11,067 results
1972ref. 154934London: Paramount Pictures 1972. Vintage British program for the 1972 film with black and white and color film still photographs throughout. Based on the 1969 novel by Mario Puzo who co-wrote the screenplay with director Francis Ford Coppola. Widely considered one of the finest films ever made and an inescapable influence on the portrayal of organized crime in film and television. Nominated for eleven Academy Awards winning three for Best Picture Best Adapted Screenplay and Best Actor for Brando. Set in New York New Jersey Los Angeles Las Vegas Sicily and Cuba and shot on location in New York New Jersey Los Angeles Las Vegas Sicily and the Dominican Republic. 8.5 x 11 inches. Side-stapled in illustrated card wrappers. Very Good plus. Wrappers with light rubbing overall light horizontal creasing at spine fold and a bump to the top right corner. National Film Registry. Ebert I. Penzler 101. Schrader 16. Paramount Pictures unknown
1958ref. 154873Culver City CA: Columbia Pictures 1958. Vintage one sheet poster for the 1958 film. Screenwriter Paddy Chayefsky reportedly modeled the story on the lives of Marilyn Monroe and Ava Gardner with elements taken from the lives of Joan Crawford and Judy Garland. An in-depth character study of a girl who overcomes her traumatic and bleak childhood and attains her dream of being an adored film star only to find her personal life miserable and unfulfilled. Featuring an outstanding and primal performance by Kim Stanley in her first film role. Nominated for an Academy Award for Best Screenplay. Shot on location in Ellicott City Maryland. 27 x 41 inches. Linen backed and rolled. Near Fine with some professional restoration and repair at the original folds. Columbia Pictures unknown books
1958ref. 154873Culver City CA: Columbia Pictures 1958. Vintage one sheet poster for the 1958 film. Screenwriter Paddy Chayefsky reportedly modeled the story on the lives of Marilyn Monroe and Ava Gardner with elements taken from the lives of Joan Crawford and Judy Garland. An in-depth character study of a girl who overcomes her traumatic and bleak childhood and attains her dream of being an adored film star only to find her personal life miserable and unfulfilled. Featuring an outstanding and primal performance by Kim Stanley in her first film role. Nominated for an Academy Award for Best Screenplay. Shot on location in Ellicott City Maryland. 27 x 41 inches. Linen backed and rolled. Near Fine with some professional restoration and repair at the original folds. Columbia Pictures unknown
1972ref. 152114N.p.: N.p. 1972. Two vintage borderless reference photographs from Wim Wenders' first film. With the stamp of distributor MK2 on the verso. Based on the 1970 novel by Peter Handke. A goalkeeper is sent home from a game for foul play leaving the field and spending the night with a cinema cashier whom he proceeds to murder. Shot on location in Vienna. 9.5 x 7 inches. Very Good plus faintly toned. Vogel Film as a Subversive Art. N.p. unknown books
1972ref. 152114N.p.: N.p. 1972. Two vintage borderless reference photographs from Wim Wenders' first film. With the stamp of distributor MK2 on the verso. Based on the 1970 novel by Peter Handke. A goalkeeper is sent home from a game for foul play leaving the field and spending the night with a cinema cashier whom he proceeds to murder. Shot on location in Vienna. 9.5 x 7 inches. Very Good plus faintly toned. Vogel Film as a Subversive Art. N.p. unknown
1971ref. 170548Culver City CA: Columbia Pictures 1971. Vintage reference photograph from the 1971 film showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown books
1971ref. 152387London: EMI Films 1971. Vintage borderless double weight photograph of director Joseph Losey actor Michael Redgrave and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 8 inches with a wide bottom margin. Near Fine. Vogel Film as a Subversive Art. EMI Films unknown books
1971ref. 149438London: EMI Films 1971. Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 7 inches. Near Fine. Vogel Film as a Subversive Art. EMI Films unknown books
1971ref. 159155London: EMI Films 1971. Vintage borderless reference photograph of director Joseph Losey actor Dominic Guard and crew members on the set of the 1971 film. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 8 inches with a wide bottom margin. About Near Fine slightly wavy on the bottom edge. Vogel Film as a Subversive Art. EMI Films unknown books
1971ref. 170553Culver City CA: Columbia Pictures 1971. Vintage studio still photograph from the 1971 film showing Julie Christie in costume. Provenance stamp on the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown books
1971ref. 170548Culver City CA: Columbia Pictures 1971. Vintage reference photograph from the 1971 film showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown
1971ref. 170553Culver City CA: Columbia Pictures 1971. Vintage studio still photograph from the 1971 film showing Julie Christie in costume. Provenance stamp on the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown
1971ref. 159155London: EMI Films 1971. Vintage borderless reference photograph of director Joseph Losey actor Dominic Guard and crew members on the set of the 1971 film. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 8 inches with a wide bottom margin. About Near Fine slightly wavy on the bottom edge. Vogel Film as a Subversive Art. EMI Films unknown
1971ref. 152387London: EMI Films 1971. Vintage borderless double weight photograph of director Joseph Losey actor Michael Redgrave and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 8 inches with a wide bottom margin. Near Fine. Vogel Film as a Subversive Art. EMI Films unknown
1971ref. 149438London: EMI Films 1971. Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 7 inches. Near Fine. Vogel Film as a Subversive Art. EMI Films unknown
1969ref. 147032N.p.: Sandrews 1969. Vintage one sheet Swedish poster for the 1969 film. At some ambiguous time in the near future international superpowers introduce "international peace games" a lethal miniature battle of drafted teens from around the world which is then broadcast as a popular reality television show. Shot on location in Sweden. 27.5 x 39 inches folded as issued. Very Good plus two small holes at middle and lower crease intersections. Sandrews unknown books
1969ref. 147032N.p.: Sandrews 1969. Vintage one sheet Swedish poster for the 1969 film. At some ambiguous time in the near future international superpowers introduce "international peace games" a lethal miniature battle of drafted teens from around the world which is then broadcast as a popular reality television show. Shot on location in Sweden. 27.5 x 39 inches folded as issued. Very Good plus two small holes at middle and lower crease intersections. Sandrews unknown
1966ref. 157335N.p.: N.p. 1966. Eight vintage oversize borderless hand-tinted color reference photographs from the French release of the 1966 American sexploitation film. Stamp of French distributor Les Films Hustaix on the versos. Lonely men seek companionship from a variety of increasingly odd sources including an embittered prostitute and the jealous madam of a brothel catering to sadomasochists. Shot on location in Los Angeles. 9.5 x 12 inches. Very Good plus with several with pinholes at the corners. N.p. unknown books
1970ref. 137528Los Angeles: Jay Weston Productions 1970. Revised Draft script for an unproduced action film about a American soldier trying to free his son from a military prison in a fictional South American county in the throes of revolution. Goldenrod titled wrappers. Title page present noted as Revised Draft with credits for screenwriter Gordon. 96 leaves with last page of text numbered 95. Mechanical duplication. Pages Very Good plus wrapper Very Good bound with two gold brads. Jay Weston Productions unknown books
1970ref. 137528Los Angeles: Jay Weston Productions 1970. Revised Draft script for an unproduced action film about a American soldier trying to free his son from a military prison in a fictional South American county in the throes of revolution. Goldenrod titled wrappers. Title page present noted as Revised Draft with credits for screenwriter Gordon. 96 leaves with last page of text numbered 95. Mechanical duplication. Pages Very Good plus wrapper Very Good bound with two gold brads. Jay Weston Productions unknown
1966ref. 157335N.p.: N.p. 1966. Eight vintage oversize borderless hand-tinted color reference photographs from the French release of the 1966 American sexploitation film. Stamp of French distributor Les Films Hustaix on the versos. Lonely men seek companionship from a variety of increasingly odd sources including an embittered prostitute and the jealous madam of a brothel catering to sadomasochists. Shot on location in Los Angeles. 9.5 x 12 inches. Very Good plus with several with pinholes at the corners. N.p. unknown
1968ref. 161790N.p.: Continental 1968. Vintage studio still photograph from the US release of the 1967 Czecholslovakian film. Sixteen-year old Bobina gives up her virginity to the charming blue-eyed Pepík before the two even learn each other's names. The next day Pepík leaves the country for work and eventually sends Bobina a postcard with an image of three camels. A pregnant Bobina writes back only to have her letter returned with a note saying the addressee has died in an accident. 8 x 10 inches. Near Fine. Continental unknown books
1966ref. 161787N.p.: N.p. 1966. Two vintage studio still photographs from the 1966 film. Provenance stamp on the verso of each. Kitty hooks up with the murderously jealous Tigercat in tempestuous unstable lesbian affair. 8 x 10 inches. Very Good plus. N.p. unknown books
1968ref. 146530N.p.: N.p. 1968. Draft script for the 1968 film here under the working title "Tenderly." With a business card clipped to the first leaf. Laid in with the script is a typed two-page overview of director Franco Brusati's prior screenwriting and directorial credits. Text in English. After 15 years apart a neurotic doctor reconnects with his childhood sweetheart a free-spirited young woman. Set in Italy. Red untitled wrappers. Title page present with credits for screenwriters FRANCO BRUSATI and ENNIO DE CONCINI and translator John Francis Lane. 137 leaves with last page of text numbered 134. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus internally side stapled our first encounter with this practice and bound with two gold brads. N.p. unknown books
1968ref. 146530N.p.: N.p. 1968. Draft script for the 1968 film here under the working title "Tenderly." With a business card clipped to the first leaf. Laid in with the script is a typed two-page overview of director Franco Brusati's prior screenwriting and directorial credits. Text in English. After 15 years apart a neurotic doctor reconnects with his childhood sweetheart a free-spirited young woman. Set in Italy. Red untitled wrappers. Title page present with credits for screenwriters FRANCO BRUSATI and ENNIO DE CONCINI and translator John Francis Lane. 137 leaves with last page of text numbered 134. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus internally side stapled our first encounter with this practice and bound with two gold brads. N.p. unknown
