11,046 results
1966ref. 161961New York: CIP 1966. Two vintage studio still photographs from the 1966 film. Provenance stamps on the verso of each. Harry's doctor gives him sedatives to help him to abstain from sex unfortunately the side effects of the drug cause him to hallucinate about sex constantly. 8 x 10 inches. Near Fine. CIP unknown
1985ref. 155779N.p.: N.p. 1985. Four vintage borderless studio still photographs from the 1985 Italian film. Loosely based on the 1753 comedy play "La locandiera" by Carlo Goldoni. An innkeeper whose husband is lost in World War II enjoys a series of affairs with men in the small town where she lives. Director Tinto Brass is best known for his work in the adult and erotic film genre including "Salon Kitty" 1976 "Caligula" 1979 and "Così fan tutte" 1992. Set and shot on location in the Po Valley. 7 x 5 inches. Near Fine. N.p. unknown books
1985ref. 155779N.p.: N.p. 1985. Four vintage borderless studio still photographs from the 1985 Italian film. Loosely based on the 1753 comedy play "La locandiera" by Carlo Goldoni. An innkeeper whose husband is lost in World War II enjoys a series of affairs with men in the small town where she lives. Director Tinto Brass is best known for his work in the adult and erotic film genre including "Salon Kitty" 1976 "Caligula" 1979 and "Così fan tutte" 1992. Set and shot on location in the Po Valley. 7 x 5 inches. Near Fine. N.p. unknown
1965ref. 144993Universal City: Universal Pictures 1965. Two vintage studio still photographs from the set of the 1965 neo-noir one of director Edward Dmytryk and actors Gregory Peck and Walter Matthau and the other of Dmytryk Peck and Robert H. Harris. Mimeo snipe on verso of both photographs. Based on the 1952 novel "Fallen Angel" by Howard Fast. David Stillwell Gregory Peck is an accountant who comes to realize he has no memory as he is pursued by a number of unknown people trying to kill him bringing him to question his own identity. Shot on location in New York City. 10 x 8 inches. Very Good plus to Near Fine one with faint creasing. Grant Worldwide. Spicer US. Universal Pictures unknown books
1965ref. 144993Universal City: Universal Pictures 1965. Two vintage studio still photographs from the set of the 1965 neo-noir one of director Edward Dmytryk and actors Gregory Peck and Walter Matthau and the other of Dmytryk Peck and Robert H. Harris. Mimeo snipe on verso of both photographs. Based on the 1952 novel "Fallen Angel" by Howard Fast. David Stillwell Gregory Peck is an accountant who comes to realize he has no memory as he is pursued by a number of unknown people trying to kill him bringing him to question his own identity. Shot on location in New York City. 10 x 8 inches. Very Good plus to Near Fine one with faint creasing. Grant Worldwide. Spicer US. Universal Pictures unknown
1964ref. 149396Universal City: Universal Pictures 1964. Vintage reference photograph of director Edward Dmytryk with Gregory Peck and Diane Baker on the set of the 1965 film noir. Mimeo snipe on verso. Based on the 1952 novel "Fallen Angel" by Howard Fast writing under the pseudonym Walter Ericson about an accountant with amnesia being pursued by unknown people trying to kill him. Shot on location in New York City. 8 x 10 inches. Faint tiny dimples on right side else Near Fine. Spicer US. Grant US. Universal Pictures unknown books
1965ref. 163561Universal City: Universal Pictures 1965. Vintage studio still photograph from the 1965 film. Annotations in manuscript ink and pencil on the verso. Based on the 1952 novel "Fallen Angel" by Howard Fast writing under the pseudonym Walter Ericson about an accountant with amnesia who must run from unknown assailants. Shot on location in New York City. 10 x 8 inches. About Very Good plus. Spicer US. Grant US. Universal Pictures unknown books
1964ref. 149396Universal City: Universal Pictures 1964. Vintage reference photograph of director Edward Dmytryk with Gregory Peck and Diane Baker on the set of the 1965 film noir. Mimeo snipe on verso. Based on the 1952 novel "Fallen Angel" by Howard Fast writing under the pseudonym Walter Ericson about an accountant with amnesia being pursued by unknown people trying to kill him. Shot on location in New York City. 8 x 10 inches. Faint tiny dimples on right side else Near Fine. Spicer US. Grant US. Universal Pictures unknown
1951ref. 122115Rome: Albert and Charles Boni 1951. Original Italian program for the 1951 film based on the novel "Toto il buono" by Cesare Zavattini. SIGNED by Vittorio De Sica at the bottom of the title page. One of the director's classics pure visual storytelling made just after "Bicycle Thieves" 1948 and just before "Umberto D." 1952. A gorgeous oversize program with a central illustration on the front wrapper within a debossed frame. The wrapper houses 6 loose deluxe card plates as issued the first two devoted to text and the last four being full-color lithograph illustrations reflecting the film story. One of the most beautiful programs we've ever seen. Plates Near Fine outer wrapper Very Good plus with a few tears at the edges but no loss 12.75 x 17.25 inches. Albert and Charles Boni unknown books
1951ref. 122115Rome: Albert and Charles Boni 1951. Original Italian program for the 1951 film based on the novel "Toto il buono" by Cesare Zavattini. SIGNED by Vittorio De Sica at the bottom of the title page. One of the director's classics pure visual storytelling made just after "Bicycle Thieves" 1948 and just before "Umberto D." 1952. A gorgeous oversize program with a central illustration on the front wrapper within a debossed frame. The wrapper houses 6 loose deluxe card plates as issued the first two devoted to text and the last four being full-color lithograph illustrations reflecting the film story. One of the most beautiful programs we've ever seen. Plates Near Fine outer wrapper Very Good plus with a few tears at the edges but no loss 12.75 x 17.25 inches. Albert and Charles Boni unknown
1971ref. 167650N.p.: N.p. 1971. Five vintage oversize borderless color reference photographs from the 1971 film. A disillusioned museum curator unexpectedly finds romance with a gregarious parking lot attendant. The sixth feature film directed by John Cassavetes and the fourth of eleven films Cassavetes made with his wife actress Gena Rowlands. Set and shot on location in New York and Los Angeles. 11.75 x 9.5 inches. Near Fine. N.p. unknown books
1971ref. 141030Universal City CA: Universal Pictures 1971. Eight vintage lobby cards from the 1971 film. Two strangers meet in a chance encounter that ends in an unusual romance. Very Good plus with light age toning. and a handful of pinhole tears to each lobby card. Universal Pictures unknown books
1971ref. 167650N.p.: N.p. 1971. Five vintage oversize borderless color reference photographs from the 1971 film. A disillusioned museum curator unexpectedly finds romance with a gregarious parking lot attendant. The sixth feature film directed by John Cassavetes and the fourth of eleven films Cassavetes made with his wife actress Gena Rowlands. Set and shot on location in New York and Los Angeles. 11.75 x 9.5 inches. Near Fine. N.p. unknown
1971ref. 141030Universal City CA: Universal Pictures 1971. Eight vintage lobby cards from the 1971 film. Two strangers meet in a chance encounter that ends in an unusual romance. Very Good plus with light age toning. and a handful of pinhole tears to each lobby card. Universal Pictures unknown
1943ref. 163749Los Angeles: Paramount Pictures 1943. Vintage keybook photograph from the 1944 film showing actress Marjorie Reynolds frozen in the shadow of a giant swastika. Based on Graham Greene's 1943 novel. While en route to London after being released from a mental institution a man is accidentally caught up in a nefarious Nazi scheme and finds himself pursued by German secret agents. Set in England. 8 x 10 inches. Very Good plus lightly toned at the edges with two punch holes along the left edge. Criterion Collection 649. Grant US. Selby US Canon. Spicer US. Paramount Pictures unknown books
1943ref. 163749Los Angeles: Paramount Pictures 1943. Vintage keybook photograph from the 1944 film showing actress Marjorie Reynolds frozen in the shadow of a giant swastika. Based on Graham Greene's 1943 novel. While en route to London after being released from a mental institution a man is accidentally caught up in a nefarious Nazi scheme and finds himself pursued by German secret agents. Set in England. 8 x 10 inches. Very Good plus lightly toned at the edges with two punch holes along the left edge. Criterion Collection 649. Grant US. Selby US Canon. Spicer US. Paramount Pictures unknown
1967ref. 161948N.p.: Boxoffice International 1967. Vintage studio still photograph from the 1967 film. Provenance stamp on the verso. "A shocking glimpse into the warped morals of the Mod World." Teenager Billy is an amateur upskirt photographer who inadvertently causes his father's accidental death and mother's nervous breakdown when he shows his dad pictures he took of his mother with another man. Afterward he goes on to live with grabby Aunt Janet with whom he develops a disturbingly close relationship. 8 x 10 inches. Very Good plus with even toning and a tiny closed tear at the bottom margin. Boxoffice International unknown books
1936ref. 148629Los Angeles: Paramount Pictures 1936. Release Dialogue script for the 1936 film with annotation in manuscript red pencil striking "Release" and replacing it with "Censorship" with one other annotation striking Paramount Pictures directives at bottom of front wrapper in manuscript pencil. Two "Master File" stamps surrounding production number stamp "1177" on upper right and Paramount "File Copy" stamp on front wrapper. Script divided into eight reels. Nature reporter Orville Shanks' Charles Ruggles editor Lyle Talbot orders him to spice up his column "Our Wild Friends" by making it a gossip column Orville's wife Melba Alice Brady does so using animals as cover for actual townsfolk and the column becomes a hit. Self wrappers noted as RELEASE DIALOGUE SCRIPT on the front wrapper rubber-stamped copy No. 23 and production No. 1177 with credits for screenwriter Dore Schary and story by John F. Larkin. 145 leaves with last page of text numbered 8-13. Mimeograph duplication rectos only. Pages Near Fine bound with three gold brads. Paramount Pictures unknown books
1936ref. 148629Los Angeles: Paramount Pictures 1936. Release Dialogue script for the 1936 film with annotation in manuscript red pencil striking "Release" and replacing it with "Censorship" with one other annotation striking Paramount Pictures directives at bottom of front wrapper in manuscript pencil. Two "Master File" stamps surrounding production number stamp "1177" on upper right and Paramount "File Copy" stamp on front wrapper. Script divided into eight reels. Nature reporter Orville Shanks' Charles Ruggles editor Lyle Talbot orders him to spice up his column "Our Wild Friends" by making it a gossip column Orville's wife Melba Alice Brady does so using animals as cover for actual townsfolk and the column becomes a hit. Self wrappers noted as RELEASE DIALOGUE SCRIPT on the front wrapper rubber-stamped copy No. 23 and production No. 1177 with credits for screenwriter Dore Schary and story by John F. Larkin. 145 leaves with last page of text numbered 8-13. Mimeograph duplication rectos only. Pages Near Fine bound with three gold brads. Paramount Pictures unknown
1994ref. 143834Beverly Hills CA: Outpost Productions / Multicom Entertainment 1994. Revised Shooting script for the 1995 film "Mind Ripper" seen here under the title "Wes Craven Presents: The Outpost." Round robin copy SIGNED on the front wrapper by director Joe Gayton producers Jonathan Craven and Peter Shepherd cast members Lance Henriksen Adam Solomon Natasha Gregson Wagner Giovanni Ribisi and Dan Blom editor Harry Hitner production designer Jeremy Levine stunt coordinator Anthony Cecere makeup artists James Barr and Paul Jones and more. A science lab in a remote desert location attempts to create a superhuman by reanimating a corpse but the end result is an uncontrollably violent monster zombie. Although marketed as a sequel to "The Hills Have Eyes" and "The Hills Have Eyes II" the only true link between the three films is Wes Craven's name. Shot on location in Bulgaria and Canada. Tall white titled self wrappers lacking rear wrapper presumably as issued noted as REVISED SHOOTING DRAFT BLUE on the front wrapper dated July 20 1994 with credits for screenwriters Phil Mittleman and Jonathan Craven. Title page integral with the front wrapper. 97 leaves with last page of text numbered 96. Xerographically reproduced. About Fine condition loose leaves. Outpost Productions / Multicom Entertainment unknown books
1994ref. 143834Beverly Hills CA: Outpost Productions / Multicom Entertainment 1994. Revised Shooting script for the 1995 film "Mind Ripper" seen here under the title "Wes Craven Presents: The Outpost." Round robin copy SIGNED on the front wrapper by director Joe Gayton producers Jonathan Craven and Peter Shepherd cast members Lance Henriksen Adam Solomon Natasha Gregson Wagner Giovanni Ribisi and Dan Blom editor Harry Hitner production designer Jeremy Levine stunt coordinator Anthony Cecere makeup artists James Barr and Paul Jones and more. A science lab in a remote desert location attempts to create a superhuman by reanimating a corpse but the end result is an uncontrollably violent monster zombie. Although marketed as a sequel to "The Hills Have Eyes" and "The Hills Have Eyes II" the only true link between the three films is Wes Craven's name. Shot on location in Bulgaria and Canada. Tall white titled self wrappers lacking rear wrapper presumably as issued noted as REVISED SHOOTING DRAFT BLUE on the front wrapper dated July 20 1994 with credits for screenwriters Phil Mittleman and Jonathan Craven. Title page integral with the front wrapper. 97 leaves with last page of text numbered 96. Xerographically reproduced. About Fine condition loose leaves. Outpost Productions / Multicom Entertainment unknown
1998ref. 165385London: Gummfluh Films 1998. First Production Draft script for the 1999 film. Copy belonging to an unidentified crew member with his first name in manuscript ink on the title page and his annotations regarding camera work throughout. Bound in at the front and rear of the script are several production documents including shooting schedules a contact sheet a map indicating filming locations and information regarding lodging during production. Not to be confused with the 2008 film of the same name. A motley group of siblings return to their family home after their mother's death ostensibly to grieve but in actuality in order to determine who will inherit the largest portion of her wealth. Self wrappers. Title page present dated 30 September 1998 with credit for screenwriter William Brookfield. 113 leaves with last page of text numbered 105. Xerographic duplication rectos only with pink and blue revision pages throughout dated October 6 and November 2 1998 respectively. Pages Very Good plus bound with a silver prong. Gummfluh Films unknown books
1998ref. 165385London: Gummfluh Films 1998. First Production Draft script for the 1999 film. Copy belonging to an unidentified crew member with his first name in manuscript ink on the title page and his annotations regarding camera work throughout. Bound in at the front and rear of the script are several production documents including shooting schedules a contact sheet a map indicating filming locations and information regarding lodging during production. Not to be confused with the 2008 film of the same name. A motley group of siblings return to their family home after their mother's death ostensibly to grieve but in actuality in order to determine who will inherit the largest portion of her wealth. Self wrappers. Title page present dated 30 September 1998 with credit for screenwriter William Brookfield. 113 leaves with last page of text numbered 105. Xerographic duplication rectos only with pink and blue revision pages throughout dated October 6 and November 2 1998 respectively. Pages Very Good plus bound with a silver prong. Gummfluh Films unknown
1975ref. 171761N.p.: N.p. 1975. Three vintage studio still photographs from the 1975 film. One with layout annotations in manuscript pencil on the verso. An experimental portrait of American citizens of various stripes-indigenous people immigrants hippies activists and more-as they reflect on changing life in the 1970s. Directors John Douglas and Robert Kramer were previously associated with Newsreel a revolutionary filmmaking collective founded in New York in 1967. 8 x 10 inches. Near Fine with light soil and toning to the margins. N.p. unknown books
1975ref. 171761N.p.: N.p. 1975. Three vintage studio still photographs from the 1975 film. One with layout annotations in manuscript pencil on the verso. An experimental portrait of American citizens of various stripes-indigenous people immigrants hippies activists and more-as they reflect on changing life in the 1970s. Directors John Douglas and Robert Kramer were previously associated with Newsreel a revolutionary filmmaking collective founded in New York in 1967. 8 x 10 inches. Near Fine with light soil and toning to the margins. N.p. unknown
