11,046 results
1958ref. 150440N.p.: N.p. 1958. Vintage borderless black and white photograph of director Jacques Tati at the premiere of his 1958 film preparing to pour a celebratory toast of champagne into an empty paper sleeve for the vinyl single from the film's soundtrack held by actress Mylene Demongeot. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 8 x 10 inches. Near Fine. N.p. unknown books
1958ref. 139689Paris: Gaumont 1958. Vintage photograph of Jacques Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 5 inches. Near Fine with a shallow diagonal crease to one corner. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown books
1958ref. 157095N.p.: N.p. 1958. Vintage reference photograph from the 1958 film showing director Jacques Tati and a camera operator filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulôt. In this chapter Hulôt strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 10 x 8 inches. Near Fine. N.p. unknown
1958ref. 150440N.p.: N.p. 1958. Vintage borderless black and white photograph of director Jacques Tati at the premiere of his 1958 film preparing to pour a celebratory toast of champagne into an empty paper sleeve for the vinyl single from the film's soundtrack held by actress Mylene Demongeot. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 8 x 10 inches. Near Fine. N.p. unknown
1958ref. 155857N.p.: N.p. 1958. Vintage borderless reference photograph from the 1958 film showing director Jacques Tati filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 7.75 x 10 inches. Near Fine. N.p. unknown
1958ref. 151249N.p.: N.p. 1958. Vintage borderless reference photograph from the set of the 1958 film showing director Jacques Tati smoking a cigarette and watching as cameraman Paul Rodier films a scene. With two Cine-Revue stamps on the verso along with manuscript ink and pencil layout annotations. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 9.5 x 7 inches. Near Fine. N.p. unknown
1958ref. 143634Neuilly-sur-Seine France: Gaumont 1958. Three vintage borderless photographs showing director Jacques Tati at work on the set of the 1958 film. With the stamps of the French Film Office's New York address as well as film information on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 9.5 inches. Near Fine. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown
1958ref. 139689Paris: Gaumont 1958. Vintage photograph of Jacques Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 5 inches. Near Fine with a shallow diagonal crease to one corner. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown
2003ref. 942062003 Editions de Fallois - 2003 - petit In-8 couverture illustrée - 198 pages - quelques illustrations dans l'ouvrage
1995ref. 151599N.p.: N.p. 1995. Final Shooting script for the 1995 film. Copy belonging to noted crime writer Mickey Spillane who appeared in a cameo in the film as a personal favor to director Max Allan Collins. With Spillane's name in manuscript ink on the front wrapper and annotations highlighting lines to pages 56-59. A woman's increasingly psychotic obsession with her young daughter culminates in a string of gruesome murders. Collins' debut film following a lengthy career as a mystery novelist and comic writer. Followed by a sequel "Mommy 2: Mommy's Day" in 1997. Shot on location in Muscatine Iowa. White titled wrappers. Title page integral with front wrapper noted as FINAL SHOOTING SCRIPT on the front wrapper with credits for director Max Allan Collins. 79 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1995ref. 151599N.p.: N.p. 1995. Final Shooting script for the 1995 film. Copy belonging to noted crime writer Mickey Spillane who appeared in a cameo in the film as a personal favor to director Max Allan Collins. With Spillane's name in manuscript ink on the front wrapper and annotations highlighting lines to pages 56-59. A woman's increasingly psychotic obsession with her young daughter culminates in a string of gruesome murders. Collins' debut film following a lengthy career as a mystery novelist and comic writer. Followed by a sequel "Mommy 2: Mommy's Day" in 1997. Shot on location in Muscatine Iowa. White titled wrappers. Title page integral with front wrapper noted as FINAL SHOOTING SCRIPT on the front wrapper with credits for director Max Allan Collins. 79 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1987ref. 163760Alexandria VA: Public Broadcasting Service PBS 1987. Vintage studio still photograph from the 1987 documentary film showing the film's subject acclaimed filmmaker photojournalist and author Gordon Parks. Minute annotations in manuscript ink and pencil on the verso. 8 x 10 inches. Very Good plus lightly toned with brief wear along the right edge. Public Broadcasting Service [PBS] unknown books
1987ref. 163760Alexandria VA: Public Broadcasting Service PBS 1987. Vintage studio still photograph from the 1987 documentary film showing the film's subject acclaimed filmmaker photojournalist and author Gordon Parks. Minute annotations in manuscript ink and pencil on the verso. 8 x 10 inches. Very Good plus lightly toned with brief wear along the right edge. Public Broadcasting Service [PBS] unknown
1965ref. 144914Los Angeles: Mervyn LeRoy Productions 1965. Two vintage photographs of director Mervyn LeRoy and actors Jean Seberg Sean Garrison and Honor Blackman on the set of the 1966 film. Mimeo snipe on the verso of each. One photo shown. Please inquire to see the other. Kay Seaton Jean Seberg and her psychiatrist husband Neil Stanton Arthur Hill live on the French Rivera. Kay has an affair with an Mark Sean Garrison an American Naval officer who she accidentally shoots while trying to end their relationship. She abandons the body and anonymously reports it to the police. Later Neil takes on an amnesiac patient recovering from a gun shot wound. Shot on location in the South of France. 8 x 10 inches. Near Fine. Mervyn LeRoy Productions unknown books
1965ref. 144914Los Angeles: Mervyn LeRoy Productions 1965. Two vintage photographs of director Mervyn LeRoy and actors Jean Seberg Sean Garrison and Honor Blackman on the set of the 1966 film. Mimeo snipe on the verso of each. One photo shown. Please inquire to see the other. Kay Seaton Jean Seberg and her psychiatrist husband Neil Stanton Arthur Hill live on the French Rivera. Kay has an affair with an Mark Sean Garrison an American Naval officer who she accidentally shoots while trying to end their relationship. She abandons the body and anonymously reports it to the police. Later Neil takes on an amnesiac patient recovering from a gun shot wound. Shot on location in the South of France. 8 x 10 inches. Near Fine. Mervyn LeRoy Productions unknown
1978ref. 150162N.p.: N.p. 1978. Vintage borderless black and white reference photograph from the 1978 film showing actors Lily Tomlin and John Travolta. With an agency stamp on the verso. A socialite divorcee begins a May-December romance with a handsome younger drifter. A notorious box office flop at the time of its release noted by one of the film's crew members as "like being on the voyage of the damned" now considered a camp classic. Set and shot on location in Beverly Hills and Malibu California. 10 x 8 inches. Very Good plus with light wear to the bottom edge. N.p. unknown books
1978ref. 150162N.p.: N.p. 1978. Vintage borderless black and white reference photograph from the 1978 film showing actors Lily Tomlin and John Travolta. With an agency stamp on the verso. A socialite divorcee begins a May-December romance with a handsome younger drifter. A notorious box office flop at the time of its release noted by one of the film's crew members as "like being on the voyage of the damned" now considered a camp classic. Set and shot on location in Beverly Hills and Malibu California. 10 x 8 inches. Very Good plus with light wear to the bottom edge. N.p. unknown
1942ref. 145119Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1942. Vintage double weight photograph of director Wells Root and actor Dan Dailey on the set of the 1942 film. Mimeo snipe manuscript annotations and an studio stamp on the verso. Based on a series of short stories by Jennie Harris Olver published in the 1930s. Mokey Robert Blake an eight year old boy who recently lost his mother struggles to adapt to his new household. His father is largely absent and his stepmother doesn't care to understand him and is quick to become angry when he acts out. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1942ref. 145119Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1942. Vintage double weight photograph of director Wells Root and actor Dan Dailey on the set of the 1942 film. Mimeo snipe manuscript annotations and an studio stamp on the verso. Based on a series of short stories by Jennie Harris Olver published in the 1930s. Mokey Robert Blake an eight year old boy who recently lost his mother struggles to adapt to his new household. His father is largely absent and his stepmother doesn't care to understand him and is quick to become angry when he acts out. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1953ref. 155982N.p.: N.p. 1953. Two vintage matte-finish photographs taken on the set of the 1953 film one showing director John Ford and actor Clark Gable enjoying a coffee break and one showing Ford in conversation with actress Ava Gardner. One photograph with a number stamp on the verso noting No. 1616X112. Based on the 1932 play "Red Dust" also starring Clark Gable which was in turn based on Wilson Collison's 1928 play. While on a safari in Kenya a hunter is ensnared in a love triangle between a young American socialite and an anthropologist's unfaithful wife. Set and shot on location in Kenya in Okalataka Mount Kenya Mount Longonot and Lake Naivasha. 5 x 4 inches. Near Fine. Complete collation details available on request. N.p. unknown books
1953ref. 155982N.p.: N.p. 1953. Two vintage matte-finish photographs taken on the set of the 1953 film one showing director John Ford and actor Clark Gable enjoying a coffee break and one showing Ford in conversation with actress Ava Gardner. One photograph with a number stamp on the verso noting No. 1616X112. Based on the 1932 play "Red Dust" also starring Clark Gable which was in turn based on Wilson Collison's 1928 play. While on a safari in Kenya a hunter is ensnared in a love triangle between a young American socialite and an anthropologist's unfaithful wife. Set and shot on location in Kenya in Okalataka Mount Kenya Mount Longonot and Lake Naivasha. 5 x 4 inches. Near Fine. Complete collation details available on request. N.p. unknown
1953ref. 162330N.p.: N.p. 1953. Three vintage reference photographs from the 1953 film two showing Ava Gardner talking with Clark Gable from an outdoor shower and one showing Gardner tending to Gable's arm wound. Stamps specific to the film's French release on the versos. Based on the 1932 film "Red Dust" also starring Clark Gable which was in turn based on Wilson Collison's 1928 play. While on a safari in Kenya a hunter is ensnared in a love triangle between a young American socialite and an anthropologist's unfaithful wife. Set and shot on location in Kenya in Okalataka Mount Kenya Mount Longonot and Lake Naivasha. 8 x 10 inches. Near Fine. N.p. unknown books
1953ref. 162330N.p.: N.p. 1953. Three vintage reference photographs from the 1953 film two showing Ava Gardner talking with Clark Gable from an outdoor shower and one showing Gardner tending to Gable's arm wound. Stamps specific to the film's French release on the versos. Based on the 1932 film "Red Dust" also starring Clark Gable which was in turn based on Wilson Collison's 1928 play. While on a safari in Kenya a hunter is ensnared in a love triangle between a young American socialite and an anthropologist's unfaithful wife. Set and shot on location in Kenya in Okalataka Mount Kenya Mount Longonot and Lake Naivasha. 8 x 10 inches. Near Fine. N.p. unknown
1953ref. 142170Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1953. Vintage photograph from the set of the 1953 film. Director John Ford and star Clark Gable take a smoke break in between shots. With a mimeo snipe on the verso. Based on the 1928 play "Red Dust" by Wilson Collison previously adapted to film under that name in 1932 starring Gable Jean Harlow and Mary Astor. "Mogambo" moves the action from French Indochina to Africa where it was shot on location. Ava Gardner and Grace Kelly received Best Actress and Best Supporting Actress nominations respectively for their roles in the film. 10.25 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1953ref. 144185Beverly Hills CA: MGM 1953. Vintage borderless photograph of Ava Gardner with the camera-crew on the set of the 1953 film. With mimeo snipe press agency stamps and manuscript annotations in blue ink. The remake of the 1932 MGM film Red Dust adapted from the play of the same name. Victor Marswell Clark Gable owns and operates a safari guide company. Eloise Kelly Ava Gardner is there to meet the former owner of the company and in his absence she falls for Victor. Linda Nordley Grace Kelly is the wife of Marswells client an anthropologist who wishes to travel deep into the jungle. Eloise goes along with them and quickly tensions run high as both Linda and Eloise are attracted to Victor. Shot on location in Kenya Uganda Tanzania and the Democratic Republic of Congo. 10 x 6.5 inches. Near Fine. MGM unknown books
