11,160 results
1956ref. 143915Paris: Les Films Ariane 1956. Two vintage black-and-white still photographs from the set of the 1956 French film here under the original French title "Si tous les gars du monde." Featured are images of the cast and crew on the fishing boat seen in the film including director Christian-Jaque and cast family members. Photographer "le grand" credited on the recto in the bottom right corner. A poignant postwar imagining of collaborating countries beliefs and religions about twelve fishermen out on the North Sea. Most of them eat spoiled ham and food poisoning incapacitates all but one a Muslim who abstains from eating pork. The crew manages to send an S.O.S. using a radio before all of them succumb. Photos 7 x 9.25 inches. Near Fine overall slight curling. Envelope Near Fine. Les Films Ariane unknown books
1956ref. 143253Paris: Les Films Ariane 1956. Eight vintage black-and-white still photographs from the set of the 1956 French film here under the original French title "Si tous les gars du monde." Featured are images of the caste and crew on the fishing boat seen in the film including director Christian-Jaque and cast family members. All crediting photographer "le grand" on the recto housed in an original French Kodak paper envelope with annotations on the front of the envelope in manuscript ink. A poignant postwar imagining of collaborating countries beliefs and religions about twelve fishermen out on the North Sea. Most of them eat spoiled ham and food poisoning incapacitates all but one a Muslim who abstains from eating pork. The crew manages to send an S.O.S. using a radio before all of them succumb. Photographs 7 x 9.25 inches. Near Fine overall slight curling. Envelope Near Fine. Les Films Ariane unknown books
1956ref. 143253Paris: Les Films Ariane 1956. Eight vintage black-and-white still photographs from the set of the 1956 French film here under the original French title "Si tous les gars du monde." Featured are images of the caste and crew on the fishing boat seen in the film including director Christian-Jaque and cast family members. All crediting photographer "le grand" on the recto housed in an original French Kodak paper envelope with annotations on the front of the envelope in manuscript ink. A poignant postwar imagining of collaborating countries beliefs and religions about twelve fishermen out on the North Sea. Most of them eat spoiled ham and food poisoning incapacitates all but one a Muslim who abstains from eating pork. The crew manages to send an S.O.S. using a radio before all of them succumb. Photographs 7 x 9.25 inches. Near Fine overall slight curling. Envelope Near Fine. Les Films Ariane unknown
1982ref. 149294Grunwald Germany: Concorde Film 1982. Three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso. Antonioni's rarely discussed final feature and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 9.5 x 7 inches. Near Fine. Criterion Collection 585. Concorde Film unknown books
1982ref. 144397Rome: Iterfilm 1982. Agency draft script in English for the 1982 Italian film. Antonioni's rarely discussed final feature but generally considered one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. Blue untitled agency wrappers. Title page present with credits for director Michelangelo Antonioni. 91 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Criterion Collection 585. Iterfilm unknown books
1982ref. 148336Paris: G Darmon 1982. Two vintage French color lobby cards from the 1982 film. Antonioni's rarely discussed final feature and one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 8.5 x 10.75 inches. Near Fine. Criterion Collection 585. G Darmon unknown books
1982ref. 148336Paris: G Darmon 1982. Two vintage French color lobby cards from the 1982 film. Antonioni's rarely discussed final feature and one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 8.5 x 10.75 inches. Near Fine. Criterion Collection 585. G Darmon unknown
1982ref. 149294Grunwald Germany: Concorde Film 1982. Three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso. Antonioni's rarely discussed final feature and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 9.5 x 7 inches. Near Fine. Criterion Collection 585. Concorde Film unknown
1982ref. 144397Rome: Iterfilm 1982. Agency draft script in English for the 1982 Italian film. Antonioni's rarely discussed final feature but generally considered one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. Blue untitled agency wrappers. Title page present with credits for director Michelangelo Antonioni. 91 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Criterion Collection 585. Iterfilm unknown
1960ref. 145157Burbank CA: Warner Brothers 1960. Vintage double weight photograph from the set of the 1960 film. Manuscript annotations on the verso. Based on the 1958 novel of the same name by Edna Ferber. A story about two rival settlers on Alaska's frontier after World War I. Shot on location in Petersburg Alaska. 10 x 8 inches. Near Fine. Warner Brothers unknown books
1960ref. 145157Burbank CA: Warner Brothers 1960. Vintage double weight photograph from the set of the 1960 film. Manuscript annotations on the verso. Based on the 1958 novel of the same name by Edna Ferber. A story about two rival settlers on Alaska's frontier after World War I. Shot on location in Petersburg Alaska. 10 x 8 inches. Near Fine. Warner Brothers unknown
1975ref. 140691Los Angeles: Hollywood Television Theatre 1975. First Draft script for an unproduced film. With a few annotations in manuscript pencil. Based on Ibsen's 1892 play considered one of his most revealing works about Halvard Solness a master builder who returns to his hometown to construct a church with a towering steeple. Iit is revealed Solness has a great fear of heights. Yet he climbs the steeple for the grand unveiling of the building only to fall to his death. Edward Bond was an English writer and director famous for his many plays which lead to the end of theater censorship in the UK including "Saved" 1965. Though not wholly concerned with cinema he produced several screenplays in his life including an adaptation of Vladimir Nabokov's "Laughter in the Dark" 1968. Set in Europe 1900. Red titled wrappers noted as First Draft on the front wrapper dated May 13 1975 with credits for screenwriter Edward Bond and playwright Henrik Ibsen. Title page present dated May 13 1975 noted as First Draft with credits for playwright Ibsen and screenwriter Bond. 106 leaves with last page of text numbered 101. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with three gold brads. Hollywood Television Theatre unknown books
1975ref. 140691Los Angeles: Hollywood Television Theatre 1975. First Draft script for an unproduced film. With a few annotations in manuscript pencil. Based on Ibsen's 1892 play considered one of his most revealing works about Halvard Solness a master builder who returns to his hometown to construct a church with a towering steeple. Iit is revealed Solness has a great fear of heights. Yet he climbs the steeple for the grand unveiling of the building only to fall to his death. Edward Bond was an English writer and director famous for his many plays which lead to the end of theater censorship in the UK including "Saved" 1965. Though not wholly concerned with cinema he produced several screenplays in his life including an adaptation of Vladimir Nabokov's "Laughter in the Dark" 1968. Set in Europe 1900. Red titled wrappers noted as First Draft on the front wrapper dated May 13 1975 with credits for screenwriter Edward Bond and playwright Henrik Ibsen. Title page present dated May 13 1975 noted as First Draft with credits for playwright Ibsen and screenwriter Bond. 106 leaves with last page of text numbered 101. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with three gold brads. Hollywood Television Theatre unknown
ref. 130318N.p.: N.p. Draft script for an unproduced film. A fantasy about some bandits of a secret society who live in the woods near the mythic Ibari. From Tony Award winning playwright Yasmina Reza this script was written in Europe and remains unproduced. Red-orange titled wrappers. Title page present with credits for screenwriters Reza and Martiny. 186 leaves mechanical duplication. Pages Fine wrapper Fine bound. N.p. unknown books
ref. 130318N.p.: N.p. Draft script for an unproduced film. A fantasy about some bandits of a secret society who live in the woods near the mythic Ibari. From Tony Award winning playwright Yasmina Reza this script was written in Europe and remains unproduced. Red-orange titled wrappers. Title page present with credits for screenwriters Reza and Martiny. 186 leaves mechanical duplication. Pages Fine wrapper Fine bound. N.p. unknown
1980ref. 147240N.p.: N.p. 1980. Draft script for an unproduced film. After the gruesome death of her young daughter in a car accident an obese young woman attempts suicide and is forcibly checked into a mental health treatment facility where she undergoes extensive therapy eventually realizing her history of binge eating has been a coping mechanism for past familial trauma and unhappiness in her marriage. Set in Virginia. Clear mylar front wrapper black rear wrapper. Title page present with credits for screenwriter Delle Chatman. 103 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three silver brads. N.p. unknown books
1980ref. 147240N.p.: N.p. 1980. Draft script for an unproduced film. After the gruesome death of her young daughter in a car accident an obese young woman attempts suicide and is forcibly checked into a mental health treatment facility where she undergoes extensive therapy eventually realizing her history of binge eating has been a coping mechanism for past familial trauma and unhappiness in her marriage. Set in Virginia. Clear mylar front wrapper black rear wrapper. Title page present with credits for screenwriter Delle Chatman. 103 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three silver brads. N.p. unknown
2003ref. 141918Hollywood: Mosaic Film Group / Paramount Pictures 2003. Five vintage color French photographs four of which are candids taken during breaks in shooting the 2003 UK film. A return to form for director Hodges bearing a strong resemblance to his debut "Get Carter" 1971 about a retired criminal who returns to London to investigate the death of his brother. 10 x 7 inches. Fine. Mosaic Film Group / Paramount Pictures unknown books
2003ref. 141918Hollywood: Mosaic Film Group / Paramount Pictures 2003. Five vintage color French photographs four of which are candids taken during breaks in shooting the 2003 UK film. A return to form for director Hodges bearing a strong resemblance to his debut "Get Carter" 1971 about a retired criminal who returns to London to investigate the death of his brother. 10 x 7 inches. Fine. Mosaic Film Group / Paramount Pictures unknown
1967ref. 156020London: The Rank Organization 1967. Four vintage borderless reference photographs from the 1967 film. Printed mimeo snipes affixed to the versos of three photographs and all four with the stamps of The Rank Organization. From the archive of film historian and author Joel Finler. A successful advertising executive decides to quit his job and break up with his wife and mistresses in order to pursue his dream of being a literary writer but finds the transition more difficult than anticipated. Set and shot on location in London. 9.25 x 7.25 inches. Near Fine with light edgewear. The Rank Organization unknown books
1967ref. 162543N.p.: N.p. 1967. Vintage reference photograph the 1967 film showing actress Marianne Faithfull in the bath. A successful advertising executive decides to quit his job and break up with his wife and mistresses in order to pursue his dream of being a literary writer but finds the transition more difficult than anticipated. Set and shot on location in London. 10 x 8 inches. Two nicks at the top edge else Near Fine. N.p. unknown books
1967ref. 162543N.p.: N.p. 1967. Vintage reference photograph the 1967 film showing actress Marianne Faithfull in the bath. A successful advertising executive decides to quit his job and break up with his wife and mistresses in order to pursue his dream of being a literary writer but finds the transition more difficult than anticipated. Set and shot on location in London. 10 x 8 inches. Two nicks at the top edge else Near Fine. N.p. unknown
1967ref. 156020London: The Rank Organization 1967. Four vintage borderless reference photographs from the 1967 film. Printed mimeo snipes affixed to the versos of three photographs and all four with the stamps of The Rank Organization. From the archive of film historian and author Joel Finler. A successful advertising executive decides to quit his job and break up with his wife and mistresses in order to pursue his dream of being a literary writer but finds the transition more difficult than anticipated. Set and shot on location in London. 9.25 x 7.25 inches. Near Fine with light edgewear. The Rank Organization unknown
1985ref. 168092N.p.: N.p. 1985. Vintage borderless reference photograph from the 1985 French-Belgian film showing Chantal Akerman in the process of disrobing. Annotations in manuscript ink and pencil on the verso. Akerman's debut groundbreaking feature film an intimate and strikingly minimal exploration of sexuality and femininity. 7 x 5 inches. Near Fine. Criterion Eclipse 19. N.p. unknown books
1985ref. 168092N.p.: N.p. 1985. Vintage borderless reference photograph from the 1985 French-Belgian film showing Chantal Akerman in the process of disrobing. Annotations in manuscript ink and pencil on the verso. Akerman's debut groundbreaking feature film an intimate and strikingly minimal exploration of sexuality and femininity. 7 x 5 inches. Near Fine. Criterion Eclipse 19. N.p. unknown
