11,064 results
1966ref. 145070Switzerland: Jovera Pictures 1966. Vintage photograph from the set of the 1966 film. With manuscript annotations on the verso. Based on the 1964 novel of the same name by Len Deighton. British secret agent Harry Palmer Michael Caine is sent to Berlin to facilitate the defection of Colonel Stok Oskar Homolka a Soviet Intelligence officer. Once Palmer arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 7 x 10 inches. Near Fine. Jovera Pictures unknown books
1966ref. 162177Los Angeles: Paramount Pictures 1966. Vintage lobby card for the 1966 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1964 novel by Len Deighton. A British secret agent is sent to Berlin to facilitate the defection of a Soviet Intelligence officer. Once the agent arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 14 x 11 inches. Poor with pinholes at the corners and light creasing and toning overall. Paramount Pictures unknown books
1966ref. 162177Los Angeles: Paramount Pictures 1966. Vintage lobby card for the 1966 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1964 novel by Len Deighton. A British secret agent is sent to Berlin to facilitate the defection of a Soviet Intelligence officer. Once the agent arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 14 x 11 inches. Poor with pinholes at the corners and light creasing and toning overall. Paramount Pictures unknown
1966ref. 145070Switzerland: Jovera Pictures 1966. Vintage photograph from the set of the 1966 film. With manuscript annotations on the verso. Based on the 1964 novel of the same name by Len Deighton. British secret agent Harry Palmer Michael Caine is sent to Berlin to facilitate the defection of Colonel Stok Oskar Homolka a Soviet Intelligence officer. Once Palmer arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 7 x 10 inches. Near Fine. Jovera Pictures unknown
1973ref. 161747N.p.: Times Films 1973. Two vintage studio still photographs from the US release of the 1972 French film. One photograph with two provenance stamps on the verso. Stèfanie a young nurse caring for an old man in a country villa is murdered by two men who subsequently try to get a prostitute to play her double. 8 x 10 inches. Near Fine. Times Films unknown books
1973ref. 161747N.p.: Times Films 1973. Two vintage studio still photographs from the US release of the 1972 French film. One photograph with two provenance stamps on the verso. Stèfanie a young nurse caring for an old man in a country villa is murdered by two men who subsequently try to get a prostitute to play her double. 8 x 10 inches. Near Fine. Times Films unknown
1987ref. 161007New York: Alfred A. Knopf 1987. First Edition. First Edition. INSCRIBED on the half-title page by screenwriter Michael Herr to noted bookseller Ken Hubner: "18 February / For Ken Hubner / Best / Michael Herr." A hint of toning overall else about Fine in illustrated wrappers. Alfred A. Knopf unknown books
1987ref. 161007New York: Alfred A. Knopf 1987. First Edition. First Edition. INSCRIBED on the half-title page by screenwriter Michael Herr to noted bookseller Ken Hubner: "18 February / For Ken Hubner / Best / Michael Herr." A hint of toning overall else about Fine in illustrated wrappers. Alfred A. Knopf unknown
ref. 147046N.p.: N.p. Unknown. Draft script for an unproduced film. With a single manuscript ink annotation on the front wrapper reading "99." A young man who learns he was born out of wedlock is driven to succeed in life to prove himself greater than his sullied heritage eventually becoming a prizewinning bullfighter. But his success comes at the expense of his friends and family whom he drives further and further away as he grows famous. Red titled wrappers with credits for screenwriter PETER PACKER and story credits to REGINALD LEBORG. Title page present with credits for screenwriter PETER PACKER and story credits to REGINALD LEBORG. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
ref. 147046N.p.: N.p. Unknown. Draft script for an unproduced film. With a single manuscript ink annotation on the front wrapper reading "99." A young man who learns he was born out of wedlock is driven to succeed in life to prove himself greater than his sullied heritage eventually becoming a prizewinning bullfighter. But his success comes at the expense of his friends and family whom he drives further and further away as he grows famous. Red titled wrappers with credits for screenwriter PETER PACKER and story credits to REGINALD LEBORG. Title page present with credits for screenwriter PETER PACKER and story credits to REGINALD LEBORG. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1970ref. 141278N.p.: N.p. 1970. Treatment script for an unproduced film. Laid in is a page from the "Independent Trade Reviews." While on their honeymoon a sailor and his Japanese wife get into an altercation with a drunk. Police intervene resulting in the wife being shot and the man sent to prison. Set in San Francisco. Gray titled wrappers. Title page present with credit for screenwriter William Kozlenko. 54 leaves with last leaf of text numbered 53. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown books
1970ref. 141278N.p.: N.p. 1970. Treatment script for an unproduced film. Laid in is a page from the "Independent Trade Reviews." While on their honeymoon a sailor and his Japanese wife get into an altercation with a drunk. Police intervene resulting in the wife being shot and the man sent to prison. Set in San Francisco. Gray titled wrappers. Title page present with credit for screenwriter William Kozlenko. 54 leaves with last leaf of text numbered 53. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown
1956ref. 148955Beverly Hills CA: Associated Film Releasing 1956. Vintage studio still photograph from the 1956 film showing actresses Coleen Gray and Veda Ann Borg. A US marshal investigates the mysterious death of a woman owner of a gambling house. Set in the American West. 10 x 8 inches. Near Fine. Associated Film Releasing unknown books
1956ref. 152175Burbank CA: National Broadcasting Company NBC 1956. Draft script for the 1956 television film originally aired on April 4 on NBC. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the title page and his manuscript annotations throughout. A driven executive discovers that she is being slowly poisoned and begins to suspect everyone around her of the crime including her own husband. Brown titled wrappers. Title page present undated with credits for screenwriter Robert Esson. 83 leaves with last page of text numbered 81. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. National Broadcasting Company [NBC] unknown books
1956ref. 152175Burbank CA: National Broadcasting Company NBC 1956. Draft script for the 1956 television film originally aired on April 4 on NBC. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the title page and his manuscript annotations throughout. A driven executive discovers that she is being slowly poisoned and begins to suspect everyone around her of the crime including her own husband. Brown titled wrappers. Title page present undated with credits for screenwriter Robert Esson. 83 leaves with last page of text numbered 81. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. National Broadcasting Company [NBC] unknown
1960ref. 162189Munich: Universum Film UFA 1960. Vintage borderless lobby card for the 1960 Italian film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on several short stories by Alberto Moravia. Spurred on by his girlfriend a young man in the Roman suburbs sets out to look for a day job but instead finds his mission waylaid by sensual delights. 9.25 x 11.75 inches. Very Good plus lightly edgeworn with pinholes at the corners. Universum Film [UFA] unknown books
1960ref. 162189Munich: Universum Film UFA 1960. Vintage borderless lobby card for the 1960 Italian film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on several short stories by Alberto Moravia. Spurred on by his girlfriend a young man in the Roman suburbs sets out to look for a day job but instead finds his mission waylaid by sensual delights. 9.25 x 11.75 inches. Very Good plus lightly edgeworn with pinholes at the corners. Universum Film [UFA] unknown
ref. 021736Paris imp. EUROGRAPHIC 0 Un fascicule in-4°, 14 pp., couverture agrafée et illustrée en couleurs. (couverture légèrement marquée en bordure). Dossier de presse français réalisé par L. Mardore, M. Castro et M.R. Lefèvre et illustré de dessins en noir et en couleur de Robert Crumb. Rare.
1974ref. 160802N.p.: N.p. 1974. Vintage one sheet poster for the 1974 film. Rare. Noted female exploitation and pornographic director Roberta Findlay's ninth properly documented film. Georgina Spelvin stars as Dr. Tessy Tighttwat director of the Tighttwat Institute for Sexual Research who treats Eric Edwards as Harry Flattout impotent and unemployed after getting carried away and raping his boss' secretary during Spurt Over Oil's daily sex hour. Set in and shot on location in New York City. 25 x 38 inches Folded as issued. Near Fine. N.p. unknown books
1974ref. 160802N.p.: N.p. 1974. Vintage one sheet poster for the 1974 film. Rare. Noted female exploitation and pornographic director Roberta Findlay's ninth properly documented film. Georgina Spelvin stars as Dr. Tessy Tighttwat director of the Tighttwat Institute for Sexual Research who treats Eric Edwards as Harry Flattout impotent and unemployed after getting carried away and raping his boss' secretary during Spurt Over Oil's daily sex hour. Set in and shot on location in New York City. 25 x 38 inches Folded as issued. Near Fine. N.p. unknown
1968ref. 161742N.p.: International Film Artists 1968. Two vintage studio still photographs from the 1969 film also released under the title "The Vixens." Each photograph with a provenance stamp on the verso. Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light creasing at the extremities and edgewear. International Film Artists unknown books
1968ref. 161742N.p.: International Film Artists 1968. Two vintage studio still photographs from the 1969 film also released under the title "The Vixens." Each photograph with a provenance stamp on the verso. Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light creasing at the extremities and edgewear. International Film Artists unknown
1955ref. 142114Glendale CA: Allied Artists 1955. Final script for the 1956 film. Originally screenwriter Michael Wilson went uncredited because he was on the Hollywood Blacklist. Credited here for screenwriting are novelist Jessamyn West and one of the film's producers Robert Wyler. Wilson was finally given the credit by the Screenwriters Guild in 1996. Based on the 1945 novel by Jessamyn West. Members of a Quaker family in 1860s Indiana must individually reassess their faith and morals as the Civil War looms closer and closer to their home. Set in Jennings County Indiana. Brown Allied Artists' leather binder with credits for director William Wyler. Title page present dated 18 August 1955 noted as Final with credits for novelist Jessamyn West screenwriters Jessamyn West and Robert Wyler and director William Wyler. 164 leaves with last page of text numbered 163. Mimeograph duplication rectos only with revision pages throughout dated variously between 9/6/55 and 9/12/55. Pages Very Good binder Very Good plus bound with three gold brads. Martin 140. Allied Artists unknown books
1955ref. 142114Glendale CA: Allied Artists 1955. Final script for the 1956 film. Originally screenwriter Michael Wilson went uncredited because he was on the Hollywood Blacklist. Credited here for screenwriting are novelist Jessamyn West and one of the film's producers Robert Wyler. Wilson was finally given the credit by the Screenwriters Guild in 1996. Based on the 1945 novel by Jessamyn West. Members of a Quaker family in 1860s Indiana must individually reassess their faith and morals as the Civil War looms closer and closer to their home. Set in Jennings County Indiana. Brown Allied Artists' leather binder with credits for director William Wyler. Title page present dated 18 August 1955 noted as Final with credits for novelist Jessamyn West screenwriters Jessamyn West and Robert Wyler and director William Wyler. 164 leaves with last page of text numbered 163. Mimeograph duplication rectos only with revision pages throughout dated variously between 9/6/55 and 9/12/55. Pages Very Good binder Very Good plus bound with three gold brads. Martin 140. Allied Artists unknown
1978ref. 290221Fay Kanin 1978. Trade Paperback. 149 loose sheets 8.5 x 11 inches printed in black recto only on white. Fay Kanin 1917-2013 was a screenwriter and producer. She and her husband Michael were blacklisted by HUAC. She wrote and produced Friendly Fire for television. Starring Carol Burnett. The film won the Primetime Emmy Award for Outstanding Drama or Comedy of the Year. Fay later was President of the Academy of Motion Picture Arts and Sciences for 4 terms 1979-1983. 'Rev. Final Draft / July 25 1978' typed on bottom of cover sheet. Near fine copy. Fay Kanin paperback
