11,049 results
1972ref. 153131London: Avianca 1972. Second Draft script for the 1973 film here under the working title "The Fourteen." Copy belonging to producer Harvey Harrison with his name in manuscript ink annotation to the title page. The eldest children of a working class family of fourteen are forced to take care of the younger children when their mother falls ill. Set and shot on location in London. Black untitled wrappers with a die-cut title window in the British style. Title page present undated noted as Second Draft Screenplay with credits for screenwriter Roland Starke. 122 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages and wrapper Very Good with wear to the top right page corners of the first 13 pages and front wrapper bound internally with two silver brads. Avianca unknown
1970ref. 132913Paris: Les Films du Carrosse / Les Productions Artistes Associes 1970. Collection of twelve vintage reference photographs from the 1970 French film. Based on the true story of "feral child" Victor of Aveyron found living alone in the woods of France in 1800 and a doctor's attempts to educate him and introduce him to civilized society. Shot on location in Aubiat Auvergne and Paris. 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown books
1970ref. 132913Paris: Les Films du Carrosse / Les Productions Artistes Associes 1970. Collection of twelve vintage reference photographs from the 1970 French film. Based on the true story of "feral child" Victor of Aveyron found living alone in the woods of France in 1800 and a doctor's attempts to educate him and introduce him to civilized society. Shot on location in Aubiat Auvergne and Paris. 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown
1966ref. 172874Los Angeles: American International Pictures 1966. Two vintage studio still photographs from the 1966 film. The leader of a biker gang sets out to recover his stolen motorcycle getting one of their members killed in the process. Set in California shot on location in Southern California. 8 x 10 inches. Near Fine. McPadden Heavy Metal Movies. Olive Films. Weldon 1983. American International Pictures unknown books
1950ref. 142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown books
1950ref. 142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown
1955ref. 167605Culver City CA: RKO Pathe Studios 1955. Two vintage hand-tinted color photographs from the 1955 short documentary film. A Technicolor short film about hunting focusing in particular on the whitetail deer. The first entry in RKO's Wildlife Album series of short films. Shot on location in Virginia. 10 x 8 inches. One Near Fine one Very Good plus. RKO Pathe Studios unknown books
1955ref. 167605Culver City CA: RKO Pathe Studios 1955. Two vintage hand-tinted color photographs from the 1955 short documentary film. A Technicolor short film about hunting focusing in particular on the whitetail deer. The first entry in RKO's Wildlife Album series of short films. Shot on location in Virginia. 10 x 8 inches. One Near Fine one Very Good plus. RKO Pathe Studios unknown
1923ref. 171351Beverly Hills CA: D.W. Griffith Productions / United Artists 1923. Vintage studio still photograph from the 1923 film showing Mae Marsh and Ivor Novello. "Made in USA" stamp on the verso. A wealthy aristocrat graduates from a seminary and decides to set out to see the world before taking charge of his parish. Traveling to New Orleans he finds himself falling in love with an impoverished orphaned woman. Shot on location in Florida and Louisiana including in New Iberia and St. Martinville. 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. D.W. Griffith Productions / United Artists unknown books
1957ref. 132376Beverly Hills CA: United Artists 1957. Vintage full-color British front-of-house card from the UK release of the 1954 Mexican-American film. An archaeologist working in Mexico believes that there are remnants of an ancient civilization in a remote area. He requests a photographer and is frustrated when he is sent a young woman to do the job. He and his guide become increasingly attracted to her and the tension mounts. 8 x 10 inches. Near Fine. United Artists unknown books
1923ref. 171351Beverly Hills CA: D.W. Griffith Productions / United Artists 1923. Vintage studio still photograph from the 1923 film showing Mae Marsh and Ivor Novello. "Made in USA" stamp on the verso. A wealthy aristocrat graduates from a seminary and decides to set out to see the world before taking charge of his parish. Traveling to New Orleans he finds himself falling in love with an impoverished orphaned woman. Shot on location in Florida and Louisiana including in New Iberia and St. Martinville. 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. D.W. Griffith Productions / United Artists unknown
2002ref. 146412N.p.: N.p. 2002. Draft script for an unproduced film. A young woman discusses her problems with her mentally ill mother her desire to save the whales and her absent fiance in therapy-but all is not as it seems. White lacking wrappers. Title page present dated 3/16/02 noted as Rough Draft with credits for screenwriter Zack Kaplan. 19 leaves with last page of text numbered 17. Typescript rectos only. Pages Very Good plus partially bound with a spring binder clip at the top left corner. N.p. unknown books
2002ref. 146412N.p.: N.p. 2002. Draft script for an unproduced film. A young woman discusses her problems with her mentally ill mother her desire to save the whales and her absent fiance in therapy-but all is not as it seems. White lacking wrappers. Title page present dated 3/16/02 noted as Rough Draft with credits for screenwriter Zack Kaplan. 19 leaves with last page of text numbered 17. Typescript rectos only. Pages Very Good plus partially bound with a spring binder clip at the top left corner. N.p. unknown
1932ref. 137137Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1932. Vintage reference photograph from the set of the 1932 film with a printed snipe on the verso. Based on the novel by Upton Sinclair. Victor Fleming directs Dorothy Jordan and Lewis Stone in an early scene from his pre-Code epic about Prohibition. 10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown books
1932ref. 137137Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1932. Vintage reference photograph from the set of the 1932 film with a printed snipe on the verso. Based on the novel by Upton Sinclair. Victor Fleming directs Dorothy Jordan and Lewis Stone in an early scene from his pre-Code epic about Prohibition. 10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
1937ref. 165057Universal City: Universal Pictures 1937. Vintage portrait photograph of Barbara Pepper from the 1937 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the 1935 novel "Headed for a Hearse" by Jonathan Latimer. A "locked door" mystery wherein Preston Foster stars as a private detective searches against the clock to find evidence to free Theodore Von Eltz awaiting the death penalty for murdering his wife who was killed in a room with all the doors and windows locked from the inside. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1937ref. 165057Universal City: Universal Pictures 1937. Vintage portrait photograph of Barbara Pepper from the 1937 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the 1935 novel "Headed for a Hearse" by Jonathan Latimer. A "locked door" mystery wherein Preston Foster stars as a private detective searches against the clock to find evidence to free Theodore Von Eltz awaiting the death penalty for murdering his wife who was killed in a room with all the doors and windows locked from the inside. 8 x 10 inches. Near Fine. Universal Pictures unknown
2000ref. 171215N.p.: N.p. 2000. Draft script for Season 2 Episode 4 of the 1999-2006 television series. Originally aired on October 25 2000 on NBC. Series following the administration of a fictional Democratic US President. In this episode the White House staff mediate conversations between drug manufacturers and an African President regarding HIV treatments. The series won numerous Emmy Awards during its run including for Outstanding Drama Series and Supporting Actress for Allison Janney during season 2. Set in Washington DC. White titled self wrappers. Title page integral with front wrapper. 68 leaves with last page of text numbered 66. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown books
2000ref. 171215N.p.: N.p. 2000. Draft script for Season 2 Episode 4 of the 1999-2006 television series. Originally aired on October 25 2000 on NBC. Series following the administration of a fictional Democratic US President. In this episode the White House staff mediate conversations between drug manufacturers and an African President regarding HIV treatments. The series won numerous Emmy Awards during its run including for Outstanding Drama Series and Supporting Actress for Allison Janney during season 2. Set in Washington DC. White titled self wrappers. Title page integral with front wrapper. 68 leaves with last page of text numbered 66. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown
1974ref. 132530London: Marron Films 1974. Collection of 4 vintage black-and-white still photographs from the 1974 UK release of the 1973 US film. Mimeograph snipes affixed to the versos and 1 still with layout annotations. A horror-comedy about a reporter who has had an affair with the daughter of the US President. He is sent to Hungary where he is bitten by a werewolf and then gets transferred back to Washington. Suddenly the murder rate in Washington DC escalates. 8 x 10 inches. A few ink annotations on the versos and faint discoloration to 2 stills else Near Fine. Marron Films unknown books
1967ref. 132098Los Angeles: Max E. Youngstein 1967. Draft script for an unproduced film. The story of two of brothers a prospector and an oceanographer who drill for oil on a offshore drilling rig in the Caribbean. Screenwriter Schweitzer would go on to work predominantly in television including writing for "The Bold Ones" "The Senator" "Mod Squad" and "Baretta" among others. Lavender titled wrappers dated July 10 1967 with credits for screenwriter Schweitzer and producer Youngstein. Title page not present. 130 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Max E. Youngstein unknown books
1967ref. 132098Los Angeles: Max E. Youngstein 1967. Draft script for an unproduced film. The story of two of brothers a prospector and an oceanographer who drill for oil on a offshore drilling rig in the Caribbean. Screenwriter Schweitzer would go on to work predominantly in television including writing for "The Bold Ones" "The Senator" "Mod Squad" and "Baretta" among others. Lavender titled wrappers dated July 10 1967 with credits for screenwriter Schweitzer and producer Youngstein. Title page not present. 130 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Max E. Youngstein unknown
1966ref. 147437London: David Higham Associates 1966. Draft script for the 48th episode of the British television anthology series "The Wednesday Play" which featured the adaptation of Vernon Bartlett's 1929 novel "Calf Love" by screenwriter Philip Purser which aired on January 26 1966. Script contains copied annotations on nearly every page noting passages that are to be spoken in German with much of the annotations in German as well as strikes comments and dialogue changes. Missing three pages likely as used or issued. "The Wednesday Play" is regarded as one of the most influential and successful British television programs of the 1960s and gave audience to the fledgling careers of among others Dennis Potter Nell Dunn and Jeremy Sandford Ken Loach and David Mercer. A young English exchange student stays with a German family and becomes smitten with their daughters. Wrapper integral with title page noted as Draft Screenplay with credits for screenwriter Philip Purser and novelist Vernon Bartlett. 113 leaves with last page of text numbered 118. Mimeograph duplication rectos only. Pages Near Fine bound with prong binding. David Higham Associates unknown books
1966ref. 147437London: David Higham Associates 1966. Draft script for the 48th episode of the British television anthology series "The Wednesday Play" which featured the adaptation of Vernon Bartlett's 1929 novel "Calf Love" by screenwriter Philip Purser which aired on January 26 1966. Script contains copied annotations on nearly every page noting passages that are to be spoken in German with much of the annotations in German as well as strikes comments and dialogue changes. Missing three pages likely as used or issued. "The Wednesday Play" is regarded as one of the most influential and successful British television programs of the 1960s and gave audience to the fledgling careers of among others Dennis Potter Nell Dunn and Jeremy Sandford Ken Loach and David Mercer. A young English exchange student stays with a German family and becomes smitten with their daughters. Wrapper integral with title page noted as Draft Screenplay with credits for screenwriter Philip Purser and novelist Vernon Bartlett. 113 leaves with last page of text numbered 118. Mimeograph duplication rectos only. Pages Near Fine bound with prong binding. David Higham Associates unknown
1928ref. 153194N.p.: N.p. 1928. Reference photograph from the 1928 silent film struck circa 1950s showing director and actor Erich von Stroheim in a tender moment with Fay Wray. Manuscript ink and pencil annotations to the verso noting the film's title and the names of the photograph subjects. From the archive of film historian and author Joel Finler. Stroheim's runaway production was halted after nine months of shooting by producer Pat Powers having gone nearly $1 million over budget with an edited running time of over four hours. After a disastrous preview Paramount decided to release two films from the footage as was Stroheim's original intent with the second part entitled "The Honeymoon" now lost. The film follows Prince Nicki an impoverished aristocrat who is in love with a beautiful but poor innkeeper's daughter but is forced to marry the daughter of a wealthy factory owner. 5 x 7 inches. Near Fine. National Film Registy. Scorsese A Personal Journey through American Movies. N.p. unknown books
