11,064 results
1981ref. 139774Universal City CA: Universal Pictures 1981. Vintage studio still photograph from the 1981 film. Three wealthy couples living in New York take seasonal trips with one another. This marital drama and romantic comedy was met with box office success upon its release. Shot on location in various locations around the eastern United States. 10 x 8 inches. Fine. Universal Pictures unknown books
1975ref. 163632Los Angeles: Twentieth Century-Fox 1975. Vintage studio still photograph of Richard Chamberlain from the 1974 film. Sequel to the 1973 film and covering the events of the second half of Alexandre Dumas' 1844 novel following the legendary swashbucklers as they defend Queen Anne and her servant from the wily Cardinal Richelieu and Milady de Winter. Set in France and shot on location in various locations throughout Spain and England. 8 x 10 inches Near Fine. Twentieth Century-Fox unknown books
1921ref. 143526US: Metro Pictures Corporation 1921. Vintage photograph from the 1921 film. With a mimeo snipe on the verso. Based on the 1916 anti-war novel by Vincent Basco Ibanez about a French and German family on both sides of World War I. Along with "The Sheik" later the same year the film the catapulted Rudolph Valentino to stardom and helped create his "Great Lover" image. The film also launched the career of director Rex Ingram made screenwriter June Mathis one of the most powerful woman in Hollywood inspired a tango craze and was the first to gross over $1000000 at the box office. 10 x 8 inches. Very Good plus with a partial and faint studio stamp on the recto light soil and edgewear. National Film Registry. Metro Pictures Corporation unknown books
1921ref. 143526US: Metro Pictures Corporation 1921. Vintage photograph from the 1921 film. With a mimeo snipe on the verso. Based on the 1916 anti-war novel by Vincent Basco Ibanez about a French and German family on both sides of World War I. Along with "The Sheik" later the same year the film the catapulted Rudolph Valentino to stardom and helped create his "Great Lover" image. The film also launched the career of director Rex Ingram made screenwriter June Mathis one of the most powerful woman in Hollywood inspired a tango craze and was the first to gross over $1000000 at the box office. 10 x 8 inches. Very Good plus with a partial and faint studio stamp on the recto light soil and edgewear. National Film Registry. Metro Pictures Corporation unknown
1949ref. 148507Burbank CA: Warner Brothers 1949. Three vintage photographs of Patricia Neal applying makeup on the set of the 1949 film. Adapted to the screen by Ayn Rand from her novel one of only three screenplays she wrote during her brief tenure in Hollywood. In approaching the film adaptation of Rand's iconoclastic work King Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself adapt her own screenplay. Two photographs 7.5 x 9.25 inches. One photograph 7.75 x 9.5 inches. Near Fine with light edgewear. Warner Brothers unknown books
1949ref. 161624Burbank CA: Warner Brothers 1949. Four vintage reference photographs from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead." In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown books
1949ref. 161687Burbank CA: Warner Brothers 1949. Four vintage studio still photographs from the 1949 film. In approaching the film adaptation of Ayn Rand's 1943 work director King Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown books
1949ref. 161625Burbank CA: Warner Brothers 1949. Five vintage promotional photographs four of which are in color from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead." Each photo with the film's title logo at the bottom margin. One photo framed to look like a "book" to tie in with the popularity of the novel. In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown books
1949ref. 161687Burbank CA: Warner Brothers 1949. Four vintage studio still photographs from the 1949 film. In approaching the film adaptation of Ayn Rand's 1943 work director King Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown
1949ref. 161625Burbank CA: Warner Brothers 1949. Five vintage promotional photographs four of which are in color from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead." Each photo with the film's title logo at the bottom margin. One photo framed to look like a "book" to tie in with the popularity of the novel. In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown
1949ref. 161624Burbank CA: Warner Brothers 1949. Four vintage reference photographs from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead." In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown
1949ref. 148507Burbank CA: Warner Brothers 1949. Three vintage photographs of Patricia Neal applying makeup on the set of the 1949 film. Adapted to the screen by Ayn Rand from her novel one of only three screenplays she wrote during her brief tenure in Hollywood. In approaching the film adaptation of Rand's iconoclastic work King Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself adapt her own screenplay. Two photographs 7.5 x 9.25 inches. One photograph 7.75 x 9.5 inches. Near Fine with light edgewear. Warner Brothers unknown
1915ref. 171490N.p.: N.p. 1915. Two vintage reference photographs from the 1915 silent film one showing Edward Martindel and Mary Pickford the other showing Martindel Pickford and Mildred Morris. Contemporary annotations in manuscript pencil on the versos. Years after abandoning his daughter to an orphanage a wealthy painter attempts a reconciliation. The original film premiered in 1915 directed by Allan Dwan but was destroyed in a fire shortly after its release and is today considered lost. The film was re-made with the same cast directed by John B. O'Brien and released in 1916. One 8.75 x 8 inches the other 10 x 8 inches. Good edgeworn with chips at two corners moderately toned. N.p. unknown books
1915ref. 171490N.p.: N.p. 1915. Two vintage reference photographs from the 1915 silent film one showing Edward Martindel and Mary Pickford the other showing Martindel Pickford and Mildred Morris. Contemporary annotations in manuscript pencil on the versos. Years after abandoning his daughter to an orphanage a wealthy painter attempts a reconciliation. The original film premiered in 1915 directed by Allan Dwan but was destroyed in a fire shortly after its release and is today considered lost. The film was re-made with the same cast directed by John B. O'Brien and released in 1916. One 8.75 x 8 inches the other 10 x 8 inches. Good edgeworn with chips at two corners moderately toned. N.p. unknown
1954ref. 139626Glendale CA: Allied Artists 1954. Two vintage black-and-white reference studio still photographs from the 1954 film. Bill Elliott stars as Sam Nelson a California based federal agent hunting for his friend's murderers. Virginia Grey pictured in the stills makes a cameo as the wife of one of the fugitive killers. Shot on location in California. 8 x 10 inches. Very Good plus with light toning overall to one of the images and light creasing to the recto of both. Allied Artists unknown books
1966ref. 136089Beverly Hills CA: United Artists 1966. Five vintage borderless black-and-white studio still photographs from the set of the 1966 film. All photographs show Billy Wilder giving direction including scenes in a bedroom on a football field in a cemetery and more. Walter Matthau won an Academy Award for his role in the film. 8 x 10 inches. Near Fine. United Artists unknown books
1966ref. 136089Beverly Hills CA: United Artists 1966. Five vintage borderless black-and-white studio still photographs from the set of the 1966 film. All photographs show Billy Wilder giving direction including scenes in a bedroom on a football field in a cemetery and more. Walter Matthau won an Academy Award for his role in the film. 8 x 10 inches. Near Fine. United Artists unknown
1977ref. 156017N.p.: N.p. 1977. Vintage borderless reference photograph of director Dino Risi and actress Anicée Alvina on the set of the 1977 film. Stamp of Israel Film Archive on the verso. Based on the 1966 novel "Un'anima persa" by Giovanni Arpino. An amateur painter discovers that his aunt and uncle's run-down mansion is home to a number of strange and macabre secrets. Risi's second adaptation of Arpino's novel following "Profumo di donna" in 1974. Set and shot on location in Venice. 9 x 7 inches. Near Fine. N.p. unknown books
1977ref. 156017N.p.: N.p. 1977. Vintage borderless reference photograph of director Dino Risi and actress Anicée Alvina on the set of the 1977 film. Stamp of Israel Film Archive on the verso. Based on the 1966 novel "Un'anima persa" by Giovanni Arpino. An amateur painter discovers that his aunt and uncle's run-down mansion is home to a number of strange and macabre secrets. Risi's second adaptation of Arpino's novel following "Profumo di donna" in 1974. Set and shot on location in Venice. 9 x 7 inches. Near Fine. N.p. unknown
1986ref. 169589Paris: Sipa Press 1986. Eight vintage color slides from the French release of the 1986 film. Based on the 1957 short story by George Langelaan and a remake of the 1958 film directed by Kurt Neumann. A classic work of body horror about an eccentric inventor who begins to undergo unexpected and horrific mutations when a common house fly slips into his newly invented teleportation device. Winner of an Academy Award. 1.5 x 1 inches in the original 2 x 2 cardboard sleeves. About Fine. Carlson Destroy All Movies. Sipa Press unknown books
1986ref. 158427N.p.: Twentieth Century-Fox 1986. Eight vintage glossy Italian Photobusta posters for the 1986 film. Based on the 1957 short story by George Langelaan. Remake of the 1958 film directed by Kurt Neumann and starring Al Hedison Patricia Owens and Vincent Price. Director David Cronenberg's classic remake wherein eccentric inventor Seth Brundle Jeff Goldblum begins to undergo unexpected and horrific mutatio when a common house fly slips into his newly invented teleportation device. Winner of an Academy Award. 26.25 x 18.25 inches. Near Fine overall. Carlson Destroy All Movies. McPadden Heavy Metal Movies. Twentieth Century-Fox unknown books
1986ref. 169589Paris: Sipa Press 1986. Eight vintage color slides from the French release of the 1986 film. Based on the 1957 short story by George Langelaan and a remake of the 1958 film directed by Kurt Neumann. A classic work of body horror about an eccentric inventor who begins to undergo unexpected and horrific mutations when a common house fly slips into his newly invented teleportation device. Winner of an Academy Award. 1.5 x 1 inches in the original 2 x 2 cardboard sleeves. About Fine. Carlson Destroy All Movies. Sipa Press unknown
1986ref. 158427N.p.: Twentieth Century-Fox 1986. Eight vintage glossy Italian Photobusta posters for the 1986 film. Based on the 1957 short story by George Langelaan. Remake of the 1958 film directed by Kurt Neumann and starring Al Hedison Patricia Owens and Vincent Price. Director David Cronenberg's classic remake wherein eccentric inventor Seth Brundle Jeff Goldblum begins to undergo unexpected and horrific mutatio when a common house fly slips into his newly invented teleportation device. Winner of an Academy Award. 26.25 x 18.25 inches. Near Fine overall. Carlson Destroy All Movies. McPadden Heavy Metal Movies. Twentieth Century-Fox unknown
1966ref. 132843London: Twentieth Century-Fox 1966. Two vintage black-and-white still photographs from the 1966 UK release of the 1965 US film. Mimeograph snipes and rubber-stamps on the versos layout annotations on the recto of 1 still. One of the great adventure films of the twentieth century wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted. A story set in the Sahara desert shot on location in California and Arizona. 8 x 10 inches. About Near Fine. Twentieth Century-Fox unknown books
1965ref. 132451Los Angeles: Twentieth Century-Fox 1965. First Draft script for the 1965 film. Included are production notes dated November 1965 laid in and an architectural sketch of the "sky truck" noted as "REVISED / APR. 22. '65" As deluxe a script for this film as we have seen and a highspot for noted director Robert Aldrich. One of the great adventure films of the twentieth century wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted. Black titled wrappers noted as 2ND DRAFT on the front wrapper dated April 6th. Distribution page present with receipt removed. Title page present with credits for screenwriter Heller and novelist Trevor. 178 leaves mechanical duplication with blue and pink revision pages throughout dated variously between 4/15/65 and 4/27/65. Pages Near Fine wrapper about Near Fine with a small fingernail-size bruise at the top left corner of the front wrapper. Bound internally with three gold brads. Twentieth Century-Fox unknown books
