11,047 results
1964ref. 158788N.p.: Martin Ritt Productions 1964. Four vintage studio still photographs and three vintage reference photographs from the 1964 film. Three vintage reference photographs with mimeo snipes on the verso. A remake of Kurosawa's 1950 film "Rashomon" envisioned as a Western. Four witnesses of a rape and murder case have conflicting views of the crime while at trial. Who can be trusted when all four accounts pin the blame on someone different and create different motivations for the crimes Set in the American Southwest shot on location in California and Arizona. Six photographs 10 x 8 inches one photograph 8 x 10 inches. About Very Good plus with some splashes along the left and right edges of the reference photographs and some chips and pinholes along the edges of two of the studio still photographs. Martin Ritt Productions unknown books
1964ref. 158788N.p.: Martin Ritt Productions 1964. Four vintage studio still photographs and three vintage reference photographs from the 1964 film. Three vintage reference photographs with mimeo snipes on the verso. A remake of Kurosawa's 1950 film "Rashomon" envisioned as a Western. Four witnesses of a rape and murder case have conflicting views of the crime while at trial. Who can be trusted when all four accounts pin the blame on someone different and create different motivations for the crimes Set in the American Southwest shot on location in California and Arizona. Six photographs 10 x 8 inches one photograph 8 x 10 inches. About Very Good plus with some splashes along the left and right edges of the reference photographs and some chips and pinholes along the edges of two of the studio still photographs. Martin Ritt Productions unknown
1954ref. 147878Los Angeles: Twentieth Century-Fox 1954. Three vintage proof photographs from the 1954 film. A woman finds herself implicated in a stagecoach robbery due to her father's notoriety as a famed outlaw. Shot on location in Utah and Arizona. 10 x 8 inches with two images 4.5 x 3.5 inches and one image 2.25 x 2 inches. Very Good plus. Pitts 2963. Twentieth Century-Fox unknown books
1949ref. 159174N.p.: Howard Hughes Productions 1949. Vintage studio still photograph from the 1949 re-release of the 1943 film. Fictionalized versions of Billy the Kid and Doc Holiday fight over the attentions of a feisty young woman. Director Howard Hughes fought with Production Code Administration head Joseph Breen for two years primarily over how much of Jane Russell's cleavage was allowed to be visible before Hughes agreed to a small number of cuts. After a brief run in San Francisco drew protests over the film's suggestive content and advertising the film was withdrawn. It wouldn't see a wide release until 1946 where despite still being subject to censorship by local film boards and a lawsuit over censors withdrawing their approval it became a tremendous box office success finally launching Russell's acting career. Set in New Mexico shot on location in New Mexico Arizona and California. 8 x 10 inches. Very Good plus. Godard Histoires du cinema. Howard Hughes Productions unknown books
1954ref. 147878Los Angeles: Twentieth Century-Fox 1954. Three vintage proof photographs from the 1954 film. A woman finds herself implicated in a stagecoach robbery due to her father's notoriety as a famed outlaw. Shot on location in Utah and Arizona. 10 x 8 inches with two images 4.5 x 3.5 inches and one image 2.25 x 2 inches. Very Good plus. Pitts 2963. Twentieth Century-Fox unknown
1972ref. 135916Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1973 film based on the 1963 "Parker" novel by Donald E. Westlake writing as Richard Stark. One of the great neo-noir crime films of the early 1970s today a classic New Hollywood with understated performances from Duvall Black and Baker as well as a who's-who of character actors playing out a violent story that takes place mostly in a beautifully ordinary rural setting. Shot on location in Los Angeles. Blue titled wrappers rubber-stamped copy No. 117 dated December 18 1972 with credits for producer De Haven and director/screenwriter Flynn. Title page integral with the front wrapper as issued. 131 leaves with last page of text numbered 128. Mimeograph duplication. Pages Fine wrapper Fine bound with two gold brads. Grant US. Silver Classic US Noir. Spicer US. Stephens US. Metro-Goldwyn-Mayer [MGM] unknown books
1973ref. 161935Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Vintage studio still photograph of actor Robert Duvall from the 1973 film. Based on the 1963 "Parker" novel by Donald E. Westlake writing as Richard Stark. One of the great crime films of the early 1970s today a classic of the New Hollywood Cinema. Shot on location in Los Angeles California. 8 x 10 inches. Near Fine with some slight creasing at the corners. Grant US. Silver and Ward US. Spicer US. Weldon 1983. Weldon 1996. Metro-Goldwyn-Mayer [MGM] unknown books
1972ref. 135916Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1973 film based on the 1963 "Parker" novel by Donald E. Westlake writing as Richard Stark. One of the great neo-noir crime films of the early 1970s today a classic New Hollywood with understated performances from Duvall Black and Baker as well as a who's-who of character actors playing out a violent story that takes place mostly in a beautifully ordinary rural setting. Shot on location in Los Angeles. Blue titled wrappers rubber-stamped copy No. 117 dated December 18 1972 with credits for producer De Haven and director/screenwriter Flynn. Title page integral with the front wrapper as issued. 131 leaves with last page of text numbered 128. Mimeograph duplication. Pages Fine wrapper Fine bound with two gold brads. Grant US. Silver Classic US Noir. Spicer US. Stephens US. Metro-Goldwyn-Mayer [MGM] unknown
1969ref. 139465Hollywood: Paramount Pictures 1969. Two vintage color British front-of-house cards from the 1969 film. This goofy comedy of errors follows the story of an Ohio businessman played by Jack Lemmon who travels with his mousy wife Sandy Dennis to New York City for a game-changing job opportunity. However the couple is met by nothing but trouble on their journey and begin to regret ever leaving Ohio. Set in Manhattan shot on location in New York and Massachusetts. 10 x 8 inches. Near Fine with a small crease to the bottom left corner. Paramount Pictures unknown books
1977ref. 138667Universal City CA: Universal Pictures 1977. Final Draft script for the 1978 film. A sequel to The Other Side of the Mountain. Jill returns to her home in California with her mother where she sparks a romance with one of the locals. Set in Bishop California shot on location in Bishop California and Victoria British Columbia. Red titled wrappers noted as Final Draft on the front wrapper production No. 00460 and sticker indicating copy No. II dated May 3 1977. Title page present noted as Final Draft with credits for screenwriter Douglas Day Stewart and skier Jill Kinmont. 126 leaves with last page of text numbered 130. Xerographic duplication rectos only with blue and yellow revision pages throughout dated variously between 5/17/77 and 5/18/77. Pages Near Fine wrapper Near Fine bound with two gold brads. Universal Pictures unknown books
1977ref. 138667Universal City CA: Universal Pictures 1977. Final Draft script for the 1978 film. A sequel to The Other Side of the Mountain. Jill returns to her home in California with her mother where she sparks a romance with one of the locals. Set in Bishop California shot on location in Bishop California and Victoria British Columbia. Red titled wrappers noted as Final Draft on the front wrapper production No. 00460 and sticker indicating copy No. II dated May 3 1977. Title page present noted as Final Draft with credits for screenwriter Douglas Day Stewart and skier Jill Kinmont. 126 leaves with last page of text numbered 130. Xerographic duplication rectos only with blue and yellow revision pages throughout dated variously between 5/17/77 and 5/18/77. Pages Near Fine wrapper Near Fine bound with two gold brads. Universal Pictures unknown
1966ref. 137064Los Angeles: Twentieth Century-Fox 1966. First Draft script for an unproduced film called "The Operators" written by novelist Norman Bogner and set in London in the 1960s. A crime-based drama about ex-cons and their cons. Brief notation in manuscript ink on two pages. Bogner's other credits include "Privelege" 1967 screenwriter his only film "Emerald Soup" 1963 television series story editor the "Armchair" theatre television series 1965-1966 and "Seventh Avenue" 1977 television series based on his novel. Blue titled wrappers noted as FIRST DRAFT on the front wrapper dated November 30 1966. Title page present dated November 30 1966 noted as First Draft with a credit for screenwriter Bogner. 127 leaves with last page of text numbered 126. Mimeographic duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown books
1966ref. 137064Los Angeles: Twentieth Century-Fox 1966. First Draft script for an unproduced film called "The Operators" written by novelist Norman Bogner and set in London in the 1960s. A crime-based drama about ex-cons and their cons. Brief notation in manuscript ink on two pages. Bogner's other credits include "Privelege" 1967 screenwriter his only film "Emerald Soup" 1963 television series story editor the "Armchair" theatre television series 1965-1966 and "Seventh Avenue" 1977 television series based on his novel. Blue titled wrappers noted as FIRST DRAFT on the front wrapper dated November 30 1966. Title page present dated November 30 1966 noted as First Draft with a credit for screenwriter Bogner. 127 leaves with last page of text numbered 126. Mimeographic duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown
1970ref. 151463Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage reference photograph from the 1970 film. With a mimeo snipe on the verso. Based on the 1968 play also by screenwriter Frank D. Gilroy. An aging lovelorn Las Vegas chorus girl begins an affair with a musician with a compulsive gambling habit. Set in Las Vegas and shot on location in Paris and Las Vegas Nevada. 10 x 8 inches. Very Good plus overall. Metro-Goldwyn-Mayer [MGM] unknown books
1970ref. 151463Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage reference photograph from the 1970 film. With a mimeo snipe on the verso. Based on the 1968 play also by screenwriter Frank D. Gilroy. An aging lovelorn Las Vegas chorus girl begins an affair with a musician with a compulsive gambling habit. Set in Las Vegas and shot on location in Paris and Las Vegas Nevada. 10 x 8 inches. Very Good plus overall. Metro-Goldwyn-Mayer [MGM] unknown
1979ref. 127465N.p.: Avco Embassy Pictures 1979. Vintage insert poster for the 1979 film. Based on Wambaugh's 1973 true crime book. An examination of the lives of policemen without excessive drama a model that had been developed in literature but only peripherally examined onscreen. Set in Los Angeles. 14 x 36 inches. Very Good with rubbing and a spot of black paint touch up to the upper left corner see images. Spicer US Neo-Noir. Avco Embassy Pictures unknown books
1957ref. 132165London: Rank Film Distributors 1957. Vintage black-and-white British front-of-house card from the 1957 UK film. Based on Kendal Burt's and James Leasor's book of the same title about Franz von Werra the only German prisoner of war to escape from imprisonment in Britain during the Second World War. 8 x 10 inches. About Near Fine. Rank Film Distributors unknown books
1978ref. 140622N.p.: Cal-Am Artists 1978. Draft script for the 1978 film. Script belonging to assistant director John Neukum with his name inscribed on the front wrapper. A rouge cop fed up with the ineffectual justice system decides to take the law into his own hands in this 1978 exploitation thriller. Jack Palance stars as the steely Lt. Jim Wade an L.A. cop who strikes a deal with a mobster in order to uncover the identity of the notorious serial killer "The Slasher." Director Charles Martin's final film he passed away only a few years after its completion. Yellow titled wrappers dated 07/11/77 with credits for director/screenwriter Charles Martin. Title page present dated 07/11/77 with credits for director/screenwriter Charles Martin. 171 leaves with last page of text numbered 144. Xerographic duplication with revision pages throughout dated 07/11/77. Pages Near Fine wrapper Very Good plus bound with three gold brads. Spicer US Neo-Noir. Cal-Am Artists unknown books
1978ref. 140622N.p.: Cal-Am Artists 1978. Draft script for the 1978 film. Script belonging to assistant director John Neukum with his name inscribed on the front wrapper. A rouge cop fed up with the ineffectual justice system decides to take the law into his own hands in this 1978 exploitation thriller. Jack Palance stars as the steely Lt. Jim Wade an L.A. cop who strikes a deal with a mobster in order to uncover the identity of the notorious serial killer "The Slasher." Director Charles Martin's final film he passed away only a few years after its completion. Yellow titled wrappers dated 07/11/77 with credits for director/screenwriter Charles Martin. Title page present dated 07/11/77 with credits for director/screenwriter Charles Martin. 171 leaves with last page of text numbered 144. Xerographic duplication with revision pages throughout dated 07/11/77. Pages Near Fine wrapper Very Good plus bound with three gold brads. Spicer US Neo-Noir. Cal-Am Artists unknown
1978ref. 168185Hollywood: Paramount Pictures 1978. Vintage borderless compilation photograph from the 1978 film. A charismatic but misguided out-of-work actor resorts to wrestling to make ends meet although he is unskilled at the sport leading him to begin staging fights. Shot on location in New York and Los Angeles. 8 x 10 inches. Near Fine. Paramount Pictures unknown books
1976ref. 163631Los Angeles: Twentieth Century-Fox 1976. Vintage promotional family portrait photograph of Gregory Peck Lee Remick and Harvey Stephens from the 1976 film. Gregory Peck stars as an American ambassador who begins to believe the child he is raising may be the antichrist. Winner of an Academy Award. The film spawned a franchise followed by "Damien - Omen II" 1978 "The Final Conflict" 1981 and "Omen IV: The Awakening" 1991 as well as a 2006 remake and a prequel in 2024. Shot on location in London Berkshire and Surrey England and Rome. 8 x 10 inches. Near FIne. Clover Men Women and Chainsaws. McPadden Heavy Metal Movies. Twentieth Century-Fox unknown books
1958ref. 155788Burbank CA: Warner Brothers 1958. Vintage photograph of a camera crew capturing a shot of actor Spencer Tracy and child actor Felipe Pazos on the set of the 1958 film. Printed mimeo snipe affixed to the verso along with a stamp crediting Warner photographer Jack Woods. Based on the Pulitzer Prize winning 1952 novel by Ernest Hemingway. Winner of an Academy Award and nominated for two more including Best Actor for Spencer Tracy one of nine nominations he would receive during his career. 10 x 8 inches. Near Fine. Warner Brothers unknown books
1958ref. 152832Logan IA: The Perfection Form Company 1958. Complete bound set of ten literary photographic prints published in conjunction with the 1958 film made for educational use. Based on the Pulitzer Prize winning 1952 novel by Ernest Hemingway. Winner of an Academy Award and nominated for two more including Best Actor for Spencer Tracy one of nine nominations he would receive during his career. Housed in blue wrappers measuring 13 x 10 inches. Photographs 12 x 9 inches. Very Good plus lightly creased. The Perfection Form Company unknown books
1971ref. 148995Paris: Lira Films 1971. Draft script for the 1972 French film text in French belonging to uncredited sound engineer Gerard Dacquay with name in manuscript marker on bottom right margin of front wrapper and name and address stamped on top right of title page. Copy number "17" in manuscript ink on front wrapper. A few minor manuscript annotations in manuscript ink in script text correction and a single horizontal line. Missing two pages likely as used or issued. Middle-aged forlorn Muriel Annie Girardot is vacationing at a seaside motel when Gabriel Philippe Noiret walks in a bit of a rake who has to stay a few days while his car is repaired and Muriel's table has the only vacant seat. Shot on location in Bouches-du Rhone France. Gray titled wrappers with cloth tape binding. Title page presentwith credits for director and screenwriter Jean-Pierre Blanc. 193 leaves with last page of text numbered 198. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus front wrapper separated and lightly soiled. Lira Films unknown books
1971ref. 148995Paris: Lira Films 1971. Draft script for the 1972 French film text in French belonging to uncredited sound engineer Gerard Dacquay with name in manuscript marker on bottom right margin of front wrapper and name and address stamped on top right of title page. Copy number "17" in manuscript ink on front wrapper. A few minor manuscript annotations in manuscript ink in script text correction and a single horizontal line. Missing two pages likely as used or issued. Middle-aged forlorn Muriel Annie Girardot is vacationing at a seaside motel when Gabriel Philippe Noiret walks in a bit of a rake who has to stay a few days while his car is repaired and Muriel's table has the only vacant seat. Shot on location in Bouches-du Rhone France. Gray titled wrappers with cloth tape binding. Title page presentwith credits for director and screenwriter Jean-Pierre Blanc. 193 leaves with last page of text numbered 198. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus front wrapper separated and lightly soiled. Lira Films unknown
