11,071 results
1950ref. 142329N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript. A gentleman pays the bail of a recently-jailed political activist who is then invited to a meeting of the League of Free Men. When the activist turns up murdered a few days later with a mysterious note found on his body the police begin investigating exactly what this organization is all about. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present noted as First Version with credits for G.E. Moore. 98 leaves with last page of text numbered 94. Ribbon copy typescript with type in black and red. Pages Very Good plus wrapper Very Good plus bound with a string binding. N.p. unknown books
1950ref. 142329N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript. A gentleman pays the bail of a recently-jailed political activist who is then invited to a meeting of the League of Free Men. When the activist turns up murdered a few days later with a mysterious note found on his body the police begin investigating exactly what this organization is all about. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present noted as First Version with credits for G.E. Moore. 98 leaves with last page of text numbered 94. Ribbon copy typescript with type in black and red. Pages Very Good plus wrapper Very Good plus bound with a string binding. N.p. unknown
1958ref. 144613Paris: Cinedis 1958. Four original single weight black-and-white press photographs from a premiere of the 1958 French-Italiam film. Starring actor Toto is seen with mistress and colleague Franca Faldini cavorting with fans and Toto with the host of the event. Photographer Traverso's rubberstamp numerical notation in manuscript pencil and film title in manuscript ink on the verso. Housed in an original Cinedis manila envelope with French film title in manuscript pencil on the front. In an imaginary village on the border between Italy and France a French customs agent Fernandel watches every move of an Italian smuggler Toto who eventually discovers that the agent is Italian not French. Faldini did not appear in this film but collaborated with Toto on eight earlier films including "Toto and the Women" 1952 and "Dov'e la liberta." 1954. Shot on location in Italy. Entered into the 8th Berlin International Film Festival in 1958. 5 x 7 inches. Light curling else Near Fine. Cinedis unknown books
1958ref. 144613Paris: Cinedis 1958. Four original single weight black-and-white press photographs from a premiere of the 1958 French-Italiam film. Starring actor Toto is seen with mistress and colleague Franca Faldini cavorting with fans and Toto with the host of the event. Photographer Traverso's rubberstamp numerical notation in manuscript pencil and film title in manuscript ink on the verso. Housed in an original Cinedis manila envelope with French film title in manuscript pencil on the front. In an imaginary village on the border between Italy and France a French customs agent Fernandel watches every move of an Italian smuggler Toto who eventually discovers that the agent is Italian not French. Faldini did not appear in this film but collaborated with Toto on eight earlier films including "Toto and the Women" 1952 and "Dov'e la liberta." 1954. Shot on location in Italy. Entered into the 8th Berlin International Film Festival in 1958. 5 x 7 inches. Light curling else Near Fine. Cinedis unknown
1951ref. 160232N.p.: N.p. 1951. Vintage reference photograph from the 1951 film. A dutiful bank clerk is convinced by his new neighbor an eccentric artist to steal gold bullion in order to melt it down to make miniature Eiffel Towers. Winner of the Academy Award for Best Screenplay. Ranked the 17th greatest British film of all time by the BFI. Set and shot on location in London. 10 x 8 inches. Very Good plus lightly creased at the top left corner and lightly soiled on the center right edge. Lee "The Heist Film. N.p. unknown books
1951ref. 147895N.p.: Ealing Studios 1951. Vintage studio still photograph from the 1951 film. Holland Alec Guinness has been a dutiful bank clerk for 20 years until a new neighbor Alfred Pendlebury Stanley Holloway an eccentric artist who owns a foundry that makes souvenirs helps him hatch a plan to steal gold bullion and melt them into miniature Eiffel Towers. Winner of the Academy Award for Best Screenplay and nominated for Best Actor for Guiness. Ranked the 17th greatest British film of all time by BFI. Set in and shot on location in London. 8 x 10 inches. CONDITION. Lee "The Heist Film. Ealing Studios unknown books
1951ref. 160232N.p.: N.p. 1951. Vintage reference photograph from the 1951 film. A dutiful bank clerk is convinced by his new neighbor an eccentric artist to steal gold bullion in order to melt it down to make miniature Eiffel Towers. Winner of the Academy Award for Best Screenplay. Ranked the 17th greatest British film of all time by the BFI. Set and shot on location in London. 10 x 8 inches. Very Good plus lightly creased at the top left corner and lightly soiled on the center right edge. Lee "The Heist Film. N.p. unknown
1930ref. 151436Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1930. Collection of eight vintage reference photographs from the 1930 comedy short film. Notable as the first short by the duo where Hardy says to Laurel "Well here's another nice mess you've gotten me into!" A parody of the 1927 silent film "The Cat and the Canary" with Stan and Ollie spending the night in a mansion of a deceased relative of Stan's only to be embroiled in suspected foul play. 10 x 8 inches. One photograph with a brief stray ink annotation to the recto else About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1930ref. 151436Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1930. Collection of eight vintage reference photographs from the 1930 comedy short film. Notable as the first short by the duo where Hardy says to Laurel "Well here's another nice mess you've gotten me into!" A parody of the 1927 silent film "The Cat and the Canary" with Stan and Ollie spending the night in a mansion of a deceased relative of Stan's only to be embroiled in suspected foul play. 10 x 8 inches. One photograph with a brief stray ink annotation to the recto else About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1985ref. 149641Paris: Gamma 1985. Vintage borderless reference photograph of director Robert Altman and actor Carol Burnett on the set of the 1985 television film originally aired on HBO on April 1. With a printed mimeo snipe on the verso along with the stamps of Gamma Film. Two women meet at a laundromat and reveal secrets about their lives. The third and final film collaboration between Altman and Burnett following "A Wedding" 1978 and "HealtH" 1980. Shot on location in Paris. 10.25 x 7 inches. Fine. Gamma unknown books
1985ref. 149641Paris: Gamma 1985. Vintage borderless reference photograph of director Robert Altman and actor Carol Burnett on the set of the 1985 television film originally aired on HBO on April 1. With a printed mimeo snipe on the verso along with the stamps of Gamma Film. Two women meet at a laundromat and reveal secrets about their lives. The third and final film collaboration between Altman and Burnett following "A Wedding" 1978 and "HealtH" 1980. Shot on location in Paris. 10.25 x 7 inches. Fine. Gamma unknown
1974ref. 135454Los Angeles: Twentieth Century-Fox 1974. Four vintage black-and-white studio still photographs from the 1974 film. Based on the 1970 novel by Maj Sjowall and Per Wahloo. A gritty crime drama in which a mass murderer kills a police detective and his partner is left to attempt to find the killer. Set in San Francisco. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1980ref. 153826Los Angeles: Monarex 1980. Draft script for an unproduced film. Not to be confused with the 1970 film directed by Carol Reed. Years into the future World War III has decimated most of the planet leaving the final battle to take place in southeast Asia. Clear mylar front wrapper red rear wrapper. Title page present undated with credits for screenwriter Christopher French. 92 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three silver brads. Monarex unknown books
1938ref. 139377Universal City CA: Universal Pictures 1938. Two vintage black-and-white keybook photographs from the 1938. Mimeo snipes affixed to the versos. Based on Latimer's Bill Crane and Doc Williams characters from his books "Headed for a Hearse" "The Lady in the Morgue" "Murder in the Madhouse" "The Dead Don't Care" and "Red Gardenias." The last of three Bill Crane films the first two being "The Westland Case" 1937 and "The Lady in the Morgue" 1938. Here Bill Crane Foster visits a country estate where the occupants have been receiving threatening letters from someone called "The Eye." 8 x 10 inches. Very Good plus waviness and faint tape residue on the rectos. Universal Pictures unknown books
1980ref. 153826Los Angeles: Monarex 1980. Draft script for an unproduced film. Not to be confused with the 1970 film directed by Carol Reed. Years into the future World War III has decimated most of the planet leaving the final battle to take place in southeast Asia. Clear mylar front wrapper red rear wrapper. Title page present undated with credits for screenwriter Christopher French. 92 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three silver brads. Monarex unknown
1971ref. 141346Troy MI: Anchor Bay Entertainment 1971. Six vintage film still photographs from the 1971 film. Paper snipe affixed to the verso of three images. Based on the 1959 novel by J.B. Pick about the people of a small village previously safe from the fighting during the Thirty Years' War trying to peacefully co-exist with a band of occupying mercenaries. Often cited by Michael Caine as a favorite among his many roles. 8 x 10 inches. Near Fine manuscript graphite and ink annotations to the verso. Black manuscript notation to the recto of one image. Anchor Bay Entertainment unknown books
1976ref. 142770Hollywood: Paramount Pictures 1976. Two vintage promotional photographs from the 1976 film. Rubber stamp to the verso of one photo. Based on the unfinished 1941 novel by F. Scott Fitzgerald. Effectively a tribute to early cinema in which Robert De Niro plays a movie producer who nearly works himself to death. Director Elia Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Nominated for an Academy Award. Set in Hollywood and shot there on location. One photo 7.25 x 9.75 inches and one photo 8 x 9.75 inches. Near Fine. Godard Histoires du cinema. Paramount Pictures unknown books
1977ref. 154931N.p.: CIC 1977. Vintage British Quad poster for the UK release of the 1976 film. Based on the unfinished 1941 novel by F. Scott Fitzgerald. A tribute to early cinema wherein Robert De Niro plays a movie producer who nearly works himself to death. Director Elia Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Nominated for an Academy Award. Set in and shot on location in Hollywood. 39.75 x 29.75 inches Folded as issued. Near Fine. Godard Histoires du cinema. CIC unknown books
1976ref. 161517N.p.: N.p. 1976. Vintage reference photograph of actor Robert De Niro director Elia Kazan and producer Sam Spiegel on the set of the 1976 film. Based on the unfinished 1941 novel by F. Scott Fitzgerald. A tribute to early cinema wherein De Niro plays a movie producer who nearly works himself to death. Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Set and shot on location in Hollywood. 10 x 8 inches. Near Fine. Godard Histoires du cinema. N.p. unknown books
1976ref. 172538N.p.: Cinema International 1976. Collection of fourteen vintage borderless reference photographs from the 1976 film. With mimeo snipes affixed to the versos and a Cinema International stamp on the versos. Based on the 1941 novel of the same name by F. Scott Fitzgerald. A studio executive during the golden age of Hollywood tries to prevent unionization on his movie sets and has an affair with an engaged actress. Nominated for one Academy Award. Set in Hollywood. Twelve photographs 8 x 10 inches two photographs trimmed 10 x 7 inches. About Near Fine. Godard Histoires du cinema. Weldon 1983. Cinema International unknown books
1997ref. 171669Universal City: Universal Studios 1997. Two vintage studio still photographs from the 1997 film. Based on a 1950 letter from Neal Cassady to Jack Kerouac and told from Cassady's perspective about the writer's experiences before and after his longtime lover Joan's suicide attempt. One 8 x 10 inches the other 9.5 x 10 inches. Near Fine. Universal Studios unknown books
1988ref. 171028Paris: Sygma 1988. Vintage oversize borderless color reference photograph from the 1988 film showing Barbara Hershey with curly hair and heavily hennaed hands and arms. Mimeo snipe on the verso. Based on the controversial 1955 novel by Nikos Kazantazkis adapted by Paul Schrader. Departing from the Gospels' depiction of Jesus Christ the film explored the humanity of Jesus and the various temptations he encountered during his time on Earth incurring outrage upon release from some Christian groups. Nominated for an Academy Award for Best Director. Shot on location in Morocco. 8 x 12 inches. About Fine. Criterion Collection 70. Sygma unknown books
1976ref. 142770Hollywood: Paramount Pictures 1976. Two vintage promotional photographs from the 1976 film. Rubber stamp to the verso of one photo. Based on the unfinished 1941 novel by F. Scott Fitzgerald. Effectively a tribute to early cinema in which Robert De Niro plays a movie producer who nearly works himself to death. Director Elia Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Nominated for an Academy Award. Set in Hollywood and shot there on location. One photo 7.25 x 9.75 inches and one photo 8 x 9.75 inches. Near Fine. Godard Histoires du cinema. Paramount Pictures unknown
1976ref. 172538N.p.: Cinema International 1976. Collection of fourteen vintage borderless reference photographs from the 1976 film. With mimeo snipes affixed to the versos and a Cinema International stamp on the versos. Based on the 1941 novel of the same name by F. Scott Fitzgerald. A studio executive during the golden age of Hollywood tries to prevent unionization on his movie sets and has an affair with an engaged actress. Nominated for one Academy Award. Set in Hollywood. Twelve photographs 8 x 10 inches two photographs trimmed 10 x 7 inches. About Near Fine. Godard Histoires du cinema. Weldon 1983. Cinema International unknown
1976ref. 161517N.p.: N.p. 1976. Vintage reference photograph of actor Robert De Niro director Elia Kazan and producer Sam Spiegel on the set of the 1976 film. Based on the unfinished 1941 novel by F. Scott Fitzgerald. A tribute to early cinema wherein De Niro plays a movie producer who nearly works himself to death. Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Set and shot on location in Hollywood. 10 x 8 inches. Near Fine. Godard Histoires du cinema. N.p. unknown
