11,066 results
2002ref. 172068Culver City CA: Columbia Pictures 2002. Five vintage color slides from the 2002 film. Each with a credit for photographer Merrick Morton on the sleeves. A mother and daughter lock themselves in their New York brownstone's safe room to hide from three burglars who seek a large sum in bearer bonds stowed in the house by its previous owner. Director David Fincher's fifth feature film following "Fight Club" 1999. Slides 1.5 x 1 inches in cardboard sleeves measuring 2 x 2 inches. Fine. Grant US. Columbia Pictures unknown books
2000ref. 171937N.p.: N.p. 2000. Draft script for the 2002 film. A mother and daughter lock themselves in their New York brownstone's safe room to hide from three burglars who seek a large sum in bearer bonds stowed in the house by its previous owner. Director David Fincher's fifth feature film following "Fight Club" 1999. Self wrappers. Title page present dated February 23 2000 with credit for screenwriter David Koepp. 106 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Grant US. N.p. unknown
2002ref. 172068Culver City CA: Columbia Pictures 2002. Five vintage color slides from the 2002 film. Each with a credit for photographer Merrick Morton on the sleeves. A mother and daughter lock themselves in their New York brownstone's safe room to hide from three burglars who seek a large sum in bearer bonds stowed in the house by its previous owner. Director David Fincher's fifth feature film following "Fight Club" 1999. Slides 1.5 x 1 inches in cardboard sleeves measuring 2 x 2 inches. Fine. Grant US. Columbia Pictures unknown
1974ref. 143719Los Angeles: Quinn Martin Productions 1974. Final Draft script for the 1974 television film originally aired November 20 1974 on ABC. Three armed men take over a private train car determined to rob and murder all of the passengers. Yellow titled wrappers noted as Final Draft on the front wrapper dated Aug 13 1974. Title page present dated Aug 13 1974 noted as Final Draft with credits for screenwriter Eugene Price. 106 leaves with last page of text numbered 105. mechanical duplication with blue pink yellow and green revision pages throughout dated variously between 8/19/74 and 9/11/74. Pages Near Fine wrapper Very Good plus bound with two gold brads. Reyes 127 Deal 121 122. Quinn Martin Productions unknown books
1974ref. 143719Los Angeles: Quinn Martin Productions 1974. Final Draft script for the 1974 television film originally aired November 20 1974 on ABC. Three armed men take over a private train car determined to rob and murder all of the passengers. Yellow titled wrappers noted as Final Draft on the front wrapper dated Aug 13 1974. Title page present dated Aug 13 1974 noted as Final Draft with credits for screenwriter Eugene Price. 106 leaves with last page of text numbered 105. mechanical duplication with blue pink yellow and green revision pages throughout dated variously between 8/19/74 and 9/11/74. Pages Near Fine wrapper Very Good plus bound with two gold brads. Reyes 127 Deal 121 122. Quinn Martin Productions unknown
1961ref. 149567Spain: Argos SLPC 1961. Vintage poster for the 1961 Spanish film. 27.5 x 38.75 inches. Very Good plus. Light edgewear to the upper right edge minor starting to one of the folds and light soil. Argos SLPC unknown books
1961ref. 149567Spain: Argos SLPC 1961. Vintage poster for the 1961 Spanish film. 27.5 x 38.75 inches. Very Good plus. Light edgewear to the upper right edge minor starting to one of the folds and light soil. Argos SLPC unknown
1985ref. 158972Burbank CA: The Malpaso Company 1985. Vintage studio still photograph from the 1985 film. A landowner wants to seize a gold mining camp's land and will do anything to get it. A mysterious preacher rides into camp to help. Set in California shot on location in California and Idaho. 8 x 10 inches. Fine. Pitts 3019. The Malpaso Company unknown books
1971ref. 149587Argentina: Sono Film 1971. Vintage poster for the 1971 comedy film starring legendary Argentinian comedian Luis Sandrini. 29 x 43 inches. Very Good. Light creasing and a few small closed tears and chips to the edges with starting to the folds and light soil. Folded as issued. Sono Film unknown books
1971ref. 149587Argentina: Sono Film 1971. Vintage poster for the 1971 comedy film starring legendary Argentinian comedian Luis Sandrini. 29 x 43 inches. Very Good. Light creasing and a few small closed tears and chips to the edges with starting to the folds and light soil. Folded as issued. Sono Film unknown
1954ref. 158802London: Hammer Film Productions 1954. Three vintage studio still photographs from the 1954 film. A failing business hires his best friend to help kill him so that his wife may collect his life insurance. When his business suddenly starts taking a turn for the better he must try to stop the hit-man before he kills him. Set in London. 10 x 8 inches. Two photographs Near Fine one photograph About Near Fine with the top corners trimmed irregularly. Hammer Film Productions unknown books
ref. 018246Daniel Cauchy (1930-2020), acteur, producteur, scénariste. P.A.S., 7 septembre 1981, 1p in-12. Extrait d'un album, « en souvenir du Comte de Monte Christo », film dans lequel il a joué. [422]
ref. 018220Dominique Nohain (1925-2017), acteur, scénariste, metteur en scène. P.A.S., 5 novembre 1967, 1p in-12. Extrait d'un album, « en souvenir des Escrocs de Madame et, honnêtement, avec une sympathie aussi sincère qu'au temps de c'est arrivé à 36 chandelles », deux films dans lesquels il a joué. [421]
ref. 018267Georges Conchon (1925-1990), écrivain, journaliste, scénariste. P.A.S., 26 mars 1968, 1p in-12. Extrait d'un album, « en souvenir des Hommes de la Guerre, l'Etat sauvage et les Grandes Lessives ». [422]
1979ref. 145288Los Angeles: California Pictures 1979. Collection of 51 vintage borderless color photographs from the 1979 film. Also included are eight large format negatives for photographs in the collection. Two US Navy divers taken prisoner by the Japanese in the Philippines are forced to search for millions of dollars worth of silver that the retreating American forces dumped into Manila Bay. Set and shot in the Philippines. 41 photographs 8 x 10 inches. Ten photographs 5 x 4 inches. Two negatives 8 x 10 inches. Five negatives 5 x 4 inches. Overall Near Fine. Parish and Hill Black Action Films 159. California Pictures unknown books
1979ref. 145288Los Angeles: California Pictures 1979. Collection of 51 vintage borderless color photographs from the 1979 film. Also included are eight large format negatives for photographs in the collection. Two US Navy divers taken prisoner by the Japanese in the Philippines are forced to search for millions of dollars worth of silver that the retreating American forces dumped into Manila Bay. Set and shot in the Philippines. 41 photographs 8 x 10 inches. Ten photographs 5 x 4 inches. Two negatives 8 x 10 inches. Five negatives 5 x 4 inches. Overall Near Fine. Parish and Hill Black Action Films 159. California Pictures unknown
1989ref. 147144N.p.: N.p. 1989. Draft script for the 1989 film here under its working title "Vac-U-Sapien." With extensive manuscript pencil and ink annotations on virtually every page. Bound in after the script are two handwritten pages of notes and four typed pages of effects and sets for the film. Michael Paul Girard's first directorial effort wherein aliens return to Earth for the first time in ten million years to see what has become of their "human experiment." After declaring the experiment a failure the aliens decide that due to humans' untidiness crossbreeding vacuum cleaners and humans will produce a better race of beings to inhabit the planet. They subsequently create a sentient vacuum cleaner which is programmed to reproduce with earthlings. A splendid Z-budget effort considered by some to be the worst movie ever made. And yet a script for it exists. Titled self wrappers with title page integral with the first page of text as issued. 86 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown books
1989ref. 147144N.p.: N.p. 1989. Draft script for the 1989 film here under its working title "Vac-U-Sapien." With extensive manuscript pencil and ink annotations on virtually every page. Bound in after the script are two handwritten pages of notes and four typed pages of effects and sets for the film. Michael Paul Girard's first directorial effort wherein aliens return to Earth for the first time in ten million years to see what has become of their "human experiment." After declaring the experiment a failure the aliens decide that due to humans' untidiness crossbreeding vacuum cleaners and humans will produce a better race of beings to inhabit the planet. They subsequently create a sentient vacuum cleaner which is programmed to reproduce with earthlings. A splendid Z-budget effort considered by some to be the worst movie ever made. And yet a script for it exists. Titled self wrappers with title page integral with the first page of text as issued. 86 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown
1974ref. 144624New York: Janus Films 1974. Draft script for the 1974 British film. A young man who has had a premonition of his death is called up to train and fight with the British forces during World War II ultimately ending in his actual death in battle on D-Day. Shot in black and white on vintage Kodak film stock with about half of the film comprised of archival footage of British training missions and the London Blitz borrowed from the Imperial War Museum in London director Stuart Cooper had originally intended to create a documentary though his aims changed as his research expanded. An underappreciated film with no distribution in the US until Janus re-released the film in 2006. Restored and released by the Criterion Collection in 2014. Set in England and France shot on location in England. Tall dark green wrappers with a die cut title window. Title page present dated 1974 with credits for screenwriters Stuart Cooper and Christopher Hudson. 61 leaves with last page of text numbered 60. Mechanical duplication rectos only. Pages Fine wrapper Near Fine bound internally with two silver brads. Criterion Collection 382. Janus Films unknown books
1974ref. 144624New York: Janus Films 1974. Draft script for the 1974 British film. A young man who has had a premonition of his death is called up to train and fight with the British forces during World War II ultimately ending in his actual death in battle on D-Day. Shot in black and white on vintage Kodak film stock with about half of the film comprised of archival footage of British training missions and the London Blitz borrowed from the Imperial War Museum in London director Stuart Cooper had originally intended to create a documentary though his aims changed as his research expanded. An underappreciated film with no distribution in the US until Janus re-released the film in 2006. Restored and released by the Criterion Collection in 2014. Set in England and France shot on location in England. Tall dark green wrappers with a die cut title window. Title page present dated 1974 with credits for screenwriters Stuart Cooper and Christopher Hudson. 61 leaves with last page of text numbered 60. Mechanical duplication rectos only. Pages Fine wrapper Near Fine bound internally with two silver brads. Criterion Collection 382. Janus Films unknown
1961ref. 131817Aldenham UK: Jermyn Productions 1961. Final script for the 1961 British film comedy. With revisions on pink stock bound in throughout and manuscript ink annotations mostly scene deletions on numerous pages. Also laid in are 16 pages of revisions on goldenrod stock accompanied by an advisory letter on Shepperton Studios stationery date stamped 12 January 1961. Bookkeeper George Summers Glenn Melvyn opts to marry one more time after his first wife leaves him. Unfortunately his ex-wife's harridan mother-in-law Marjorie Rhodes does not leave with her daughter. Now the new wife and the old mother-in-law are at loggerheads-not a recipe for the beginning of a successful marriage. Deep blue titled wrappers with a die-cut title window in the British style. Title page present dated January 4 1961 noted as FINAL SCRIPT with credits for screenwriter Player and playwright Deering assumed erroneously as Deering was an actor in the film and the playright was Rex Howard Arundel. 144 leaves mechanical duplication with pink undated revision pages throughout and goldenrod revision pages laid in dated 9th January 1961. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Jermyn Productions unknown books
1961ref. 131817Aldenham UK: Jermyn Productions 1961. Final script for the 1961 British film comedy. With revisions on pink stock bound in throughout and manuscript ink annotations mostly scene deletions on numerous pages. Also laid in are 16 pages of revisions on goldenrod stock accompanied by an advisory letter on Shepperton Studios stationery date stamped 12 January 1961. Bookkeeper George Summers Glenn Melvyn opts to marry one more time after his first wife leaves him. Unfortunately his ex-wife's harridan mother-in-law Marjorie Rhodes does not leave with her daughter. Now the new wife and the old mother-in-law are at loggerheads-not a recipe for the beginning of a successful marriage. Deep blue titled wrappers with a die-cut title window in the British style. Title page present dated January 4 1961 noted as FINAL SCRIPT with credits for screenwriter Player and playwright Deering assumed erroneously as Deering was an actor in the film and the playright was Rex Howard Arundel. 144 leaves mechanical duplication with pink undated revision pages throughout and goldenrod revision pages laid in dated 9th January 1961. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Jermyn Productions unknown
1950ref. 160943Universal City: Universal Pictures 1950. Vintage mini-banner poster for the 1949 film noir. Richard Basehart has just been paroled from prison after fifteen years and is determined not to fall on the wrong side of the law again when he learns the sanitarium he works at is a front for a robbery syndicate and the nurse he longs for Marilyn Maxwell is a gold-digger. Set in Philadelphia and shot on location in Philadelphia and Los Angeles. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby US. Spicer US. Universal Pictures unknown books
1950ref. 160943Universal City: Universal Pictures 1950. Vintage mini-banner poster for the 1949 film noir. Richard Basehart has just been paroled from prison after fifteen years and is determined not to fall on the wrong side of the law again when he learns the sanitarium he works at is a front for a robbery syndicate and the nurse he longs for Marilyn Maxwell is a gold-digger. Set in Philadelphia and shot on location in Philadelphia and Los Angeles. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby US. Spicer US. Universal Pictures unknown
1950ref. 159041Los Angeles: RKO Radio Pictures 1950. Vintage studio still photograph from the 1950 film noir. A young recently engaged woman is raped by a man working at her job. She tries to run away from her life but cannot outrun her trauma. Shot on location in Marysville California. 8 x 10 inches. Very Good with a small chip missing at the bottom right corner. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. Grant US. RKO Radio Pictures unknown books
