11,049 results
1980ref. 166469N.p.: N.p. 1980. Draft script for the 1983 film seen here under the working title "Tijuana!". In the summer of 1965 four teenage boys drive from Los Angeles to Tijuana in hopes of losing their virginities and getting into trouble. They find their plans waylaid however by an unexpected companion: a heartbroken woman determined to get a quickie divorce in Mexico. Shot on location in Los Angeles and Calexico California. Pink untitled wrappers. Title page present dated August 1980 noted as copy No. 14 in manuscript ink with credits for screenwriter B.W.L. Norton and story writer Bryan Gindoff. 119 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly faded on the front wrapper bound with two gold brads. N.p. unknown
1956ref. 141564N.p.: Independent Film Producers 1956. Vintage British front-of-house card from the 1956 film. Bertrand is a young British accountant who upon uncovering a financial error is rewarded with a trip to Monte Carlo. Shot on location in Monaco and England. 8 x 10 inches. Fine with a manuscript graphite notation to the verso. Independent Film Producers unknown books
1956ref. 130513London: Independent Film Producers / Distributor's Corporation of America 1956. Original British quad poster for the 1956 British film. The fourth of 7 screenplays written by Greene and his third adaptation of his own work. An unusual foray for the author a late screwball comedy in which a mild mannered assistant accountant in the midst of his honeymoon becomes tangled up in a mess involving a casino and two very canny businessmen. 30 x 40 inches. Near Fine. Phillips US. Independent Film Producers / Distributor's Corporation of America unknown books
1956ref. 130513London: Independent Film Producers / Distributor's Corporation of America 1956. Original British quad poster for the 1956 British film. The fourth of 7 screenplays written by Greene and his third adaptation of his own work. An unusual foray for the author a late screwball comedy in which a mild mannered assistant accountant in the midst of his honeymoon becomes tangled up in a mess involving a casino and two very canny businessmen. 30 x 40 inches. Near Fine. Phillips US. Independent Film Producers / Distributor's Corporation of America unknown
1964ref. 170432N.p.: Eve Productions 1964. Vintage studio still photograph from the 1964 sexploitation film. The first of Russ Meyer's "noir" cycle 1964-1965 sexploitation films shot in black-and-white featuring powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. "Lorna" a voluptuous sexually unfulfilled newlywed becomes sexually awakened after being raped by an escaped convict while she is skinny-dipping in a river and proceeds to invite the convict into her home while her husband is out working in the salt mines. 10 x 8 inches. Near Fine. Eve Productions unknown books
1964ref. 170432N.p.: Eve Productions 1964. Vintage studio still photograph from the 1964 sexploitation film. The first of Russ Meyer's "noir" cycle 1964-1965 sexploitation films shot in black-and-white featuring powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. "Lorna" a voluptuous sexually unfulfilled newlywed becomes sexually awakened after being raped by an escaped convict while she is skinny-dipping in a river and proceeds to invite the convict into her home while her husband is out working in the salt mines. 10 x 8 inches. Near Fine. Eve Productions unknown
1976ref. 159745London: British Broadcasting Corporation BBC 1976. Vintage reference photograph from the 1976 television mini series. With manuscript ink annotation on the verso. Based on the 1869 novel by R.D. Blackmore. A man watched his father be killed by a family when he was young and swears to avenge his father. Years later as an adult he meets the daughter of the family and realizes he is love with her despite her last name. He tries to rescue her from her family. 8 x 10 inches. Very Good plus. British Broadcasting Corporation [BBC] unknown books
1965ref. 144688Culver City CA: Columbia Pictures 1965. Vintage borderless photograph of director Richard Brooks and actor Peter O'Toole on the set of the 1965 film. With manuscript annotations on the verso. After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. Shot on location in Cambodia China Malaysia and England. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1965ref. 144688Culver City CA: Columbia Pictures 1965. Vintage borderless photograph of director Richard Brooks and actor Peter O'Toole on the set of the 1965 film. With manuscript annotations on the verso. After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. Shot on location in Cambodia China Malaysia and England. 10 x 8 inches. Near Fine. Columbia Pictures unknown
1965ref. 141553Culver City CA: Columbia Pictures 1965. Collection of 12 vintage color studio still photographs from the 1965 film. After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. Shot on location in Cambodia China Malaysia and England. 8 x 10 inches. Fine. Columbia Pictures unknown books
1965ref. 141553Culver City CA: Columbia Pictures 1965. Collection of 12 vintage color studio still photographs from the 1965 film. After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. Shot on location in Cambodia China Malaysia and England. 8 x 10 inches. Fine. Columbia Pictures unknown
1977ref. 162340N.p.: N.p. 1977. Two vintage borderless reference photographs from the 1977 film. Based on Judith Rossner's 1975 novel in turn based on the 1973 murder of Roseann Quinn about a schoolteacher who begins compulsively cruising singles bars in search of sexual fulfillment. Nominated for two Academy Awards. Released in a new 4K restoration by Vinegar Syndrome in 2024. Shot on location in Los Angeles and Chicago. 10 x 8 inches. Near Fine. Vinegar Syndrome 485. N.p. unknown books
1977ref. 162340N.p.: N.p. 1977. Two vintage borderless reference photographs from the 1977 film. Based on Judith Rossner's 1975 novel in turn based on the 1973 murder of Roseann Quinn about a schoolteacher who begins compulsively cruising singles bars in search of sexual fulfillment. Nominated for two Academy Awards. Released in a new 4K restoration by Vinegar Syndrome in 2024. Shot on location in Los Angeles and Chicago. 10 x 8 inches. Near Fine. Vinegar Syndrome 485. N.p. unknown
1989ref. 168111Culver City CA: Tri-Star TriStar Pictures 1989. Vintage publicity photograph from the 1989 film. First film in the successful "Look Who's Talking" series spawning two sequels in 1990 and 1993 and a television spin-off series "Baby Talk" 1991-1992. 8 x 10 inches. Fine. Tri-Star [TriStar] Pictures unknown books
1968ref. 152151N.p.: Family Films 1968. Third Draft script for the 1968 television film. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the front wrapper and his manuscript ink annotations throughout. With four pages of a shooting schedule bound in after the script. A religious exploration of several young adults' opinions about topical issues including the treatment of African Americans the Vietnam War and monogamous relationships. Brown titled wrappers. Title page present dated 4/5/68 noted as 3rd Draft with credits for screenwriter Frank Rhylick. 40 leaves with last page of text numbered 37. Mimeograph duplication rectos only with blue and yellow revision pages throughout dated variously between 4/5/68 and 4/15/68. Pages Near Fine wrapper Very Good plus bound with two gold brads. Family Films unknown books
1968ref. 152151N.p.: Family Films 1968. Third Draft script for the 1968 television film. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the front wrapper and his manuscript ink annotations throughout. With four pages of a shooting schedule bound in after the script. A religious exploration of several young adults' opinions about topical issues including the treatment of African Americans the Vietnam War and monogamous relationships. Brown titled wrappers. Title page present dated 4/5/68 noted as 3rd Draft with credits for screenwriter Frank Rhylick. 40 leaves with last page of text numbered 37. Mimeograph duplication rectos only with blue and yellow revision pages throughout dated variously between 4/5/68 and 4/15/68. Pages Near Fine wrapper Very Good plus bound with two gold brads. Family Films unknown
1961ref. 168159Los Angeles: Allied Artists 1961. Vintage studio still photograph from the 1961 film. A teenager begins secretly watching his neighbors at night as a means of coping with his dysfunctional family life. A teen exploitation film starring pop idol Paul Anka. Shot on location in Reseda California. 10 x 8 inches. Lightly toned on the margins else Near Fine. Allied Artists unknown books
1961ref. 158056N.p.: New Films 1961. Draft script for the 1961 film. Copy belonging to an unknown crew member with their annotations in manuscript ink on the title page. A teenager begins secretly watching his neighbors at night as a means of coping with his dysfunctional family life. Shot on location in Reseda California. Red titled wrappers. Title page present undated with credit for screenwriter Laurence E. Mascott. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only. Pages about Near Fine wrapper Near Fine bound with two gold brads. New Films unknown books
1961ref. 158056N.p.: New Films 1961. Draft script for the 1961 film. Copy belonging to an unknown crew member with their annotations in manuscript ink on the title page. A teenager begins secretly watching his neighbors at night as a means of coping with his dysfunctional family life. Shot on location in Reseda California. Red titled wrappers. Title page present undated with credit for screenwriter Laurence E. Mascott. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only. Pages about Near Fine wrapper Near Fine bound with two gold brads. New Films unknown
1959ref. 141486N.p.: Orion 1959. Six vintage reference photographs from the 1959 film. Mimeo snipes affixed to the versos of each still. Based on John Osborne's 1956 play of the same name. A superb set of uncommon images. Ripe with both class and sexual tension Tony Richardson's 1959 film portrays a marriage on the brink of collapse in claustrophobic quarters. In the vein of "Cat on a Hot Tin Roof" class resentment simmers beneath the surface of a relationship between a man and a woman. Shot on location in England. 8 x 10 inches. Very Good plus overall. Occasional dampstaining to the margins and versos. Ink notation to the verso of one image. Orion unknown books
1959ref. 141486N.p.: Orion 1959. Six vintage reference photographs from the 1959 film. Mimeo snipes affixed to the versos of each still. Based on John Osborne's 1956 play of the same name. A superb set of uncommon images. Ripe with both class and sexual tension Tony Richardson's 1959 film portrays a marriage on the brink of collapse in claustrophobic quarters. In the vein of "Cat on a Hot Tin Roof" class resentment simmers beneath the surface of a relationship between a man and a woman. Shot on location in England. 8 x 10 inches. Very Good plus overall. Occasional dampstaining to the margins and versos. Ink notation to the verso of one image. Orion unknown
1971ref. 150085N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film. Two dated "L'Express" stamps two "Publiee" stamps with annotations in manuscript marker and a "Viva la Muerte" stamp on verso. Based on the 1959 novel "Baal Babilonia" by Fernando Arrabal. Arrabal's fierce directorial debut. A young boy of about ten Fando tries to make sense of his father's arrest and detainment having been accused of being a communist by Franco's Fascists who has his religious mother's sympathies and may have turned him in. Shot on location in Tunisia. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown books
1971ref. 150085N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film. Two dated "L'Express" stamps two "Publiee" stamps with annotations in manuscript marker and a "Viva la Muerte" stamp on verso. Based on the 1959 novel "Baal Babilonia" by Fernando Arrabal. Arrabal's fierce directorial debut. A young boy of about ten Fando tries to make sense of his father's arrest and detainment having been accused of being a communist by Franco's Fascists who has his religious mother's sympathies and may have turned him in. Shot on location in Tunisia. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown
1968ref. 134291New York: Factory Films 1968. Two vintage black-and-white double weight still photographs from the 1968 film. Both photographs feature the film's lead actor Viva one a head shot that is a variant on the familiar image used on the cover of Viva's later autobiography "Superstar" the other a waist-up shot. 8 x 10 inches white border with film credits at the bottom margin of the recto along with mention of the film's first distributor Sherpix. Fine. Factory Films unknown books
1968ref. 146006New York: Andy Warhol Film 1968. Vintage borderless photograph of Joe Dallesandro and Tom Hompertz from the 1968 film. Hilarious and tedious Andy Warhol and Paul Morrissey's satirical take on Hollywood Westerns features five gay cowboys including Dallesandro and Hompertz ranch lady Romana D'Alvarez Viva and her stoned nurse Taylor Mead handsome drifter Julian Tom Hompertz and a drag queen Sheriff Francis Francine. Set in and shot on location in Arizona. 9.5 x 7.25 inches. Near Fine some light creasing and light edgewear. Andy Warhol Film unknown books
