11,049 results
1970ref. 143943Hollywood: N.p. 1970. Draft script for an unproduced film. Don and Irene are a young and unhappy married couple whose lives and relationship are thrown asunder as Don gravitates toward Spiritology a spiritual organization that promises the 'Ultimate Release." Gold titled wrappers. Title page present with credits for screenwriter Aaron Nash. 101 leaves with last page of text numbered 100. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown books
1969ref. 162531N.p.: American Film Distributing 1969. Three vintage studio still photographs from the 1969 film. Two photographs with provenance stamps on the versos. Maria answers a personal ad and is invited to a house in Vermont. The house owner Spencer places Maria and other girls under the influence of aphrodisiacs and drugs. Spencer and his assistant Boris sit back and let the good times roll. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear and faint creasing overall one photograph with pinholes and light dampstaining to the left side and one photograph with pinholes and a small closed tear to the bottom margin and a 1.5 inch closed tear to the right side. American Film Distributing unknown books
1970ref. 143943Hollywood: N.p. 1970. Draft script for an unproduced film. Don and Irene are a young and unhappy married couple whose lives and relationship are thrown asunder as Don gravitates toward Spiritology a spiritual organization that promises the 'Ultimate Release." Gold titled wrappers. Title page present with credits for screenwriter Aaron Nash. 101 leaves with last page of text numbered 100. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1969ref. 162531N.p.: American Film Distributing 1969. Three vintage studio still photographs from the 1969 film. Two photographs with provenance stamps on the versos. Maria answers a personal ad and is invited to a house in Vermont. The house owner Spencer places Maria and other girls under the influence of aphrodisiacs and drugs. Spencer and his assistant Boris sit back and let the good times roll. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear and faint creasing overall one photograph with pinholes and light dampstaining to the left side and one photograph with pinholes and a small closed tear to the bottom margin and a 1.5 inch closed tear to the right side. American Film Distributing unknown
1968ref. 147869Beverly Hills CA: United Artists 1968. Vintage studio still photograph from the 1968 film. "Film Buff's Center" stamp on the verso. Based on the 1958 novel "The Bounty Killer" by Marvin H. Albert. Spanish-Italian Spaghetti Western. Mexican fugitive Jose Gomez Tomas Milian returns to his village pursued by the notorious bounty hunter Luke Chilson Richard Wyler. The debut of Milian in the Western genre. Set in Mexico shot on location in Andalucia Spain. 8 x 10 inches. Near Fine with light creasing near edge. Cox "10000 Ways to Die. United Artists unknown books
1958ref. 159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. 8 x 10 inches. Very Good plus. Spicer UK. Columbia Pictures unknown books
1958ref. 159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. 8 x 10 inches. Very Good plus. Spicer UK. Columbia Pictures unknown
1955ref. 159013North Hollywood: Republic Pictures 1955. Vintage studio still photograph from the 1955 film. A new parson in a small town attempts to spread the word of God while battling the local saloon owner. Set in the fictional town of Lodestone. 10 x 8 inches. Near Fine. Pitts 4601. Republic Pictures unknown books
1976ref. 156769Los Angeles: Twentieth Century-Fox 1976. Revised Final script for the 1977 film. A portrait of the second wave of feminism at its turning point in the late 1970s about two former dancers whose lives have gone separate ways one having become a professional dancer the other a housewife and whose unexpected reunion yields dramatic consequences. Nominated for eleven Academy Awards including Best Picture Best Director and Best Screenplay. Shot on location in Oklahoma City. Green titled Twentieth Century-Fox wrappers dated July 2 1976. Title page present dated July 2 1976 noted as REVISED FINAL with credits for screenwriter Arthur Laurents. 119 leaves with last page of text numbered 118. Xerographic duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Housed in a custom cloth slipcase. Twentieth Century-Fox unknown books
1976ref. 129783Los Angeles: Twentieth Century-Fox 1976. Draft script for the 1977 film. Presumed estimating script with "Budgeting" in manuscript ink on the front wrapper. Notations in manuscript blue and black ink throughout. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft portray former dance colleagues whose lives have gone separate ways one becomes a professional dancer the other a settled domestic woman and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. Mustard titled wrappers noted as "Budgeting" on the front wrapper. Title page present dated 3/2/76 with a credit for screenwriter Laurents. 116 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1977ref. 157834Los Angeles: Twentieth Century-Fox 1977. Vintage program for the 1977 film. A fictionalized account of the tumultuous friendship between ballerinas Isabel Mirrow Brown and Nora Kaye. Nominated for ten Academy Awards. 9 x 12 inches. Eight leaves saddle stapled with a laid in bi-fold sheet. About Near Fine. Twentieth Century-Fox unknown books
1977ref. 163626Los Angeles: Twentieth Century-Fox 1977. Vintage photograph of Shirley Maclaine from the 1977 film. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways one became and professional dancer the other a settled domestic life and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. Shot on location in Oklahoma City. 8 x 10 inches. Near Fine. Grant US. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown books
1977ref. 145151Los Angeles: Twentieth Century-Fox 1977. Vintage photograph of director Herbert Ross and actor Shirley Maclaine on the set of the 1977 film. Manuscript annotations on the verso. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways one became and professional dancer the other a settled domestic life and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. Shot on location in Oklahoma City. 8 x 10 inches. Near Fine. Grant US. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown books
1976ref. 156769Los Angeles: Twentieth Century-Fox 1976. Revised Final script for the 1977 film. A portrait of the second wave of feminism at its turning point in the late 1970s about two former dancers whose lives have gone separate ways one having become a professional dancer the other a housewife and whose unexpected reunion yields dramatic consequences. Nominated for eleven Academy Awards including Best Picture Best Director and Best Screenplay. Shot on location in Oklahoma City. Green titled Twentieth Century-Fox wrappers dated July 2 1976. Title page present dated July 2 1976 noted as REVISED FINAL with credits for screenwriter Arthur Laurents. 119 leaves with last page of text numbered 118. Xerographic duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Housed in a custom cloth slipcase. Twentieth Century-Fox unknown
1977ref. 145151Los Angeles: Twentieth Century-Fox 1977. Vintage photograph of director Herbert Ross and actor Shirley Maclaine on the set of the 1977 film. Manuscript annotations on the verso. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways one became and professional dancer the other a settled domestic life and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. Shot on location in Oklahoma City. 8 x 10 inches. Near Fine. Grant US. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown
1976ref. 129783Los Angeles: Twentieth Century-Fox 1976. Draft script for the 1977 film. Presumed estimating script with "Budgeting" in manuscript ink on the front wrapper. Notations in manuscript blue and black ink throughout. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft portray former dance colleagues whose lives have gone separate ways one becomes a professional dancer the other a settled domestic woman and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. Mustard titled wrappers noted as "Budgeting" on the front wrapper. Title page present dated 3/2/76 with a credit for screenwriter Laurents. 116 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1958ref. 163067N.p.: N.p. 1958. Vintage studio still photograph from the 1958 film showing uncredited actor Russell Nype. Newspaper clippings and reference library stamps on the verso. A comedy of errors about a married man who comes to believe that he has impregnated the owner of an adoption agency and that she will serve as the surrogate. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 8 x 10 inches archivally matted on a 11 x 14 inch mat. Very Good with annotations in manuscript ink on the recto regarding cropping and a small splash on the right edge. N.p. unknown books
1958ref. 163067N.p.: N.p. 1958. Vintage studio still photograph from the 1958 film showing uncredited actor Russell Nype. Newspaper clippings and reference library stamps on the verso. A comedy of errors about a married man who comes to believe that he has impregnated the owner of an adoption agency and that she will serve as the surrogate. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 8 x 10 inches archivally matted on a 11 x 14 inch mat. Very Good with annotations in manuscript ink on the recto regarding cropping and a small splash on the right edge. N.p. unknown
1957ref. 150849N.p.: Continental Distributing 1957. Two vintage photographs from the US release of the 1957 UK film one studio still photograph and one reference photograph. A man recalls his past and present relationships in order to help another man understand his wife. One 10 x 8 inches one 9.75 x 7.7x inches. Near Fine. Continental Distributing unknown books
1957ref. 166060Beaconsfield UK: Beaconsfield Films 1957. Draft script for the 1957 British film copy belonging to Art Director George Provis with manuscript pencil and ink annotations in his hand throughout and his name written on the top of revision page 85. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Laurence Harvey stars as Sir Humphrey Tavistock who consoles his son-in-law Roland Culver who finds all women impossible to love with tales of found lovers and lost love. Tall maroon untitled wrappers. Title page present dated 14.1.57 with credits for screenwriter Muriel Box. 109 leaves with last page of text numbered 108. Mimeograph duplication rectos only with undated green revision pages throughout. Pages Near Fine wrapper Very Good bound internally with a prong binding. Beaconsfield Films unknown books
1995ref. 167510Los Angeles: Twentieth Century-Fox 1995. Draft script for the 1996 film. Script incomplete ending on page 124 lacking the final pages likely as issued. Loosely based as a modern gender-reversal of Edmond Rostand's 1897 play "Cyrano de Bergerac." Janeane Garofalo stars as a veterinarian and radio show host who has her beautiful neighbor Uma Thurman impersonate her when a handsome fan of her radio show Ben Chaplin expresses interest in her. Screenwriter Audrey Wells first feature film. Set in and shot on location in Los Angeles and Santa Monica California. Blue titled wrappers. Title page present dated February 6 1995 with credits for screenwriter Audrey Wells. 129 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two metal brads. Twentieth Century-Fox unknown books
1957ref. 166060Beaconsfield UK: Beaconsfield Films 1957. Draft script for the 1957 British film copy belonging to Art Director George Provis with manuscript pencil and ink annotations in his hand throughout and his name written on the top of revision page 85. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Laurence Harvey stars as Sir Humphrey Tavistock who consoles his son-in-law Roland Culver who finds all women impossible to love with tales of found lovers and lost love. Tall maroon untitled wrappers. Title page present dated 14.1.57 with credits for screenwriter Muriel Box. 109 leaves with last page of text numbered 108. Mimeograph duplication rectos only with undated green revision pages throughout. Pages Near Fine wrapper Very Good bound internally with a prong binding. Beaconsfield Films unknown
1957ref. 150849N.p.: Continental Distributing 1957. Two vintage photographs from the US release of the 1957 UK film one studio still photograph and one reference photograph. A man recalls his past and present relationships in order to help another man understand his wife. One 10 x 8 inches one 9.75 x 7.7x inches. Near Fine. Continental Distributing unknown
1995ref. 167510Los Angeles: Twentieth Century-Fox 1995. Draft script for the 1996 film. Script incomplete ending on page 124 lacking the final pages likely as issued. Loosely based as a modern gender-reversal of Edmond Rostand's 1897 play "Cyrano de Bergerac." Janeane Garofalo stars as a veterinarian and radio show host who has her beautiful neighbor Uma Thurman impersonate her when a handsome fan of her radio show Ben Chaplin expresses interest in her. Screenwriter Audrey Wells first feature film. Set in and shot on location in Los Angeles and Santa Monica California. Blue titled wrappers. Title page present dated February 6 1995 with credits for screenwriter Audrey Wells. 129 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two metal brads. Twentieth Century-Fox unknown
1964ref. 147638New York: Janus Films 1964. Five vintage studio still photographs from the 1964 film. "The Troublemaker" was inspired by The Premise an improv group begun by Theodore J. Flicker in 1960 and starred all but one of the original members of the group George Segal. New Jersey chicken farmer Jack Armstrong Tom Aldredge moves to Greenwich Village to open a coffee house with the help of his friend lawyer T.R. Kingston Buck Henry. Set in and shot on location in New York City. 8 x 10 inches. Near FIne. Janus Films unknown books
