11,046 results
1972ref. 150256N.p.: N.p. 1972. Vintage reference photograph of Federico Fellini on the set of the 1972 film. A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. Set and shot on location in Rome Italy. 8 x 10 inches. Light even fading else Near Fine. N.p. unknown
1972ref. 150813Beverly Hills CA: United Artists 1972. Vintage reference photograph of Federico Fellini on the set of the 1972 film. A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. Set and shot on location in Rome. 8 x 10 inches. Near Fine. Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel Film as a Subversive Art. United Artists unknown
1972ref. 150489N.p.: N.p. 1972. Vintage borderless reference photograph of Federico Fellini demonstrating how to stab Julius Caear Feodor Chaliapin Jr. on the set of the 1972 film. "Peter W. Engelmeier provenance label on verso. A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. Set and shot on location in Rome Italy. 8.5 x 6.5 inches. Near Fine. Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1969ref. 151571N.p.: N.p. 1969. Vintage borderless double weight matte-finish reference photograph from the set of the 1969 film showing director Federico Fellini directing actor Hiram Keller during the death scene with the boatman. Loosely based on the late first-century satire by Gaius Petronius. Fellini's decadent depiction of imperial Rome a series of extravagant and grotesque episodes populated by archetypal dreamlike figures. Shot on location in Rome Italy. 9.5 x 7 inches. Near Fine. Criterion Collection 747. Eureka! Masters of Cinema 112. N.p. unknown books
1969ref. 151549N.p.: Produzione Europee Associate PEA 1969. Vintage borderless double weight reference photograph with left margin of Federico Fellini on the set of the 1969 film. Three "Christophe L." provenance stamps on verso. Loosely based on the late first century satire by Gaius Petronius. Fellini's dream-like depiction of first century imperial Rome in a series of gloriously decadent extravagant and grotesque episodes following the pan-sexual scholar Encolpius Potter and his insatiable friend Ascyltus Hiram Keller. Nominated for an Academy Award for Best Director. Shot on location in Rome Italy. 8 x 10 inches. Very Good plus with light rippling at top and 1.5 inch crease at bottom. Criterion Collection 747. Eureka! Masters of Cinema 112. Produzione Europee Associate (PEA) unknown books
1969ref. 151571N.p.: N.p. 1969. Vintage borderless double weight matte-finish reference photograph from the set of the 1969 film showing director Federico Fellini directing actor Hiram Keller during the death scene with the boatman. Loosely based on the late first-century satire by Gaius Petronius. Fellini's decadent depiction of imperial Rome a series of extravagant and grotesque episodes populated by archetypal dreamlike figures. Shot on location in Rome Italy. 9.5 x 7 inches. Near Fine. Criterion Collection 747. Eureka! Masters of Cinema 112. N.p. unknown
1969ref. 151549N.p.: Produzione Europee Associate PEA 1969. Vintage borderless double weight reference photograph with left margin of Federico Fellini on the set of the 1969 film. Three "Christophe L." provenance stamps on verso. Loosely based on the late first century satire by Gaius Petronius. Fellini's dream-like depiction of first century imperial Rome in a series of gloriously decadent extravagant and grotesque episodes following the pan-sexual scholar Encolpius Potter and his insatiable friend Ascyltus Hiram Keller. Nominated for an Academy Award for Best Director. Shot on location in Rome Italy. 8 x 10 inches. Very Good plus with light rippling at top and 1.5 inch crease at bottom. Criterion Collection 747. Eureka! Masters of Cinema 112. Produzione Europee Associate (PEA) unknown
1976ref. 146256N.p.: N.p. 1976. Draft script for the 1978 film. With a manuscript ink notation on the title page reading "draft completed 10/8/76." Based on the novella by Thomas Tryon from his 1976 collection "Crowned Heads." A struggling Hollywood producer attempts to revive his career by luring a retired and reclusive actress back into the spotlight. Told in flashback beginning with her suicide-by-train. The fifth and final pairing of director Billy Wilder and actor William Holden who began their association in 1950 with the classic "Sunset Blvd." 1950. "Fedora" has been seen as a companion piece to that film. White titled self wrappers with credits for screenwriters Billy Wilder and I.A.L. Diamond. Title page integral with the front wrapper as issued. 109 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with light toning and soil bound with two gold brads. Eureka Masters of Cinema 147. N.p. unknown books
1978ref. 141772Munich: Bavaria Atelier 1978. Press kit for the 1978 film. Full-color illustrated folder with six black-and-white borderless reference photographs and 15 gatherings of promotional reading material housed all together in a white envelope. Based on the novella by Thomas Tryon from his 1976 collection "Crowned Heads." A struggling Hollywood producer attempts to revive his career by luring a retired and reclusive actress back into the spotlight. Told in flashback beginning with her suicide-by-train. The fifth and final pairing of director Billy Wilder and actor William Holden who began their association in 1950 with the classic "Sunset Blvd." "Fedora" has been seen as a companion piece to that film. Set in Hollywood shot on location in France Germany and Greece. Folder and contents Near Fine. Envelope Very Good plus lightly toned on the edges. Bavaria Atelier unknown books
1976ref. 146256N.p.: N.p. 1976. Draft script for the 1978 film. With a manuscript ink notation on the title page reading "draft completed 10/8/76." Based on the novella by Thomas Tryon from his 1976 collection "Crowned Heads." A struggling Hollywood producer attempts to revive his career by luring a retired and reclusive actress back into the spotlight. Told in flashback beginning with her suicide-by-train. The fifth and final pairing of director Billy Wilder and actor William Holden who began their association in 1950 with the classic "Sunset Blvd." 1950. "Fedora" has been seen as a companion piece to that film. White titled self wrappers with credits for screenwriters Billy Wilder and I.A.L. Diamond. Title page integral with the front wrapper as issued. 109 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with light toning and soil bound with two gold brads. Eureka Masters of Cinema 147. N.p. unknown
1978ref. 141772Munich: Bavaria Atelier 1978. Press kit for the 1978 film. Full-color illustrated folder with six black-and-white borderless reference photographs and 15 gatherings of promotional reading material housed all together in a white envelope. Based on the novella by Thomas Tryon from his 1976 collection "Crowned Heads." A struggling Hollywood producer attempts to revive his career by luring a retired and reclusive actress back into the spotlight. Told in flashback beginning with her suicide-by-train. The fifth and final pairing of director Billy Wilder and actor William Holden who began their association in 1950 with the classic "Sunset Blvd." "Fedora" has been seen as a companion piece to that film. Set in Hollywood shot on location in France Germany and Greece. Folder and contents Near Fine. Envelope Very Good plus lightly toned on the edges. Bavaria Atelier unknown
1978ref. 148287N.p.: N.p. 1978. Collection of twelve vintage French color lobby cards from the 1978 film. Based on the novella by Thomas Tryon from his 1976 collection "Crowned Heads." A struggling Hollywood producer attempts to revive his career by luring a retired and reclusive actress back into the spotlight. Told in flashback beginning with her suicide-by-train. The fifth and final pairing of director Billy Wilder and actor William Holden who began their association in 1950 with the classic "Sunset Blvd." 1950. "Fedora" has been seen as a companion piece to that film. 11.25 x 9 inches. Near Fine. Eureka Masters of Cinema 147. N.p. unknown books
1978ref. 148287N.p.: N.p. 1978. Collection of twelve vintage French color lobby cards from the 1978 film. Based on the novella by Thomas Tryon from his 1976 collection "Crowned Heads." A struggling Hollywood producer attempts to revive his career by luring a retired and reclusive actress back into the spotlight. Told in flashback beginning with her suicide-by-train. The fifth and final pairing of director Billy Wilder and actor William Holden who began their association in 1950 with the classic "Sunset Blvd." 1950. "Fedora" has been seen as a companion piece to that film. 11.25 x 9 inches. Near Fine. Eureka Masters of Cinema 147. N.p. unknown
1961ref. 160122N.p.: Sutton Pictures 1961. Two vintage studio still photographs from the 1961 film. Based on the 1946 novel by Leslie Edgley. A woman on the train is knocked unconscious by a man with a gun after she sees a woman who appears to be dead laying on the floor behind him. When she comes to she is questioned by police as a murder suspect. When she returns home to her apartment there is another dead bdy already planted there. Set in California. 10 x 8 inches. Near Fine. Sutton Pictures unknown books
1972ref. 132523London: Anglo-EMI 1972. Collection of 13 vintage black-and-white still photographs from the 1972 UK film including 3 promotional stills. Based on Alistair MacLean's 1961 novel about a man who poses as a criminal in an elaborate revenge scheme on those responsible for his family's death. 8 x 10 inches 3 stills measure 7.5 x 9.5 inches. A few faint creases and tiny closed tears else Near Fine. Anglo-EMI unknown books
1972ref. 132523London: Anglo-EMI 1972. Collection of 13 vintage black-and-white still photographs from the 1972 UK film including 3 promotional stills. Based on Alistair MacLean's 1961 novel about a man who poses as a criminal in an elaborate revenge scheme on those responsible for his family's death. 8 x 10 inches 3 stills measure 7.5 x 9.5 inches. A few faint creases and tiny closed tears else Near Fine. Anglo-EMI unknown
1985ref. 161051N.p.: N.p. 1985. Two vintage borderless reference photographs from the 1985 film both showing actress Melanie Griffith. A former boxer turned nightclub promoter joins together with a police detective to investigate a serial killer targeting strippers. Set in Manhattan and shot on location in New York and Los Angeles. N.p. unknown books
1985ref. 161051N.p.: N.p. 1985. Two vintage borderless reference photographs from the 1985 film both showing actress Melanie Griffith. A former boxer turned nightclub promoter joins together with a police detective to investigate a serial killer targeting strippers. Set in Manhattan and shot on location in New York and Los Angeles. N.p. unknown
1975ref. 135906Berlin: Der Spiegel 1975. Vintage borderless black-and-white press photograph of Fassbinder on the set of his 1975 film "Faustrecht der Freiheit." Shot by Manjit Jari for the German publication Der Spiegel with stamps for both Jari and the publication on the verso along with an archive date of March 19 1975. Franz "Fox" Biberkopf Fassbinder loses his job at a carnival after his boyfriend Klaus Karl Scheydt is arrested for tax fraud. After hustling for the money to buy a lottery ticket he wins 500000 marks and attracts the attention of Eugen Peter Chatel a sophisticated but amoral young man in need of money. He begins a relationship with the uneducated Fox and slowly swindles him out of his winnings driving him to eventual poverty and suicide. 9.5 x 7 inches. Near Fine. Der Spiegel unknown books
1975ref. 135906Berlin: Der Spiegel 1975. Vintage borderless black-and-white press photograph of Fassbinder on the set of his 1975 film "Faustrecht der Freiheit." Shot by Manjit Jari for the German publication Der Spiegel with stamps for both Jari and the publication on the verso along with an archive date of March 19 1975. Franz "Fox" Biberkopf Fassbinder loses his job at a carnival after his boyfriend Klaus Karl Scheydt is arrested for tax fraud. After hustling for the money to buy a lottery ticket he wins 500000 marks and attracts the attention of Eugen Peter Chatel a sophisticated but amoral young man in need of money. He begins a relationship with the uneducated Fox and slowly swindles him out of his winnings driving him to eventual poverty and suicide. 9.5 x 7 inches. Near Fine. Der Spiegel unknown
1984ref. 144030Munich: Bavaria Atelier 1984. Draft script for Season 1 Episode 3 of the 1986 series titled here under the working title "Joint Venture: Part III: Politics- 1932-1939." Set in Germany a few years into the global economic crisis. The Nazis rise to power and work deals with the IG Group to shed their dependence on oil imports and develop warfare technologies. Clear mylar front wrapper and blue plastic back wrapper. Title page present dated March 14 1984 with credits for screenwriter Bernhard Sinkel. 142 leaves with last page of text numbered 152. Xerographically reproduced. Pages Near Fine wrapper Near Fine prong binding. Bavaria Atelier unknown books
1984ref. 149779Munich: Bavaria Atelier 1984. Draft script for the first episode Episode 1 of the four-episode television miniseries "Vater und Sohne: Eine deutsche Tragodie" Father and Son: A German Tragedy which first aired November 12 1986 on Radiotelevisione Italiana here under the working title "Joint Venture." Text in English. The story of two wealthy German families-one family Jewish bankers the other founders of a chemical corporation-before during and after World War II. Although initially filmed in English the miniseries was first broadcast in its full eight hours on Italian and German television in 1986 and 1987 before being drastically edited to four hours for its 1988 debut on American television. Set and shot on location in Germany. Tall clear untitled plastic front wrapper and purple rear wrapper i.e. generic report folder. Title page present dated March 14 1984 with credits for director Bernhard Sinkel. 158 leaves with last page of text numbered 157. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a white prong binding. Bavaria Atelier unknown books
1984ref. 149810Munich: Bavaria Atelier 1984. Draft script for the fourth episode of the four-episode television miniseries "Vater und Sohne: Eine deutsche Tragodie" Father and Son: A German Tragedy which first aired November 12 1986 on Radiotelevisione Italiana here under the working title "Joint Venture." Text in English. The story of two wealthy German families-one family Jewish bankers the other founders of a chemical corporation-before during and after World War II. Although initially filmed in English the miniseries was first broadcast in its full eight hours on Italian and German television in 1986 and 1987 before being drastically edited to four hours for its 1988 debut on American television. Set and shot on location in Germany. Clear untitled plastic front wrapper and green rear wrapper i.e. generic report folder. Title page present dated March 14 1984 with credits for director Bernhard Sinkel. 151 leaves with last page of text numbered 149. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a white prong binding. Bavaria Atelier unknown books
1984ref. 149810Munich: Bavaria Atelier 1984. Draft script for the fourth episode of the four-episode television miniseries "Vater und Sohne: Eine deutsche Tragodie" Father and Son: A German Tragedy which first aired November 12 1986 on Radiotelevisione Italiana here under the working title "Joint Venture." Text in English. The story of two wealthy German families-one family Jewish bankers the other founders of a chemical corporation-before during and after World War II. Although initially filmed in English the miniseries was first broadcast in its full eight hours on Italian and German television in 1986 and 1987 before being drastically edited to four hours for its 1988 debut on American television. Set and shot on location in Germany. Clear untitled plastic front wrapper and green rear wrapper i.e. generic report folder. Title page present dated March 14 1984 with credits for director Bernhard Sinkel. 151 leaves with last page of text numbered 149. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a white prong binding. Bavaria Atelier unknown
1984ref. 149779Munich: Bavaria Atelier 1984. Draft script for the first episode Episode 1 of the four-episode television miniseries "Vater und Sohne: Eine deutsche Tragodie" Father and Son: A German Tragedy which first aired November 12 1986 on Radiotelevisione Italiana here under the working title "Joint Venture." Text in English. The story of two wealthy German families-one family Jewish bankers the other founders of a chemical corporation-before during and after World War II. Although initially filmed in English the miniseries was first broadcast in its full eight hours on Italian and German television in 1986 and 1987 before being drastically edited to four hours for its 1988 debut on American television. Set and shot on location in Germany. Tall clear untitled plastic front wrapper and purple rear wrapper i.e. generic report folder. Title page present dated March 14 1984 with credits for director Bernhard Sinkel. 158 leaves with last page of text numbered 157. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a white prong binding. Bavaria Atelier unknown
