Reuven Bar-Yotam (screenwriter)Biblio.com
11,058 results
1980ref. 141899Los Angeles: Sandy Howard Productions / New World Pictures 1980. Draft script for an unproduced film. Manuscript ink notation 108 on title page. Bar-Yotam is an Israeli actor and screenwriter who is best known for his roles in "You Don't Mess with the Zohan" 2008 and "Moon Over Parador" 1988 along with several television appearances dating from 1981-2016 on programs such as "Seinfeld" " Murder She Wrote" "Shameless" and "MacGyver." An angry renegade Irish police officer who plays by his own rules to come out on top in the end. Set in Southern California. White titled wrappers. Title page present with credits for screenwriter Reuven Bar-Yotam. 125 leaves with last page of text numbered 123. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Sandy Howard Productions / New World Pictures unknown
1979ref. 167218N.p.: N.p. 1979. Draft script for the 1979 film. A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape. Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1979ref. 167218N.p.: N.p. 1979. Draft script for the 1979 film. A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape. Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1933ref. 131380Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in manuscript ink above it. Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown books
1933ref. 131380Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in manuscript ink above it. Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown
1966ref. 162491N.p.: Times Films 1966. Three vintage studio still photographs from the US release of the 1965 French film. With provenance stamps on the verso of each one with three labels obscuring its provenance stamps. Valeria Ciangottini stars as a 19-year-old Parisian girl who after a messy love affair openly decides to become a prostitute and signs a contract with a ruthless pimp. When her first client an old man who owns a marketing agency dies in her arms and a young handsome company executive comes to investigate the death it's love at first sight. 8 x 10 inches. Two Near Fine one Very Good plus with faint creasing and a wax pencil annotation to the bottom margin. Times Films unknown books
1966ref. 162491N.p.: Times Films 1966. Three vintage studio still photographs from the US release of the 1965 French film. With provenance stamps on the verso of each one with three labels obscuring its provenance stamps. Valeria Ciangottini stars as a 19-year-old Parisian girl who after a messy love affair openly decides to become a prostitute and signs a contract with a ruthless pimp. When her first client an old man who owns a marketing agency dies in her arms and a young handsome company executive comes to investigate the death it's love at first sight. 8 x 10 inches. Two Near Fine one Very Good plus with faint creasing and a wax pencil annotation to the bottom margin. Times Films unknown
2004ref. 167768London: Recorded Picture Company 2004. Revised Shooting script for the 2005 fantasy film. Copy belonging to still photographer François Duhamel with his name in manuscript ink on the title page. Based on the 2000 novel by Mitch Cullin the third and final novel in his Texas Trilogy following "Whompyjawed" 1999 and "Branches" 2000. A young girl retreats into a vivid fantasy world during a summer spent at an isolated Texan farmhouse with her brother and their eccentric neighbors. Set in Texas shot on location in western Canada. Self wrappers. Title page present dated July 15 2004 noted as Shooting Script with credits for Cullin and screenwriters Terry Gilliam and Tony Grisoni. 128 leaves with last page of text numbered 109. Xerographic duplication rectos only with blue and pink revision pages throughout dated variously between September 22 and 28 2004. Pages about Near Fine bound with two gold brads. Recorded Picture Company unknown books
2004ref. 167768London: Recorded Picture Company 2004. Revised Shooting script for the 2005 fantasy film. Copy belonging to still photographer François Duhamel with his name in manuscript ink on the title page. Based on the 2000 novel by Mitch Cullin the third and final novel in his Texas Trilogy following "Whompyjawed" 1999 and "Branches" 2000. A young girl retreats into a vivid fantasy world during a summer spent at an isolated Texan farmhouse with her brother and their eccentric neighbors. Set in Texas shot on location in western Canada. Self wrappers. Title page present dated July 15 2004 noted as Shooting Script with credits for Cullin and screenwriters Terry Gilliam and Tony Grisoni. 128 leaves with last page of text numbered 109. Xerographic duplication rectos only with blue and pink revision pages throughout dated variously between September 22 and 28 2004. Pages about Near Fine bound with two gold brads. Recorded Picture Company unknown
1971ref. 156330Burbank CA: American Zoetrope / Warner Brothers 1971. Two vintage borderless reference photographs from the 1971 film both showing Robert DuVall and Maggie McOmie in states of undress. Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by George Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. 10 x 8 inches. Near Fine. American Zoetrope / Warner Brothers unknown books
1971ref. 156330Burbank CA: American Zoetrope / Warner Brothers 1971. Two vintage borderless reference photographs from the 1971 film both showing Robert DuVall and Maggie McOmie in states of undress. Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by George Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. 10 x 8 inches. Near Fine. American Zoetrope / Warner Brothers unknown
1971ref. 170740Burbank CA: American Zoetrope / Warner Brothers 1971. Vintage studio still photograph from the 1971 film showing George Lucas on the set. Stamp of photographer Michel Ciment and layout annotations on the verso. Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by George Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. 10 x 8 inches. Near Fine. American Zoetrope / Warner Brothers unknown books
1971ref. 170740Burbank CA: American Zoetrope / Warner Brothers 1971. Vintage studio still photograph from the 1971 film showing George Lucas on the set. Stamp of photographer Michel Ciment and layout annotations on the verso. Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by George Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. 10 x 8 inches. Near Fine. American Zoetrope / Warner Brothers unknown
1992ref. 132045Culver City CA: TriStar Pictures 1992. Vintage black-and-white still photograph from the 1992 film. A young FBI agent is partnered with a veteran investigator to crack a crime case on a Sioux Indian reservation. Produced by Robert De Niro. 8 x 10 inches. Two corners lightly creased else Fine. TriStar Pictures unknown books
1929ref. 136071Hollywood: Paramount Pictures 1929. Vintage black-and-white studio still photograph from the 1929 film. Shown is George Bancroft being pulled away from a prison cell where Richard Arlen is being held. Nominated for an Academy Award. 8 x 10 inches. Very Good plus condition with a handful of pinhole tears and a short closed tear at the extremities. Paramount Pictures unknown books
1929ref. 136071Hollywood: Paramount Pictures 1929. Vintage black-and-white studio still photograph from the 1929 film. Shown is George Bancroft being pulled away from a prison cell where Richard Arlen is being held. Nominated for an Academy Award. 8 x 10 inches. Very Good plus condition with a handful of pinhole tears and a short closed tear at the extremities. Paramount Pictures unknown
1986ref. 147202N.p.: N.p. 1986. Draft script for an unproduced film. Missing page 45 likely as used or issued. Based on noted African American author John Oliver Killens' 1962 novel "And Then We Heard the Thunder" about the experiences of a group of African American draftees in a segregated unit during World War II in the South Pacific. Set in the South Pacific and South Brisbane. White untitled wrappers. Title page present dated May 1986 with credits for screenwriter ROBERT CASWELL and author JOHN OLIVER KILLENS. 122 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with a light tide mark to the top edge of the wrapper and leaves bound internally with three gold brads. N.p. unknown books
1986ref. 147202N.p.: N.p. 1986. Draft script for an unproduced film. Missing page 45 likely as used or issued. Based on noted African American author John Oliver Killens' 1962 novel "And Then We Heard the Thunder" about the experiences of a group of African American draftees in a segregated unit during World War II in the South Pacific. Set in the South Pacific and South Brisbane. White untitled wrappers. Title page present dated May 1986 with credits for screenwriter ROBERT CASWELL and author JOHN OLIVER KILLENS. 122 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with a light tide mark to the top edge of the wrapper and leaves bound internally with three gold brads. N.p. unknown
1973ref. 146566N.p.: N.p. 1973. Second Draft script for an unproduced film. With a business card for talent manager and film producer Arnold Stiefel stapled on the front wrapper and a label sticker for casting agent Paul Kohner to the title page. Included with the script are two xerographically duplicated letters from Rudy Ramos the head of the Speed Classic Racing Association to screenwriter Paul Helmick expressing enthusiasm for the prospective film. After her boyfriend dies in a boat racing accident a woman begins to date two rival racers despite her belief that she is a boating jinx. Set in Long Beach CA. Blue titled wrappers. Title page present noted as Second Draft with credits for screenwriters Paul A. Helmick and Mike Crumplar. 108 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus overallbound with two gold brads. N.p. unknown books
1973ref. 146566N.p.: N.p. 1973. Second Draft script for an unproduced film. With a business card for talent manager and film producer Arnold Stiefel stapled on the front wrapper and a label sticker for casting agent Paul Kohner to the title page. Included with the script are two xerographically duplicated letters from Rudy Ramos the head of the Speed Classic Racing Association to screenwriter Paul Helmick expressing enthusiasm for the prospective film. After her boyfriend dies in a boat racing accident a woman begins to date two rival racers despite her belief that she is a boating jinx. Set in Long Beach CA. Blue titled wrappers. Title page present noted as Second Draft with credits for screenwriters Paul A. Helmick and Mike Crumplar. 108 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus overallbound with two gold brads. N.p. unknown
1946ref. 157114Los Angeles: Twentieth Century-Fox 1946. Shooting Final script for the 1947 film seen here under the working title "Bob Son of Battle." Copy belonging to actor Lon McCallister with his annotations in manuscript pencil throughout. Included is a photograph of the cast and crew having a meal on the set with Peggy Ann Garner at the center of attention. Based on the 1898 novel "Owd Bob" by Alfred Ollivant. An aging crotchety shepherd fights his son in a collie dog sheepherding contest. Set in Scotland shot on location in Kanab Utah. Beige titled wrappers noted as Shooting Final on the front wrapper rubber-stamped copy No. 27 and production No. 113 dated June 25 1946. Title page present dated June 25 1946 noted as Shooting Final with credits for screenwriter Jerome Cady. 150 leaves with last page of text numbered 143. Mimeograph duplication rectos only with blue revision pages dated between 7/5/46 and 10/31/46. Pages Very Good plus with faint foxing on the fore-edge of the title page wrapper Very Good with script laid into wrapper partially bound with a single gold brad. Twentieth Century-Fox unknown books
1959ref. 150900Hollywood: Paramount Pictures 1959. Vintage studio still photograph from the 1959 film showing actors Blanche Yurka and Jacques Bergerac. In 1850 a group of French Basque immigrants travel to California where they intend to plant vineyards and find romance. Set in the US west. 8 x 10 inches. Very Good plus overall. Pitts 4384. Paramount Pictures unknown books
1946ref. 157114Los Angeles: Twentieth Century-Fox 1946. Shooting Final script for the 1947 film seen here under the working title "Bob Son of Battle." Copy belonging to actor Lon McCallister with his annotations in manuscript pencil throughout. Included is a photograph of the cast and crew having a meal on the set with Peggy Ann Garner at the center of attention. Based on the 1898 novel "Owd Bob" by Alfred Ollivant. An aging crotchety shepherd fights his son in a collie dog sheepherding contest. Set in Scotland shot on location in Kanab Utah. Beige titled wrappers noted as Shooting Final on the front wrapper rubber-stamped copy No. 27 and production No. 113 dated June 25 1946. Title page present dated June 25 1946 noted as Shooting Final with credits for screenwriter Jerome Cady. 150 leaves with last page of text numbered 143. Mimeograph duplication rectos only with blue revision pages dated between 7/5/46 and 10/31/46. Pages Very Good plus with faint foxing on the fore-edge of the title page wrapper Very Good with script laid into wrapper partially bound with a single gold brad. Twentieth Century-Fox unknown
1977ref. 163617Beverly Hills CA: Twentieth Century-Fox 1977. Vintage portrait photograph of actress Kate Jackson from the 1977 film. David Carradine and a pre-"Charlies Angels" Kate Jackson star as moonshine runners trying to catch up to a load of tainted moonshine followed by the law and competing mobsters. Set in and shot on location in Florida. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1971ref. 166112N.p.: N.p. 1971. Two vintage borderless reference photographs from the 1971 Japanese Pink film both showing scenes featuring nude women. Provenance stamps and annotations in manuscript ink on the versos. An experimental film about a young man's psychosexual odyssey stemming from a dysfunctional relationship with his family and culminating in alienation. 6 x 4.5 inches. Near Fine. N.p. unknown books
