Giampaolo Lomi (screenwriter)Biblio.com
11,067 results
1976ref. 147259N.p.: N.p. 1976. Treatment script for an unproduced film. Based on the true story of Padre Pio an Italian friar and mystic who was later venerated as a saint in the Catholic Church. Screenwriter Giampaolo Lomi was best known for "Tropic of Cancer" 1972 and "The Barons" 1975. Set in Italy. Mustard cloth covered titled boards. Title page present dated 1976 with credits for screenwriter GIANMPAOLO LOMI sic. 67 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages and boards Very Good plus. N.p. unknown
1966ref. 129518Hollywood: Paramount Pictures 1966. Original US Pressbook for the 1966 Italian film. Franco Nero plays a small supporting role in this drug-related crime film released just prior to his breakout role as "Django" the same year. 4 pages folded 12.25 X 15 inches. Black-and-white throughout. A horizontal fold at the middle and faint toning else about Near Fine. Paramount Pictures unknown books
1965ref. 132216London: National Screen Service 1965. Vintage black-and-white British front-of-house card from the 1965 UK film. Based on the play by Ray Rigby about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches. Very Good plus with light creases. National Screen Service unknown books
1964ref. 137549N.p.: N.p. 1964. Draft script for an unproduced fictional film set on a kibbutz in Israel by documentary filmmaker Herbert Kline. Accompanying the script is a typed letter signed by Kline dated "May II 1964" discussing casting of the film plans for script rewrites including the removal of some "overt political statements" that aided in getting Israeli financing and his hope that the success of this film would "lead to a series of modest budget" films shot in Israel. Blue titled wrappers. Title page present with credits for screenwriter Kline. 136 leaves with last page of text numbered 135. Mechanical duplication. Pages Near Fine wrapper lightly soiled else Near Fine bound with tape. Letter: 8.5 x 11 inches recto only folded horizontally. Very Good with a jagged tear to one edge and some light creasing. N.p. unknown books
1964ref. 137549N.p.: N.p. 1964. Draft script for an unproduced fictional film set on a kibbutz in Israel by documentary filmmaker Herbert Kline. Accompanying the script is a typed letter signed by Kline dated "May II 1964" discussing casting of the film plans for script rewrites including the removal of some "overt political statements" that aided in getting Israeli financing and his hope that the success of this film would "lead to a series of modest budget" films shot in Israel. Blue titled wrappers. Title page present with credits for screenwriter Kline. 136 leaves with last page of text numbered 135. Mechanical duplication. Pages Near Fine wrapper lightly soiled else Near Fine bound with tape. Letter: 8.5 x 11 inches recto only folded horizontally. Very Good with a jagged tear to one edge and some light creasing. N.p. unknown
1965ref. 132215London: National Screen Service 1965. Eight vintage black-and-white British front-of-house cards from the 1965 UK film. Based on the play by Ray Rigby about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches. Light toning overall else Near Fine. National Screen Service unknown books
1965ref. 132215London: National Screen Service 1965. Eight vintage black-and-white British front-of-house cards from the 1965 UK film. Based on the play by Ray Rigby about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches. Light toning overall else Near Fine. National Screen Service unknown
1968ref. 141021London: The Rank Organization 1968. Draft script for the 1968 film. Laid in are two pages of corrections. With annotations in manuscript ink and pencil throughout. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on Jon Cleary's 1966 novel of the same title. The New South Wales police sergeant Scobie Malone is summoned for questioning and cooperation when the Australian High Commissioner is wanted in England for murder. Now he must uncover the truth as well protect the High Commissioner from assassination attempts. Set in London shot on location there as well as New South Wales Australia. Teal blank wrappers with die cut title window in the British style. Title page present dated October 20 1967 with credits for author Jon Cleary and screenwriter Wilfred Greatorex. 136 leaves with last page of text numbered 132. Mechanical duplication with pink revision pages throughout dated variously between November 15 1967 and January 8 1968. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. The Rank Organization unknown books
1968ref. 141021London: The Rank Organization 1968. Draft script for the 1968 film. Laid in are two pages of corrections. With annotations in manuscript ink and pencil throughout. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on Jon Cleary's 1966 novel of the same title. The New South Wales police sergeant Scobie Malone is summoned for questioning and cooperation when the Australian High Commissioner is wanted in England for murder. Now he must uncover the truth as well protect the High Commissioner from assassination attempts. Set in London shot on location there as well as New South Wales Australia. Teal blank wrappers with die cut title window in the British style. Title page present dated October 20 1967 with credits for author Jon Cleary and screenwriter Wilfred Greatorex. 136 leaves with last page of text numbered 132. Mechanical duplication with pink revision pages throughout dated variously between November 15 1967 and January 8 1968. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. The Rank Organization unknown
1964ref. 132062London: Rank Organisation 1964. Vintage full-color still British front-of-house card from the 1964 UK film. A gritty and realistic portrayal of the Cypriot independence struggle against British military rule in the 1950s. 8 x 10 inches. Light creases to the corners else Near Fine. Rank Organisation unknown books
1957ref. 142897Burbank CA: Warner Brothers 1957. Second Revised Final script for the 1957 film. Director Michael Curtiz's Specially bound copy in tan leather with gilt titles and Curtiz's name at the bottom right corner of the front board. A highly fictionalized portrayal of the life and career of Prohibition era torch singer/actress Helen Morgan. This film marked Curtiz's return to Warner Bros since leaving in 1954 due to a salary dispute. Ever since Morgan's death Warner Bros wanted to make a film biography though struggled to find an actress and continuously in development. Working titles included "Why Was I Born" "Both Ends of the Candle" and as printed in this copy "The Jazz Age." Many female actresses auditioned including Doris Day who rejected due to her squeaky clean image. Blyth was chosen for her dramatic ability even though her singing voice was akin to Morgan's. Gogi Grant would supply the singing voice dubbed over Blyth. Set in New York shot on location in Burbank CA. Brown leather covered boards titles in gilt. Distribution page present with receipt intact. Title page present dated 1/29/57 with credits for screenwriter Nelson Gidding. 130 leaves with last page of text numbered 124. Mimeograph duplication with blue revision pages throughout dated variously between 2/6/57 and 3/8/57. Pages Near Fine binding Very Good plus. Warner Brothers unknown books
1957ref. 142897Burbank CA: Warner Brothers 1957. Second Revised Final script for the 1957 film. Director Michael Curtiz's Specially bound copy in tan leather with gilt titles and Curtiz's name at the bottom right corner of the front board. A highly fictionalized portrayal of the life and career of Prohibition era torch singer/actress Helen Morgan. This film marked Curtiz's return to Warner Bros since leaving in 1954 due to a salary dispute. Ever since Morgan's death Warner Bros wanted to make a film biography though struggled to find an actress and continuously in development. Working titles included "Why Was I Born" "Both Ends of the Candle" and as printed in this copy "The Jazz Age." Many female actresses auditioned including Doris Day who rejected due to her squeaky clean image. Blyth was chosen for her dramatic ability even though her singing voice was akin to Morgan's. Gogi Grant would supply the singing voice dubbed over Blyth. Set in New York shot on location in Burbank CA. Brown leather covered boards titles in gilt. Distribution page present with receipt intact. Title page present dated 1/29/57 with credits for screenwriter Nelson Gidding. 130 leaves with last page of text numbered 124. Mimeograph duplication with blue revision pages throughout dated variously between 2/6/57 and 3/8/57. Pages Near Fine binding Very Good plus. Warner Brothers unknown
1917ref. 171493N.p.: N.p. 1917. Vintage reference photograph from the 1917 silent film. Annotations in manuscript ink on the verso. A hardworking mine owner is secretly in love with a young woman who unfortunately decides to marry the man's frivolous brother. 10 x 8 inches. Very Good moderately edgeworn and lightly toned. N.p. unknown books
1917ref. 171493N.p.: N.p. 1917. Vintage reference photograph from the 1917 silent film. Annotations in manuscript ink on the verso. A hardworking mine owner is secretly in love with a young woman who unfortunately decides to marry the man's frivolous brother. 10 x 8 inches. Very Good moderately edgeworn and lightly toned. N.p. unknown
1972ref. 163717N.p.: N.p. 1972. Three vintage borderless reference photographs from the 1972 film candid images of actors Charles Grodin and Cybill Shepherd. Loosely based on Theodore Dreiser's 1925 novel "An American Tragedy" and on Bruce Jay Friedman's 1966 short story "A Change of Plan." A self-absorbed sporting goods salesman tires of his new bride on their honeymoon in Miami Beach instead deciding to throw himself at a perilously beautiful college student on vacation with her parents. Groundbreaking director Elaine May's second feature film following "A New Leaf" in 1971 and a classic of twentieth century comedy. Set in New York City and Florida shot on location in Minneapolis and Miami. 7 x 9.5 inches. Near Fine. N.p. unknown books
1972ref. 163717N.p.: N.p. 1972. Three vintage borderless reference photographs from the 1972 film candid images of actors Charles Grodin and Cybill Shepherd. Loosely based on Theodore Dreiser's 1925 novel "An American Tragedy" and on Bruce Jay Friedman's 1966 short story "A Change of Plan." A self-absorbed sporting goods salesman tires of his new bride on their honeymoon in Miami Beach instead deciding to throw himself at a perilously beautiful college student on vacation with her parents. Groundbreaking director Elaine May's second feature film following "A New Leaf" in 1971 and a classic of twentieth century comedy. Set in New York City and Florida shot on location in Minneapolis and Miami. 7 x 9.5 inches. Near Fine. N.p. unknown
1966ref. 159788Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini talking with actors Toto and Ninetto Davoli on the set of the 1966 film. Stamp of photographer Divo Cavicchioli on the verso along with a printed Photofest label. A neorealist film dealing with Marxism and class conflict wherein an old man and his son are joined by a talking philosopher crow on their walk down the road. Nominated for the Palme d'Or. Set and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. 7.25 x 9.5 inches. Very Good plus with light wear on the left edge. Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown books
1966ref. 151544Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini along with his script supervisor on the set of the 1966 film. Italian "Uccellacci e Uccellini" stamp photographer "Divo Cavicchioli" stamp and provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. An old man played by the famous Italian performer Toto and his son Ninetto Davoli are walking along the road and are joined by a talking philosopher crow whom we are told in an intertitle is a left-wing intellectual and may be a Marxist. Nominated for the Palm d'Or. Set in and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. 7.25 x 9.5 inches. Near Fine. Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown books
1966ref. 159788Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini talking with actors Toto and Ninetto Davoli on the set of the 1966 film. Stamp of photographer Divo Cavicchioli on the verso along with a printed Photofest label. A neorealist film dealing with Marxism and class conflict wherein an old man and his son are joined by a talking philosopher crow on their walk down the road. Nominated for the Palme d'Or. Set and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. 7.25 x 9.5 inches. Very Good plus with light wear on the left edge. Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown
1966ref. 151544Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini along with his script supervisor on the set of the 1966 film. Italian "Uccellacci e Uccellini" stamp photographer "Divo Cavicchioli" stamp and provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. An old man played by the famous Italian performer Toto and his son Ninetto Davoli are walking along the road and are joined by a talking philosopher crow whom we are told in an intertitle is a left-wing intellectual and may be a Marxist. Nominated for the Palm d'Or. Set in and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. 7.25 x 9.5 inches. Near Fine. Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown
1963ref. 151276N.p.: N.p. 1963. Vintage reference photograph of director Robert Wise and actress Julie Harris on the set of the 1963 film. With manuscript ink annotations on the verso. From the archive of film historian and author Joel Finler. Based on Shirley Jackson's 1959 novel "The Haunting of Hill House." A group of disparate individuals are invited to a purportedly haunted house by a paramormal investigator. Set in Massachusetts shot on location in Ettington Park in Warwickshire UK. 8 x 10 inches. Very Good plus. Scorsese The Dark Eleven. Spicer US. N.p. unknown books
1963ref. 151276N.p.: N.p. 1963. Vintage reference photograph of director Robert Wise and actress Julie Harris on the set of the 1963 film. With manuscript ink annotations on the verso. From the archive of film historian and author Joel Finler. Based on Shirley Jackson's 1959 novel "The Haunting of Hill House." A group of disparate individuals are invited to a purportedly haunted house by a paramormal investigator. Set in Massachusetts shot on location in Ettington Park in Warwickshire UK. 8 x 10 inches. Very Good plus. Scorsese The Dark Eleven. Spicer US. N.p. unknown
1946ref. 137483Los Angeles: Monogram Pictures 1946. Draft script for the 1946 film. Working copy belonging to actor Marshall Reed with his name in manuscript pencil on the front wrapper. The final film in the Nevada McKenzie series in which US Marshal Jack "Nevada" McKenzie is asked to help investigate the death of a man who supposedly drowned in a haunted mine near a ghost town called Buckeye. Their investigation leads them deep into the secrets of the local community including corruption mental illness and murder on a grander scale than they first imagined. Gray titled wrappers with credits for screenwriter Frank Young. Title page present with credits for screenwriter Young. 87 leaves with last page of text numbered 87. Mimeograph duplication. Light insect damage to the extremities of both pages and wrapper with light dampstaining as well. Pages Very Good wrapper Very Good bound with two gold brads. Monogram Pictures unknown books
1946ref. 137483Los Angeles: Monogram Pictures 1946. Draft script for the 1946 film. Working copy belonging to actor Marshall Reed with his name in manuscript pencil on the front wrapper. The final film in the Nevada McKenzie series in which US Marshal Jack "Nevada" McKenzie is asked to help investigate the death of a man who supposedly drowned in a haunted mine near a ghost town called Buckeye. Their investigation leads them deep into the secrets of the local community including corruption mental illness and murder on a grander scale than they first imagined. Gray titled wrappers with credits for screenwriter Frank Young. Title page present with credits for screenwriter Young. 87 leaves with last page of text numbered 87. Mimeograph duplication. Light insect damage to the extremities of both pages and wrapper with light dampstaining as well. Pages Very Good wrapper Very Good bound with two gold brads. Monogram Pictures unknown
1973ref. 147891N.p.: Cinema Releasing 1973. Vintage British front-of-house card from the 1973 film. With "The Silver Screen" and "Not for Sale" stamps on the verso. Based on Robert Rimmer's 1966 novel. James Whitmore and Tippi Hedren star as the married couple that runs the fictional Harrad College which is experimenting with ideas about open sexuality and "free love." Featuring a young Don Johnson in his fourth motion picture. Shot on location in Pasadena California. 8 x 10 inches. Near Fine. Cinema Releasing unknown books
