11,160 results
1967ref. 152866N.p.: N.p. 1967. Vintage borderless reference photograph of director Jean-Luc Godard pulling actress Mireille Darc's hair on the set of the 1967 film. With the stamp of still photographer and actress Anne Wiazemsky on the verso. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 9.25 x 6.75 inches. Light creasing to the bottom left corner else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown books
1967ref. 152866N.p.: N.p. 1967. Vintage borderless reference photograph of director Jean-Luc Godard pulling actress Mireille Darc's hair on the set of the 1967 film. With the stamp of still photographer and actress Anne Wiazemsky on the verso. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 9.25 x 6.75 inches. Light creasing to the bottom left corner else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 168470N.p.: N.p. 1967. Two vintage borderless reference photographs showing a car accident sequence from the 1967 film one showing director Jean-Luc Godard looking back at the camera smiling wryly as plumes of smoke rise in the background. Layout annotations in manuscript ink and pencil on the versos. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 6.75 x 5 inches. Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1968ref. 167788New York: Grove Press Film Division 1968. Vintage press kit for US release of the French 1967 film. Pocketed black and white illustrated folder with gold stamp contains an illustrated bi-fold of "Notes and Background" and a Jean-Luc Godard bio and a tri-fold of advertising materials. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. Folder and contents Near Fine. Criterion Collection 635. Godard Histoires du cinema. Rosenbaum 1000. Vogel Film as a Subversive Art. Grove Press [Film Division] unknown books
1967ref. 149386N.p.: N.p. 1967. Vintage reference photograph of director Jean-Luc Godard on the set of the 1967 film with actors Jean Yanne Jean-Pierre Leaud and Mireille Darc. Mimeo snipe affixed to the verso with celo tape from the Institute of Contemporary Arts Cinema for a July 5 1968 showing with annotations of actors names in manuscript ink. In one of Godard's most misanthropic films a loveless bourgeois couple Corinne Darc and Roland Yanne fantasize about killing each other when they aren't cheating on the other. They ponder these matters as they take a nearly never-ending nightmarish road trip to visit Corinne's parents intent on securing an inheritance resolved to murder if necessary. Shot on location in Ile de France and Paris. 8 x 10 inches with wide horizontal margins. Light curling else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown books
1964ref. 162571N.p.: Cinema-Video International Release 1964. Vintage studio still photograph from the US release of the 1962 Danish film. With a provenance stamp on the verso. A group of seven wealthy middle-aged friends unable to escape their ennui take a cabin getaway replete with binge drinking and bed hopping. 8 x 10 inches. Light edgewear and a wax pencil annotation to the top left of the recto else Near Fine. Cinema-Video International Release unknown books
1968ref. 167788New York: Grove Press Film Division 1968. Vintage press kit for US release of the French 1967 film. Pocketed black and white illustrated folder with gold stamp contains an illustrated bi-fold of "Notes and Background" and a Jean-Luc Godard bio and a tri-fold of advertising materials. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. Folder and contents Near Fine. Criterion Collection 635. Godard Histoires du cinema. Rosenbaum 1000. Vogel Film as a Subversive Art. Grove Press [Film Division] unknown
1967ref. 149386N.p.: N.p. 1967. Vintage reference photograph of director Jean-Luc Godard on the set of the 1967 film with actors Jean Yanne Jean-Pierre Leaud and Mireille Darc. Mimeo snipe affixed to the verso with celo tape from the Institute of Contemporary Arts Cinema for a July 5 1968 showing with annotations of actors names in manuscript ink. In one of Godard's most misanthropic films a loveless bourgeois couple Corinne Darc and Roland Yanne fantasize about killing each other when they aren't cheating on the other. They ponder these matters as they take a nearly never-ending nightmarish road trip to visit Corinne's parents intent on securing an inheritance resolved to murder if necessary. Shot on location in Ile de France and Paris. 8 x 10 inches with wide horizontal margins. Light curling else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1964ref. 162571N.p.: Cinema-Video International Release 1964. Vintage studio still photograph from the US release of the 1962 Danish film. With a provenance stamp on the verso. A group of seven wealthy middle-aged friends unable to escape their ennui take a cabin getaway replete with binge drinking and bed hopping. 8 x 10 inches. Light edgewear and a wax pencil annotation to the top left of the recto else Near Fine. Cinema-Video International Release unknown
1969ref. 162573N.p.: Boxoffice International 1969. Vintage studio still photograph from the 1969 film. With a provenance stamp on the verso. A sailor on leave commences a bed-hopping binge to end them all. 8 x 10 inches. Near Fine. Boxoffice International unknown books
1969ref. 162573N.p.: Boxoffice International 1969. Vintage studio still photograph from the 1969 film. With a provenance stamp on the verso. A sailor on leave commences a bed-hopping binge to end them all. 8 x 10 inches. Near Fine. Boxoffice International unknown
1968ref. 162572N.p.: GGP 1968. Two vintage studio still photographs from the US release of the 1965 Italian/French/Spanish film here under the alternate release title "Weekend Wives." With provenance stamps on the versos of each. Enrico Maria Salerno stars as Enrico Marletti who spends a chaotic and terribly unpleasant weekend with his wife at the seaside and only wishes to return to quiet of his home in Rome. Shot on location in Marche Emilia-Romagna and Rome. 8 x 10 inches. Very Good plus one with a chip at the bottom left corner see image. GGP unknown books
1968ref. 162572N.p.: GGP 1968. Two vintage studio still photographs from the US release of the 1965 Italian/French/Spanish film here under the alternate release title "Weekend Wives." With provenance stamps on the versos of each. Enrico Maria Salerno stars as Enrico Marletti who spends a chaotic and terribly unpleasant weekend with his wife at the seaside and only wishes to return to quiet of his home in Rome. Shot on location in Marche Emilia-Romagna and Rome. 8 x 10 inches. Very Good plus one with a chip at the bottom left corner see image. GGP unknown
1986ref. 163842N.p.: N.p. 1986. Archive of three scripts for the 1987 prison film including two very early internally duplicated development scripts dated April 14 1980 and July 21 1980 and a Draft script dated July 16 1986. A suicidal inmate at San Quentin State Prison attends a production of "Waiting for Godot" and regains both his inspiration and his will to live ultimately organizing his own successful acting troupe in the prison. Shot on location in Wilmington Lillington and Durham North Carolina. Script dated April 14 1980: Yellow wrappers with title noted in manuscript ink on the front wrapper and a label with credits for director and screenwriter John Hancock and actor Robert De Niro although the latter did not appear in the film. Title page present dated April 14 1980 with credits for Hancock and screenwriter Dorothy Tristan. 132 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Script dated July 21 1980: Blue front wrapper with a die-cut title window lacking rear wrapper. Title page present dated July 21 1980 with credits for Hancock and Tristan. 133 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. Script dated July 16 1986: Lacking front wrapper with brown rear wrapper. Title page present dated July 16 1986 with credits for Hancock and Tristan. 118 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. N.p. unknown books
1986ref. 163842N.p.: N.p. 1986. Archive of three scripts for the 1987 prison film including two very early internally duplicated development scripts dated April 14 1980 and July 21 1980 and a Draft script dated July 16 1986. A suicidal inmate at San Quentin State Prison attends a production of "Waiting for Godot" and regains both his inspiration and his will to live ultimately organizing his own successful acting troupe in the prison. Shot on location in Wilmington Lillington and Durham North Carolina. Script dated April 14 1980: Yellow wrappers with title noted in manuscript ink on the front wrapper and a label with credits for director and screenwriter John Hancock and actor Robert De Niro although the latter did not appear in the film. Title page present dated April 14 1980 with credits for Hancock and screenwriter Dorothy Tristan. 132 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Script dated July 21 1980: Blue front wrapper with a die-cut title window lacking rear wrapper. Title page present dated July 21 1980 with credits for Hancock and Tristan. 133 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. Script dated July 16 1986: Lacking front wrapper with brown rear wrapper. Title page present dated July 16 1986 with credits for Hancock and Tristan. 118 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. N.p. unknown
1972ref. 158770N.p.: Cinépix Film Properties 1972. Collection including four vintage studio still photographs and one vintage reference photograph from the 1972 film. Based on the play written by screenwriter and director William Fruet. A young girl is raped by her brother's friend and discovers she is pregnant shortly thereafter. Her parents quickly attempt to marry her off to an older man. Shot on location in Toronto Ontario. Four photographs 10 x 8 inches one photograph 9.75 x 7 inches. Near Fine. Cinépix Film Properties unknown books
1972ref. 158776N.p.: Cinépix Film Properties 1972. Collection of ten vintage studio still photographs and three vintage reference photographs from the 1972 film. Based on the play written by screenwriter and director William Fruet. A young girl is raped by her brother's friend and discovers she is pregnant shortly thereafter. Her parents quickly attempt to marry her off to an older man. Shot on location in Toronto Ontario. Eight photographs 10 x 8 inches two photographs 8 x 10 inches three photographs 10 x 7.25 inches. Near Fine. Cinépix Film Properties unknown books
1972ref. 158770N.p.: Cinépix Film Properties 1972. Collection including four vintage studio still photographs and one vintage reference photograph from the 1972 film. Based on the play written by screenwriter and director William Fruet. A young girl is raped by her brother's friend and discovers she is pregnant shortly thereafter. Her parents quickly attempt to marry her off to an older man. Shot on location in Toronto Ontario. Four photographs 10 x 8 inches one photograph 9.75 x 7 inches. Near Fine. Cinépix Film Properties unknown
1972ref. 158776N.p.: Cinépix Film Properties 1972. Collection of ten vintage studio still photographs and three vintage reference photographs from the 1972 film. Based on the play written by screenwriter and director William Fruet. A young girl is raped by her brother's friend and discovers she is pregnant shortly thereafter. Her parents quickly attempt to marry her off to an older man. Shot on location in Toronto Ontario. Eight photographs 10 x 8 inches two photographs 8 x 10 inches three photographs 10 x 7.25 inches. Near Fine. Cinépix Film Properties unknown
1962ref. 164225N.p.: Contempora Productions 1962. Vintage banner poster for the 1962 Cold War documentary film. Rare in this format. A feature length anti-Communist documentary comprised of still photographs and newsreel footage tracing the history of Communism from the birth of Karl Marx to the construction of the Berlin wall. The title was taken from the phrase famously used by Nikita Khruschchev while addressing Western ambassadors in 1956.which some modern translators have suggested was misinterpreted. 82 x 24 inches. Very Good with light creasing faint soiling a small chip to the bottom right corner and a seven inch closed tear to the center top repaired with cello-tape on the verso. Contempora Productions unknown books
1962ref. 164225N.p.: Contempora Productions 1962. Vintage banner poster for the 1962 Cold War documentary film. Rare in this format. A feature length anti-Communist documentary comprised of still photographs and newsreel footage tracing the history of Communism from the birth of Karl Marx to the construction of the Berlin wall. The title was taken from the phrase famously used by Nikita Khruschchev while addressing Western ambassadors in 1956.which some modern translators have suggested was misinterpreted. 82 x 24 inches. Very Good with light creasing faint soiling a small chip to the bottom right corner and a seven inch closed tear to the center top repaired with cello-tape on the verso. Contempora Productions unknown
1949ref. 159895Culver City CA: Columbia Pictures 1949. Vintage reference photograph of director John Huston talking with actors Jennifer Jones and Walter Huston on the set of the 1949 film. Printed mimeo snipe provenance label and date stamp on the verso. Loosely based on Robert Sylvester's 1948 novel "China Valdez" about a group of Cuban revolutionaries as they attempt to overthrow Gerardo Machado's government. 10 x 8 inches. Very Good plus lightly creased and worn at the corners. Columbia Pictures unknown books
1949ref. 159895Culver City CA: Columbia Pictures 1949. Vintage reference photograph of director John Huston talking with actors Jennifer Jones and Walter Huston on the set of the 1949 film. Printed mimeo snipe provenance label and date stamp on the verso. Loosely based on Robert Sylvester's 1948 novel "China Valdez" about a group of Cuban revolutionaries as they attempt to overthrow Gerardo Machado's government. 10 x 8 inches. Very Good plus lightly creased and worn at the corners. Columbia Pictures unknown
1986ref. 162587Rome and Los Angeles: Scalera Studios / Angelika Films 1986. Three vintage postcard photographs from the 1942 Italian film and four vintage studio still photographs from the 1986 restoration and re-release of the film. Of particular note among the studio still photographs is an image of writer Ayn Rand taken by Leonard McCombe capturing Rand waiting to testify on communism in Hollywood to the House Un-American Affairs Committee on October 20 1947. "We the Living" was Rand's first published statement against communism and its faithful adaptation by director Goffredo Alessandrini released as two separate films caused a predictable stir all over Europe. The initial release never left the continent and was shuttered in a vault for over 25 years. It was then rescued by Rand herself in the late 1960s restored and made its US premiere at the Telluride Film Festival in 1986. Studio still photographs: 8 x 10 inches. Fine. Postcard photographs: 3.5 x 5.5 inches. Near Fine. All materials housed together in a white glassine sleeve. Scalera Studios / Angelika Films unknown books
1986ref. 162587Rome and Los Angeles: Scalera Studios / Angelika Films 1986. Three vintage postcard photographs from the 1942 Italian film and four vintage studio still photographs from the 1986 restoration and re-release of the film. Of particular note among the studio still photographs is an image of writer Ayn Rand taken by Leonard McCombe capturing Rand waiting to testify on communism in Hollywood to the House Un-American Affairs Committee on October 20 1947. "We the Living" was Rand's first published statement against communism and its faithful adaptation by director Goffredo Alessandrini released as two separate films caused a predictable stir all over Europe. The initial release never left the continent and was shuttered in a vault for over 25 years. It was then rescued by Rand herself in the late 1960s restored and made its US premiere at the Telluride Film Festival in 1986. Studio still photographs: 8 x 10 inches. Fine. Postcard photographs: 3.5 x 5.5 inches. Near Fine. All materials housed together in a white glassine sleeve. Scalera Studios / Angelika Films unknown
