10,264 results
1973ref. 171998Burbank CA: Warner-Columbia Film 1973. Vintage pressbook for the initial German release of the 1973 Dutch film including a black-and-white booklet with advertising insert leaves and three vintage borderless reference photographs one showing Paul Verhoeven wearing a rain poncho during filming on location the other two showing Rutger Hauer and Monique van de Ven. Text in German. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. Folder: 8.25 x 11.75 inches. Near Fine. Photographs: 7 x 9.5 inches. Very Good plus. Warner-Columbia Film unknown books
1974ref. 162518Cinemation Industries 1974. Vintage studio still photograph from the US release of the 1973 Dutch film. Provenance stamp on the verso. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and Monique van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. 8 x 10 inches. Near Fine. Cinemation Industries unknown books
1973ref. 162381N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 Dutch film showing actress Monique van de Ven. Mimeo snipe and provenance stamp on the verso. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. 8 x 10 inches. Fine. N.p. unknown books
1973ref. 154942N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 Dutch film showing actress Monique van de Ven. Mimeo snipe and provenance stamp on the verso. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. 8 x 10 inches. Very Good plus with light edgewear. N.p. unknown books
1973ref. 170384N.p.: N.p. 1973. Vintage oversize borderless color reference photograph from the 1973 film showing actress Monique van de Ven topless. Annotations in manuscript ink to the verso. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. 9.75 x 12 inches. Near Fine. N.p. unknown books
1974ref. 148768N.p.: N.p. 1974. Four vintage double weight studio still photographs from US release of the 1973 Dutch film. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and Monique van de Ven and the most successful release in the history of Dutch cinema. Set in and shot on location in Noord-Holland and Rotterdam Netherlands. 8 x 10 inches. Near Fine. N.p. unknown books
1973ref. 170384N.p.: N.p. 1973. Vintage oversize borderless color reference photograph from the 1973 film showing actress Monique van de Ven topless. Annotations in manuscript ink to the verso. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. 9.75 x 12 inches. Near Fine. N.p. unknown
1973ref. 171998Burbank CA: Warner-Columbia Film 1973. Vintage pressbook for the initial German release of the 1973 Dutch film including a black-and-white booklet with advertising insert leaves and three vintage borderless reference photographs one showing Paul Verhoeven wearing a rain poncho during filming on location the other two showing Rutger Hauer and Monique van de Ven. Text in German. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. Folder: 8.25 x 11.75 inches. Near Fine. Photographs: 7 x 9.5 inches. Very Good plus. Warner-Columbia Film unknown
1974ref. 162518Cinemation Industries 1974. Vintage studio still photograph from the US release of the 1973 Dutch film. Provenance stamp on the verso. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and Monique van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. 8 x 10 inches. Near Fine. Cinemation Industries unknown
1973ref. 162381N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 Dutch film showing actress Monique van de Ven. Mimeo snipe and provenance stamp on the verso. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. 8 x 10 inches. Fine. N.p. unknown
1973ref. 154942N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 Dutch film showing actress Monique van de Ven. Mimeo snipe and provenance stamp on the verso. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. 8 x 10 inches. Very Good plus with light edgewear. N.p. unknown
1974ref. 148768N.p.: N.p. 1974. Four vintage double weight studio still photographs from US release of the 1973 Dutch film. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and Monique van de Ven and the most successful release in the history of Dutch cinema. Set in and shot on location in Noord-Holland and Rotterdam Netherlands. 8 x 10 inches. Near Fine. N.p. unknown
ref. 140830N.p.: N.p. Draft script for an unproduced film. With a single notation in manuscript ink. Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caesar's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. Set in California and Nevada. White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown books
1999ref. 170727Hollywood: Do We 1999. Revised shooting script for the 1999 television movie originally aired on December 5 1999 on ABC. Based on Mitch Albom's 1997 memoir about his time spent with his former college professor who is dying of Lou Gehrig's disease. Winner of several Primetime Emmy Awards including Outstanding Lead Actor for Jack Lemmon and Outstanding Supporting Actor for Hank Azaria. Lemmon's final film role before his death in 2001. Set in Detroit and Boston shot on location in Los Angeles and Santa Clarita. Self wrappers. Title page present dated June 4 1999 noted as Shooting Script with credits for Albom screenwriter Tom Rickman and director Mick Jackson. 110 leaves with last page of text numbered 98. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between July 6 and August 9 1999. Pages Near Fine bound with two gold brads. Do We unknown books
1999ref. 170727Hollywood: Do We 1999. Revised shooting script for the 1999 television movie originally aired on December 5 1999 on ABC. Based on Mitch Albom's 1997 memoir about his time spent with his former college professor who is dying of Lou Gehrig's disease. Winner of several Primetime Emmy Awards including Outstanding Lead Actor for Jack Lemmon and Outstanding Supporting Actor for Hank Azaria. Lemmon's final film role before his death in 2001. Set in Detroit and Boston shot on location in Los Angeles and Santa Clarita. Self wrappers. Title page present dated June 4 1999 noted as Shooting Script with credits for Albom screenwriter Tom Rickman and director Mick Jackson. 110 leaves with last page of text numbered 98. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between July 6 and August 9 1999. Pages Near Fine bound with two gold brads. Do We unknown
1986ref. 162368Burbank CA: Warner Brothers 1986. Collection of twelve vintage color slides from the 1986 film. Five with annotations in manuscript ink on the cardboard sleeves and a printed Dutch photo agency label affixed to the plastic sleeve holding the slides. A series of vignettes about the goings-on in the fictional Texan town of Virgil whose inhabitants are preparing for a large celebration in honor of the 150th anniversary of Texas' independence. A passion project for David Byrne poorly received at the time of its release but today considered a cult classic largely funded on the strength of Jonathan Demme's successful 1984 concert film "Stop Making Sense" with much of the film's soundtrack supplied by Talking Heads. Shot on location throughout Texas in Dallas Mesquite Midlothian Red Oak Allen and McKinney. Slides 1.25 x 1 inches in cardboard sleeves measuring 2 x 2 inches. About Near Fine. Warner Brothers unknown books
1986ref. 162368Burbank CA: Warner Brothers 1986. Collection of twelve vintage color slides from the 1986 film. Five with annotations in manuscript ink on the cardboard sleeves and a printed Dutch photo agency label affixed to the plastic sleeve holding the slides. A series of vignettes about the goings-on in the fictional Texan town of Virgil whose inhabitants are preparing for a large celebration in honor of the 150th anniversary of Texas' independence. A passion project for David Byrne poorly received at the time of its release but today considered a cult classic largely funded on the strength of Jonathan Demme's successful 1984 concert film "Stop Making Sense" with much of the film's soundtrack supplied by Talking Heads. Shot on location throughout Texas in Dallas Mesquite Midlothian Red Oak Allen and McKinney. Slides 1.25 x 1 inches in cardboard sleeves measuring 2 x 2 inches. About Near Fine. Warner Brothers unknown
1979ref. 160041N.p.: N.p. 1979. Third Draft script for the 1981 film with rainbow revisions. Laid in with the script are two additional yellow revision pages dated 3/28/80. Based on the 1977 novel by John Gregory Dunne who with his wife Joan Didion wrote the screenplay for the film. Loosely based on the notorious 1947 Black Dahlia murder about a homicide detective investigating the brutal murder of a young woman in Los Angeles. Set and shot on location in Los Angeles. Blue titled wrappers. Title page present dated November 29 1979 noted as Third Draft with credits for screenwriters John Gregory Dunne and Joan Didion. 136 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated between 1/9/80 and 3/24/80. Pages Fine wrapper Near Fine bound with two gold brads. Housed in a custom beige clamshell box. N.p. unknown books
1981ref. 139640Beverly Hills CA: United Artists 1981. Vintage studio still photograph from the 1981 film. Using the famed "Black Dahlia" murder as a platform this film weaves an intricate plot of corruption and deception across Los Angeles. The script was cowritten by novelist Joan Didion and her husband John Gregory Dunne. Shot on location in California. 8 x 10 inches. Near Fine. United Artists unknown books
1992ref. 163994Los Angeles: Fostoria Film 1992. Draft script for an unproduced film. From the archive of crew member Chris Scher. Based on the 1984 novel by Olive Hershey. After discovering her husband's infidelity a 45-year-old housewife decides to hit the road as a trucker taking on a job transporting illegal immigrants over the Texas border. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present on Fostoria Film letterhead dated April 1992 with credits for Hershey and screenwriter Bruce Hansen on the front wrapper. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good plus slightly creased on the top left corner of the last ten leaves bound with three gold brads. Fostoria Film unknown books
1992ref. 163994Los Angeles: Fostoria Film 1992. Draft script for an unproduced film. From the archive of crew member Chris Scher. Based on the 1984 novel by Olive Hershey. After discovering her husband's infidelity a 45-year-old housewife decides to hit the road as a trucker taking on a job transporting illegal immigrants over the Texas border. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present on Fostoria Film letterhead dated April 1992 with credits for Hershey and screenwriter Bruce Hansen on the front wrapper. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good plus slightly creased on the top left corner of the last ten leaves bound with three gold brads. Fostoria Film unknown
1964ref. 143860Montreal: Cooperation Productions 1964. Original French scenario script for the 1964 film here under the original French-Canadian title "Trouble-fete." Bound at the front of the script is a Canadian program from the premiere of the film in Montreal Friday March 20 1964. The program features film reviews by Jean Le Moyne and Jacques Godbout and extensive film credits. Lucien Hamelin is a middle-class teenager actively involved in campus politics inciting protests and fighting to change the moral face of his college. He changes the life of an incompetent teacher is expelled from school and accidentally causes the death of a gay man. Religious themes human sexuality and an early entry in Canadian feature film industry just as the country's federal government took measures to expand cinema audiences. Director Patry's first feature film his earlier ventures part of the cinema verite movement include "Eye Witness No. 99" 1958 "The Little Sisters" 1959 "Le chanoine Lionel Groulx historien" 1960 "Louis-Hippolyte Lafontaine" 1962 and "Francoise" 1964. Set in Montreal. Green and white untitled wrappers. Title page present undated noted as "Scenario" with credits for screenwriters Lord and Patry. 76 leaves with last page of text numbered 76. Mimeograph duplication. Pages Near Fine wrapper Very Good plus side-stapled. Bound-in program 9 leaves Near Fine. Cooperation Productions unknown books
1964ref. 143862Montreal: Cooperation Productions 1964. Vintage Canadian black-and-white lobby card from the 1964 film. In original mailing envelope from "Office National du Film Canada" and "Trouble-fete" in manuscript ink on the front. Handsome starring actor Rodrigues is seen in police accouterments checking his perimeters. Lucien Hamelin is a middle-class teenager actively involved in campus politics inciting protests and fighting to change the moral face of his college. He changes the life of an incompetent teacher is expelled from school and accidentally causes the death of a gay man. Religious themes human sexuality and an early entry in Canadian feature film industry just as the country's federal government took measures to expand cinema audiences. Director Patry's first feature film his earlier ventures part of the cinema vérité movement include "Eye Witness No. 99" 1958 "The Little Sisters" 1959 "Le chanoine Lionel Groulx historien" 1960 "Louis-Hippolyte Lafontaine" 1962 and "Françoise" 1964. Photographer Charron also worked on Patry's "Rope Around the Neck" 1965 and Lord's "Délivrez-nous du mal" 1966. Set in Montreal. 11 x 13.75 inches. Very Good overall moderate creasing and short tears. Cooperation Productions unknown books
1964ref. 143861Montreal: Cooperation Productions 1964. Five vintage studio still photographs from the 1964 film. Film titles small numerical annotations in manuscript ink and pencil and photographer rubber-stamps on the versos with credits for STUDIO DE PHOTOGRAPHIE and Claude Charron. Two mimeo snipes are present but detached. Lucien Hamelin is a middle-class teenager actively involved in campus politics inciting protests and fighting to change the moral face of his college. He changes the life of an incompetent teacher is expelled from school and accidentally causes the death of a gay man. Religious themes human sexuality and an early entry in Canadian feature film industry just as the country's federal government took measures to expand cinema audiences. Director Patry's first feature film his earlier ventures part of the cinema vérité movement include "Eye Witness No. 99" 1958 "The Little Sisters" 1959 "Le chanoine Lionel Groulx historien" 1960 "Louis-Hippolyte Lafontaine" 1962 and "Françoise" 1964. Photographer Charron also worked on Patry's "Rope Around the Neck" 1965 and Lord's "Délivrez-nous du mal" 1966. Set in Montreal. 8 x 10 inches. Very Good plus overall. Cooperation Productions unknown books
1964ref. 143861Montreal: Cooperation Productions 1964. Five vintage studio still photographs from the 1964 film. Film titles small numerical annotations in manuscript ink and pencil and photographer rubber-stamps on the versos with credits for STUDIO DE PHOTOGRAPHIE and Claude Charron. Two mimeo snipes are present but detached. Lucien Hamelin is a middle-class teenager actively involved in campus politics inciting protests and fighting to change the moral face of his college. He changes the life of an incompetent teacher is expelled from school and accidentally causes the death of a gay man. Religious themes human sexuality and an early entry in Canadian feature film industry just as the country's federal government took measures to expand cinema audiences. Director Patry's first feature film his earlier ventures part of the cinema vérité movement include "Eye Witness No. 99" 1958 "The Little Sisters" 1959 "Le chanoine Lionel Groulx historien" 1960 "Louis-Hippolyte Lafontaine" 1962 and "Françoise" 1964. Photographer Charron also worked on Patry's "Rope Around the Neck" 1965 and Lord's "Délivrez-nous du mal" 1966. Set in Montreal. 8 x 10 inches. Very Good plus overall. Cooperation Productions unknown
