film. Copy belonging to hair stylist Philip Leto with his annotations in manuscript ink on the title page and his name in manuscript ink on a single revision page. A old New York safecracker takes on a bumbling young crook as his lookout and apprentice. The American directorial debut of Scottish filmmaker Bill Forsyth. Set and shot on location in Portland Oregon. Blue untitled wrappers. Title page present with credits for director Bill Forsyth and screenwriter John Sayles. 128 leaves with last page of text numbered 112. Xerographic duplication rectos only with blue pink and green revision pages throughout most undated with one dated June 15 1988. Pages Near Fine wrapper Very Good moderately soiled bound with three silver brads. Act III Productions unknown books
1988ref. 161423Los Angeles: Act III Productions 1988. Draft script for the 1989 film. Copy belonging to hair stylist Philip Leto with his annotations in manuscript ink on the title page and his name in manuscript ink on a single revision page. A old New York safecracker takes on a bumbling young crook as his lookout and apprentice. The American directorial debut of Scottish filmmaker Bill Forsyth. Set and shot on location in Portland Oregon. Blue untitled wrappers. Title page present with credits for director Bill Forsyth and screenwriter John Sayles. 128 leaves with last page of text numbered 112. Xerographic duplication rectos only with blue pink and green revision pages throughout most undated with one dated June 15 1988. Pages Near Fine wrapper Very Good moderately soiled bound with three silver brads. Act III Productions unknown
1980ref. 152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. Set and shot on location in London. Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown books
1980ref. 152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. Set and shot on location in London. Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown
1976ref. 132931Beverly Hills CA: United Artists 1976. Vintage black-and-white still photograph from the 1976 UK release of the 1975 US film. Mimeograph snipe and layout annotations on the verso and layout annotations on the recto. Based on Alistair MacLean's 1974 novel starring Charles Bronson as John Deaken a prisoner on a train with medical supplies and small US Army unit heading through Rocky mountains. A story set in the Rocky Mountains shot on location in Idaho. 8 x 10 inches. Near Fine. United Artists unknown books
1966ref. 160459New York: CBS Television Network 1966. Vintage photograph of Patricia Neal from the 1961 film struck in 1966 for airing on the "CBS Thursday Night Movies" October 6 1966. CBS mimeo snipe attached to the verso and folded over the recto. Based on the 1958 novella by Truman Capote about a naive cafe society girl in New York who falls in love with a struggling writer. 7 x 9 inches. Near Fine. National Film Registry. CBS Television Network unknown books
1966ref. 160459New York: CBS Television Network 1966. Vintage photograph of Patricia Neal from the 1961 film struck in 1966 for airing on the "CBS Thursday Night Movies" October 6 1966. CBS mimeo snipe attached to the verso and folded over the recto. Based on the 1958 novella by Truman Capote about a naive cafe society girl in New York who falls in love with a struggling writer. 7 x 9 inches. Near Fine. National Film Registry. CBS Television Network unknown
1955ref. 132989London: Waterlow and Sons / Hammer Film Productions 1955. Vintage hand-tinted still photograph from the 1955 UK film. One of several British films given American distribution by Twentieth Century Fox. Forrest Tucker stars as an American soldier hired by a German millionaire Marius Goring to smuggle a Polish scientist out of East Germany and into England. Shot on location in Germany and England. 8 x 10 inches. Very Good plus with an ink notation on the verso tiny corner creases and a faint pencil notation on the recto. Waterlow and Sons / Hammer Film Productions unknown books
1985ref. 144247Universal City: Universal Pictures 1985. Vintage borderless photograph of director Terry Gilliam on the set of the 1985 film. With manuscript annotations regarding layout on the verso. Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. 10 x 8 inches. Near Fine. Criterion Collection 51. Universal Pictures unknown books
1985ref. 140818Universal City CA: Embassy Pictures / Universal Pictures 1985. Vintage borderless photograph from the 1985 film showing director Gilliam and crew during a quiet moment between takes. With manuscript ink annotations on the verso. Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. 8 x 10 inches. Near Fine. Criterion Collection 51. Embassy Pictures / Universal Pictures unknown books
1985ref. 144247Universal City: Universal Pictures 1985. Vintage borderless photograph of director Terry Gilliam on the set of the 1985 film. With manuscript annotations regarding layout on the verso. Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. 10 x 8 inches. Near Fine. Criterion Collection 51. Universal Pictures unknown
1985ref. 140818Universal City CA: Embassy Pictures / Universal Pictures 1985. Vintage borderless photograph from the 1985 film showing director Gilliam and crew during a quiet moment between takes. With manuscript ink annotations on the verso. Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. 8 x 10 inches. Near Fine. Criterion Collection 51. Embassy Pictures / Universal Pictures unknown
