10,190 results
1978ref. 169541N.p.: N.p. 1978. Vintage color reference photograph from the 1978 film showing Clint and his crew and by that we do not mean the film crew. Provenance label and annotations in manuscript ink on the verso. A trucker turned prizefighter cruises through the west with his pet orangutan and manager-brother searching for his lost love an aspiring country music singer. Set and shot on location in New Mexico California Colorado and Wyoming. 10 x 8 inches. Lightly faded generally Near Fine. N.p. unknown
1980ref. 149979N.p.: N.p. 1980. Vintage borderless reference photograph of Jean-Luc Goddard and crew on the set of the 1980 film. "Sauve qui peut / la Vie" stamp on verso with last three lines of stamp which include copyright date and photograph credit for Anne-Marie Mieville struck through with manuscript marker. A most Godardian examination of sexual relationships in which three protagonists interact in different combinations. Nominated for the Palme d'Or. Shot on location in Switzerland. 9.5 x 7 inches. Near Fine. Criterion Collection 744. Godard Histoires du cinema. N.p. unknown books
1980ref. 149979N.p.: N.p. 1980. Vintage borderless reference photograph of Jean-Luc Goddard and crew on the set of the 1980 film. "Sauve qui peut / la Vie" stamp on verso with last three lines of stamp which include copyright date and photograph credit for Anne-Marie Mieville struck through with manuscript marker. A most Godardian examination of sexual relationships in which three protagonists interact in different combinations. Nominated for the Palme d'Or. Shot on location in Switzerland. 9.5 x 7 inches. Near Fine. Criterion Collection 744. Godard Histoires du cinema. N.p. unknown
1970ref. 152335N.p.: N.p. 1970. Vintage reference photograph from the 1970 film showing actor Marty Feldman as a satyr gleefully reading a salacious paperback novel. An ad man is tasked with creating a new sexy image for a frozen porridge brand. A satirical farce directly ridiculing British conservative activist Mary Whitehouse who in 1970 was staging a war on gratuitous sex in advertising and many other fields of British life. Shot on location in London and Surrey. 8 x 10 inches. Very Good lightly wavy and edgeworn with light soil to the bottom left corner. N.p. unknown books
1969ref. 153094London: Ned Sherrin 1969. Early Draft script for the 1970 British film with annotations in manuscript ink on four pages a "1." on the title page and three underlining locations. Script preceded by six pages of notes on story cast of characters and notes on principal characters. An ad man is tasked with creating a new sexy image for a frozen porridge brand. A satirical farce directly ridiculing British conservative activist Mary Whitehouse who in 1970 was staging a war on gratuitous sex in advertising and many other fields of British life. Shot on location in London and Surrey. Dark blue untitled wrappers with die-cut window in the British Fashion. Title page present dated 6th February 1969 with credits for screenwriters Marty Feldman and Barry Took and story credit for Milton Shulman and Herbert Kretzmer. 101 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Ned Sherrin unknown books
1969ref. 153094London: Ned Sherrin 1969. Early Draft script for the 1970 British film with annotations in manuscript ink on four pages a "1." on the title page and three underlining locations. Script preceded by six pages of notes on story cast of characters and notes on principal characters. An ad man is tasked with creating a new sexy image for a frozen porridge brand. A satirical farce directly ridiculing British conservative activist Mary Whitehouse who in 1970 was staging a war on gratuitous sex in advertising and many other fields of British life. Shot on location in London and Surrey. Dark blue untitled wrappers with die-cut window in the British Fashion. Title page present dated 6th February 1969 with credits for screenwriters Marty Feldman and Barry Took and story credit for Milton Shulman and Herbert Kretzmer. 101 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Ned Sherrin unknown
1937ref. 162378Los Angeles: Paramount Pictures 1937. Vintage studio still photograph from the 1937 film showing actress Mae West in a feathered headdress and matching gown surrounded by admirers. French copyright stamp on the verso along with annotations in manuscript pencil. West's last film under her Paramount contract about a plucky con artist who hatches a scheme to get rich as a nightclub singer. 8 x 10 inches. Very Good plus lightly toned with a faint tide mark on the left edge of the verso. Paramount Pictures unknown books
1937ref. 162378Los Angeles: Paramount Pictures 1937. Vintage studio still photograph from the 1937 film showing actress Mae West in a feathered headdress and matching gown surrounded by admirers. French copyright stamp on the verso along with annotations in manuscript pencil. West's last film under her Paramount contract about a plucky con artist who hatches a scheme to get rich as a nightclub singer. 8 x 10 inches. Very Good plus lightly toned with a faint tide mark on the left edge of the verso. Paramount Pictures unknown
1966ref. 137536London: Gala Films 1966. Two vintage black-and-white studio still photographs from the UK release of the 1965 Spanish film "Cabriola" released in the US as "Every Day Is a Holiday." Mimeo snipes affixed to the versos noting cast synopsis and production company. Pictured is Marisol in action and smiley on horseback Releasing during a time when female bullfighters were widely publicized in national periodicals this film tells the story of Chica Marisol a young Spanish girl who rises to fame as a bullfighter on horseback disguised as a boy. Set in Spain shot on there location. 8 x 10 inches. About Near Fine. Hirschhorn p. 145. Gala Films unknown books
1970ref. 161703N.p.: Grove Press 1970. Six vintage studio still photographs from the 1970 film. Five photographs with provenance stamps on the versos. A pair of filmmakers in hopes of raising money to shoot a documentary on Lenny Bruce decide to meet that goal by shooting pornographic films with runaway flower kids in Greenwich Village over a weekend. Aspects of cinema verite mixed with sexploitation with an early appearance by actress Joy Bang and a cameo by Robert Altman in the same year he directed MASH. Shot on location in New York. 8 x 10 inches. Very Good plus with some faint creasing edgewear and one with a wax pencil annotation on the recto. Grove Press unknown books
1970ref. 161703N.p.: Grove Press 1970. Six vintage studio still photographs from the 1970 film. Five photographs with provenance stamps on the versos. A pair of filmmakers in hopes of raising money to shoot a documentary on Lenny Bruce decide to meet that goal by shooting pornographic films with runaway flower kids in Greenwich Village over a weekend. Aspects of cinema verite mixed with sexploitation with an early appearance by actress Joy Bang and a cameo by Robert Altman in the same year he directed MASH. Shot on location in New York. 8 x 10 inches. Very Good plus with some faint creasing edgewear and one with a wax pencil annotation on the recto. Grove Press unknown
1970ref. 151266New York: Grove Press 1970. Five vintage studio still photographs from the 1970 art-hardcore film. From the archive of film historian and author Joel Finler. An aspiring young filmmaker wants to make his own films but to raise the necessary money must first make some stag films enlisting the help of several teenage flower-children in 1968 Greenwich Village. Featuring an early appearance by a young Robert Altman who plays a porno distributor. Set and shot on location in New York. 10 x 8 inches. Near Fine. Grove Press unknown books
1970ref. 151266New York: Grove Press 1970. Five vintage studio still photographs from the 1970 art-hardcore film. From the archive of film historian and author Joel Finler. An aspiring young filmmaker wants to make his own films but to raise the necessary money must first make some stag films enlisting the help of several teenage flower-children in 1968 Greenwich Village. Featuring an early appearance by a young Robert Altman who plays a porno distributor. Set and shot on location in New York. 10 x 8 inches. Near Fine. Grove Press unknown
1960ref. 143202Tokyo: Toho Company 1960. Draft script for the 1960 Japanese film. Manuscript ink and stamp on the outer page edges. Production designer's script with manuscript underlining on numerous pages regarding objects needed for a given scene swimsuits sun cream summer kimonos Persian cat etc. Other annotations in the same hand fill in the names of actors who have been chosen to play the parts of various characters whose names are printed. The double directed feature intentionally creates a juxtaposition between each director's lens and the credits give no indication of how the two collaborated also intentional. According to Audie Bock author of "Japanese Film Directors" Naruse filmed all of the older generation scenes and the Japanese restaurant scenes while Kawashima did the younger generation and the geisha house scenes comparatively the 'comic relief'. A family love triangle sees a mother and daughter in competition and parallels the conflicting nature of new and older generations in modern society. Set in Japan. White titled wrappers noted as 1 on the front wrapper dated 1960. Title page present. 88 leaves with last page of text numbered g-25. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two staples wrapped in paper on spine. Toho Company unknown books
1960ref. 143202Tokyo: Toho Company 1960. Draft script for the 1960 Japanese film. Manuscript ink and stamp on the outer page edges. Production designer's script with manuscript underlining on numerous pages regarding objects needed for a given scene swimsuits sun cream summer kimonos Persian cat etc. Other annotations in the same hand fill in the names of actors who have been chosen to play the parts of various characters whose names are printed. The double directed feature intentionally creates a juxtaposition between each director's lens and the credits give no indication of how the two collaborated also intentional. According to Audie Bock author of "Japanese Film Directors" Naruse filmed all of the older generation scenes and the Japanese restaurant scenes while Kawashima did the younger generation and the geisha house scenes comparatively the 'comic relief'. A family love triangle sees a mother and daughter in competition and parallels the conflicting nature of new and older generations in modern society. Set in Japan. White titled wrappers noted as 1 on the front wrapper dated 1960. Title page present. 88 leaves with last page of text numbered g-25. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two staples wrapped in paper on spine. Toho Company unknown
1993ref. 166676N.p.: N.p. 1993. Vintage black-and-white reference photograph from the 1993 film showing actress Uma Thurman joyfully riding a horse. Printed snipe affixed to the verso. Based on the 1976 Tom Robbins novel following the adventures of a woman who capitalizes on her genetic mutation: enormous thumbs. Shot on location throughout Oregon. 10 x 8 inches. Near Fine. N.p. unknown books
1993ref. 166676N.p.: N.p. 1993. Vintage black-and-white reference photograph from the 1993 film showing actress Uma Thurman joyfully riding a horse. Printed snipe affixed to the verso. Based on the 1976 Tom Robbins novel following the adventures of a woman who capitalizes on her genetic mutation: enormous thumbs. Shot on location throughout Oregon. 10 x 8 inches. Near Fine. N.p. unknown
1989ref. 141597Beverly Hills CA: Orion 1989. Revised Draft script for the 1991 film. Copy belonging to Brad Ricker an unknown crew member with his name on the front wrapper in manuscript ink. EVE VIII is a military cyborg designed to look like her creator. When it is damaged during a bank robbery it begins accessing dark and tragic personal memories of its creator and sets about on an unstoppable mission to kill. Colonel Jim McQuade Hines is tasked with stopping the machine of death. Shot on location in San Francisco Los Angeles and New York City. White untitled wrappers. Title page present dated 10/2/89 noted as Revised with credits for screenwriters Duncan Gibbins and Yale Udoff. 118 leaves with last page of text numbered 117. Xerographic duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Orion unknown books
1991ref. 147653Beverly Hills CA: Orion Pictures 1991. Eight vintage studio still photographs from the 1991 film five of which are compilation prints of multiple stills. Dr. Eve Simmons Renee Soutendijk in her first US film creates a nuclear armed android EVE VIII also played by Soutendijk for the military which looks and sounds just like its creator and has gotten lost in a big city and Dr. Simmons and Colonel Jim McQuade Gregory Hines must stop it. Shot on location in New York Los Angeles and San Francisco. 8 x 10 inches. Near Fine. Orion Pictures unknown books
1989ref. 141597Beverly Hills CA: Orion 1989. Revised Draft script for the 1991 film. Copy belonging to Brad Ricker an unknown crew member with his name on the front wrapper in manuscript ink. EVE VIII is a military cyborg designed to look like her creator. When it is damaged during a bank robbery it begins accessing dark and tragic personal memories of its creator and sets about on an unstoppable mission to kill. Colonel Jim McQuade Hines is tasked with stopping the machine of death. Shot on location in San Francisco Los Angeles and New York City. White untitled wrappers. Title page present dated 10/2/89 noted as Revised with credits for screenwriters Duncan Gibbins and Yale Udoff. 118 leaves with last page of text numbered 117. Xerographic duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Orion unknown
1963ref. 151457N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film. Included is a distributor's pamphlet. A mondo documentary following the sexual exploits of buxom women across Europe. Photographs 7 x 9.5 inches. Near Fine. Pamphlet bi-fold 8.5 x 11 inches. Very Good moderately chipped and soiled. N.p. unknown books
1963ref. 161702N.p.: Eve Productions 1963. Vintage studio still photograph from the 1963 film. Famed director Russ Meyer's documentary about the underground world of sex work in Europe. According to film critic Roger Ebert's article "Russ Meyer: King of the Nudies" published in the Jan/Feb 1973 issue of "Film Comment" Meyer "concealed a 16-mm camera in a suitcase and got footage in the red-light districts of Paris Amsterdam and elsewhere." 8 x 10 inches. Near Fine. Eve Productions unknown books
1963ref. 161702N.p.: Eve Productions 1963. Vintage studio still photograph from the 1963 film. Famed director Russ Meyer's documentary about the underground world of sex work in Europe. According to film critic Roger Ebert's article "Russ Meyer: King of the Nudies" published in the Jan/Feb 1973 issue of "Film Comment" Meyer "concealed a 16-mm camera in a suitcase and got footage in the red-light districts of Paris Amsterdam and elsewhere." 8 x 10 inches. Near Fine. Eve Productions unknown
1963ref. 151457N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film. Included is a distributor's pamphlet. A mondo documentary following the sexual exploits of buxom women across Europe. Photographs 7 x 9.5 inches. Near Fine. Pamphlet bi-fold 8.5 x 11 inches. Very Good moderately chipped and soiled. N.p. unknown
1990ref. 1261471990 N°43-44 - Lettres modernes Minard, collection "Études cinématographiques" - 1990 - Revue trimestrielle - In-12, broché- 260 pages - Quelques illustrations en N&B in-texte
